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'Azim'pur Pupak (1971 lub 1972- ). Handmade dolls of the Iranian Nation the representatives of culture and civilization
(1)
Adamowicz Klaudia. Searching for the fantasy: the theatre of Takarazuka
(1)
Addiss Stephen (1935- ). Japanese calligraphy since 1868
(1)
Ahn Sang Doo. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
(1)
Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements
(1)
Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
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Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Anderson Stanley N. (1947- )
(1)
Antuskova Vaclava. Materials and techniques of Buddhist art close up
(1)
Arapova Tat'ana Borisovna (1938- )
(1)
Arik Ruchan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
(1)
Arntzen Sonja (1945- )
(1)
Arpad Mihaly
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Auffret Stephanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Bachini Annie. On haiku and education in Britain
(1)
Baer Norbert S. (1938- )
(1)
Balabanova Ludmila. Metaphor and haiku
(1)
Banzhaf Pia. Ontology of the puppet
(1)
Bartoszek Wacław. Imago florae - ilustracja boteniczna
(1)
Bartoszek Wacław. Zielnik
(1)
Bayou Helene
(1)
Belous Dmitro
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Beltz Johannes (1967- ). Introduction
(1)
Beltz Johannes (1967- ). Understanding religion through art
(1)
Bender Agnieszka (1962- )
(1)
Bender Agnieszka (1962- ). Personal adornments and decorations for secular and sacred interiors
(1)
Berg Rita. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Bergdoll Barry. Frames of colour
(1)
Bergeijk Herman van (1954- ). Rationalism soul and form
(1)
Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Berger Gustav A. (1920-2006). Formulating adhesives for the conservation of paintings
(1)
Bethe Monica
(1)
Bezuidenhout Pieter. Handspring Puppet Company: an international South Afrikapuppet phenomen
(1)
Bhagwati Annette. Introduction
(1)
Białas Piotr (projektant grafiki). Lettering and Typography Studio for first- and second-year part-time students. Academy of Fine Arts in Gdańsk
(1)
Białas Piotr (projektant grafiki). Pracownia Liternictwa i Typografii dla studentów I i II roku studiów niestacjonarnych. Akademia Sztuk Pięknych w Gdańsku
(1)
Biedrońska-Słotowa Beata
(1)
Biedrońska-Słotowa Beata. The cross-cultural role of textiles exemplified by textiles with Arabic inscriptions and some other motifs
(1)
Bielak Anna (japonistyka). The kimono as a fashion phenomenon in modern Japan and beyond
(1)
Biemann Klaus (1926-2016)
(1)
Bierkowski Tomasz. Pracownia Typografii. Akademia Sztuk Pięknych w Katowicach
(1)
Bierkowski Tomasz. Typography Studio. Academy of Fine Arts in Katowice
(1)
Bilenko Galina
(1)
Bincsik Mónika
(1)
Bodor Kata (1978- ). A chronological list of Japanese art-related exhibitions in the Austro-Hungarian Monarchy
(1)
Bodor Kata (1978- ). The mixture of Eastern and Western styles of printmaking in the Austro-Hungarian Monarchy as seen through a characteristic example
(1)
Bodzek Joanna. To mend* : a reflection on the Lee Edelkoort anti-fashion manifesto the kimono reconstruction project : my personal vision on how mended clothes can mean style in the future and how this is connected with the Boro textiles of Japan
(1)
Bollók Adam. Enthralled by national ornament
(1)
Bowie Henry Pike (1848-1921)
(1)
Bożek Paulina
(1)
Branco Guerreiro Marta. Marionetas de Sao Lourenco: the puppet as an artistic object from the stage to the museum
(1)
Brandt Hans Joachim
(1)
Brewińska Maria. Between collectivism and individualism - Japanese avant-garde in the 1950s and the 1960s
(1)
Brewińska Maria. Między kolektywizmem a indywidualizmem -awangarda japońska w latach 50. i 60. XX wieku
(1)
Brittig Vera. The Southeast Asian Collection
(1)
Brockington Grace. Puppetry and ambivalence in the art of Paul Nash
(1)
Brommelle Norman S
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
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Bruni Susan
(1)
Bryll Marta Wiktoria. Spanish fans - craftwork and cultural aspects
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Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
(1)
Bykova Galina Zaharovna
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Błażejewski Konrad
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Cardew Cornelius
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Cassling Robin (1967- )
(1)
Ceplak Mencin Ralf. The first extensive collection of Chinese and Japanese antiquities in Slovenia
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Chabiera Piotr Paweł. Prof. Marian Morelowski (1884-1963) - art historian romanist collector
(1)
Chang Julie. Reconstructing lacquer technology through Chinese classical texts
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Chang Julie. Some observations on the composition of Chinese lacquer
(1)
Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research
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131 wyników Filtruj
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 35806 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 15090 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 18964 (1 egz.)
Książka
W koszyku
Autor
Kopania Kamil (1979- ). ʻAẓīmʹpūr Pūpak (1971 lub 1972- ). Handmade dolls of the Iranian Nation, the representatives of culture and civilization Banzhaf Pia. Ontology of the puppet Bezuidenhout Pieter. Handspring Puppet Company: an international South Afrikapuppet phenomen Branco Guerreiro Marta. Marionetas de Säo Lourenço: the puppet as an artistic object, from the stage to the museum Brockington Grace. Puppetry and ambivalence in the art of Paul Nash Đerđ Zdenka. Theatre of freaks by Zlatko Bourek Fooken Insa (1947- ). "Help me to see beyond": dolls and doll narratives in the context of coming of age Fouché Mienke. Design and construction of fantasy marionettes through the Study of Animal Anatomy and Movement Gyaltso Lenka. Losel dolls Hofer Roberta. "It's a set! It's a show! Everybody's wathing you!" Kopania Izabela (1979- ). Dolls as document Kopania Kamil (1979- ). Introduction Mikota Jana. "Help me to see beyond": dolls and doll narratives in the context of coming of age Mirzahosseini Fahimeh. Study of reception process of children aged six to eight years in theatre, based on reception phenomenological approach Özgüner Emin Artun. Desire/scren/look relationship in the making of a doll: the case study of a personal experience Pacey Bett. Multi-media performance: two puppetry productions by the Handspring Puppet Company based on Italo Svevo's La Conscienza di Zeno Piecyk Magdalena Anna. History of japanese Ningyo from the Edo Period: the art of the japanese dolls, their role and meaning in society Ryndová Jana. Minamoto no Yoshitsne, japanese puppetry (Bunraku) and graphic art in the collection of the National Gallery in Prague Smith Matt. Hand to hand: the dynamic situation of applied puppetry Rhiger Tenna. How puppetry can assist pastors in obtaining a greater understanding ot their liturgical practice Vigato Teodora. Croatian folk puppeteering
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32447 (1 egz.)
Książka
W koszyku
Autor
Juruś Jerzy. Król Anna (1958- ). Organisty Adam (1973- ). Taylor-Kucia Jessica. Król Anna (1958- ). Kachō-ga : obrazy kwiatów i ptaków w sztuce Japonii i Zachodu Organisty Adam (1973- ). Kachō-ga : obrazy kwiatów i ptaków w sztuce Japonii i Zachodu Kubiak Ho-Chi Beata (1958- ). Japonia, natura, kultura Stala Marian (1952- ). Człowiek z końca XIX wieku wobec natury Król Anna (1958- ). Kachō-ga : obrazy kwiatów i ptaków Spławski Piotr. Inspiracje gatunkiem kachō-ga typu Rinpa w twórczości Leona Wyczółkowskiego i innych artystów polskich okresu modernizmu i międzywojnia Król Anna (1958- ). Hiroshige Włodarek Andrzej. Motywy roślinne w polskiej sztuce średniowiecznej i nowożytnej Płonka-Bałus Katarzyna. Modlitewnik Bartoszek Wacław. Imago florae - ilustracja boteniczna Bartoszek Wacław. Zielnik Sarnowska-Jackowska Krystyna Maria (1942- ). Zielnik Organisty Adam (1973- ). Zielnik Król Anna (1958- ). Zielnik Król Anna (1958- ). Naturalia w kolekcjach i pracowniach Organisty Adam (1973- ). Naturalia w kolekcjach i pracowniach Organisty Adam (1973- ). Atlas roślin i zwierząt w Akademii Sztuk Pięknych w Krakowie Organisty Adam (1973- ). Kwiaty i ptaki w praktyce dydaktycznej wrocławskiego artysty Josepha Langera Organisty Adam (1973- ). Co mówią nam rośliny? Król Anna (1958- ). Wyspiański Weiss Renata. "Jestem jak drzewo, jak wróbel, jak liść jabłoni" Król Anna (1958- ). Kwiaty i ptaki czterech pór roku Król Anna (1958- ). Zodiak Organisty Adam (1973- ). Bajka o cudzych piórkach i o kocie z Okabe Król Anna (1958- ). Bajka o cudzych piórkach i o kocie z Okabe Organisty Adam (1973- ). Martwa natura
Indeks R0: BMNK
Bibliogr. s. 369-373.
Ta pozycja znajduje się w zbiorach 2 placówek. Rozwiń listę, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 22496, III 22482, III 22198 (3 egz.)
Dział
Zapytaj bibliotekarza: Dział Sztuki Dalekiego Wschodu sygn. III 22481 (1 egz.)
Książka
W koszyku
(Studies in Conservation. Supplement ; 3)
Autor
Rivers Shayne. Saunders David. Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Auffret Stéphanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Berg Rita. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui Chang Julie. Reconstructing lacquer technology through Chinese classical texts Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research Chang Julie. Some observations on the composition of Chinese lacquer Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ Chao Raina. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Feston Briana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Grießer Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Grießer Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries Hatchfield Pamela B. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries Heginbotham Arlen. Some observations on the composition of Chinese lacquer Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Hrdličková Kučková Štěpánka. Searching for blood in Chinese lacquerware: zhu xie hui Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Johnson Galante Diana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Khanjian Herant. Some observations on the composition of Chinese lacquer Kitagawa Erin. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Körber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Mass Jennifer L. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Matsen Catherine. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Mesmaeker Delphine. The Japanese Tower at the Royal Domain in Laeken: a remarkable application of Japanese lacquer techniques in Belgium Miklin Richard. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Pace Jessica. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Petisca Maria João. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Pitthard Václav (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Pitthard Václav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Randall Megan. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Rivers Shayne. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Rivers Shayne. Editorial Saunders David. Editorial Schilling Michael R. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Schilling Michael R. Reconstructing lacquer technology through Chinese classical texts Schilling Michael R. The reproduction of realistic samples of Chinese export lacquer for research Schilling Michael R. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Schilling Michael R. Some observations on the composition of Chinese lacquer Schilling Michael R. A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Stanek Sabine. Searching for blood in Chinese lacquerware: zhu xie hui Stanek Sabine. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Strahan Donna K. Measuring mercury emissions from cinnabar lacquer objects Sully Dean. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Szelewski Mike. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Taylor Ambrose C. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Thei Judith. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Tjiong Amy. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Toro Manuela. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Tsukada Masahiko. Measuring mercury emissions from cinnabar lacquer objects Watson Adsit Kristen. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Webb Marianne. The reproduction of realistic samples of Chinese export lacquer for research
Temat
Indeks R0: BMNK
Jest to suplement nr 3 do czasopisma: Studies in Conservation. Vol. 61 (2016).
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25068 (1 egz.)
Książka
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Są egzemplarze dostępne do wypożyczenia: III 24855 (1 egz.)
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(World Art Studies : conferences and studies of the Polish Institute of World Art Studies / ed. Agnieszka Kluczewska-Wójcik & Jerzy Malinowski, ISSN 2543-4624 ; vol. 17)
Autor
Gawarski Maurycy. Kubiak Ho-Chi Beata (1958- ). Rynarzewska Ewa. Kluczewska-Wójcik Agnieszka (1960- ). Malinowski Jerzy (1950- ). Rodowicz-Czechowska Jadwiga Maria (1954- ). Farewell to Professor Zbigniew Osiński Rutkowska Iga. Research on the reception of the theatre of East Asia in Poland: from the example of Zbigniew Osiński's work Sun Mei (1955- ). Tradition and modern transformation of indigenous Chinese theatre or "xiqu" Łakomska Bogna. Performances for the underground spirits Park Chan E. (1951- ). Inter-cultural discourse on "p'ansori": the theatre of the imagination Fujii-Karpoluk Yōko. Revived "nō" dramas: issues and perspective Rynarzewska Ewa. From village comedian to celebrity: metamorphosis of the Korean actor in the years of Japanese occupation (1910-1945) Lee Sang Woo. Between art and scandal: the actresses of "Towolhoe" and the gender politics of "scandal" Li Wei. On female consciousness in contemporary "xiqu" in China Wesołowska Marta (japonistyka). Role of women in the musical life of early and medieval Japan Steiner Marta (1971- ). Corporeal mode of acting on the "xiqu" stage Görlich Aleksandra (1981- ). Kaoyo Gozen and attendants - realtionships between the costumes of the "kabuki" actors of the "Kanadehon Chūshingura" play and their woodblock-print illustrations Hirsch Mary E. (1958- ). What does Chinese Shadow Theatre tell us? Lis Marianna. Wacinwa Kubiak Ho-Chi Beata (1958- ). Tragedy and the tragic in the Japanese puppet theatre Rutkowska Iga. Need to laugh - comic elements in Japanese performing arts - on the example of "kabuki" theatre Gawarski Maurycy. Chinese opera theatrical poster in Beijing in the first half of the twentieth century Kaulbach Barbara M. (1950- ). Chinese theatre at the crossroads - Ouyang Yuqian and the West Nordeborg Martin (1961- ). Translated Western plays as a symbol of modernity in Japan of the 1920s Lee Insoo. Intercultural call from the Third World: Jaram Lee's Brecht "pansori", "Sacheonga" Żeromska Estera (1956- ). Some reflections on "Mask" by Mori Ōgai Inoue Takashi. Particularity and new possibilities of Mishima's dramas Wolska-Lenarczyk Joanna. Concept of romantic heroism in Mishima Yukio's play"My friend Hitler" Hibino Kei (1967- ). Making comedy naturalised and vulgar: the theatre of Soganoya Gorō, the Japanese King of "Kigeki" Adamowicz Klaudia. Searching for the fantasy: the theatre of Takarazuka Lecińska-Ruchniewicz Monika. Entering the "world of dreams" Li Ying. Theatre and politics in China (PRC) in the recent years Komatsu Hiroshi. Similarity and difference Furmanik-Kowalska Magdalena. Chinese opera ("xiqu") as a significant element of contemporary artwork Wang Yun. Justice or "yi": the fate of "The Orphan of Zhao" being deconstructed in Europe Hánová Markéta. Sada Yakko and the reception of Japanese theatre in the context of Japonisme in the Czech lands Yagishita Emi. Sada Yokko's and Hanako's performances: images of exotic Japan in the West in the early twentieth century Deja Katarzyna (1987- ). Józef Jankowski's play "Kesa" as an example of transculturality in Polish modernism Chudzikowska Monika. "Chinese Play given in the Chinese Manner" Wodarska-Ogidel Katarzyna. "Recipe for a fairy tale": a Japanese performance made by Polish P.O.W.'s in 1941 Paek Sŭng-suk (1967- ). Imagined geographies of city space in 1942: Seoul, Shanghai, Warsaw, Tokyo Mond-Kozłowska Wiesna. Western aesthetic needs turning to "nō" theatre Rodowicz-Czechowska Jadwiga Maria (1954- ). Tadeusz Kantor in the theatrical life of Japan, 1979-2015 Gawarski Maurycy. Polish research on Chinese theatre since the beginning of the twentieth century to the present day Gawarski Maurycy. List of Polish publications on Chinese theatre since the beginning of the twentieth century
Indeks R0: BMNK
Materiały z konf.: Muzeum Sztuki i Techniki Japońskiej „Manggha”, Kraków, 20-22 października 2015 r.
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Są egzemplarze dostępne do wypożyczenia: III 23753 (1 egz.)
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(Rzeczy Piękne ; t. 1)
Autor
Bender Agnieszka (1962- ). Wiśnicka Anna (historia sztuki). Wrześniak Małgorzata (1974- ). Bender Agnieszka (1962- ). Personal adornments and decorations for secular and sacred interiors Bryll Marta Wiktoria. Spanish fans - craftwork and cultural aspects Chabiera Piotr Paweł. Prof. Marian Morelowski (1884-1963) - art historian, romanist, collector Feliks Anna. Karol Kłosowski's projects of furnishings in the Silent Villa in Zakopane Iashvili Nana. Tbilisi Opera and Ballet Theatre - jewellery of the city Kierczuk-Macieszko Małgorzata. Historical information on Lublin jewellers and goldsmiths in the 19th century and the first quarter of the 20th century Kostrzyńska-Miłosz Anna. Interiors of Polish Ocean Liners from the 1930s: Expression of the Era's needs and tastes Kowalski Wojciech (1950- ). Nederlandse Majolica and Early Delftware illustrated by examples from Polish Collections Kuczyńska Jadwiga (1939- ). The decorative function of the Nuremberg brass basins Lipczik Agata (1988- ). Art Deco clip brooches Piecyk Magdalena Anna. Collecting Japanese dolls Skrzydlewska Beata Barbara. The history of monastery and church buildings of the Premonstratensians in Imbramowice in the years 1703-2000 Stachurska Monika. Cologne bands - decorations of medieval liturgical vestments on examples of paraments from St. Mary's Church in Gdańsk, currently stored in National Museum in Gdańsk Wiśnicka Anna (historia sztuki). Simo Heikkilä: the new Nordic approach to furniture design Wrześniak Małgorzata (1974- ). Workshops of antique Florentine handicraft - history and present
Indeks R0: BMNK
Materiały z konferencji zorg. w dniach 17-18 maja 2016 na Uniwersytecie kardynała Stefana Wyszyńskiego.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32340 (1 egz.)
Książka
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Autor
Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
Indeks R0: BMNK
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: II 31639 (1 egz.)
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Opis wg okł.
Okł. wlicz. w pag.
Materiały z konferencyjne: 2nd European Haiku Conference in Vadstena, Szwecja, 8-10 czerwca 2007 r.
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Są egzemplarze dostępne do wypożyczenia: III 25093 (1 egz.)
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Indeks R0: BMNK
Bibliogr. s. 223-231.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 22306 (1 egz.)
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(The Artistic Traditions of Non-European Cultures, ISSN 2450-5692 ; vol. 4)
Autor
Biedrońska-Słotowa Beata. Görlich Aleksandra (1981- ). Biedrońska-Słotowa Beata. The cross-cultural role of textiles exemplified by textiles with Arabic inscriptions and some other motifs Bielak Anna (japonistyka). The kimono as a fashion phenomenon in modern Japan and beyond Bodzek Joanna. To [mend]* : a reflection on the Lee Edelkoort anti-fashion manifesto, the kimono reconstruction project : my personal vision on how mended clothes can mean "style" in the future and how this is connected with the Boro textiles of Japan Cybulska Maria (włókiennictwo). Traditional japanese Shibori and contemporary textile design Dróżdż Tomasz. Traditional japanese Shibori and contemporary textile design Goto Kosuke (1983- ). The Celestial Lotus: on the sources of ornamental patterns woven in silk samite Janik Paweł (archeologia). The faces from Noin Ula's Embroidery - Xiongnu or Kushans? Karadag Racep. Characterisation of dyes, metal threads and silk yarns from 16-18th-century Ottoman silk brocades Klein Astrid. The language of Kučean clothing: a comparative study of wall paintings and textiles Martini Małgorzata (1953- ). Kumihimo: an ancient art or a present-day one? Orlińska-Mianowska Ewa (1963- ). Reception of the Orient in the eighteen-century European silk industry Rosati Maria Ludovica. Textiles patterns on the move: looking at the iconographical exchanges along the Silk Route in the pre-modern period as cultural processes Šabalina Natal'â Mihajlovna. Colour is a sign of national traditional ornamental art Szewczyk Barbara (1983- ). "How the kimono released women from corsets" - Japonism in fashion at the turn of the 19th and 20th centuries Tuna Cemile (1950- ). Silk trade from Bursa to Krakow on the Silk Road Żuchowska Marta (1975- ). Transferring patterns along the Silk Road: vine and grape motifs on Chinese silks in the 1st Millenium AD
Indeks R0: BMNK
Na grzb. wyłącznie tyt. serii. Na okł. błędnie przypisany ISBN.
Materiały z konf., Kraków, Muzeum Sztuki i Techniki Japońskiej "Manggha", 11-13 września 2015.
Bibliog., netogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 25959/4 (1 egz.)
Książka
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Autor
Brommelle Norman S. Smith Perry. Baer Norbert S. (1938- ). Berger Gustav A. (1920-2006). Formulating adhesives for the conservation of paintings Biemann Klaus (1926-2016). Bykova Galina Zaharovna. Delbourgo Suzy. Application of the electron microprobe to the study of some Italian paintings from the fourteenth to the sixteenth century Feller Robert L. (1919-2018). Problems in the investigation of picture varnishes Feller Robert L. (1919-2018). The relative solvent power needed to remove various aged solvent-type coatings Flieder Françoise (1929-2017). Frinta Mojmír Svatopluk (1932- ). On the punched decoration in mediaeval panel painting and manuscript illumination Gallo Fausta. The work of the biology laboratory, Istituto di Patologia del Libro, during the ten years from 1961 to 1972 Gay Marie Christine. Application of the staining method to cross-sections in the study of the media of various italian paintings of the fourteenth and fifteenth centuries Gettens Rutherford J. (1900-1974). Japanese paintings - technical studies at the freer gallery of arts Graaf J. A. van de. Harley Rosamond Drusilla (1934- ). Artists' brushes - historical evidence from the sixteenth to the nineteenth century Hulmer Eric C. Notes on the formulation and application of acrylic coatings Indictor Norman. Ivanova A. V. Joel Abraham. Johnson Ben B. Oriental mounting techniques in the conservation of Western prints and drawings King Antoinette G. Conservation of the collage roses by Juan Gris Lank Herbert. Picture varnishes formulated with resin MS2A Lazzarini Lorenzo (1947- ). Margaritoff Tasso. Removing successive layers of painting - further work Masschelein-Kleiner Liliane. Contribution to the study of aged proteinaceous media Mills John S. (1928- ). The gas chromatographic examination of paint media. Some examples of medium identification in paintings by fatty acid analysis Mills John S. (1928- ). The identification of paint media - an introduction Mokrecova Inna Pavlovna. Murrell Jim. The restoration of portrait miniatures Pas Monique de. Pemberton-Pigott Viola. Plahter Leif Einar (1929-2016). Plahter Unn (1936- ). Plesters Joyce. Plossi Zappalà Mariagrazia. Rabin Bernard. Radosavlević Vera. Rogers George de Witt. Stolow Nathan (1928- ). Watherston Margaret M. Weidner Marilyn Kemp. Weiss Norman R. White Raymond. Wilson William K. (1913-2003).
Indeks R0: BMNK
Materiały konferencji: International Institute for Conservation of Historic and Artistic Works zorg. w Lizbonie w październiku 1972.
Bibliogr. w przypisach przy ref. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24470 (1 egz.)
Książka
W koszyku
Autor
Regulski Wojciech (1951- ). Białas Piotr (projektant grafiki). Lettering and Typography Studio for first- and second-year part-time students. Academy of Fine Arts in Gdańsk Białas Piotr (projektant grafiki). Pracownia Liternictwa i Typografii dla studentów I i II roku studiów niestacjonarnych. Akademia Sztuk Pięknych w Gdańsku Bierkowski Tomasz. Pracownia Typografii. Akademia Sztuk Pięknych w Katowicach Bierkowski Tomasz. Typography Studio. Academy of Fine Arts in Katowice Chmielewski Łukasz (1975- ). Pracownia Projektowania Krojów Pism i Kaligrafii. Akademia Sztuk Pięknych im. Wł. Strzemińskiego w Łodzi Chmielewski Łukasz (1975- ). Type and Calligraphy Design Studio Strzemiński. Academy of Art in Łódź Dziurawiec Zofia. Lettering and Typography Studio. Jan Matejko Academy of Fine Arts in Kraków Dziurawiec Zofia. Pracowania Liternictwa i Typografii. Akademia Sztuk Pięknych im. Jana Matejki w Krakowie Kochnowicz Krzysztof (1955- ). Pracownia Projektowania Litery. Uniwersytet Artystyczny w Poznaniu Kochnowicz Krzysztof (1955- ). Type Design Studio. University of the Arts Poznań Kot Aleksandra. Pracownia Typografii. Akademia Sztuk Pięknych w Warszawie Kot Aleksandra. Typography Studio. Academy of Fine Arts in Warsaw Krzywdziak Paweł (1989- ). Lettering and Typography Studio. Jan Matejko Academy of Fine Arts in Kraków Krzywdziak Paweł (1989- ). Pracowania Liternictwa i Typografii. Akademia Sztuk Pięknych im. Jana Matejki w Krakowie Majchrzak Maciej (grafika). Dydaktyka typografii dla studentów I i II roku studiów. Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu Majchrzak Maciej (grafika). Teaching typography to first- and second-year students. Eugeniusz Geppert Academy of Fine Arts in Wrocław Małecka-Kwiatkowska Agnieszka (1975- ). Projektowanie krojów pisma (dawniej Pismo i znak). Akademia Sztuk Pięknych w Katowicach Małecka-Kwiatkowska Agnieszka (1975- ). Type design (formerly: Script and Character). Academy of Fine Arts in Katowice Oslislo Zofia (1985- ). Projektowanie krojów pisma (dawniej Pismo i znak). Akademia Sztuk Pięknych w Katowicach Oslislo Zofia (1985- ). Type design (formerly: Script and Character). Academy of Fine Arts in Katowice Pawlikowska Ada. Lettering and Typography Studio (rudimentary). Academy of Fine Arts in Gdańsk Pawlikowska Ada. Pracowania Liternictwa i Typografii (Pracownia Podstaw). Akademia Sztuk Pięknych w Gdańsku Regulski Wojciech (1951- ). 90 lat Pracowni Liternictwa i Typografii w Akademii Sztuk Pięknych im. Jana Matejki w Krakowie Regulski Wojciech (1951- ). 90th Anniversary of the Lettering and Typography Studio in the Jan Matejko Academy of Fine Arts in Kraków Regulski Wojciech (1951- ). Conference: Didactics of typography. Teaching the letter / teaching with the letter Regulski Wojciech (1951- ). Konferencja: Dydaktyka typografii. Uczyć litery / uczyć literą Regulski Wojciech (1951- ). Lettering and Typography Studio. Jan Matejko Academy of Fine Arts in Kraków Regulski Wojciech (1951- ). Pracowania Liternictwa i Typografii. Akademia Sztuk Pięknych im. Jana Matejki w Krakowie Władyka Marcin (1975- ). Pracownia Typografii. Akademia Sztuk Pięknych w Warszawie Władyka Marcin (1975- ). Typography Studio. Academy of Fine Arts in Warsaw Ziemiszewska Agnieszka. Pracownia Typografii i Liternictwa dla studentów I i II roku studiów. Polsko-Japońska Akademia Technik Komputerowych w Warszawie Ziemiszewska Agnieszka. Typography and Lettering Studio for first- and second-year students. Polish-Japanese Academy of Information Technology in Warsaw
Indeks R0: BMNK
Materiały z konferencji w Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, 14 kwietnia 2018.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25587 (1 egz.)
Książka
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Autor
Cort Louis Allison. Douglas Janet G. Jett Paul. McCarthy Blythe Ellen. Salzman Chase Ellen. Ahn Sang Doo. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Arık Rüçhan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Chāy Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Choo Woong Kil. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production, methods and techniques Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma) Kawamura Yoshio. The spread of pottery miniatures in Han Dynasty China Kim Gyu Ho. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Koss Kerith. Analysis of Persian painted Minai Ware Kusimba Chapurukha Makokha. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Lee Young Eun. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Lei Yong. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Li Jiazhi. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Li Wei Dong. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Luo Hongjie. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Ma Qinglin. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Maccheroni Michael. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Mao Zhenwei. Technological innovation in the manufacture of white porcelain in North China Maske Andrew L. Defining a new type of Japanese "Folk" ceramic: Nishi Sarayama Ware McCarthy Blythe Ellen. Analysis of Persian painted Minai Ware Oka Rahul. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Pan Weibin (1969- ). Technological innovation in the manufacture of white porcelain in North China Pollard A. M. Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Pomper Linda Rosenfeld. Research on the question of dating Chinese Famille Noire Porcelain Salzman Chase Ellen. Analysis of Persian painted Minai Ware San Kosal. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sasaki Tatsuo. Mutual influence and imitation of Mesopotamian and Chinese ceramics in the Ninth Tenth centuries Smith Dylan. Analysis of Persian painted Minai Ware Sok Hun Ly. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sok Keo Sovannara. Rethinking Khmer ceramics and metal vessels through ancient inscriptions and Bas-Reliefs: Khmer ceramic typology through ancient words Song Yan. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Stamen Jeffrey P. Research on the question of dating Chinese Famille Noire Porcelain Tabata Yukitsugu (1972- ). Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Tatsumi Junitiro. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Wang Changsui. Technological innovation in the manufacture of white porcelain in North China Wang Changsui. The provenance of ancient Chinese proto-celadon Weiss Norman R. Research on the question of dating Chinese Famille Noire Porcelain Wen Rui (1980- ). Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Xue Bin. Technological innovation in the manufacture of white porcelain in North China Yao Zhengquan. Technological innovation in the manufacture of white porcelain in North China Yegingil Zehra. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Zhu Jian. The provenance of ancient Chinese proto-celadon Zhu Tiequan. Technological innovation in the manufacture of white porcelain in North China
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Materiały konferencji zorg. w Freer Gallery of Art w Waszyngtonie, 27-29 września 2007 r.
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: III 24878 (1 egz.)
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Gatunek
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Objaśnienia il. równol. w jęz. ang., fr., niem. i hiszp.
Indeksy.
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Są egzemplarze dostępne do wypożyczenia: I 2547/1 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: I 2978/2 (1 egz.)
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The Japanese sword / Kanzan Sato ; transl. and adapt. by Joe Earle. - Tokyo [etc.] : Kodansha International : Shibundo, 1983. - 210 s. : il. (w tym kolor.) ; 27 cm.
(Japanese Arts Library ; 12)
Temat
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Bibliogr. s. 202-205. Indeks. Słownik terminów japońskich.
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Wszystkie egzemplarze są obecnie wypożyczone: III 8409 (1 egz.)
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Japanese arts in the world / by Itsuji Yoshikawa. - [B. m. : b. w.], cop. 1966. - 164 s., [4] k. tabl. złoż. : il. (w tym kolor.) ; 24 cm.
(Fine arts of Japan ; [vol.] 25)
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Tekst w jęz. japońskim, tyt. w jęz. ang.
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Są egzemplarze dostępne do wypożyczenia: II 4178/25 (1 egz.)
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