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Adamczak Kamil. North-eastern periphery of the Eastern group of the Funnel Beaker culture - 80 years later
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Adkins Helen (1960- )
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Affron Matthew. Contrasts of colours contrasts of words
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Affron Matthew. Decoration and abstraction in Bloomsbury
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Affron Matthew. Fernand Leger: metallic sensations
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Afroz Nazes. 1968 in India the Naxalites: The Thunder that Withered
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Ahrens Carsten (1961- )
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Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
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Akbari Somaye. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer
(1)
Alberska Agnieszka. Policy collection description and storage of ephemera in National Library in Poland
(1)
Alberska Agnieszka. Polityka gromadzenia opracowywanie i przechowywanie dokumentów życia społecznego
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Aleksandropoulou Olga
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Alexopoulou-Agoranou Athena. Oil media on paper: reflections on condition assessment in a new context
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Allard Sebastien (1967- )
(1)
Allard Sebastien (1967- ). The Sphinx of modern painting
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Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
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Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Allen Robert. Naphthalene (1992)
(1)
Amishai-Maisels Ziva (1939- ). Chagall's Jewish identity
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Ancnane Anna (1970- ). Novel trends in Riga's art production at the turn of the 17th century in the light of artistic exchange and migration processes
(1)
Ancnane Anna (1970- ). Nowe trendy w produkcji artystycznej Rygi na przełomie XVI i XVII wieku w świetle wymiany artystycznej i procesów migracyjnych
(1)
Anderson Christina
(1)
Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Andraud Christine. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled The Virgin and St John Evangelist by Stefan Witold Matejko
(1)
Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu Matka Boża z Janem Ewangelistą Stefana Witolda Matejki
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Apanowicz Maria (1958?- )
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Appel Hans Henrik
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Arslan Ermanno A
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Asayesh A. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer
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Asmus John F. Final Endeavors of Monument Man
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Asmus John F. The Hanford Nuclear Plant: radiation ablation meets history cultural heritage and nuclear decontamination
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Auffret Stephanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Augustsson Thomas
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Ausenda Raffaella. High-quality maiolica in the style of porcelain: experiments in north Italian maiolica in its productive final years
(1)
Axer Peter (1965- ). Conservation of the miniatures in the Munich residence
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Axer Peter (1965- ). Die Restaurierung des Miniaturen-Bestands der Munchener Residenz
(1)
Aynsley Jeremy (1955- ). Nowa Typografia jako znak handlowy w Weimarskich Niemczech
(1)
Aynsley Jeremy (1955- ). The new typography as commercial sign in Weimar Germany
(1)
Babu K. Murugesh. Silk - production and future trends
(1)
Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest revolution and terrorism
(1)
Baehr Ulrich (1938- ). Svastika and soviet star as art?
(1)
Baensch Thorsten (1964- ). Buchumslage - Lesezeichen : kommentar
(1)
Baensch Thorsten (1964- ). Dust jackets - bookmarks : comment
(1)
Bainbridge Abigail. Preface
(1)
Bakay-Perjes Judit. Women's shoes from the cistercian church in Vac
(1)
Bakos Katalin. Art deco posters for decoration pleasure and representation
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Bakos Katalin. Beyond styles. Visual sources of Hungarian art deco poster art
(1)
Baldwin Jessica. Retrieved from the rubble: reconstructing Ireland's lost archive
(1)
Baley Christophe. Multi-scale mechanical characterization of flax fibres for the reinforcement of composite materials
(1)
Ballard Mary W. Climate and conservation (1994)
(1)
Ballard Mary W. Hanging out: strength elongation and relative humidity: some physical properties of textile fibres (1996)
(1)
Banerjee Prasanta Kumar (1941- ). Environmental textiles from jute and coir
(1)
Banou Penelope. Oil media on paper: reflections on condition assessment in a new context
(1)
Baranowa Anna (1959- )
(1)
Barańczak Stanisław (1946-2014)
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Barbe Francoise (1971- ). Provenance as a criterion for attribution: Napoleonic seizures in Braunschweig and the maiolica collection in the Louvre
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Barbour Daphne
(1)
Barbour Daphne. Casting Degas's sculpture into bronze: a closer look
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Barhatova Elena Valentinovna (1947- ). Fotomontaż i typografia w konstruktywizmie rosyjskim
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Barhatova Elena Valentinovna (1947- ). Photomontage and typography in Russian constructivism
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Bartoli Laura. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy)
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Barucci Marco. Nonlinear optical imaging techniques (NLO) for painting investigation
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Baselitz Georg (1938- ). Paper through artists' eyes. Conversation with Georg Baselitz
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Basilissi Giulia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver
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Baudino Mauro (1967- ). The Paul Mauser and Georg Luger relationship and the impacts on the Mauser C96 pistol
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Katalog wystawy prezentowanej w Centrum Sztuki Współczesnej "Znaki Czasu" w Toruniu, 26.05.-10.09.2023.
Bibliogr. w przypisach do art.
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The National Trust manual of housekeeping : care and conservation of collections in historic houses. - Edition revised. - Swindon : National Trust, 2011. - [6], 922 s. : il. (gł. kolor.) ; 29 cm.
Autor
Reynolds Fiona. Staniforth Sarah. Conservation: principles, practice and ethics Staniforth Sarah. Paintings Rowell Christopher. The historic house context : The National Trust Experience Abey-Koch Madelaine. History of housekeeping Lloyd Helen. Ceramics Lloyd Helen. Collections outdoors Lloyd Helen. Decorative light fittings Lloyd Helen. Floor coverings Lloyd Helen. Floors Lloyd Helen. Light as an agent of deterioration Lloyd Helen. Opening historic houses Lloyd Helen. Physical agents of deterioration Lloyd Helen. Staffing historic houses Lloyd Helen. Window glass Lithgow Katy. Building work : planning and protection Lithgow Katy. Housekeeping tasks Lithgow Katy. Outdoor wood Lithgow Katy. Physical agents of deterioration Lithgow Katy. Planning and managing housekeeping Lithgow Katy. Polychrome sculpture Lithgow Katy. Storage Julien Sophie. Chemical agents of deterioration Bullock Linda. Chemical agents of deterioration Bullock Linda. Display cases and exhibitions Child Robert. Biological agents of deterioration Proudfoot Trevor. Mosaics and decorative tiles Proudfoot Trevor. Plasterwork Proudfoot Trevor. Polychrome sculpture Proudfoot Trevor. Stone, plaster, and terracotta Proudfoot Trevor. Stonework Stewart John. Mosaics and decorative tiles Davison Sandra. Glass Davison Sandra. Mosaics and decorative tiles Davison Sandra. Stone, plaster, and terracotta Sitwell Christine. Lacquer and japanning Sitwell Christine. Painted interiors: wall paintings and painted decoration Sitwell Christine. Polychrome sculpture Sandiford Mark. Wallpaper Mapes Phillippa. Wallpaper Capadose Jeremy. Furniture Capadose Jeremy. Gilded and painted wood Capadose Jeremy. Woodwork Fisher Alfred. Window glass Harris Rupert. Arms and armour Harris Rupert. Metals Harris Rupert. Metalwork Harris Rupert. Outdoor metals Mortimer Martin. Decorative light fittings Daintith Christine. Ceramics Jackson Patricia. Glass Betts Jonathan (1955- ). Clocks and watches Seeley Nigel. Commissioning conservation work Seeley Nigel. Historic house technology Seeley Nigel. Plastics Seeley Nigel. Scientific instruments Marsland Victoria. Gilded and painted wood Calnan Christopher. Lacquer and japanning Calnan Christopher. Leather Rendell Caroline. Keeping records Rendell Caroline. Textiles Marko Ksynia. Tapestries, carpets, and rugs Dunn-Sixt Marilyn. Linens and whitework Mackenzie Althea. Costume and accessories French Ann. Costume and accessories Bush Andrew. Glazed framework paper and other materials Bush Andrew. Paper Storey Graeme. Glazed framework paper and other materials Storey Graeme. Paper Bendix Caroline. Books Pickwoad Nicholas. Books Bools Anita. Photographs Derbyshire Alan. Portrait miniatures Moore Simon. Natural history collections Doyal Sherry. World culture collections Murray Christine. World culture collections Shelley Linda. World culture collections Sully Dean. Archaeological collections Daniels Vincent. Plastics Jackson Frances. Vehicles Nicholson Christopher. Vehicles Daniels Mark. Health and safety Martin Tim. Historic house technology McCarthy Catherine. Events : planning and protection Cotgrove Caroline. Events : planning and protection Macalister Fiona. Display cases and exhibitions Cook Nettie. Events: planning and protection Nicky Ingram. Interpreting conservation Greenacre Mary. Living in historic houses Vint Julie. Living in historic houses Reid Margaret. Transporting objects Hickey Sarah. Transporting objects Staniforth Sarah. Agents of deterioration Staniforth Sarah. Chemical agents of deterioration Staniforth Sarah. Relative humidity as an agent of deterioration
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Wyd. popr., oparte na trzeciej edycji z 2008 r.
Bibliogr. s. 884-887 i przy art. Indeks.
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Autor
Bódi Kinga (1981- ). Bodor Kata (1978- ). Kane Steve. Baselitz Georg (1938- ). Paper through artists' eyes. Conversation with Georg Baselitz Bodor Kata (1978- ). Departures. Seceding from academic conventions, withdrawing from mainstream society Bodor Kata (1978- ). Francisco Goya. Modernised traditions Bodor Kata (1978- ). Pablo Picasso. The lord of lines Bodor Kata (1978- ). The last spledour of art academies Bodor Kata (1978- ). The myth of the here and now Bodor Kata (1978- ). William Hogarth and the art of moralising with humor Bodnár Szilvia (1955- ). Albrecht Dürer. Italian innovations North of the Alps Bodnár Szilvia (1955- ). In the magic circle of the arts and sciences. The Prague court of Rudolf II Bodnár Szilvia (1955- ). The beginnings. Drawings and prints between the fourteenth and early sixteenth centuries Bódi Kinga (1981- ). Antoni Tàpies. The human and the material Bódi Kinga (1981- ). Joseph Beuys and the great German post-war generation Bódi Kinga (1981- ). Paper through artists' eyes. Conversation with Dóra Maurer Bódi Kinga (1981- ). Paper through artists' eyes. Conversation with Georg Baselitz Bódi Kinga (1981- ). Rational thinking, abstract forms, constructive images Bódi Kinga (1981- ). The dynamism of the line Bódi Kinga (1981- ). Venice in teh 18th century. The flourishing export of art Földi Eszter. A genre born out of a technique. The revival of artistic printmaking Földi Eszter. Colour lithography at the turn of th century Földi Eszter. József Rippal-Rónai. Thinking in drawing Földi Eszter. The experience of nature Gonda Zsuzsa. Henri de Toulouse-Lautrec. Master of lithography Hessky Orsolya (1965- ). An era of changes (1770-1830) Hessky Orsolya (1965- ). Miklós Barabás. From Italy to Pest Hessky Orsolya (1965- ). The allure of Rome Kárpáti Zoltán. At the service of the church. The birth of Italian baroque Kárpáti Zoltán. Artworks for everyday use. The ephemeral art of the Renaissance Kárpáti Zoltán. Depicting the human body. In the shadow of Michelangelo Kárpáti Zoltán. Dürer and Raimondi. Chronicle of fictive lawsuit Kárpáti Zoltán. Leonardo da Vinci in the City Hall of Florence. Art and politics Kárpáti Zoltán. Mythology reloaded. Profane love in Renaissance art Kárpáti Zoltán. Printing in light and dark. Chiaroscuro woodcuts Kárpáti Zoltán. Raphael. Art in collaboration Kárpáti Zoltán. Schema and correction. Creative copies in the Renaissance Kumin Mónika. Dóra Maurer. "The thematisation of structure" Kumin Mónika. Surrealist tendencies and techniques in Hungary Kumin Mónika. Symbols and realtions. Variations on geometric abstraction Madár Mária. Béla Kondor. Creating a system Maurer Dóra (1937- ). Paper through artists' eyes. Conversation with Dóra Maurer Petrányi Zsolt (1966- ). Százados László. Conceptual tendencies Százados László. Dimensional changes Tóth Bernadett. Aspects of reality Tóth Bernadett. Idyllic dreams, gallant celebrations Tóth Bernadett. In the search of Arcadia Tóth Bernadett. Rembrandt and his pupils Tóth Bernadett. The academic ideal of beauty Tóth Bernadett. The birth of the autonomous landscape Tóth Bernadett. The great masters of the Flemish baroque Vargyas Júlia. Colour harmonies on paper in Hungarian art, 1920-1940 Zsákovics Ferenc. Under the sepll of Cezanne. The eight, the seven, and the activists
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Bibliogr. s. 510-535. Słownik terminów s. 484-485.
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T. monogr.: "Facture : conservation, science, art history". Vol. 3 (2017).
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(Publications by the Hungarian National Gallery ; ISSN 0864-7291 ; 2020/4)
Katalog wystawy: Museum of Fine Arts - Hungarian National Gallery, Budapeszt, 14 października 2020 - 31 stycznia 2021.
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Autor
Salamon-Radecka Agnieszka (1971- ). Skalska-Graczyk Agnieszka (1969- ). Turski Marcin. Gołąb Maria (1955- ). Preface Gołąb Maria (1955- ). Przedmowa Mendrychowska Agata. Participation in collective exhibitions between the world wars Mendrychowska Agata. Udział w wystawach zbiorowych w okresie miedzywojennym Mendrychowska Agata. The Warsaw collection of art by Maria Nicz-Borowiakowa Mendrychowska Agata. Warszawskie zbiory prac Marii Nicz-Borowiakowej Salamon-Radecka Agnieszka (1971- ). About the exhibition Salamon-Radecka Agnieszka (1971- ). Calendar of events in Maria Nicz-Borowiakowa Salamon-Radecka Agnieszka (1971- ). Kalendarium życia Marii Nicz-Borowiakowej Salamon-Radecka Agnieszka (1971- ). O wystawie Salamon-Radecka Agnieszka (1971- ). Prace na papierze Salamon-Radecka Agnieszka (1971- ). The Warsaw avant-garde crucible, or what can be read in Maria Nicz-Borowiakowa's sketchbooks Salamon-Radecka Agnieszka (1971- ). Varia. Aneks Salamon-Radecka Agnieszka (1971- ). Varia. Anex Salamon-Radecka Agnieszka (1971- ). Warszawski tygiel awangardy, czyli co da się wyczytać ze szkicowników Marii Nicz-Borowiakowej Salamon-Radecka Agnieszka (1971- ). Works on paper Skalska-Graczyk Agnieszka (1969- ). About the exhibition Skalska-Graczyk Agnieszka (1969- ). Awangarda mniejsza Skalska-Graczyk Agnieszka (1969- ). Collective exhibitions after 1945 Skalska-Graczyk Agnieszka (1969- ). Minor avant-garde Skalska-Graczyk Agnieszka (1969- ). O wystawie Skalska-Graczyk Agnieszka (1969- ). Obrazy Skalska-Graczyk Agnieszka (1969- ). Paintings Skalska-Graczyk Agnieszka (1969- ). Wystawy zbiorowe po 1945 Sosnowska Joanna (1953- ). Maria Nicz in the Warsaw School of Fine Arts. The environment Sosnowska Joanna (1953- ). Maria Nicz w Warszawskiej Szkole Sztuk Pięknych. Środowisko
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Katalog wystawy prezentowanej w Muzeum Narodowym w Poznaniu, 7.08.-27.11.2022.
Bibliogr. w przypisach i przy notach katalogowych. Skróty bibliogr. s. 312-315. Indeks.
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Książka
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(MAK Studies ; 24)
Autor
Anderson Christina. Pokorny-Nagel Kathrin (1971- ). Slater Maria. Thun-Hohenstein Christoph (1960- ). Baensch Thorsten (1964- ). Buchumsläge - Lesezeichen : kommentar Baensch Thorsten (1964- ). Dust jackets - bookmarks : comment Decker Heinz. Ex libris : comment Decker Heinz. Exlibris : Kommentar Denscher Bernhard (1954- ). Archäologie der Moderne : Die Biltwelt der Reklame Denscher Bernhard (1954- ). Archeology of Modernism : the pictorial world of advertising Doosry Yasmin. "...Du würdest mich nicht sagen laβen was ich Dir jetzt schreiben will..." : Medienformen schriftlischer Kommunikation und ihre dingliche Präsenz Doosry Yasmin. "...You would not let me say what I want to write to you now..." : forms of written communication and their tangible presence Felderer Brigitte. Herr Bückling an der Angel : über den heiligen Ernst bürgerlicher Maskerade Felderer Brigitte. Mr. Kipper has been caught : on the absolute solemnity of bourgeois masquerades Haslinger Ingrid (1956- ). Versprechen auf Papier Haslinger Ingrid (1956- ). Papier promises Karolyi Claudia. "...nur gegen erste Künstler : der Verleger Artur Wolf über das Exlibrissammeln mit Anmerkungen seiner Gesprächspartnerin Karolyi Claudia. "...only for first-rate artists" : the publisher Artur Wolf on collecting ex libris, with comments by his interviewer Köger Annette (1960- ). Good things come in small packages : the MAK's playing card collection Köger Annette (1960- ). Klein, aber fein : die MAK-Spielkartensammlung Kühnel Anita (1951- ). Den Büchern ein Kleid Kühnel Anita (1951- ). Dressing up books Pokorny-Nagel Kathrin (1971- ). On the publication ["Ephemera"] Pokorny-Nagel Kathrin (1971- ). Zur Publikation ["Ephemera"] Präauer Teresa (1979- ). Ephemera. Die ewige Liebe zum Vergänglichen Präauer Teresa (1979- ). Ephemera : our undying love of the short-lived Rosenberg Raphael (1962- ). Ornamental decorated papiers and the Vienna Secessionists' picture experiments Rosenberg Raphael (1962- ). Ornamentale Buntpapiere und die Bildexperimente der Wiener Secessionisten Rossberg Anne-Katrin (1963- ). On the publication ["Ephemera"] Rossberg Anne-Katrin (1963- ). Zur Publikation ["Ephemera"] Sagmeister Stefan (1962- ). Promotional materials - poster stamps : comment Sagmeister Stefan (1962- ). Werbematerial - Reklamemarken : Kommentar Schäfer-Elmayer Thomas (1946- ). Einladungen - Eintrittskarten - Tanzordnungen - Ballspenden - Tisch- und Menükarten - Etiketten : [Gespräch] Schäfer-Elmayer Thomas (1946- ). Invitations - admission tickets - dance cards - ladies' gifts - place and menu cards - labels : an interview Schmidt Frieder (1952- ). Buntpapier : Kommentar Schmidt Frieder (1952- ). Decorated papiers : comment Schwahn-Reichmann Raja. Greeting cards - letter papier : comment Schwahn-Reichmann Raja. Glückwunschkarten - Briefpapier : Kommentar Semotan Elfie (1941- ). Fashion pictures : comment Semotan Elfie (1941- ). Modebilder : Kommentar Strehl Dieter. Playing cards - visiting cards : comment Strehl Dieter. Spielkarten - Visitenkarten : Kommentar Thun-Hohenstein Christoph (1960- ). On the significance of the ephemeral Thun-Hohenstein Christoph (1960- ). Von der Bedeutung des Ephemeren
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Bibliogr. s. 442-449. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 23457 (1 egz.)
Książka
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Autor
Jabłońska Elżbieta (1958- ). Kozielec Tomasz (1976- ). Brzozowski Radosław (1971- ). Difficulties in retracing of the photographic silver-gelatin emulsions Brzozowski Radosław (1971- ). Trudności w odtwarzaniu emulsji żelatynowo-srebrowych Czuczko Jolanta. Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Czuczko Jolanta. Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Ďurovič Michal. Paper envelopes for long-term storage of glass plate negatives Ďurovič Michal. Papierowe koperty do długoterminowego przechowywania szklanych negatywów Habalová Božena. Badania nad degradacją fotografii albuminowych Habalová Božena. Badania nad degradacją fotografii srebrowo-żelatynowych Habalová Božena. Study of albumen photography degradation Habalová Božena. Study of degradation of silver gelatine photographs Haberová Katarína. Badania nad degradacją fotografii srebrowo-żelatynowych Haberová Katarína. Study of degradation of silver gelatine photographs Jančovičová Viera. Badania nad degradacją fotografii albuminowych Jančovičová Viera. Badania nad degradacją fotografii srebrowo-żelatynowych Jančovičová Viera. Study of albumen photography degradation Jančovičová Viera. Study of degradation of silver gelatine photographs Karbowska-Berent Joanna (1965- ). Możliwości dezynfekcji fotografii na podłożu papierowym przy użyciu par etanolu - badania wstępne Karbowska-Berent Joanna (1965- ). Possibilities of disinfection of photographs on paper base in ethanol vapours Kaszowska Zofia. Reflections on Technology, Technics and Condition of Brandys Family Glass Plates Negatives Collection Kaszowska Zofia. Rozważania na temat technologii i techniki oraz stanu zachowania negatywów fotograficznych rodziny Brandysów Kaszowska Zofia. Straightening of the curled negative film strips made of cellulose esters Kaszowska Zofia. Zabieg prostowania negatywów małoobrazkowych na podłożach z estrów celulozy oraz cyfryzacja na potrzeby dokumentacji konserwatorskiej Kłosiewicz Marta. Conservation-restoration of a hand-coloured silver-gelatin print from the collection of the Polish Academy of Sciences of the Kórnik Library Kłosiewicz Marta. Konserwacja - restauracja kolorowanej fotografii srebrowo-żelatynowej pochodzącej ze zbiorów Polskiej Akademii Nauk Biblioteki Kórnickiej Klugowska Anna. Black-and-white world of photography from the collection of the University Library in Toruń Klugowska Anna. Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu Komsta-Sławińska Karolina. Analiza techniki wykonania planów architektonicznych - rysunki atramentem metalo-garbnikowym, czy odbitki żelazowo-galusowe? Komsta-Sławińska Karolina. Architectural Plans Technique - Ferro-Gallic Ink Drawings or Ferro-Gallic Process? Komsta-Sławińska Karolina. Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Komsta-Sławińska Karolina. Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Kozielec Tomasz (1976- ). Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Kozielec Tomasz (1976- ). Conservation-restoration of a hand-coloured silver-gelatin print from the collection of the Polish Academy of Sciences of the Kórnik Library Kozielec Tomasz (1976- ). Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Kozielec Tomasz (1976- ). Electrostatic cleaning of framed and unframed photographs in conservational practice Kozielec Tomasz (1976- ). Elektrostatyczne oczyszczanie oprawionych i nieoprawionych fotografii w praktyce konserwatorskiej Kozielec Tomasz (1976- ). Konserwacja - restauracja kolorowanej fotografii srebrowo-żelatynowej pochodzącej ze zbiorów Polskiej Akademii Nauk Biblioteki Kórnickiej Kozielec Tomasz (1976- ). Możliwości dezynfekcji fotografii na podłożu papierowym przy użyciu par etanolu - badania wstępne Kozielec Tomasz (1976- ). Possibilities of disinfection of photographs on paper base in ethanol vapours Kunert Joanna. Ochrona "pomysłowników" Juliana Antonisza oraz odtworzenie technologii i techniki ich wytwarzania na podstawie prac autora zawartych w Encyklopedii realizacji filmów typu "non-camera" Obraz. Dźwięk Kunert Joanna. The research of development techniques and technologies of Antonisz’s non-camera films as a basis of their preservation Kwiatkowska Magdalena (konserwatorstwo). Reflections on Technology, Technics and Condition of Brandys Family Glass Plates Negatives Collection Kwiatkowska Magdalena (konserwatorstwo). Rozważania na temat technologii i techniki oraz stanu zachowania negatywów fotograficznych rodziny Brandysów Machatová Zuzana. Badania nad degradacją fotografii albuminowych Machatová Zuzana. Badania nad degradacją fotografii srebrowo-żelatynowych Machatová Zuzana. Study of albumen photography degradation Machatová Zuzana. Study of degradation of silver gelatine photographs Maková Alena. Badania nad degradacją fotografii albuminowych Maková Alena. Study of albumen photography degradation Miller Ilona (konserwatorstwo). Conservation of gelatin dry plates negatives from the beginning of 20th century donated to the University Library in Toruń Miller Ilona (konserwatorstwo). Konserwacja negatywów na podłożu szklanym pochodzących z początku XX wieku przekazanych w darze Bibliotece Uniwersyteckiej UMK w Toruniu w 2013 r. Otruba Vitĕzslav. Paper envelopes for long-term storage of glass plate negatives Otruba Vitĕzslav. Papierowe koperty do długoterminowego przechowywania szklanych negatywów Popławska Sylwia (1988- ). Conservation of the silver-gelatine glass plate negatives made by Narcyz Witczak-Witaczyński, stored in National Digital Archives in Poland Popławska Sylwia (1988- ). Konserwacja żelatynowo-srebrowych negatywów na szkle autorstwa Narcyza Witczaka-Witaczyńskiego, przechowywanych w zbiorach Narodowego Archiwum Cyfrowego Seweryn Anna (konserwacja fotografii). Problematyka identyfikacji archiwalnych materiałów fotograficznych na przykładzie Figielków fotograficznych - nietypowych fotografii przechowywanych w Archiwum Narodowym w Krakowie Seweryn Anna (konserwacja fotografii). The issue of identification of archival photographic materials based on the Photographic jokes - a unique photographic collection from the National Archives in Krakow Sitnik Joanna. Straightening of the curled negative film strips made of cellulose esters Sitnik Joanna. Zabieg prostowania negatywów małoobrazkowych na podłożach z estrów celulozy oraz cyfryzacja na potrzeby dokumentacji konserwatorskiej Strnadlová Markéta. Paper envelopes for long-term storage of glass plate negatives Strnadlová Markéta. Papierowe koperty do długoterminowego przechowywania szklanych negatywów Supruniuk Monika. A framework for the preservation and conservation of audiovisual objects Supruniuk Monika. Zarys strategii ochrony i konserwacji dzieł audiowizualnych Wójcik Ryszard Antoni (1957- ). Reflections on Technology, Technics and Condition of Brandys Family Glass Plates Negatives Collection Wójcik Ryszard Antoni (1957- ). Rozważania na temat technologii i techniki oraz stanu zachowania negatywów fotograficznych rodziny Brandysów Wójcik Ryszard Antoni (1957- ). Straightening of the curled negative film strips made of cellulose esters Wójcik Ryszard Antoni (1957- ). Zabieg prostowania negatywów małoobrazkowych na podłożach z estrów celulozy oraz cyfryzacja na potrzeby dokumentacji konserwatorskiej Zając Izabela (konserwatorstwo). Conservation of the silver-gelatine glass plate negatives made by Narcyz Witczak-Witaczyński, stored in National Digital Archives in Poland Zając Izabela (konserwatorstwo). Dziewiętnastowieczne albumy fotograficzne z polskich kolekcji: klasyfikacja, identyfikacja i typowe zniszczenia – wyniki wstępne Zając Izabela (konserwatorstwo). Konserwacja żelatynowo-srebrowych negatywów na szkle autorstwa Narcyza Witczaka-Witaczyńskiego, przechowywanych w zbiorach Narodowego Archiwum Cyfrowego Zając Izabela (konserwatorstwo). Nineteenth century photograph albums from Polish collections: classification, identification and typical deterioration – preliminary research Zięba Agnieszka (nauki o sztukach pięknych). Black-and-white world of photography from the collection of the University Library in Toruń. Part 1 and 2: subject matter, technique and deterioration Zięba Agnieszka (nauki o sztukach pięknych). Czarno-biały świat fotografii ze zbiorów Biblioteki Uniwersyteckiej w Toruniu. Cz. 2: technika i zniszczenia Żuk-Orysiak Jolanta. Collections of Photographs of the Lublin Museum. From Daguerreotype to Digitalisation Żuk-Orysiak Jolanta. Kolekcje fotografii ze zbiorów Muzeum Lubelskiego. Od dagerotypu do digitalizacji
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Są egzemplarze dostępne do wypożyczenia: II 32556 (1 egz.)
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Autor
Dickerman Leah (1964- ). Dickerman Leah (1964- ). Inventing abstraction Dickerman Leah (1964- ). Vasily Kandinsky, without words Dickerman Leah (1964- ). Abstraction in 1936: cubism and abstract art at the Museum of Modern Art Affron Matthew. Contrasts of colours, contrasts of words Affron Matthew. Fernand Léger: metallic sensations Affron Matthew. Decoration and abstraction in Bloomsbury Bois Yve-Alain (1952- ). Pablo Picasso: the cadaqués experiment Bois Yve-Alain (1952- ). Piet Mondrian: toward the abolition of form Bois Yve-Alain (1952- ). 3 De Stijl models Chlenova Masha. Early Russian abstraction, as such Chlenova Masha. 0.10 Coen Ester. Giacomo Balla: the most luminous abstraction Cox Christoph (1965- ). Music, noise, and abstraction Damisch Hubert (1928-2017). On the movie DeLue Rachael Ziady. With color DeLue Rachael Ziady. Against the circle Foster Hal (1955- ). Sense and non-sense Franko Mark. Danced abstraction: Rudolf von Laban Franko Mark. Danced abstraction: Mary Wigman Gale Matthew. Vorticism: planetary abstracion Galison Peter (1955- ). Concrete abstraction Gough Maria (1961- ). Spatial object Gough Maria (1961- ). Language of revolution Gough Maria (1961- ). Abstract environment Hauptman Jodi (1964- ). Léopold Survage's paper cinema Hauptman Jodi (1964- ). Parole in libertà Hughes Gordon (1965- ). Abstraction chez Delaunay Joselit David. Painting stripped bare Kaes Anton (1945- ). Absolute film Lang David (1957- ). Colors and games: music and abstraction, 1909 to 1912 Laxton Susan. White shadows: photograms around 1922 Lowry Glenn D. (1954- ). Abstraction in 1936: Barr's diagrams Michaud Philippe-Alain (1961- ). Rhythmus 21 and the genesis of filmic abstraction Suchan Jarosław (1966- ). Early abstraction in Poland Tattersall Lanka. Mr. Kupka among verticals Tattersall Lanka. Color grid Taylor Michael R. (1966- ). Francis Picabia: abstraction and sincerity Shore Marguerite. Herman Jeanine. Kemp-Welch Klara.
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Katalog wystawy: Museum of Modern Art, Nowy Jork, 23 grudnia 2012 - 15 kwietnia 2013 r.
Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 24257 (1 egz.)
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(The Textile Institute Books Series)
Autor
Kozłowski Ryszard (włókiennictwo). Mackiewicz-Talarczyk Maria. Akbari Somaye. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer Asayesh A. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer Babu K. Murugesh. Silk - production and future trends Baley Christophe. Multi-scale mechanical characterization of flax fibres for the reinforcement of composite materials Banerjee Prasanta Kumar (1941- ). Environmental textiles from jute and coir Bąkowska-Barczak Anna. The application of flax and hempseed in food, nutraceutical and personal care products Borsa Judit. Antimicrobial natural fibres Bourmaud Alain. Multi-scale mechanical characterization of flax fibres for the reinforcement of composite materials Chalivendra Vijaya. Natural fibre composites (NFCs) for construction and automotive industries Cherian Bibin Mathew. Natural fibres for geotextiles De Luycker Emmanuel. Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Ellison Michael S. Biomimetics and textile materials Esmaeeli N. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer Evans David J. Improving the properties of natural fibres by chemical treatments Evon Philippe (1973- ). Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Ferreira Manuela. Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Ferreira de Souza Sivoney. Natural fibres for geotextiles Ghosh Swapan Kumar. Processing of jute fibres and its applications Goudenhooft Camille (1992- ). Multi-scale mechanical characterization of flax fibres for the reinforcement of composite materials Khaliliazar S. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer Kim Yong K. Natural fibre composites (NFCs) for construction and automotive industries Kiraga Łukasz. Medical potential of cannabis: an overview Kolodziejczyk Paul P. The application of flax and hempseed in food, nutraceutical and personal care products Kołodziej Jacek (włókiennictwo). Bast fibres: the role of hemp ("Cannabis sativa" L.) in remediation of degraded lands Kozłowski Ryszard (włókiennictwo). Bast fibres: the role of hemp ("Cannabis sativa" L.) in remediation of degraded lands Kozłowski Ryszard (włókiennictwo). Enzymatic treatment of natural fibres Kozłowski Ryszard (włókiennictwo). Improving the flame retardancy of natural fibres Kozłowski Ryszard (włókiennictwo). Medical potential of cannabis: an overview Kozłowski Ryszard (włókiennictwo). Natural fibres for geotextiles Labanieh Ahmad Rashed (1984- ). Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Labonne Laurent. Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Laine Eric. Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Larminat Marie-Anne de. The application of flax and hempseed in food, nutraceutical and personal care products Leão Alcides Lopes. Natural fibres for geotextiles Luxbacher Thomas. Electrokinetic properties of natural fibres Mańkowski Jerzy. Bast fibres: the role of hemp ("Cannabis sativa" L.) in remediation of degraded lands Mukhopadhyay Asis. Processing of jute fibres and its applications Muzyczek Małgorzata. Improving the flame retardancy of natural fibres Muzyczek Małgorzata. The use of flax and hemp for textile applications Negm Mohamed. Cotton fibres, picking, ginning, spinning and weaving Nuez Lucile. Multi-scale mechanical characterization of flax fibres for the reinforcement of composite materials Ouagne Pierre. Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Passas Raphaël. Natural fibres for paper and packaging Pudełko Krzysztof. Bast fibres: the role of hemp ("Cannabis sativa" L.) in remediation of degraded lands Rajkhowa Rangam. Properties and applications of ultrafine powders producted from natural fibres Razipour M. Chemical and physical characteristic of modified cotton and linen fabrics with amine-terminated dendritic polymer Renouard Sullivan (1984- ). Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Rippon John A. Improving the properties of natural fibres by chemical treatments Różańska Wanda. Enzymatic treatment of natural fibres Samanta Ashis Kumar. Processing of jute fibres and its applications Sanad Susan. Cotton fibres, picking, ginning, spinning and weaving Soulat Damien. Use of bast fibres including flax fibres for high challenge technical textile applications. Extraction, preparation and requirements for the manufacturing of composite reinforcement fabrics and for geotextiles Thomas Sabu (1960- ). Natural fibres for geotextiles Wang Xungai. Properties and applications of ultrafine powders producted from natural fibres Zielonka Dariusz. Medical potential of cannabis: an overview
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Bibliogr. przy rozdz. Indeks.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36682/2 (1 egz.)
Długość kolejki oczekujących: 1.
Książka
W koszyku
Autor
Muzyczuk Daniel (1988- ). Kurc-Maj Paulina. Fryszkowska Monika. Gilcher William. Jubert Parry. Łągiewska Marzanna. Polit Paweł (1965- ). Połowińska Beata. Śniecikowska Beata (1976- ). Aynsley Jeremy (1955- ). Nowa Typografia jako znak handlowy w Weimarskich Niemczech Aynsley Jeremy (1955- ). The new typography as commercial sign in Weimar Germany Barhatova Elena Valentinovna (1947- ). Fotomontaż i typografia w konstruktywizmie rosyjskim Barhatova Elena Valentinovna (1947- ). Photomontage and typography in Russian constructivism Hollis Richard (1934- ). Awangarda: powielanie idei Hollis Richard (1934- ). The Avant-garde: reproducing ideas Jubert Roxane (1969- ). Revolutionizing and extending the viewpoint Jubert Roxane (1969- ). Rewolucja - poszerzenie pola widzenia Kubiak Szymon Piotr (1979- ). Walter Riezler and form without ornament Kubiak Szymon Piotr (1979- ). Walter Riezler i forma bez ornamentu Kurc-Maj Paulina. Foreword Kurc-Maj Paulina. New vision - the language of modern typography in interwar in Poland Kurc-Maj Paulina. Nowe widzenie - język nowoczesnej typografii w międzywojennej Polsce Kurc-Maj Paulina. Wstęp Muzyczuk Daniel (1988- ). Foreword Muzyczuk Daniel (1988- ). Wstęp Rejniak-Majewska Agnieszka. Edukacja zmysłów w dobie technologii - László Moholy-Nagy i György Kepes Rejniak-Majewska Agnieszka. Education of the senses in the era of tehnology - László Moholy-Nagy and György Kepes Rypson Piotr (1956- ). Modernisation of graphic design in Poland: three generations of the interbellum Rypson Piotr (1956- ). Modernizacja projektowania graficznego w Polsce: trzy pokolenia dwudziestolecia Śniecikowska Beata (1976- ). Pole widzenia = pole słyszenia? Śniecikowska Beata (1976- ). Visual field = sound field? Toman Jindřich (1944- ). Exemplary modernism Toman Jindřich (1944- ). Wzorcowy modernizm Vossoughian Nader. From A4 paper to the octametric brick: Ernst Neufert and the politics of standarization Vossoughian Nader. Od formatu A4 do oktametrycznej cegły: Ernst Neufert i polityka standaryzacji
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Materiały z konferencji zorg. w: Muzeum Sztuki w Łodzi, 10-11 X 2014, towarzyszącej wystawie: Zmiana pola widzenia : druk nowoczesny i awangarda w: Muzeum Sztuki w Łodzi od 13 VI do 12 X 2014 r.
Bibliogr. s. 515-547. Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 31023, II 31057 (2 egz.)
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(Műtárgyvédelem, ISSN 1216-1195)
Autor
Török Klára. Simán Katalin. Bakay-Perjés Judit. Women's shoes from the cistercian church in Vác Beöthy-Kozocsa Ildikó. Data on the bindings of King Matthias's codices Bodor István jun. Deterioration, examination and restoration of an unusual marble statue Bóna István (1930-2001). Restoration of a renaissance frescoe cycle at the Museum of Fine Arts Bruder Katalin T. (1942-2013). Re-restoration of two roman helmets Dúzs Krisztina. Restoration of a Habán type glass jug Harsányi Eszter. Condition report of the tomb of a nobleman (TT65) in Thebes Hoós Mariann. Restoration of a renaissance frescoe cycle at the Museum of Fine Arts Járó Márta (1950- ). Experiment on computerised colour reconstruction on the corroded metal surface of textiles ornaments with leather, paper or membrane threads Kastaly Beatrix (1943- ). Examination of books found in Gyöngyös disinfected with ethylene oxide Kiss-Bendefy Márta. Restoration of a pair of 18th century leather gaiters Kovács Petronella. Attempts to remove water stains from painted wooden objects using Gore-tex Kővári-Csizmadi Edit. Attempts to remove water stains from painted wooden objects using Gore-tex Kriston László. Condition report of the tomb of a nobleman (TT65) in Thebes Kriston László. Deterioration, examination and restoration of an unusual marble statue Kurovszky Zsófia. Condition report of the tomb of a nobleman (TT65) in Thebes Mester Éva. Traditional and new method in the restoration of glass windows from the turn of the century Nagy György T. Experiment on computerised colour reconstruction on the corroded metal surface of textiles ornaments with leather, paper or membrane threads Peller Tamás. Restoration of the case of a 16th century Turkish mirror of the Esterházy collection Schramkó Péter. Examination of books found in Gyöngyös disinfected with ethylene oxide Séd Gábor. Restoration of the facade of the Liszt Ferenc Academy of Music Sipos Enikő. From model mannequins to display-dummies for museum exhibition Somos Éva. Restoration of a renaissance frescoe cycle at the Museum of Fine Arts Timar-Balazsy Agnes (1948-2001). Diploma works and their role in advocacy for conservation/restoration Vadnai Erika. Condition report of the tomb of a nobleman (TT65) in Thebes Vámosi Ilona. A decorative technique on finds from the 17th century avar cementery of Zamárdi
Indeks R0: BMNK
In memoriam Dr. Ágnes Timár-Balázsy (1948-2001).
Bibliogr. przy części art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32709 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 12)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Cambon Pierre (1955- ). Korean collection in Paris Dąbrowski Józef (1940-2019). "Hanji Paper" – Unique technologies of ancient Korean craft De Fraeye Mark (1949- ). San-shin, the Mountain God – Korea’s eternal spirit Gröning Gert (1944- ). The Heewon,희원, where the pungryu 풍류, can be perceived - an outstanding example of garden culture in Korea Helman-Ważny Agnieszka (1974- ). "Hanji Paper" – Unique technologies of ancient Korean craft Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art Kennedy Beccy. Orienting and disorienting contemporary Korean art Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang, an architect from South Korea Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries Malinowski Jerzy (1950- ). Wstęp Naeyoung Ryu. Yun Duseo, Korean scholar-painter, precursor in painting of the Sirhak movement Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea Schulenburg Stephan (1959- ). Korean collections in German museums Suh Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do, South Korea) Toomey John J. The Korean way of tea. The way of universal peace Youngsuk Park. Genesis of Korean art – Goguryeo art
Indeks R0: BMNK
Materiały konf.: Warszawa, 25-26 października 2012.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 23428 (1 egz.)
Książka
W koszyku
Autor
Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31639 (1 egz.)
Książka
W koszyku
(Studies in Conservation. Supplement ; 3)
Autor
Rivers Shayne. Saunders David. Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Auffret Stéphanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Berg Rita. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui Chang Julie. Reconstructing lacquer technology through Chinese classical texts Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research Chang Julie. Some observations on the composition of Chinese lacquer Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ Chao Raina. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Feston Briana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Grießer Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Grießer Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries Hatchfield Pamela B. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries Heginbotham Arlen. Some observations on the composition of Chinese lacquer Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Hrdličková Kučková Štěpánka. Searching for blood in Chinese lacquerware: zhu xie hui Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Johnson Galante Diana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Khanjian Herant. Some observations on the composition of Chinese lacquer Kitagawa Erin. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Körber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Mass Jennifer L. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Matsen Catherine. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Mesmaeker Delphine. The Japanese Tower at the Royal Domain in Laeken: a remarkable application of Japanese lacquer techniques in Belgium Miklin Richard. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Pace Jessica. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Petisca Maria João. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Pitthard Václav (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Pitthard Václav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Randall Megan. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Rivers Shayne. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Rivers Shayne. Editorial Saunders David. Editorial Schilling Michael R. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Schilling Michael R. Reconstructing lacquer technology through Chinese classical texts Schilling Michael R. The reproduction of realistic samples of Chinese export lacquer for research Schilling Michael R. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Schilling Michael R. Some observations on the composition of Chinese lacquer Schilling Michael R. A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Stanek Sabine. Searching for blood in Chinese lacquerware: zhu xie hui Stanek Sabine. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Strahan Donna K. Measuring mercury emissions from cinnabar lacquer objects Sully Dean. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Szelewski Mike. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Taylor Ambrose C. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Thei Judith. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Tjiong Amy. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Toro Manuela. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Tsukada Masahiko. Measuring mercury emissions from cinnabar lacquer objects Watson Adsit Kristen. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Webb Marianne. The reproduction of realistic samples of Chinese export lacquer for research
Temat
Indeks R0: BMNK
Jest to suplement nr 3 do czasopisma: Studies in Conservation. Vol. 61 (2016).
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25068 (1 egz.)
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