Hermens Erma (1958- )
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The Rijksmuseum Bulletin. - Amsterdam : Rijksmuseum Publications Department ; Zwolle : Waanders Publishers, 2009-. - il. (gł. kolor.) ; 24 cm.
Kwart.
Vol. 57 (2009), no 1-.
Autor
Campen Jan van. Duijn Esther Emmy van (1973- ). Halem Ludo van (1959- ). Hermens Erma (1958- ). Hinterding Erik (1961- ). Holtrop Maria (1985- ). Hond Jan de (1964- ). Reynaerts Jenny. Schapelhouman Marijn. Scholten Frits (1959- ). Veldink Suzanne. Verslype Ige (1974- ).
Temat
Rijksmuseum (Amsterdam) Muzealnictwo Sztuka
Gatunek
Czasopisma o sztuce holenderskie Czasopisma muzealne holenderskie
Indeks R0: BMNK
Stanowi kontynuację: Bulletin van het Rijksmuseum.
Od Vol. 1 (1953) do 56 (2008) pt.: Bulletin van het Rijksmuseum.
Od Vol. 57 (2009), no 3 red.: Jan de Hond, Marijn Schappelhouman, Frits Scholten.
Od Vol. 58 (2010), no 4 red.: Jan de Hond, Jenny Reynaerts, Marijn Schappelhouman.
Od Vol. 61 (2013) red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman.
Od Vol. 64 (2016), no 2 red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman i Suzanne Veldink.
Od Vol. 65 (2017), no 2 red.: Jan van Campen, Jan de Hond, Jenny Reynaerts, Marijn Schapelhouman.
Od Vol. 66 (2018), no 1 red.: Jan van Campen, Erik Hinterding, Jan de Hond, Jenny Reynaerts.
Od Vol. 67 (2019), no 1 red.: Jan van Campen, Erik Hinterding, Jan de Hond, Jenny Reynaerts, Ige Verslype.
Od Vol. 68 (2020), no 1 red.: Ludo van Halem, Erik Hinterding, Jan de Hond, Ige Verslype.
W Vol. 69 (2021), no 2 red.: Ludo van Halem, Erma Hermens, Erik Hinterding, Maria Holtrop.
W Vol. 71 (2023), no 1 red.: Esther van Duijn, Ludo van Halem, Erik Hinterding, Maria Holtrop.
Zawartość zasobu KR 239 Czas. II 419
Vol. 57 (2009), no 1-4
Vol. 58 (2010), no 1-4
Vol. 59 (2011), no 1-3
Vol. 60 (2012), no 1-3
Vol. 61 (2013), no 1-4
Vol. 62 (2014), no 1-4
Vol. 63 (2015), no 1-4
Vol. 64 (2016), no 1-4
Vol. 65 (2017), no 1-4
Vol. 66 (2018), no 1-4
Vol. 67 (2019), no 1-4
Vol. 68 (2020), no 1-4
Vol. 69 (2021), no 1-4
Vol. 70 (2022), no 1-4
Vol. 71 (2023), no 1-4
Vol. 72 (2024), no 1
Książka
W koszyku
Authenticity and replication : the "real thing" in art and conservation : proceedings of the international conference held at the University of Glasgow, 6-7 December 2012 / edited by Rebecca Gordon, Erma Hermens and Frances Lennard. - London : Archetype Publications, 2014. - IX, 214 s. : il. (gł. kolor.) ; 25 cm.
Autor
Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
Sztuka
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Bibliogr. przy ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31639 (1 egz.)
Brak okładki
Książka
W koszyku
Historical painting techniques : materials and studio practice : preprints of a symposium - University of Leiden, the Netherlands, 26-29 June 1995 / edited by by Arie Wallert, Erma Hermens and Marja Peek. - Second printing. - [Marina Del Rey, CA] : The Getty Conservation Institute, 1996. - IX, [23], 204 s. : il. (gł. kolor.) ; 30 cm.
Autor
Hermens Erma (1958- ). Peek Marja F. J. (1961- ). Wallert Arie (1950- ). Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Barrett Sylvana. An integrated approach for the study of painting techniques Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Darrah Josephine A. Connections and coincidences: three pigments Duffy Kate I. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Elgar Jacki A. An investigation of palette and color notations used to ceate a set of Tibetan thangkas Faries Molly (1940- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Federspiel Beate Knuth. Questions about medieval gesso grounds Gayer John R. Painting on a photographic substrate: notes regarding materials and techniques over the past 100 years Gifford E. Melanie. Style and technique in Dutch landscape painting in the 1620s Glanville Helen. Varnish, grounds, viewing distance, and lighting: some notes on seventeenth-century Italian painting technique Hackney Stephen. Art for art's sake: the materials and techniques of James McNeill Whistler (1834-1903) Hermens Erma (1958- ). A seventeenth-century Italian treatise on miniature painting and its author(s) Howard Helen. Techniques of the Romanesque and Gothic wall paintings in the Holy Sepulchre Chapel, Winchester Cathedral Katz Melissa R. William Holman Hunt and the "Pre-Raphaelite technique" Kirby Jo. Paul Delaroche: a case study of academic painting Massing Ann. From books of secrets to encyclopedias: painting techniques in France between 1600 and 1800 Metzger Catherine A. Gerard David’s St. Anne altarpiece: evidence for workshop participation Poriete Ilze. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century Rothe Andrea (1936- ). Andrea Mantegna's Adoration of the Magi Rothe Andrea (1936- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Roy Ashok. Paul Delaroche: a case study of academic painting Sinclair Eddie. The polychromy of Exeter and Salisbury Cathedrals: a preliminary comparison Skalová Zuzana. New evidence for the medieval production of icons in the Nile Valley Steinbüchel Christa. Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop Stulik Dusan (1956- ). An integrated approach for the study of painting techniques Townsend Joyce H. Painting techniques and materials of Turner and other British artists 1775–1875 Wadum Jørgen. Johannes Vermeer (1632–1675) and his use of perspective Wallert Arie (1950- ). Libro Secondo de Diversi Colori e Sise da Mettere a Oro: a fifteenth-century technical treatise on manuscript illumination Wallert Arie (1950- ). Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique Wetering Ernst van de (1938-2021). Reflections on the relation between technique and style: the use of the palette by the seventeenth-century painter Woodcock Sally. The Roberson Archive: content and significance Woudhuysen-Keller Renate (1944-2012). Aspects of painting technique in the use of verdigris and copper resinate
Temat
Malarstwo
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Bibliogr. przy ref. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26406 (1 egz.)
Książka
W koszyku
Sources and serendipity : testimonies of artists' practice : proceedings of the third symposim of the Art Technological Source Research Working Group, [New Delhi, India 22-26 September 2008] / ed. by Emma Hermens and Joyce H. Townsend. - London : Archetype Publications, 2009. - IX, [1], 164 s. : il. (w tym kolor.) ; 30 cm.
Autor
Hermens Erma (1958- ). Townsend Joyce H. Lautenschlager Manfred. Virtues and vices in late medieval art productions Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes Bucklow Spike. Impossible recipes Ursescu Marta. Romanian handbooks on manuscript illumination in the 18th century Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century Kroustallis Stefanos. Art for war Miguel Catarina. Copper pigments in medieval times Claro Ana Luísa do Vale Fonseca. Copper pigments in medieval times Lopes João A. Copper pigments in medieval times Melo Maria João. Copper pigments in medieval times Nadolny Jilleen. Documentary sources for the use of moulds in the production of tin relief Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300 Neven Sylvie. Comparative analysis of painting recipes Stijnman Ad. Images of copper engravers and plate printers in their workshops 1545-1645 Wagner Lisa. Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge Dubois Hélène. Master's own hand? Phenix Alan. Oudry's painted menagerie Doherty Tiarna. Oudry's painted menagerie Schönemann Anna. Oudry's painted menagerie Rizzo Adriana. Oudry's painted menagerie Eyb-Green Sigrid. Studying the artistic process Baatz Wolfgang. Studying the artistic process Kitlitschka Werner (1938- ). Studying the artistic process Hermens Erma (1958- ). "En plein soleil" MacDonald Margaret F. (1944- ). "En plein soleil" Troalen Lore. "To acquire a good name" Reiche Ina. "To acquire a good name" Röhrs Stefan. "To acquire a good name" Pretzel Boris (1961- ). "To acquire a good name" Burgio Lucia. "To acquire a good name" Shah Bhavesh. "To acquire a good name" Peschard Stéphane. "To acquire a good name" Boust Clotilde. "To acquire a good name" Tate Jim. "To acquire a good name" Martin Graham (1952- ). "To acquire a good name" Voigt Friederike. "To acquire a good name" Kutzke Hartmut. À la recherche du pigment perdu Oltrogge Doris (1959- ). À la recherche du pigment perdu Mulholland Richard. Technique and process in the papers of David Smith Kyllonen-Kunnas Paivi. Challenging the material Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Niculescu Gheorghe. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Petroviciu Irina. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Rosi Francesca (1977- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Sassolini Alessandro. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Lupu Mihai. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript Fardi Theodora. Tracing the history of wall paintings through visual documents De Angelis Roberta. Tracing the history of wall paintings through visual documents Scicluna Bernadine. Tracing the history of wall paintings through visual documents Vella Daniel. Tracing the history of wall paintings through visual documents Freitas Ana. Study of Portugese 18th-century manuscript Claro Ana Luísa do Vale Fonseca. Study of Portugese 18th-century manuscript Melo Maria João. Study of Portugese 18th-century manuscript Casanova Conseição. Study of Portugese 18th-century manuscript Moura Laura Filipe (1983- ). Study of Portugese 18th-century manuscript Townsend Joyce H. De/re-constructing Turner for research projects at Tate Thomas Jacob. De/re-constructing Turner for research projects at Tate Caspers Charlotte. De/re-constructing Turner for research projects at Tate Marcos Monserrat Pis. De/re-constructing Turner for research projects at Tate Brookes Anna. De/re-constructing Turner for research projects at Tate Ormsby Bronwyn. De/re-constructing Turner for research projects at Tate Hackney Stephen. De/re-constructing Turner for research projects at Tate Lerwill Andrew. De/re-constructing Turner for research projects at Tate Barrett Brian D. (1951- ). Archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865
Temat
Malarstwo
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Bibliogr. po art.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 22104 (1 egz.)
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