Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
(1)
Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements
(1)
Akimova Darina. Ja vs. drugoj : fenomen pokolenia semidesatnikov v kontekste ukrainskogo iskusstva vtoroj poloviny XX veka
(1)
Akovlenko Katerina. The establishment and sevelopment of the Paris commune squat in Kyiv
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Akovlenko Katerina. Why there are great women artists in Ukrainian art?
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Asperen de Boer Johan Rudolph Justus van (1935- ). Maarten van Heemskerck and Jan van Scorel’s Haarlem workshop
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Baatz Wolfgang. Studying the artistic process
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Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
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Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
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Barrett Sylvana. An integrated approach for the study of painting techniques
(1)
Barsinova Oksana Germanivna. Specifika kartinnogo myslenia hydoznikov ukrainskoj Novoj volny v kontekste iskysstva 1980-x godov
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Baumer Ursula. Die Bindemittel der Schule von Barbizon
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Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
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Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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Bernar-Koval'cuk Nadia. The strategies of visual representation of “Homo Sovieticus” (on the material of the Kharkiv School of Photography)
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Berrie Barbara Hepburn. Gerard David’s St. Anne altarpiece: evidence for workshop participation
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Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
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Birkmaier Ulrich. Technical examinations of Titian’s Venus and Adonis: a note on early Italian oil painting technique
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Biruiov Urij (1952- ). Poiski novogo ukrainskogo nacional'nogo stila v arhitekture L'vova nacala XX veka (1900-1914)
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Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Blonka-Drzażdżewska Aleksandra. Andrzej Wróblewski - collective imagination
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Blonka-Drzażdżewska Aleksandra. Andrzej Wróblewski - wyobraźnia zbiorowa
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Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Boitelle Rene (1962- ). A new look at old definitions: examining notions of finish in Barbizon School Landscapes
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Bomford David. Foreword
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Borowik Aneta. Modernity in the arhitecture of the Polish People's Republic
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Borowik Aneta. Nowoczesność w architekturze Polskiej Rzeczypospolitej Ludowej
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Boust Clotilde. To acquire a good name
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. Scenograf Wincenty Drabik w dziele tworzenia polskiej sceny narodowej. Przyczynek do badań nad sylwetką artysty i reinterpretacją jego stylu
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Brandys Iwona. Scenographer Wincenty Drabik in creating the Theatre in Poland. Contribution to research on the artist and on interpretation of his style
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
(1)
Brookes Anna. De/re-constructing Turner for research projects at Tate
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Brown Marilyn R. Barbizon and myths of bohemianism
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
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Bucklow Spike. Impossible recipes
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Burgio Lucia. To acquire a good name
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Burmester Andreas. Comment ils inventaient ces verts chatoyants? - Blau Gelb Grun und die Landschaftsmalerei von Barbizon
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Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
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Carlyle Leslie. Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
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Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
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Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
(1)
Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Casanova Conseicao. Study of Portugese 18th-century manuscript
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Caspers Charlotte. De/re-constructing Turner for research projects at Tate
(1)
Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
(1)
Cegusova Zoa Anatoliivna. Imaginative and plastic transformations in professional decorative art of Ukraine in the age of globalization
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Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
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Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
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Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
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Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
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Choldere Dace. A technical study of the materials and methods used by the painters of the Latvian churches in the seventeenth century
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Chui Sue Ann. Preface
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Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
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Clark John (1946- ). Okakura Tenshin and aesthetic nationalism
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Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
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Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
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Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Conant Ellen P. Japanese painting from Edo to Meiji: rhetoric and reality
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Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings
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Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Czyż Anna Sylwia (1974- ). Independence motifs in decoration of the oldest so-called Polish Cathedrals
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Czyż Anna Sylwia (1974- ). Motywy niepodległościowe w dekoracji najstarszych tzw. Polish Catedrals
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D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
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Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Darrah Josephine A. Connections and coincidences: three pigments
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Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
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De Angelis Roberta. Tracing the history of wall paintings through visual documents
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