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Czy Polacy wybić się mogą na niepodległość?
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14 lutego 1950 roku w Nicei
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1101-
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1001-
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901-
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1918-
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1939-
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801-
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701-
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601-
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401-
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501-
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301-
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201-
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101-
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1-
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1300-1201 p.n.e.
(11)
1400-1301 p.n.e.
(11)
1500-1401 p.n.e.
(11)
1600-1501 p.n.e.
(10)
1700-1601 p.n.e.
(6)
1800-1701 p.n.e.
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2000-1901 p.n.e.
(6)
2900-2801 p.n.e.
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191301-
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193801-
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194001-
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194101-
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194201-
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194301-
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194401-
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198801-
(1)
200001-
(1)
2101-
(1)
2201-
(1)
2301-
(1)
2401-
(1)
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(Epigraphica & Sepulcralia : fórum epigrafických a sepulkrálních studií, ISSN 2336-3363 ; 9)
Autor
Roháček Jiří (1962-2023). Bojęś-Białasik Anna. Kaple a hrobka sv. Stanislava v kostele na Skałce v Krakově ve středověku a va raném novověku Bojęś-Białasik Anna. The Chapel and the Tomb of St. Stanislaus in the Church at Skałka in Cracow in the middle ages and the early modern era Chlíbec Jan (1953- ). Sepulchral scuplture in Bohemia 1420-1471 Chlíbec Jan (1953- ). Sepulkrální sochařství v Čechách 1420-1471 Čovan Miroslav (1978- ). Sepulcralia Cassoviensia I. Dejiny výskumu a najnovšie zistenia k stredovekým a ranonovovekým sepulkráliám Dómu sv. Alžbety v Košiciach Čovan Miroslav (1978- ). Sepulcralia Cassoviensia I: history of the research and recent findings in the mediaveal and early modern sepulchral cathedral of St Elisabeth in Košice Dolejší Kateřina (1978- ). Literární zdroj nápisové desky Žerotínského paláce v Olomouci Dolejší Kateřina (1978- ). The literary source of the inscription slab of the Žerotín Palace on Olomouc Hamrlová Anna (1988- ). Contemplation of penance: the painting of the cemetery chapel of St Mary Magdalene in Kamenice nad Lipou Hamrlová Anna (1988- ). Kontemplace kajícnosti: výmalba hřbitoví kaple sv. Máří Magdaleny v Kamenici nad Lipou Hlinomaz Milan (1959- ). Burial place pf the nobility from Pátek in the Vyšší Broad monastery Hlinomaz Milan (1959- ). K typologii erbovních náhrobníků opatů v cěských zemích Hlinomaz Milan (1959- ). On the typology of the heraldic tombstones of abbots in the Czech lands Hlinomaz Milan (1959- ). Pohřební místo vladyků z Pátku ve vyšebrodském klášterě Hrdinová Martina (1974- ). Hodvábne a papierové mortuáriázo zbierky Stredoslovenského múzea v Banskej Bystrici - možnosti a limity výskumu Hrdinová Martina (1974- ). Silk and paper funeral coats of arms from the collection of the Central Slovak Museum in Banská Bystrica - the possibilities and limits of the research Huczmanová Andrea. Dva malované epitafy rodiny Pullacherů z Jáchymova Huczmanová Andrea. Two painted epitaphs of the Pullacher family from Jáchymov Klapetek Martin (1977- ). Místo paměti: muslimské hroby z Parkfriedhof Heiligenstock ve Frankfurtu nad Mohanem Klapetek Martin (1977- ). Place of memory: Muslim graves from Parkfriedhof Heiligenstock in Frankfurt am Main Křenková Zuzana (1982- ). Viktor Foerster a mozaiková tvorba pro náhrobky Křenková Zuzana (1982- ). Viktor Foerster and mosaic production for tombstones Krzemińska-Szołtysek Sylwia (1976- ). Monumenty sepulkralne z warsztatu Mistrza Nagrobka Redernów i Mistrza Nagrobka Lessoty Krzemińska-Szołtysek Sylwia (1976- ). Sepulchral monuments from the workshop of the Master of the Tombstones of the Rederns and Master of the Tombstones of the Lessotas Kudláčová Markéta (1974- ). Hrobky nobilitovaných textilních podnikatelů v sererních Čechách v poslední třetině 19. století Kudláčová Markéta (1974- ). The mausoleums of nobilitated textile entrepreneurs in North Bohemia in the last third of the 19th century Říhová Vladislava (1978- ). Viktor Foerster a mozaiková tvorba pro náhrobky Říhová Vladislava (1978- ). Viktor Foerster and mosaic production for tombstones Soukupová Blanka (1965- ). Starý židovský hřbitov a asance v dobrovém veřejném mínění Soukupová Blanka (1965- ). The old Jewish cementery and urban renewal in period public opinion Steinová Iva (1952- ). Documentation of the Jewish cementery in Milevsko Steinová Iva (1952- ). Dokumentace židovského hřbitova v Milevsku Szyma Marcin (1968- ). Kaple a hrobka sv. Stanislava v kostele na Skałce v Krakově ve středověku a va raném novověku Szyma Marcin (1968- ). Sepulkrální topografie chóru dominikánského v Krakově do počátku 17. století Szyma Marcin (1968- ). The sepulchral topography of the choir of the Dominican Church in Cracow to the beginning of the 17th century Szyma Marcin (1968- ). The Chapel and the Tomb of St. Stanislaus in the Church at Skałka in Cracow in the middle ages and the early modern era Vladařová Petra (1986- ). The Jewish cementery in Terešov Vladařová Petra (1986- ). Židovský hbitov v Terešově
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Tyt. równoległy: Proceedings of the 16th International Session on the issue of sepulchral monuments, Prague, 25-27 October 2017
Bibliogr. przy ref.
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(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
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Bibliogr. s. 765-866. Indeks.
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Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
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Autor
Richmond Alison. Bracker Alison Lee. Ashley-Smith Jonathan (1946- ). The basis of conservation ethics Avrami Erica. Heritage, values, and sustainability Bauerová Zuzana (1974- ). A critical reflection on Czechoslovak conservation-restoration: its theory and methodological approach Bracker Alison Lee. Introduction Brajer Isabelle. The concept of authenticity expressed in the treatment of wall paintings in Denmark Cane Simon. Why do we conserve? Developing understanding of conservation as a cultural construct Caple Chris (1958- ). The aims of conservation Clavir Miriam (1948- ). Conservation and cultural significance Clifford Helen (1962- ). The problem of patina: thoughts on changing attitudes to old and new things Eastop Dinah. The cultural dynamics of conservation principles in reported practice Enote Jim. Conservation, access and use in a museum of living culture Fiske Tina. White Walls: installations, absence, iteration and difference Hoeniger Cathleen Sara (1958- ). The development of principles in paintings conservation: case studies from the restoration of Raphael's art Jokilehto Jukka (1938- ). Conservation principles in the international context Kaminitz Marian A. Conservation, access and use in a museum of living culture Kemp Jonathan (1920- ). Practical ethics v2.0 Molotch Harvey Luskin (1940- ). The challenge of installation art Muñoz Viñas Salvador (1963- ). Minimal intervention revisited Pye Elizabeth. Archaeological conservation: scientific practice or sociel process? Quam Curtis. Conservation, access and use in a museum of living culture Rée Jonathan (1948- ). Auto-Icons Richmond Alison. Introduction Scott Marcelle. Ethics and practice: Australian and New Zealand conservation context Smith Catherine. Ethics and practice: Australian and New Zealand conservation context Stanley-Price Nicholas (1947- ). The reconstruction of ruins: principles and practice Sterrett Jill. Contemporary museums of contemporary art West W. Richard (1943- ). Conservation, access and use in a museum of living culture Wharton Glenn. The challenge of installation art Yatsattie Eileen. Conservation, access and use in a museum of living culture
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Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 36459 (1 egz.)
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(World Art Studies : conferences and studies of the Polish Institute of World Art Studies, ISSN 2543-4624 ; 18)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Sarkowicz Dominika. Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts Karpova Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter Susak Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop" Nitka Maria. Henryk Siemiradzki's figuralism Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena Laskowska Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Paś Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery) Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
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Bibliogr. w przypisach.
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(Prace i Materiały Muzeum Archeologicznego i Etnograficznego w Łodzi. Seria Archeologiczna, ISSN 0458-1520 ; nr 47 (2016-2017))
Autor
Grygiel Ryszard (1951- ). Bogucki Peter I. (1954- ). Jaskólski Piotr. Maryniak Agata. Maryniak Bogusław. Piątkowska Grażyna. Tokarczuk-Różańska Agnieszka. Adamczak Kamil. North-eastern periphery of the Eastern group of the Funnel Beaker culture - 80 years later Czerniak Lech (1952- ). The emergence of TRB communities in Pomerania Dâčenko Aleksandr Viktorovič. Eastern impulses in the eastern group of the Funnel Beaker culture Domańska Lucyna (1947- ). Change and continuity Grygiel Ryszard (1951- ). A short summary of the conference: "The Eastern Group of the Funnel Beaker culture - 80th anniversary of the publication of the doctoral dissertation written by professor Konrad Jażdżewski", Łódź, September 14th - 16th Grygiel Ryszard (1951- ). The Funnel Beaker culture in Brześć Kujawski and Osłonki Region (Kuyavia) Gavìnsʹkij Andrìj Mironovič (1982- ). Eastern impulses in the eastern group of the Funnel Beaker culture Jankowska Dobrochna (1944- ). The Eastern Group of the Funnel Beaker culture Jaskulak Jarosław. Results of chemical analyses of flint artefacts from the locality of Luboń (site. 65), 2 Kwiatowa St Kadrow Sławomir (1956- ). South-Eastern Group of Funnel Beaker culture Kittel Piotr. The setttement of the Funnel Beaker culture in the region of Wietrzychowice (district of Izbica Kujawska, provice of Kuyavia-Pomerania) in the light of the excavations carried out from 2009 to 2016 Kośko Aleksander (1948- ). Microhistory of the Mound Studies of 4th-3rd millenium BC in Kujawy - the case of the Opatowice complex Kośko Aleksander (1948- ). Strategies for field investigation into Neolithic of the Polish Lowlands: in a circle of attempts to update the vision of the Funnel Beaker community created by professor Konrad Jażdżewski Kowalewska-Marszałek Hanna. From the research on the Funnel Beaker culture in the Sandomierz Upland (on the occasion of the considerations by Kondrad Jażdżewski) Kozłowski Stefan Karol (1938- ). Funnel Beaker transformation in Polish territories Król Dariusz (archeologia). Eastern impulses in the eastern group of the Funnel Beaker culture Król Dariusz (archeologia). When, where and how long? Krzyszkowski Andrzej (archeologia). A new find of Świeciechów flint in Greater Poland Kukawka Stanisław (1955- ). North-eastern periphery of the Eastern group of the Funnel Beaker culture - 80 years later Lech Jacek (1946- ). The historical context of Konrad Jażdżewski's book "The Funnel Beaker culture in Western and Central Poland" Małecka-Kukawka Jolanta (1955- ). North-eastern periphery of the Eastern group of the Funnel Beaker culture - 80 years later Matuszewska Agnieszka. The Funnel Beaker culture in the Szczecin Lowlands - looking back on the last 30 years Nowaczyk Szymon. The current state of research in the Funnel Beaker culture in Pałuki Nowak Marek (archeologia). Funnel Beaker transformation in Polish territories Papiernik Piotr. Excavations of the Kuyavian megalithic long barrow no. 2 of the Funnel Beaker culture, situated on site 1 at Gaj, commune of Izbica Kujawska, province of Kuyavia-Pomerania Papiernik Piotr. The setttement of the Funnel Beaker culture in the region of Wietrzychowice (district of Izbica Kujawska, provice of Kuyavia-Pomerania) in the light of the excavations carried out from 2009 to 2016 Pasterkiewicz Wojciech. Comments on the settlement of the Funnel-Beaker culture in Ukraine Pelisiak Andrzej. Mountains periphery of human activity in the Late Neolithic Piotrowska Danuta (archeologia). The historical context of Konrad Jażdżewski's book "The Funnel Beaker culture in Western and Central Poland" Płaza Dominik Kacper. Excavations of the Kuyavian megalithic long barrow no. 2 of the Funnel Beaker culture, situated on site 1 at Gaj, commune of Izbica Kujawska, province of Kuyavia-Pomerania2 Płaza Dominik Kacper. Scientific attainments of Ewa Niesiołowska and her influence on the research into flint industry of the Funnel Beaker culture Płaza Dominik Kacper. The setttement of the Funnel Beaker culture in the region of Wietrzychowice (district of Izbica Kujawska, provice of Kuyavia-Pomerania) in the light of the excavations carried out from 2009 to 2016 Rybicka Małgorzata (archeologia). Eastern impulses in the eastern group of the Funnel Beaker culture Rzepecki Seweryn. About Eastern TRB (and more) Sałacińska Barbara. The settlement in Kownacica, Garwolin poviat - a contribution to a deeper understanding of the Funnel Beaker culture in Żelechów High Plain Sałaciński Sławomir. The settlement in Kownacica, Garwolin poviat - a contribution to a deeper understanding of the Funnel Beaker culture in Żelechów High Plain Szmyt Marzena. Microhistory of the Mound Studies of 4th-3rd millenium BC in Kujawy - the case of the Opatowice complex Szydłowski Marcin (1979- ). The problem of the role of limestone rock in the communities of the Funnel Beaker culture (TRB) in north-western Poland Wicha Joanna. Excavations of the Kuyavian megalithic long barrow no. 2 of the Funnel Beaker culture, situated on site 1 at Gaj, commune of Izbica Kujawska, province of Kuyavia-Pomerania Wicha Joanna. The setttement of the Funnel Beaker culture in the region of Wietrzychowice (district of Izbica Kujawska, provice of Kuyavia-Pomerania) in the light of the excavations carried out from 2009 to 2016 Wierzbicki Jacek (1958- ). Is it possible to define an eastern group of the Funnel Beaker culture today? Winiarska-Kabacińska Małgorzata. Results of traseological analyses of two flint artefacts from Luboń (site 65), 2 Kwiatowa St
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Katalog wystawy prezentowanej w Muzeum Narodowym w Lublinie, 6.07.-31.12.2023.
Bibliogr. s. 294-[297].
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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Bibliogr. s. 792-890. Indeks.
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Kowalewska Dominika. Łubowicz Elżbieta. Dawidek Gryglicka Małgorzata (1976- ). Małgorzata Dawidek Gryglicka - Stanisław Dróżdż: fragments of a conversation Dawidek Gryglicka Małgorzata (1976- ). Małgorzata Dawidek Gryglicka - Stanisław Dróżdż: fragmenty rozmowy Dróżdż Stanisław (1939-2009). Elżbieta Łubinowicz - Stanisław Dróżdż: conversation Dróżdż Stanisław (1939-2009). Elżbieta Łubinowicz - Stanisław Dróżdż: rozmowa Dróżdż Stanisław (1939-2009). Małgorzata Dawidek Gryglicka - Stanisław Dróżdż: fragments of a conversation Dróżdż Stanisław (1939-2009). Małgorzata Dawidek Gryglicka - Stanisław Dróżdż: fragmenty rozmowy Dróżdż Stanisław (1939-2009). Paweł Majerski - Stanisław Dróżdż: fragment of a conversation Dróżdż Stanisław (1939-2009). Paweł Majerski - Stanisław Dróżdż: fragment rozmowy Dróżdż Stanisław (1939-2009). Pojęciokształty Dziamski Grzegorz (1955- ). Language games by Stanisław Dróżdż Dziamski Grzegorz (1955- ). Stanisława Dróźdża gry z językiem Głowala Michał (1975- ). Czego nie wolno zapomnieć o Stanisławie Głowala Michał (1975- ). What must we not forget about Stanisław Łubowicz Elżbieta. Elżbieta Łubinowicz - Stanisław Dróżdż: conversation Łubowicz Elżbieta. Elżbieta Łubinowicz - Stanisław Dróżdż: rozmowa Łubowicz Elżbieta. Lub Łubowicz Elżbieta. Or Łubowicz Elżbieta. Poezja czystego systemu Łubowicz Elżbieta. Reality is a text. On "concept-shapes" by Stanisław Dróżdż Łubowicz Elżbieta. Rzeczywistość jest tekstem. O "pojęciokształtach" Stanisława Dróżdża Łubowicz Elżbieta. The poetry of pure system Majerski Paweł (1968- ). Paweł Majerski - Stanisław Dróżdż: fragment of a conversation Majerski Paweł (1968- ). Paweł Majerski - Stanisław Dróżdż: fragment rozmowy Sławek Tadeusz (1946- ). Before-theo, aftre-logy. The theology of prepositions by Stanisław Dróżdż Sławek Tadeusz (1946- ). Do not read Sławek Tadeusz (1946- ). In-between Sławek Tadeusz (1946- ). Między Sławek Tadeusz (1946- ). Nie czytać Sławek Tadeusz (1946- ). Numerical texts Sławek Tadeusz (1946- ). Pro (-) Verb. To Stanisław Dróżdż in memoriam Sławek Tadeusz (1946- ). Przed-teo, za-logia. Stanisława Dróżdża teologia przyimków Sławek Tadeusz (1946- ). Przy (-) słowie. Stanisławowi Dróżdżowi in memoriam Sławek Tadeusz (1946- ). Słowo Sławek Tadeusz (1946- ). Teksty cyfrowe Sławek Tadeusz (1946- ). The word Żabski Eugeniusz (1940- ). Paradoksy Stanisława z Wrocławia Żabski Eugeniusz (1940- ). Paradoxes of Stanisław from Wrocław
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Publ. towarzysząca wystawie: Muzeum Narodowe we Wrocławiu, 26 października - 6 grudnia 2009.
Na s. red.: Wystawa została zorganizowana przez Ośrodek Kultury i Sztuki we Wrocławiu w ramach Dolnośląskiego Festiwalu Artystycznego pod patronatem Bogdana Zdrojewskiego - Ministra Kultury i Dziedzictwa Narodowego oraz Marka Łapińskiego - Marszałka Województwa Dolnośląskiego.
Bibliogr. s. 236-238.
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Barta Peter. Gaburová Jasna. Koblišková Zuzana. Kubica Juraj. Aigner Thomas (1973- ). The power of big data of the past - let's build a time machine! Bartošová-Pinterová Zuzana (1946- ). Slovak National Gallery in times of the Velvet Revolution Bartošová-Pinterová Zuzana (1946- ). Slovenská národná galéria v čase Nežnej revolúcie Borbély Katalin. Directive on copyright in the digital single market - what it means for cultural institutions Bunsch Eryk (1973- ). To be or no to be - proper digital strategies for museums Carvalho Ana (1977- ). Moving museums towards transformation and change in a digital World: insights from the project Mu.SA Csorba Judit. From digitising to accessibility - a thirty-year process at the Museum of Ethnography, Budapest Čudrnák Michal. Čas-opis 1989 Dolák Jan (1962- ). Digitalizace pro muzejníky nebo pro veřejnost? Dolák Jan (1962- ). Is digitizing for museums professionals or for the public? Faber Michael H. (1953- ). No future without instawalk and virtual reality? AVICOM, museums and new media Fuchs Hilde (1964- ). Marchfeld - over here and there / searching for traces, leaps in time and artistic strategies Galambos Henrietta. Museum and digitisation - legal headache Gredka-Ligarska Iwona. Museum staff vs artificial intelligence Gwoździewicz-Matan Paulina. Legal aspects of digitization in museums Hanáková Petra (1974- ). Čas-opis 1989 Jareš Jakub (1983- ). Česká a slovenská muzea v evropském kontextu Jareš Jakub (1983- ). Czech and Slovak Museums in the European context Jirásek Pavel (1961- ). Cultural heritage protection and the development of IT after the Fall of the Iron Curtain Jirásek Pavel (1961- ). Ochrana kulturního dědictví a rozvoj IT po pádu železné opony Koltay Erika. Digitalized museum collections in education Lehmannová Martina (1978- ). Připomínání památky obce Lidice ve virtuálním světě Lehmannová Martina (1978- ). The commemoration of the heritage of Lidice village through virtual reality Maráky Peter (1950- ). Enticements and risks of uncontrolled dynamics of change within museums Maráky Peter (1950- ). Zvody a riziká neriadenej dynamiky zmien v múzejníctve Matos Alexandre. Moving museums towards transformation and change in a digital World: insights from the project Mu.SA Mikulík Dalibor. Gotický hrad Ľubovňa a archeologické nálezy prezentované formou hologramu Mikulík Dalibor. Ľubovňa Gothic Castle and archeological sites presented in the form of hologram Orlandi Sarah Dominique. Web strategy in museums: an Italian survey stimulates new visions Sacha Magdalena (1973- ). "Kresy": the former Eastern borderland of Poland. Lost in history but still alive in the virtual exhibition? Seirafi Kasra. HoloMuse - museum learning with augmented Soldánová Anna. Social media as tools for community management Soldánová Anna. Sociální sítě jako nástroj community managementu Stańska Zuzanna. Digital projects that help museums communicate with their audiences in the real-time: Facebook chatbots, IBM Watson, and ASK App Šulík Marek (1974- ). Recycling Family Film Archives Šulík Marek (1974- ). Recyklácia rodinných filmových archívov Tari János (1957- ). Online archive of Museum Media Projects of the Avicom F@imp Festival updated website: faimpavicom.org Večeřa Jozef. Exhibition commemorating the 30th anniversary of the Fall of the Iron Curtain Večeřa Jozef. Projekt Technického muzea v Brně k 30. výročí pádu železné opony Wiencek Florian. HoloMuse - museum learning with augmented reality Zahlbruckner Christa. A connected database: benefit for regional museums
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Materiały z konferencji: Slovenské národné múzeum - Historické múzeum, 6-7 listopada 2019 r.
Bibliogr. przy niektórych ref.
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(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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Tyt. grzbietowy: Politics of erasure
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W koszyku
Autor
Beier Christine. Juckes Tim. Pinkus Assaf. Bartlová Milena (1958- ). Can we grasp wordless images? Binski Paul (1956- ). Gothic art, realism and magniloquentia: thoughts on Erich Auerbach Gerát Ivan (1964- ). Bonaventure and monastic images of St Elizabeth Hinterholz Tanja. Inhaltliche Vielfalt durch motivische Zurückhaltung. Zur Wandmalerei in der camera pape im Papstpalast von Avignon Juckes Tim. Eye of the donkey: visual strategies on the choir Threshold of St Laurence’s in Nuremberg Jung Jacqueline E. (1971- ). In praise of the Pigeon: interpretive adventures in Naumburg Cathedral Kaczmarek Romuald (1959- ). Das Kultbild und sein Rahmen: Zur Funktion von Stildifferenzen (zwei schlesische Beispiele aus dem Anfang des 16. Jahrhunderts) Klafter Einat. The scaling turn: experiencing late medieval artifacts Körner Hans (1951- ). "Where the wild things are". Die Wilden Leute des späten Mittelalters und der frühen Neuzeit im Raum des Dekorativen Pace Valentino (1944- ). Storia, mito e allegoria: I portali del Santo Sepolcro a Brindisi Pfisterer Ulrich (1968- ). Bildkonzepte im Widerstreit. Donatellos Judith als „naturalisierte Allegorie“ Pinkus Assaf. The scaling turn: experiencing late medieval artifacts Rodríguez Porto Rosa Maria. In cerchio: illuminating the Trojan legend and the commedia between the Veneto and Naples (with some conjectures on Madrid, BNE, MS 10057) Saurma-Jeltsch Lieselotte E. (1946- ). Wie die Bilder im Roman d’Alexandre en prose die dubiose Herkunft des Helden diskutieren Schurr Marc Carel (1965- ). Bilder und Kult als Ausdruck bischöflicher Macht: Berthold von Buchegg und die Katharinenkapelle im Straßburger Münster
Indeks R0: BMNK
Bibliogr. w przyp.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26484 (1 egz.)
Książka
W koszyku
Autor
Grau Rawley. Jenko Marko (1980- ). Pogačnik Marko (1944- ). Reissner Tadej. Španjol Igor (1972- ). Soban Tamara. Badovinac Zdenka (1958- ). Foreword Badovinac Zdenka (1958- ). How do we work? Collective production as an aesthetic gesture in some Yugoslav conceptual and post-conceptual art groups Badovinac Zdenka (1958- ). Predgovor Badovinac Zdenka (1958- ). Kako delamo? Kolektivna produkcija kot estetska gesta v nekaterih jugoslovanskih konceptualnih in postkonceptualnih umetniških skupinah Brejc Tomaž (1946- ). Marko's lines Brejc Tomaž (1946- ). Markove črte Geister Iztok (1945- ). Life as art Geister Iztok (1945- ). Življenje kot umetnost Höller Christian (1966- ). Šestdeseta, sladko in kislo: pogovor z Markom Pogačnikom in Petrom Weiblom o začetkih njune umetniške poti Höller Christian (1966- ). The sixties, sweet and sour: a conversation with Marko Pogačnik and Peter Weibel on the beginnings of their artistic careers Penzel Joachim (1968- ). Kinesiograms and cosmograms - the language of the universe. On Marko Pogačnik's drawings Penzel Joachim (1968- ). Kineziogrami in kozmogrami - jezik vesolja. Ob risbah Marka Pogačnika Pogačnik Marko (1944- ). Back to art - art forward Pogačnik Marko (1944- ). Interviews with members of the OHO Group - Marko Pogačnik Pogačnik Marko (1944- ). Manifest za tretjo umetnost Pogačnik Marko (1944- ). Nazaj k umetnosti - naprej umetnost Pogačnik Marko (1944- ). Pogovori s člani Skupine OHO - Marko Pogačnik Pogačnik Marko (1944- ). Šestdeseta, sladko in kislo: pogovor z Markom Pogačnikom in Petrom Weiblom o začetkih njune umetniške poti Pogačnik Marko (1944- ). The sixties, sweet and sour: a conversation with Marko Pogačnik and Peter Weibel on the beginnings of their artistic careers Pogačnik Marko (1944- ). Third art manifesto Rogina Bojana. Biobibliografija Rogina Bojana. Biobibliography Španjol Igor (1972- ). Dokaz, da Zemlja ni okrogla Španjol Igor (1972- ). The proof that the Earth is not round Šuvaković Miško (1954- ). Nevidne in vidne konstrukcije subjekta: Marko Pogačnik (od OHO-ja do Šempasa) Šuvaković Miško (1954- ). The invisible and the visible constructions of the subject: Marko Pogačnik (from OHO to Šempas) Weibel Peter (1944- ). Šestdeseta, sladko in kislo: pogovor z Markom Pogačnikom in Petrom Weiblom o začetkih njune umetniške poti Weibel Peter (1944- ). The sixties, sweet and sour: a conversation with Marko Pogačnik and Peter Weibel on the beginnings of their artistic careers Žerovc Beti. Interviews with members of the OHO Group - Marko Pogačnik Žerovc Beti. Pogovori s člani Skupine OHO - Marko Pogačnik
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Katalog wystawy: Moderna galerija, Ljubljana, 5.6.-4.12.2012.
Bibliogr. s. 272-283.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26728 (1 egz.)
Książka
W koszyku
(Conferenze / Accademia Polacca delle Scienze ; ISSN 0239-8605 ; 145)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Nitka Maria. Chasjanowa Lejła S. (1963- ). "Do we need a Russian Academy in Rome?" Henryk Siemiradzki and art education Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome Dobrowolski Witold (1939-2019). Programme related content in the "The judgment of Paris" by Henryk Siemiradzki First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki Gerc Lidia. "Thinks like Dante, handles paints like Boccaccio". About Henryk Siemiradzki in Vienna Haake Michał. Realism and figuralism. On "Christ and the Harlot" by Henryk Siemiradzki Karpova Tatʹâna Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence Klimov Pavel Û. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg) Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki Malinowski Jerzy (1950- ). Introduction Markova Nina Kirillovna. Some ideas about "A French artist of the time of Louis XV paints the portrait of a Marquise" by Henryk Siemiradzki Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's "Phryne" Okoń Waldemar (1953- ). Siemiradzki and the three bards Ormond Leonée (1940- ). Frederic Leighton and the poets Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse Rosales Rodríguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's "fetishization of sight" Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
Indeks R0: BMNK
Materiały z międzynarodowej konferencji naukowej, 7-9 listopada 2018 r., Rzym.
Bibliogr. w przypisach do ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34738 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Cichocki Sebastian (1975- ). Eilat Galit (1965- ). Wendland Saskia. Wawrzyńczak Marcin (1968- ). Pomorska Barbara. Kassovsky Daria. Aloni Udi (1959- ). Brooklyn-Jenin: the Binational Popular Front for The Liberation of the Middle East Amit Gish. When suffering becomes an identity: On the moments of catastrophe and the contours of hope Anani Yazid. Facebook your space for revolution Azoulay Ariella (1962- ). Guided imagination Bartana Yael (1970- ). Wall and tower D.I.Y. Bartana Yael (1970- ). We shall be strong in our weakness Beylin Marek (1957- ). The movement of Jewish Shadows Borchardt-Hume Achim. Smell history Carson Juli (1962- ). Postcards from the real. The Jewish Renaissance Movement in Poland Cichocki Sebastian (1975- ). A polish language lesson for the settlers' children Danon Eyal. Untitled Dunietz Maya (1981- ). Fortune telling Edelman Udi (1977- ). Not in so many words: political movement as conceptualisation Eilat Galit (1965- ). "My heart is in the East, and I in the uttermost West" Gedalyovich Michael Kessus (1960- ). Is the homecoming a homecoming! Geyer Andrea (1971- ). Script #3/Comrades of time Goll Philipp (1984- ). Provoking the sense of possibility. A strategy for an underground within the JRMiP Grupińska Anka (1956- ). Dear Founding Mothers and Founding Fathers of the Jewish Renaissance Movement in Poland! Hannula Mika (1967- ). For the matters that matter Hatherley Owen (1981- ). Warsaw passages Hendrickson Daniel (1963- ). The Rhizome of Babel Hoffman Thalia (1979- ). Spicy Poland Jakubowicz Rafał (1974- ). Chai Jarecka Dorota (1966- ). New messianism. A polish literature reader Kapela Jaś (1984- ). The truth Kat Wam (1955- ). Emergency plan, or how to start a people's kitchen Kenny Yoav. Not in so many words: political movement as conceptualisation Kim Jeuno J.E. (1977- ). Survival kit for cold weather conditions Kremnitzer Yuval. A Polish state in the Land of Israel Kutyła Julian (1979- ). Team tactics Martens Renzo (1973- ). A recipe for a New Institute Miller Daniel (1954- ). Appendix [F] (The appendix that was removed) Möntmann Nina (1969- ). New Europe's nightmare Nielsson Camilla. Hollywood Exodus Ophir Adi. Guided imagination Perjovschi Dan (1961- ). Mixed feelings and drawings Perjovschi Lia. Basic needs Peter Stefanie (1966- ). Provoking the sense of possibility. A strategy for an underground within the JRMiP Pitchon Avi (1968- ). Save Europe now ask me how Porat Illa Ben (1972- ). A culinary Autobiography Pontbriand Chantal (1951- ). The DNA (No)Recip Radynski Oleksiy (1984- ). Alterzionism: backwards to "Red Zion" Ressler Oliver (1970- ). Untitled Rifky Sarah (1981- ). Instructions from a Dictator The Green Book Sachsse Susanne (1965- ). We shall be strong in our weakness Siegel Marc. Jew know what I mean? Sierakowski Sławomir (1979- ). Terror in the Bauble Republic Thije Steven ten (1980- ). A recipe for history Trainor James. A Potluck anthology Vilensky Dmitry. A declaration on politics, knowledge, and art on the fifth anniversary of the Chto Delat work group Wachsmuth Simon (1964- ). Hommage to Noe Wachsmuth Simon (1964- ). Sweet and sour cabbage soup Zemel Carol M. Yankl's cholent Zook Nir (1976- ). Spicy Poland
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Publikacja towarzysząca wystawie: the Polish Pavilion at the 54th International Art Exhibition in Venice, 4 czerwca - 27 listopada 2011.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31953 (1 egz.)
Książka
W koszyku
Autor
Wood Elizabeth Jane (1971- ). Abowd Naina. Museums as sites for culturally responsive and sustaining teacher preparation Acevedo Salvador. Designing experiences for audience diversity: a guide for audience-centered program design Beatti Ashlee. Selecting, implementing, and adapting educational methodologies to support interpretation Cheng Michelle. Art on the mind: creative aging at the Frye Art Museum Cooke-Nieves Natasha. Museums as sites for culturally responsive and sustaining teacher preparation Cooper Nathalie. Education and discipline: deviant objects and dissenting bodies at the Horniman Museum DiCindio Carissa (1977- ). Gathering together with purpose: a new framework for museum education Eddleman Stephanie. Selecting, implementing, and adapting educational methodologies to support interpretation Fisher Joanna. Meeting the needs of all museum visitors through family-friendly design Foutz Susan (1979- ). Learning frameworks and the museum educator's role: strategies for long-term relevance Graves Jean A. Amateur, audience, agent: participatory culture and docent roles Gupta Preeti. Museums as sites for culturally responsive and sustaining teacher preparation Hamaker Cathy. Tools for interactive inspiration: beyond buttons and flip labels Handel Elyse. Selecting, implementing, and adapting educational methodologies to support interpretation Hatcher Sarah Junk. Why not a temple AND a forum? Hayde Donnelley. Learningscapes and the visitor experience Hayes Leslie. Museum educators as curricular innovators: "Women & the American Story", a case study Heimlich Joe E. (1957- ). Learningscapes and the visitor experience Hoefling Christina. How do we want to live? Collaborative curation of a special exhibition on sustainable futures at the Senckenberg Natural History Museum Frankfurt Horrocks Allison. Tilden, now and then Howes Elaine V. Museums as sites for culturally responsive and sustaining teacher preparation Kimpeler Simone. How do we want to live? Collaborative curation of a special exhibition on sustainable futures at the Senckenberg Natural History Museum Frankfurt Kisiel James. Scaling the ivory tower - creating and managing collaboration with the university Knecht Mary Jane. Art on the mind: creative aging at the Frye Art Museum Latham Kiersten Fourshé‏. Experiencing objects in the museum Mask Ashley. Finding one's way as a novice art museum educator Meier Carey. Learning frameworks and the museum educator's role: strategies for long-term relevance Michal Susan. Selecting, implementing, and adapting educational methodologies to support interpretation Mitchell Amber N. Reclaiming our peace: preparing for a career as BIPOC museum educators Nagawiecki Mia. Museum educators as curricular innovators: "Women & the American Story", a case study O'Quinn Sandra. Selecting, implementing, and adapting educational methodologies to support interpretation Pederson Melissa. Learning frameworks and the museum educator's role: strategies for long-term relevance Pederson Melissa. Tools for interactive inspiration: beyond buttons and flip labels Prottas Nathaniel. Teaching in the art museum: a classic reframed Rasmussen Briley. Gathering together with purpose: a new framework for museum education Rossmanith Eva. How do we want to live? Collaborative curation of a special exhibition on sustainable futures at the Senckenberg Natural History Museum Frankfurt Schero Jennifer. At the crossroads of tradition and transformation: docents in the art museum Shaw Jessica. Selecting, implementing, and adapting educational methodologies to support interpretation Theiler Lena. How do we want to live? Collaborative curation of a special exhibition on sustainable futures at the Senckenberg Natural History Museum Frankfurt Thoma Emmons Claire. Learning frameworks and the museum educator's role: strategies for long-term relevance Valle Lucena Lau. Claiming space, cultivating community: Latinx and Asian American ethnically specific museums in a global city Vue Kalia. Culturally sustaining pedagogy in museum education Wallace Jamie. Museums as sites for culturally responsive and sustaining teacher preparation Weiss Laura. Learningscapes and the visitor experience Wolins Inez S. Relevance, inclusion, and interaction in museums from Peale's perspective: not yet enough Wood Elizabeth Jane (1971- ). Essential methods and approaches Wood Elizabeth Jane (1971- ). Experiencing objects in the museum Wood Elizabeth Jane (1971- ). Introduction Wood Elizabeth Jane (1971- ). Museum educators and their purpose past, present, and future Wood Elizabeth Jane (1971- ). The museum educator mindset in the community and in the field
Indeks R0: BMNK
Bibliogr. po art. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 36464 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26406 (1 egz.)
Książka
W koszyku
Autor
Bartlová Milena (1958- ). Šroněk Michal (1952- ). Bartlová Milena (1958- ). Artistic form as a communication medium: what is beautiful about the beautiful style? Bartlová Milena (1958- ). The crossroads of communication Blahynka Miloslav (1961-2011). Samuel Capricornus, composer in the services of the Evangelical Lutheran Church in Bratislava Bočkova Hana (1955- ). Image of the protestant in religious educational literature Bůžek Václav. The manifestation of religious identity in the symbolic communications of Ferdinand of Tyrol Franzen Wilfried (1943- ). Catholic media in utraquist Bohemia Hlaváček Petr (1974- ). Catholics, utraquists and lutherans in Northwestern Bohemia, or public space as a medium for declaring confessional identity Holeton David R. (1948- ). Bohemia speaking to God: the search for a national liturgical expression Hubková Jana. Events in Bohemia as pictured in protestant illustrated single- and multiple-sheet broadsheets from 1618-1620 Jakubec Ondřej (1976- ). "We believe that Your Ladyship will deign to accept this small gift from us with gratitude". Artworks and literature as means for strengthening catholicism in Moravia before the battle of the White Mountain Kuracinová-Valová Miroslava. The lutherans versus the crypto-calvinists of Spiš fighting (not only)over visual representations Malý Tomáš (1978- ). 'Confessional identity' in Moravian royal towns in the 16th and 17th centuries? Maňas Vladimír (1979- ). Confraternities of litterati in Moravia: funerary, musical, confessionalising corporations? Medvecký Jozef (1947- ). Speculum Justificationis. The 1611 Thurzo altarpiece and its Nuremberg model Mutlová Petra (1976- ). Communication texts through images: Nicholas of Dresden's Tabule Palmitessa James R. Overlapping and intersecting communication networks in Prague at the time of the Passau invasion of 1611 Pavlíčkova Radmila (1974- ). The funeral sermon as a confessional confrontation and manifestation Přidalová Jana. The wall painting "The law and the Gospel"? in St. Wenceslas Church in Moravian Ostrava, its iconography and the influence of utraquism Robinson-Hammerstein Helga (1938- ). Viewing and singing the World of God in lutheran Germany Šárovcová Martina (1979- ). Modus legendi: illuminated utraquist choir books of the Bohemian renaissance Škarpová Marie (1977- ). Šteyer's Kancionál český as a component of a re-catholicisation of the censorship Šroněk Michal (1952- ). Visual culture and the unity of Brethren: 'do not make yourselves graven images...' Szewczyk Aleksandra (1979- ). The bishop as shepherd and as duke: some aspects of the patronage of art by the Bishop of Wrocław in the sixteenth century Walczak Marek (1965- ). Sędziwój of Czechle and images. Art as a medium of religious identity in Poland in the second half of the 15th century Zilynská Blanka. From learned disputation to the happening. The propagation of faith through word and image
Indeks R0: BMNK
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24728 (1 egz.)
Książka
W koszyku
(Acta Universitatis Wratislaviensis. Historia Sztuki, ISSN 0860-4746 ; 34)
Autor
Montanari Giacomo (1984- ). Wojtyła Arkadiusz (1978-2021). Wyrzykowska Małgorzata (1971- ). Arecco Davide (1975- ). Science and religion in the 17th century: the Jesuits between Genoa and Europe Baranowski Andrzej Józef. Dynastic background to jesuit academies in Central Europe Fiore Valentina. Andrea Pozzo and genoese altars: comparisons, exchanges and relations Galewski Dariusz (1970- ). Remarks on the architecture of Jesuit Colleges in the Bohemian Province, particularly in Silesia Jezierska Anna (1981- ). Some remarks on the links between rhetoric and baroque art as evidenced by the decorations in the Church of the Most Sacred Name of Jesus in Wrocław Karlik Rafał. The Aula Leopoldina at the University of Wrocław as the Temple of God’s Wisdom. Notes on the iconographic program and its sources Kolbiarz Artur. Sculpted furnishings of the jesuit church and University in Wrocław. New findings and interpretations Kozieł Andrzej (1966- ). The Aula Leopoldina at the University of Wrocław as the Temple of God’s Wisdom. Notes on the iconographic program and its sources Magnani Lauro (1952- ). Giuseppe Castiglione in Genoa: the work of a jesuit artist for the global culture of images during his chinese mission Magnani Lauro (1952- ). The Jesuit Fathers in Genoa, their art and history: new research and a long tradition of studies Nowak Romuald (1957- ). The personifications of the Cardinal Virtues from the portal of the University of Wrocław Poso Regina (1942- ). On the Church of Jesus in Lecce Rava Giovanni Paolo. The Seminary of St. Ignazio in Genoa: a building site between history, philology and traditional architectural techniques Seidel-Grzesińska Agnieszka. The Aula Leopoldina at the University of Wrocław as the Temple of God’s Wisdom. Notes on the iconographic program and its sources Stagno Laura. The iconography of Saint Anne, Mater Virginis, in the artistic patronage of the Jesuit Order: The case of Genoa Wardzyński Michał (1975- ). Sculpted furnishings of the jesuit church and University in Wrocław. New findings and interpretations Wojtyła Arkadiusz (1978-2021). Die Kirche auf der kayserlichen Burg. Some remarks on the architecture and ideological programme of the Church of the Most Sacred Name of Jesus in Wrocław Wyrzykowska Małgorzata (1971- ). Selected questions concerning the architecture of the Main Building of the University of Wrocław
Indeks R0: BMNK
W serii gł.: ISSN 0239-6661 ; no 3684.
Indeksy.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31328 (1 egz.)
Książka
W koszyku
(Publication Series of the Museum Europäischer Kulturen ; vol. 24)
Autor
Boersma Susanne (1992- ). Edenheiser Iris. Scott Joel. Tietmeyer Elisabeth (1960- ). Aksoy Suay. What’s Missing? - Sticking to the margins Ataman Ferda (1979- ). Our heymat! Your museum? – Towards a more diverse museum culture. Susan Kamel in conversation with Ferda Ataman about childhood, museums and the power of belonging Avramidou Sophia. The "Greek crisis" and the tale of an unemployment card - A biographical card Beitl Matthias. Collecting is communicating Boersma Susanne (1992- ). The archive of forgotten memories - A participatory process of reflection Buchczyk Magdalena. Horezu bowl - The lacklustre nature of tradition Buchczyk Magdalena. Pandora’s box? Transforming everyday collections Burns Kieran. Mind the gap(s)! – The challenges of delineating a narrative at the house of European history Chahine Anne. The archive of forgotten memories - A participatory process of reflection Chevallier Denis (1951- ). Collecting contemporary items to study and exhibit social issues – Experiences of the MuCEM, Marseilles, France Chevallier-Kause Eva. Yellow vests Edenheiser Iris. Introduction - Towards new filters and relations Edenheiser Iris. Kum’a Mbape and Ndumb’a Lobe on a Berlin pictorial broadsheet Edenheiser Iris. Open the gates - Museum methods and structures Gouaffo Albert (1965- ). Kum’a Mbape and Ndumb’a Lobe on a Berlin pictorial broadsheet Gruda Hans-Joachim. #CollectingCorona Gul Fatma. Transnational solidarity - Transgender voices in the museum Harlin Eeva-Kristiina (1972- ). Ládjogahpir rematriated - The Sámi ontology of a museum object Heck Brigitte (1964- ). Another story to tell? New narrations for European exhibitions Hotopp-Riecke Mieste. The Fez, emancipation, and homelands - What a Crimean Tatar Feaz in Berlin is albe to tell us Kamel Susan. Our heymat! Your museum? – Towards a more diverse museum culture. Susan Kamel on conversation with Ferda Ataman about childhood, museums and the power of belonging Kaschuba Wolfgang. Between cultural heritage and looted art - European museums in turbulent times Köbsell Swantje (1958- ). "There’s never anyone like me..." On the (Mis-)representation of disability Kupka Mahret Ifeoma. Contemporary Muslim fashions - Racism and diversity in European museums Kuti Klára. Community of remembrance versus the politics of memory - The example of a Hungarian museum Lehrer Erica T. (1969- ). From "heritage communities” to "communities of implication" Macdonald Sharon (1961- ). Seven modes of museum forgetting Malik Saad. Queerness - free delivery to your home! McMaster Gerald (1953- ). (Re)presenting the European – The virtual platform for indigenous art Moehring Markus (1958- ). Cross-border exhibitions to reflect upon and overcome national imaginaries Mori Akiko (1957- ). Exhibiting Europe in an ethno logical museum in Japan - Redefining the opposition between self and other Mouliou Marlen. Absences and silences in Greek museums - Tracing the gaps in untold stories Mouliou Marlen. The "Greek crisis" and the tale of an unemployment card - A biographical card Mucha Franziska. The archive of forgotten memories - A participatory process of reflection North Ace. Revoking the future Oleszkiewicz Małgorzata (1955- ). Between collecting “Traditional Folk Culture” and the challenges of contemporary collection policies – Current dilemmas facing ethnographic museums Pardue Diana F. Treasures from home - European identities in the Ellis Island Immigration Museum Peschel Tina. What am I missing? A look inside the MEK collection Rahemipour Patricia (1972- ). "It’s sad to watch Europe rot from the inside out" Redlin Jane. Cosplay - Collecting youth culture Sado Dachil (1992- ). The leggings Sandell Richard (1967- ). Bringing queer home Schmid Anna (1960- ). Europe as blind spot – Struggling for connectivity Schühle Judith. Global Europe – of objects, objections and objectifications Schühle Judith. Here to stay or here to go? Simon Hermann. Hanukkah Calendar - In the style of a advent calendar Smith Matt. Bringing queer home Tafari-Am Imani M. Ontology of objects - The political economy of our common colonial heritage Tietmeyer Elisabeth (1960- ). 20 years of the MEK - Have we reached our goals? Tietmeyer Elisabeth (1960- ). What’s missing? The story (or stories) behind the objects Wild Beate (1956- ). The most fragile in bubble wrap - A comic about the exhibition project comiXconnection Wittenzellner Jana (1980- ). Whereof one cannot speak... Should not be collected? "Sexual objects" within the MEK Collection Ziehe Irene. Portrait of Amare Romagnas in a POW Camp Zwart Inge. The archive of forgotten memories - A participatory process of reflection
Indeks R0: BMNK
Materiały konferecyjne: Museum Europäischer Kulturen, Berlin, 26-28 czerwca 2019 r.
Bibliogr. przy niektórych ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34780 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Ayas Defne (1976- ). Kleinman Adam (1978- ). Al Khatib Naim (1968- ). On war and shit Antonova Natalia. Jamala, the Dakh daughters, and Ukraine's new femininity Antonova Natalia. Russia on the run Antonova Natalia. Weeping willows and dancing dictators: Talgat Batalov on being Uzbek Ayas Defne (1976- ). On WdW Review Banerjee Sarnath (1972- ). Barnas Maria (1973- ). The Blob Bobbette Adam (1980- ). Fuck your culture: nudes in four landscapes Bobbette Adam (1980- ). Getting to know a few hundred degrees: or, volcano aesthetic Bobbette Adam (1980- ). Granite & sandstone Bobbette Adam (1980- ). Ten entrances to an event Bobbette Adam (1980- ). The inbetweeners Bobbette Adam (1980- ). Where does the water touch the bank? Bridle James (1980- ). Re-Orient Bridle James (1980- ). Sons of hypnos Budrajtskis Il'â (1981- ). Putin lives in the world that Huntington built Budrajtskis Il'â (1981- ). The Russian Revolution in dreams and reality Chehonadskih Maria. Cultural and cold wars: notes on multipolar ideology and diplomacy Coburn Tyler. Pulp to pulp Crowe Stephen. Degot' Ekaterina Ûr'evna (1958- ). Looking for KGB Demeuse Sarah. Expect the expected Durmuşoğlu Övül Ö. (1978- ). Here we are: look at us standing, upright in the Sunshine Durmuşoğlu Övül Ö. (1978- ). Rebranding Mesopotamia: the inextinguishable fire Eastham Benjamin. Adding colors to the chameleon Eastham Benjamin. I ain't thick, it's just a trick Eastham Benjamin. The little magazine Eastham Benjamin. The performed self El Rashidi Yasmine (1977- ). Letter to a Friend El Rashidi Yasmine (1977- ). Notes on a Dissident, or Founder of the Polish Revolution El Rashidi Yasmine (1977- ). What I think about when I think of Cairo, on this date, twenty-nine months after The___(Part 1) El Rashidi Yasmine (1977- ). What I think about when I think of Cairo, on this date, twenty-nine months after The___(Part 2) Frick Winnie T. Garcia Tristan (1981- ). Building a house for modern identity Gat Orit. Future Ginwala Natasha (1985- ). ...and then it drops: on suspended sensing Goddard Patrick. His own personal signed copy Jauregui Gabriela (1979- ). Cancel the counsel! Joshi Ruchir (1960- ). A parallel country Joshi Ruchir (1960- ). Ahmedabad mutations Joshi Ruchir (1960- ). May 2013: the wrong side of the River Joshi Ruchir (1960- ). Mirrored windows Joshi Ruchir (1960- ). Nuances of violation Joshi Ruchir (1960- ). Outside the Museum Joshi Ruchir (1960- ). Post-election tightrope walks Joshi Ruchir (1960- ). The one city no one was looking at Joshi Ruchir (1960- ). The thorny crown of culture Joshi Ruchir (1960- ). Winter in Calcuta Kane Natalie. Fallow futures Keefer Angie (1977- ). The view from the window at Le Gras Keidel Stefan. Person of the day and tomorrow Kleinman Adam (1978- ). 1917 Kleinman Adam (1978- ). 1971 Kleinman Adam (1978- ). On WdW Review Kosova Erden. After the Summer Kosova Erden. Colored rays of Gezi Kosova Erden. On slippery ground Krishtalka Sholem. Land Nick (1962- ). China, crypto-currency, and the world order, Part 1 Land Nick (1962- ). China, crypto-currency, and the world order, Part 2 Land Nick (1962- ). China, crypto-currency, and the world order, Part 3 Langley Pat. Welcome to Drexciya Latimer Quinn (1978- ). Subject: lavender and gas, or that which is not yet a subject Leonova Kseniâ. I do not want to hear Loudis Jessica. An apple a day Mannes-Abbott Guy. As mud as clear Menick John (1976- ). The conquering worm: Part 1 Mohaiemen Naeem (1969- ). The ginger merchant of history (standing in the shadow of "giants") Morozov Alexander. A conservative revolution Marques Pedro Neves (1984- ). The geopolitics of the Virgin Mary Niermann Ingo (1969- ). Army of lovers Normand Vincent (1985- ). The unlimited realm of the limit: objectivity and schizophrenia Novozhenova Alexandra. The Tower Ofak Ana (1976- ). Foreshadowing the future Ou Ning (1969- ). Beijing's climate politics Perjovschi Dan (1961- ). Pinto Ana Teixeira (1974- ). The behavioral sink: on mice, and men Pinto Ana Teixeira (1974- ). The red undead Prévost Bertrand (1976- ). Tintoretto's Ecce Homo Rheinberger Hans-Jörg (1946- ). On epistemic objects, and around Ringborg Theodor (1983- ). Modern times Rojas Pablo. Cancel the counsel! Saktanber Binnaz. Boycotting big music Saktanber Binnaz. Catherine Robbe-Grillet: an eighty-four-year-old dominatrix in Istanbul Šālēm Avîno'am (1959- ). The invention of the Sacrosanct or 'Sacred making" as an aesthetic praxis Salemy Mohammad. All tomorrow's party Schinkel Willem (1976- ). Art and the articulation of the public Schum Matthew. Carrie Scott Alev (1987- ). Human traffic Scott Alev (1987- ). Machismo and his demons Seymour Benedict. The Re-Jetée: 1971, recurring Silva Mariana. The geopolitics of the Virgin Mary Squibb Stephen. On seeing Cindy Sherman in the Subway; or, the Velocity of representation Vajda Danna. Varoufakis Yanis (1961- ). Birthplace of our globalizing wall Varoufakis Yanis (1961- ). Chosen cells Varoufakis Yanis (1961- ). No signal Varoufakis Yanis (1961- ). Of loss and retrieval Varoufakis Yanis (1961- ). Of masks and shadows Varoufakis Yanis (1961- ). Of public phones and besieged humans Varoufakis Yanis (1961- ). Sick predators Varoufakis Yanis (1961- ). Solitary subversives Varoufakis Yanis (1961- ). The Serpent's Greek Lair Weist Julia (1984- ). Person of the day and tomorrow Williams Alena (1977- ). In cara, a phantom Williams Evan Calder. Volcano, waiting Zambreno Kate (1977- ). Tania Screams Ziherl Vivian. ...and then it drops: on suspended sensing Zion Amy. Property of a Lady Zolghadr Tirdad (1973- ). Does that make you fell bitter? Relieved? Blasé? Zolghadr Tirdad (1973- ). Headbanger Zolghadr Tirdad (1973- ). Location, location, location Zolghadr Tirdad (1973- ). Shades of no Zolghadr Tirdad (1973- ). This could have been en exhibition
Gatunek
Indeks R0: BMNK
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31791 (1 egz.)
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