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Bogdanowska Monika (1962- )
(2)
Haake Michał (1974- ). Dwa jubileusze
(2)
Haake Michał (1974- ). Two anniversaries
(2)
Kłak-Ambrożkiewicz Marta
(2)
Kłak-Ambrożkiewicz Marta. Master of masters Meister of meisters
(2)
Kłak-Ambrożkiewicz Marta. Mistrz nad mistrzami majster nad majstrami
(2)
Rosales Rodriguez Agnieszka (1974- ). Gorączka historyczna. Paradoks Matejki
(2)
Rosales Rodriguez Agnieszka (1974- ). Historical fever. The paradox of Matejko
(2)
Sarkowicz Dominika. Przywracanie utraconych walorów - obrazy Jana Matejki w Pracowni Konserwacji Malarstwa i Rzeźby w Sukiennicach
(2)
Sarkowicz Dominika. Restoring lost values - paintings of Jan Matejko in the Painting and Sculpture Conservation Studio in the Sukiennice
(2)
Sieklucka Marzena. Przywracanie utraconych walorów - obrazy Jana Matejki w Pracowni Konserwacji Malarstwa i Rzeźby w Sukiennicach
(2)
Sieklucka Marzena. Restoring lost values - paintings of Jan Matejko in the Painting and Sculpture Conservation Studio in the Sukiennice
(2)
Suchocki Wojciech (1951- ). Skarga - Ojczyzna zobrazowana
(2)
Suchocki Wojciech (1951- ). Skarga - The Homeland pictured
(2)
Szczerski Andrzej (1971- )
(2)
Wyszyńska Jadwiga
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Abdel-Wahab Mohammed. Automatic fusion of digital images and laser scanner data for heritage preservation
(1)
Abdel-Wahab Mohammed. Photogrammetric point cloud collection with multi-camera systems
(1)
Adam-Veleni Polyxene. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
(1)
Adamczak Monika. Reconstruction of crown glass with resin : Lantern from the Nysa Museum
(1)
Adamczak Monika. Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie
(1)
Adamski Jakub (1985- ). Innovative figurative vaults in the Franciscan monastery in Kraków
(1)
Adamski Jakub (1985- ). Nowatorskie sklepienia figuratywne w klasztorze Franciszkanów w Krakowie
(1)
Agapiou Athos. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
(1)
Agapiou Athos. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
(1)
Agosti Maristella (1950- ). CULTURA Project: supporting next generation interaction with digital cultural heritage collections
(1)
Ahtola-Moorhouse Leena
(1)
Ahtola-Moorhouse Leena. Landscapes
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Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
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Al-Mukhtar Muzahim (1957- ). 3D information system for the digital documentation and the monitoring of stone alteration
(1)
Alexakis Dimitrios D. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
(1)
Alexakis Dimitrios D. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
(1)
Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Allotta Benedetto. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
(1)
Alrawi Osama Mohammad. Model-based user interface design for the Encyclopedia of Islamic Architecture
(1)
Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
(1)
Amato Alba. Mobile devices for the visit of Anfiteatro Campano in Santa Maria Capua Vetere
(1)
Andaroodi Elham. Architectural photogrammetry by non-metric cameras: CAD-based 2D drawing of facades from rectified photos
(1)
Andraud Christine. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy
(1)
Andrejcikova Nadezda (1966- ). Identifying semantic relationships in digital libraries of cultural heritage
(1)
Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
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Angelini Maria Giuseppa. Process modeling and photogrammetric production for structural investigations concerning to the collapse of Palazzo Edilizia in Salerno (Italy)
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Anglos D. Integrated approach to the study and preservation of painting using laser light technology
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Anselmi C. Modern painted palimpsests
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Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled The Virgin and St John Evangelist by Stefan Witold Matejko
(1)
Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu Matka Boża z Janem Ewangelistą Stefana Witolda Matejki
(1)
Anttonen Erkki (1955- ). Edelfelt as an illustrator
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Anttonen Erkki (1955- ). Fanrik Stals sagner
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Apostolou Charalambos. Reconstruction of everyday life in 19th century Nicosia
(1)
Arenas Alatorre Jesus. Material study of the Codex Colombino
(1)
Argyros Antonis A. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
(1)
Aristidou Andreas. Digitization of Cypriot folk dances
(1)
Arnold David B. 3D heritage on mobile devices: scenarios and opportunities
(1)
Artese Maria Teresa. Cataloging intangible cultural heritage on the web
(1)
Asmus John F. Final Endeavors of Monument Man
(1)
Asmus John F. The Hanford Nuclear Plant: radiation ablation meets history cultural heritage and nuclear decontamination
(1)
Asolati Michele. Micrometer multiresolution laser scanning of a renaissance medallion
(1)
Athanasiou George S. Evolution of the e-museum concept through exploitation of cryptographic algorithms
(1)
Augustyńska Zofia
(1)
Avramides Ioannis. Arches: an open source GIS for the inventory and management of immovable cultural heritage
(1)
Babś Marek. O restauracji XVII w. podominikańskiego zespołu klasztornego i kościoła św. Jacka w Klimontowie
(1)
Babś Marek. On the restoration of the seventeenth-century Dominican monastery complex and St Jacek's church in Klimontów
(1)
Badach Artur (1969- ). Fenomen obecności malarstwa manierystycznego w kilku wczesnorenesansowych kościołach we Florencji
(1)
Badach Artur (1969- ). The phenomenon of the presence of Mannerist painting in a few Early Renaissance church in Florence
(1)
Baglioni P. Maya mural paintings in Calakmul
(1)
Baglivo Antonio. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories
(1)
Bailey Eoin. CULTURA Project: supporting next generation interaction with digital cultural heritage collections
(1)
Bailey Gregory H. Designing nature
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Bakolas Asterios. Integrated documentation protocols enabling decision making in cultural heritage protection
(1)
Balch Pippa
(1)
Baldi Marialuisa (1952- ). Interaction for a shared knowledge with reperio: the Cardano case
(1)
Balzani Marcello (1962- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti
(1)
Barczyńska Agata
(1)
Bargagliotti Sergio. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
(1)
Bargellini Clara. Painting on copper in Spanish America
(1)
Barral i Altet Xavier (1947- )
(1)
Barral i Altet Xavier (1947- ). Introduction. Hungarian Medieval Art from a European Point of View
(1)
Barral i Altet Xavier (1947- ). The Szentkiraly Romanesque Tympanum
(1)
Bartoli Laura. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy)
(1)
Bartolomucci Carla. Reintegration of urban lacunas at Castelvecchio Calvisio (AQ) after the 2009 earthquake: the use of GIS 3D as a project monitoring tool
(1)
Barucci Marco. Nonlinear optical imaging techniques (NLO) for painting investigation
(1)
Baschiera Adriano. Micrometer multiresolution laser scanning of a renaissance medallion
(1)
Basile Giuseppe (1942-2013). Burri project
(1)
Basilissi Giulia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver
(1)
Basso Peressut Luca. Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
(1)
Becherini Francesca. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
(1)
Beck Kevin (1978- ). 3D information system for the digital documentation and the monitoring of stone alteration
(1)
Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: The Adoration of the Holy Name of Jesus The Virgin and Child and Dominican Saints from the church of SS Peter and Paul in Jaworowo
(1)
Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: Adoracja Imienia Jezus Matka Boska z Dzieciątkiem oraz Święci dominikanie z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie
(1)
Bednarski Łukasz. Historia zmagań o stan techniczny kopca Kościuszki w Krakowie
(1)
Bednarski Łukasz. History of struggles for technical condition of Kosciusko Mound in Krakow
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Beier Oliver. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing
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Bein Matthias. Completing digital cultural heritage objects by sketching subdivision surfaces toward restoration planning
(1)
Bellucci Roberto. Underdrawing in paintings
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Berg Evy. Use of GIS in the National System for Cultural Heritage Management and Dissemination to the general public in Norway: case study: the heritage management database Askeladden and the system for dissemination to the public Kulturminnesok
(1)
Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
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(Studia i Materiały Wydziału Konserwacji i Restauracji Dzieł Sztuki Akademii Sztuk Pięknych w Krakowie, ISSN 1230-0128 ; t. 25)
Na grzbiecie wyłącznie tyt. serii.
Bibliogr. s. 189-195.
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Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
Indeks R0: BMNK
Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
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Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Indeks R0: BMNK
Bibliogr. przy art.
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Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Berrie Barbara Hepburn. Vibrant surface Casadio Francesca. Vibrant surface Dahm K. Vibrant surface Strumfels Y. Vibrant surface Tedeschi M. Vibrant surface Walsh John (1937- ). Vibrant surface Bommel Maarten R. van. After the fact Janssen Hans (1954- ). After the fact Spronk Ron (1957- ). After the fact Marte Fernando. Argentinean murals Gallegos Damasia. Argentinean murals Rosado Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Teixeira Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Souza Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Patti Mattia. Modern painted palimpsests Anselmi C. Modern painted palimpsests Doherty Brenda. Modern painted palimpsests Daffara Claudia. Modern painted palimpsests Fontana Raffaella. Modern painted palimpsests Rosi Francesca (1977- ). Burri project De Cesare G. Burri project Iazurlo Paola. Burri project Daveri Alessia. Burri project Vagnini Manuela. Burri project Valentini F. Burri project Basile Giuseppe (1942-2013). Burri project Ormsby Bronwyn. John Hoyland Learner Thomas J. S. John Hoyland Crook Jo (1963- ). John Hoyland Smithen Patricia. John Hoyland Rava Antonio. Outdoor painted surfaces in contemporary art Chiantore Oscar. Outdoor painted surfaces in contemporary art Mirabile Antonio. Elusive nd transitory materials in contemporary drawings Moretti Patrizia. Elusive nd transitory materials in contemporary drawings Presciutti Federica. Elusive nd transitory materials in contemporary drawings
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Katalog wystawy prezentowanej w Muzeum Narodowym w Krakowie, Gmach Główny, 23.06.2023 - 07.01.2024.
Bibliogr. s. 361-363.
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Wszystkie egzemplarze są obecnie wypożyczone: III 26765 (1 egz.)
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Katalog wystawy prezentowanej w Muzeum Narodowym w Krakowie, Gmach Główny, 23.06.2023 - 07.01.2024.
Bibliogr. s. 361-363.
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Są egzemplarze dostępne do wypożyczenia: III 27093 (1 egz.)
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Autor
Dardes Kathleen (1952- ). Rothe Andrea (1936- ). Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France Bergeon Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects Bobak Simon. A flexible unattached auxiliary support Bomford David. Introduction: keynote address Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Brewer Al. Practical aspects of the structural conservation of large panel paintings Brewer Al. Some rejoining methods for panel paintings Castelli Ciro. The restoration of panel painting supports. Some case histories Corzo Miguel Angel (1942- ). Foreword Daniel Vinod. Modified atmosphere treatments of insect infestations Dardes Kathleen (1952- ). Preface Emile-Mâle Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint Hanlon Gordon. Modified atmosphere treatments of insect infestations Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood Hoadley R. Bruce (1933-2019). Identification of wood in painting panels Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Klein Peter. Dendrochronological analyses of panel paintings Lebas Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Marchant Raymond. The development of a flexible attached auxiliary support Marussich Giovanni. Florentine structural stabilization techniques McClure Ian. History of structural conservation of panel paintings in Great Britain McClure Ian. The framing of wooden panels Mecklenburg Marion F. Technical considerations for the transport of panel paintings Reeve Anthony M. Structural conservation of panel paintings at the National Gallery, London Richard Mervin. Technical considerations for the transport of panel paintings Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy Rothe Andrea (1936- ). Florentine structural stabilization techniques Rothe Andrea (1936- ). Preface Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland Schniewind Arno P. (1929- ). Consolidation of wooden panels Tumosa Charles S. Technical considerations for the transport of panel paintings Uzielli Luca. Historical overview of panel-making techniques in central Italy Véliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain Wadum Jørgen. Historical overview of panel-making techniques in the northern countries Wadum Jørgen. Microclimate boxes for panel paintings Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques Walsh John (1937- ). Foreword Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
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Bibliogr. przy ref.
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(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Gordon Rebecca. Hermens Erma (1958- ). Lennard Frances. Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion Bülow Anna. Cultural heritage online: questions of authenticity, authority and authorship Brooks Mary M. "Indisputable authenticity": engaging with the real in the museum Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art Coutinho Bárbara. How to keep what was intended to be temporarily functional? Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia Eastop Dinah. Cultural heritage online: questions of authenticity, authority and authorship El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Ferreira Joana Lia. How to keep what was intended to be temporarily functional? Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry Gordon Rebecca. "Real life" questions of authenticity Gordon Rebecca. Identifying and pursuing authenticity in contemporary art Jones Ceri (1964- ). Bringing the past to life? Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon Macedo Rita. How to keep what was intended to be temporarily functional? Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center Mulholland Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery Penney Caron. Rediscovering the Unicorn tapesries Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Rajgopal Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!" Ramos Ana Maria. How to keep what was intended to be temporarily functional? Sá Susana França de. How to keep what was intended to be temporarily functional? Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century Sinclair Ross. "Real life" questions of authenticity Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Temat
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Są egzemplarze dostępne do wypożyczenia: II 31639 (1 egz.)
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Bogdanowska Monika (1962- ). Michalik Izabela. Adamczak Monika. Reconstruction of crown glass with resin : Lantern from the Nysa Museum Adamczak Monika. Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie Ciesielska Tanita. Historia odlewów gipsowych z kolekcji Muzeum Uniwersytetu Jagiellońskiego, stan zachowania i postulaty konserwatorskie Ciesielska Tanita. The history of plaster casts from the Collection of the Jagiellonian University Museum : the state of preservation and conservation issues Dalke Magdalena. Konserwacja i restauracja Zielnika Jacobi Theodori Tabernaemontani Neu Vollkomen Krauter-Buch Dalke Magdalena. Restoration of the 17th c. herbar "Neu Vollkomen Kräuter-Buch" by Jacobi Theodori Tabernamontani Heide Sylwia. Problem związany z rekonstrukcją malatury - restauracja witraża należącego do Dolnośląskiego Wojewódzkiego Konserwatora Zabytków we Wrocławiu Heide Sylwia. Reconstruction of crown glass with resin : Lantern from the Nysa Museum Heide Sylwia. Reconstruction of paintings - the case of the stained glass from the Lower Silesian Conservator Historic Monuments in Wrocław Heide Sylwia. Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie Kaczorowska Olga. Problem związany z rekonstrukcją malatury - restauracja witraża należącego do Dolnośląskiego Wojewódzkiego Konserwatora Zabytków we Wrocławiu Kaczorowska Olga. Reconstruction of crown glass with resin : Lantern from the Nysa Museum Kaczorowska Olga. Reconstruction of paintings - the case of the stained glass from the Lower Silesian Conservator Historic Monuments in Wrocław Kaczorowska Olga. Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie Kisiel Maria (1989- ). Durable glass paintin g techniques with a special focus in silver stain technique, based on the example of neogothic stained glass window from Wijnegem Kisiel Maria (1989- ). Trwałe malowania na szkle ze szczególnym uwzględnieniem techniki lazurowania srebrem na przykładzie neogotyckiego witraża z Wijnegem Kornecka-Drąg Małgorzata. Murale - wielkoformatowe malowidła reklamowe w Łodzi z okresu PRL-u Kornecka-Drąg Małgorzata. The PRL advertising murals in Łódź Krawczyk Ewelina. Anatomical models in teaching drawing and painting at the Academy of Fine Arts - restoration issues Krawczyk Ewelina. Gipsowe modele anatomiczne w programie nauczania rysunku i malarstwa w Akademii Sztuk Pięknych oraz ich problematyka konserwatorska Krawczyk Urszula (konserwatorstwo). Problematyka konserwacji mozaikowego blatu stołu w kontekście zachowania historycznych napraw Krawczyk Urszula (konserwatorstwo). Restoration of mosaic tabletop in respect of protecting its former repairs Kudzia Anna. A stove tile dated to the break of the 16/17th century, with the figure of a halberdier and strapwork Kudzia Anna. Kafel narożny z XVI/XVII wieku z przedstawieniem halabardnika i ornamentem okuciowym Marzec Kalina. Problematyka konserwacji współczesnej rzeźby betonowej na przykładzie dzieła Aliny Szapocznikow Pnąca Marzec Kalina. Problems of the conservation of the contemporary concrete sculpture : the case of Alina Szapocznikow's Climbing Michalik Izabela. Optical changes in oil paintings on cardboard and tests on varnish extraction from the cardboard : based on Olga Boznańska's works from the Jagiellonian University Museum collection Michalik Izabela. Przyczyny zmian barwnych w obrazach olejnych na tekturze oraz próby ekstrakcji werniksu damarowego z tekturowego podłoża, na przykładzie obrazów autorstwa Olgi Boznańskieju w zbiorach Muzeum Uniwersytetu Jagiellońskiego Moszak Natalia. Portugalska szkoła konserwacji i restauracji szkła Moszak Natalia. Portuguese school of conservation-restoration of glass Moszak Natalia. Problem związany z rekonstrukcją malatury - restauracja witraża należącego do Dolnośląskiego Wojewódzkiego Konserwatora Zabytków we Wrocławiu Moszak Natalia. Reconstruction of crown glass with resin : Lantern from the Nysa Museum Moszak Natalia. Reconstruction of paintings - the case of the stained glass from the Lower Silesian Conservator Historic Monuments in Wrocław Moszak Natalia. Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie Ogórek Agnieszka. Analiza techniki i technologii wykonania oraz konserwacja pięciu etruskich terakotowych głów wotywnych ze zbiorów Instytutu Archeologii Uniwersytetu Jagiellońskiego Ogórek Agnieszka. Technical and technological analysis of Etruscan votive terracotta heads dated to the 2nd - 1st century B.C. conservation issues Olender Jacek. Comprehensive research on the historic objects as a basis for conservation planning Olender Jacek. Kompleksowe badania obiektów zabytkowych jako podstawa planowania działań konserwatorskich Popławska Sylwia (1988- ). How it's made? Popławska Sylwia (1988- ). Jak to było zrobione? Proniewicka Ewa. Conservation of the medieval quarter with Crucifixion from Archdiocesan Museum in Przemyśl : issues on conservation Proniewicka Ewa. Problematyka związana z konserwacją haftowanej kwatery z przedstawieniem Ukrzyżowania z Muzeum Archidiecezjalnego w Przemyślu Puzon Magdalena. Rozwarstwienie dwóch malowideł z przedstawieniem Św. Sebastiana na obrazie pochodzącym z kościoła p.w. św. Wojciecha w Krośnie, obecnie w zbiorach Muzeum Archidiecezjalnego w Przemyślu Puzon Magdalena. Splitting of two images of Saint Sebastian - the panel painting from the St Wojciech's church in Krosno, collection of the Archdiocese Museum in Przemyśl Rajmann Klaudia. Reconstruction of the 18th century Gottfried Ezekiel's painting technique based on decorative paintings in Bodin church and in Louis Philippe's room in Bodø (Norway) Rajmann Klaudia. Rekonstrukcja XVIII-wiecznej techniki malarskiej Gottfrieda Ezekiela na podstawie dekoracji malarskich z kościoła Bodin oraz z Pokoju Ludwika Filipa w Bodø (Norwegia) Stefaniak Iwona (1972- ). Sprzedaż amorków - rzeźba biskwitowa z wytwórni w Miśni z 1785-1786 roku, obiekt ze zbiorów Muzeum w Wałbrzychu Stefaniak Iwona (1972- ). "The sale of Cupids" - biscuit sculpture from the Meissen Porcelain Manufacture, 1785-1786, Wałbrzych Museum Tkaczyk Lucyna. Problem związany z rekonstrukcją malatury - restauracja witraża należącego do Dolnośląskiego Wojewódzkiego Konserwatora Zabytków we Wrocławiu Tkaczyk Lucyna. Reconstruction of crown glass with resin : Lantern from the Nysa Museum Tkaczyk Lucyna. Reconstruction of paintings - the case of the stained glass from the Lower Silesian Conservator Historic Monuments in Wrocław Tkaczyk Lucyna. Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie Wójcik Katarzyna (konserwatorstwo). Portugalska szkoła konserwacji i restauracji szkła Wójcik Katarzyna (konserwatorstwo). Portuguese school of conservation-restoration of glass Wójcik Katarzyna (konserwatorstwo). Problem związany z rekonstrukcją malatury - restauracja witraża należącego do Dolnośląskiego Wojewódzkiego Konserwatora Zabytków we Wrocławiu Wójcik Katarzyna (konserwatorstwo). Reconstruction of crown glass with resin : Lantern from the Nysa Museum Wójcik Katarzyna (konserwatorstwo). Reconstruction of paintings - the case of the stained glass from the Lower Silesian Conservator Historic Monuments in Wrocław Wójcik Katarzyna (konserwatorstwo). Uzupełnienia przeszklenia gomółkowego żywicą oraz rekonstrukcja kwater gomółkowych latarni z Muzeum w Nysie Zieliński Wojciech Bartłomiej (1986- ). Odpowiedzialność - społeczna kategoria etyki konserwatorskiej Zieliński Wojciech Bartłomiej (1986- ). Responsibility - social aspect of conservation ethics Zelek Małgorzata. Chemical method in splitting two modern oil paintings on canvas Zelek Małgorzata. Zastosowanie metody chemicznej do rozwarstwienia dwóch współczesnych malowideł olejnych wykonanych na podobraziu płóciennym Zych Karolina. Japanese lacquer - gratitude and ingratitude of material - conservation of the 19th c. oriental photo album binding Zych Karolina. Laka japońska - wdzięczność i niewdzięczność materii - na przykładzie konserwacji oprawy orientalnego albumu fotograficznego z końca XIX wieku
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Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: II 31468/2 (1 egz.)
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(World Art Studies : conferences and studies of the Polish Institute of World Art Studies, ISSN 2543-4624 ; 18)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Sarkowicz Dominika. Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts Karpova Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter Susak Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop" Nitka Maria. Henryk Siemiradzki's figuralism Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena Laskowska Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Paś Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery) Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24282 (1 egz.)
Książka
W koszyku
Autor
Kubala Agata. Bończuk-Dawidziuk Urszula. Collecting Antiquities at the Archaeological Museum of the Royal University in Wrocław in the second half of the nineteenth century Ceci Francesca. The Sobieskis: memories, prints, paintings, and letters in the collections of the Sovrintendenza Capitolina di Roma, in the Roman chronicles and in Rome: a historical commentary D'Amico Serena. United by context, divided by collection: the nineteenth century collecting of prehistoric artifacts from Villafrati (Sicily, Italy) Głowa Anna. The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in "Coptic" weaving Gołyźniak Paweł. Glyptic treasures in Krakow and old master paintings collection of Constantine Schmidt-Ciążyński Gorzelany-Nowak Dorota (1973- ). The overlooked collection: the ancient art collection of the Princes Czartoryski Museum Halbertsma Ruurd (1958- ). From antiquarianism to scholarship: classical archaeology in the Netherlands, 1600–1840 Martini Annarita. From the Capitol to the Louvre: the journey of a relief of Mithras Moretti Cursi Giulia. The Dionysian Ancient Reliefs of the Cardelli Collection: A Product of Seven - teenth Century Classicism or an Interpretative Paradigm? Nørskov Vinnie. Introduction: When is a collection a collection? Provenance studies and the role of dealer's collections Nowakowski Wojciech (archeologia). Die ostpreussischen Sammlungen der "vaterländischen Alterthümer" im 18 Jh. Kubala Agata. From Greece to Wrocław: Eduard Schaubert's collection of Antiquities Palica Magdalena (1980- ). Antiquities collections in Silesia - terra incognita? Paliušytė Aistė (1966- ). Antiquities in the collection of the Radziwiłł family in the Wettin era Petřeková Eliška. Luxury souvenir or precious original: the case of the bronze tripod from the Real Museo Borbonico Salvatelli Luca. "Anno ab incarnatione Domini Nostri MLXVI": a note about Halley's Comet in Viterbo's Archbishop library collection Santagati Elena (1967- ). Collecting in Sicily in the nineteenth century: Baron Judica and the wonders of Ancient Akrai Serafini Isabella. The memorial to the visit of the queen of Poland Maria Casimira Sobieski in the Musei Capitolini: history, style, setting up and dismantling over two centuries Sławińska Joanna (historia sztuki). The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in "Coptic" weaving Stern Gaius. The pieces of the Ara Pacis Suba Zoltán. Master and disciple: Bertel Thorvaldsen's private collection and its impact on neoclassicism
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 35314 (1 egz.)
Książka
W koszyku
(Bibliotheca Academiae Hungariae - Roma : studia / comitato scientifico Philippe Chenaux, László Csorba, András Fejérdy, Pál Fodor, Pál Hatos, Alexander Koller, Antal Molnár (coordinatore), Maria Antonietta Visceglia ; 7)
Autor
Barral i Altet Xavier (1947- ). Lővei Pál (1955- ). Lucherini Vinni (1964- ). Takács Imre (1959- ). Molnár Antal (1969- ). Boreczky Katalin. Campbell Alan. Kane Steve. Strong Lara. Chenaux Philippe (1959- ). Csorba László (1952- ). Fejérdy András (1977- ). Fodor Pál (1955- ). Hatos Pál (1971- ). Koller Alexander (1971- ). Visceglia Maria Antonietta. Barral i Altet Xavier (1947- ). Introduction. Hungarian Medieval Art from a European Point of View Barral i Altet Xavier (1947- ). The Szentkirály Romanesque Tympanum Biczó Piroska (1945- ). The Hungarian National Museum in Budapest Boreczky Anna. Book culture in medieval Hungary Endrődi Gábor. Winged altarpieces in medieval Hungary Farbaky Péter (1957- ). The Bakócz Chapel of Esztergom Farbaky Péter (1957- ). The Budapest History Museum Farbaky Péter (1957- ). The Royal Palace of Buda during the reigns of Matthias Corvinus and the Jagiellonian kings Feld István (1951- ). Castles, mansions and manor houses in medieval Hungary Gerát Ivan (1964- ). The high altar retable of Saint Elizabeth in Košice (Kassa/Kaschau) Havasi Krisztina. Romanesque sculpture in medieval Hungary Havasi Krisztina. The mediaval cathedral of Pécs Havasi Krisztina. The Provostry Church of the Virgin Mary in Székesfehérvár Jékely Zsombor (1970- ). Expansion to the countryside: Rural archirecture in medieval Hungary Jékely Zsombor (1970- ). The medieval Augustinian Church of Siklós and the wall paintings in the sanctuary Klaniczay Gábor (1950- ). The cult of the saints and their artistic representation in recent Hungarian historiography Lővei Pál (1955- ). Collections of stone carvings Lővei Pál (1955- ). Epigraphy and tomb sculpture Lővei Pál (1955- ). "Hungarian Trecento": Art in the Angevin era Lővei Pál (1955- ). The sepulchral monument of Saint Margaret of Hungary Lővei Pál (1955- ). Urban Architecture Lucherini Vinni (1964- ). The artistic visualization of the concept of Kingship in Angevin Hungary Lucherini Vinni (1964- ). The Chapel of the Royal Palace of Esztergom and its late-medieval mural paintings Lucherini Vinni (1964- ). The Hungarian illuminated chronicle Marosi Ernő (1940-2021). The coronation mantle of the Hungarian kings, originally chasuble of King Stephen I and Queen Gisella Marosi Ernő (1940-2021). The Holy Crown of Hungary: The "Crown of Saint Stephen" Marosi Ernő (1940-2021). Two centuries of research, from the Austro-Hungarian Monarchy to the present Mikó Árpád (1959- ). A Renaissance Dream: Arts in the Court of King Matthias Papp Gábor György (1971- ). Medievalism in nineteenth-century Hungarian architecture Papp Szilárd (1970- ). Gothic statues from the Royal Palace of Buda Papp Szilárd (1970- ). The Castle of Vajdahunyad (Hunedoara) Poszler Györgyi (1960- ). The old Hungarian collection of the Hungarian National Gallery in Budapest Sarkadi Nagy Emese (1977- ). The Christian Museum in Esztergom Szakács Béla Zsolt (1968- ). Romanesque architecture: abbeys and cathedrals Szakács Béla Zsolt (1968- ). The Benedictine Abbey Church in Ják Szakács Béla Zsolt (1968- ). The Benedictine Abbey Church in Lébény Szakács Béla Zsolt (1968- ). The Benedictine Abbey Church in Tihany Szakács Béla Zsolt (1968- ). The Hungarian Angevin legendary Szende Katalin G. (1965- ). Towns and urban networks in the Carpathian Basin between the eleventh and the early sixteenth centuries Szovák Kornél (1962- ). Written sources on Hungarian medieval art history Takács Imre (1959- ). "Hungarian Trecento": Art in the Angevin era Takács Imre (1959- ). Medieval Twilight or Early Modern Dawn: Art in the era of Sigismund of Luxembourg Takács Imre (1959- ). The Chapel of the Royal Palace of Esztergom and its late-medieval mural paintings Takács Imre (1959- ). The first century of Gothic in Hungary Takács Imre (1959- ). The medieval Cathedral of Gyulafehérvár (Alba Iulia) Takács Imre (1959- ). The medieval Saint Adalbert's Cathedral in Esztergom and the Porta Speciosa Takács Imre (1959- ). The Royal Palace of Visegrád Takács Imre (1959- ). The treasury of Esztergom Cathedral Wetter Evelin (1969- ). Precious metalwork and textile treasures i late medieval Hungary Ziegler-Bálint Ágnes. The Brukenthal Museum in Sibiu (Nagyszeben/Hemannstadt)
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 32776 (1 egz.)
Książka
W koszyku
Autor
Pouli Paraskevi. Targowski Piotr. Walczak Małgorzata (chemia). Andraud Christine. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Asmus John F. Final Endeavors of "Monument Man" Asmus John F. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Bartoli Laura. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Barucci Marco. Nonlinear optical imaging techniques (NLO) for painting investigation Basilissi Giulia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Beier Oliver. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Binet Laurent. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Bonelli Donatella. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Botteon Alessandra. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Bourgon Julie. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Bulska Ewa. Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Cagnini Andrea. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Caneve Luisa. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Cappuccini Caterina. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Carò Federico. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Cerea Silvia. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Cheung Nai-Ho. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Ciaffi Massimiliano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Cicchi Riccardo. Nonlinear optical imaging techniques (NLO) for painting investigation Ciofini Daniele. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Conradi Andrea. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Corda Ludovica. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Czyż Krzysztof. LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Daffara Claudia. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Dajnowski Andrzej. Using the new G.C. Laser Cleaning System for cleaning and surface preparation for re-gilding of a large outdoor bronze monument of Alexander Hamilton Dajnowski Bartosz A. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Dajnowski Bartosz A. Using the new G.C. Laser Cleaning System for cleaning and surface preparation for re-gilding of a large outdoor bronze monument of Alexander Hamilton Dal Fovo Alice. Nonlinear optical imaging techniques (NLO) for painting investigation Detalle Vincent (1969- ). Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Elford Jessica P. Final Endeavors of "Monument Man" Elford Jessica P. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Falcon Martinez Maria Fernanda. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Fantoni Roberta. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Fontana Raffaella. Nonlinear optical imaging techniques (NLO) for painting investigation Francucci Massimo. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Gaburro Nicola. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Galeotti Monica. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Giuffrida Chiara. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Giuntini Christine. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Godet Marie. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Groves Roger (1965- ). Spectral imaging of Dutch gilt leather for improved conservation strategies Grünler Bernd. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Guarneri Massimiliano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Hartmann Annette. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Isella Elisa. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Iwanicka Magdalena. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Jovanović Maja. Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Jovanović Vanja. Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Kaczkowski Rebecca A. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Kamińska Marta. Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Krüger Jörg. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Leona Marco. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Leroy Eric. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Leung Kelvin S. Y. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Londero Pablo S. Laser cleaning of a First Phase Navajo Wool Chief's Blanket by Nd:YAG Londero Pablo S. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Lum Judy T.S. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Łukaszewicz Jadwiga W. (1952- ). The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Mancini Francesca. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Marchioro Giacomo. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Marinelli Marco. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Melessanaki Kristalia. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Mercatelli Raffaella. Nonlinear optical imaging techniques (NLO) for painting investigation Mkhoyan Tigran. Spectral imaging of Dutch gilt leather for improved conservation strategies Monnier Judith. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Motto-Ros Vincent (1977- ). Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Musiela Jędrzej. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Palucci Antonio. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Pampaloni Enrico. Nonlinear optical imaging techniques (NLO) for painting investigation Papadakis Vassilis. Spectral imaging of Dutch gilt leather for improved conservation strategies Papanikolaou Athanasia. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Parfenov Vadim Aleksandrovič. Final Endeavors of "Monument Man" Parfenov Vadim Aleksandrovič. The Hanford Nuclear Plant: radiation ablation meets history, cultural heritage, and nuclear decontamination Pasqualucci Alessandra. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Pawlak Agnieszka (konserwacja sztuki). LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Pentzien Simone. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Persia Franca. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Pezzati Luca. Nonlinear optical imaging techniques (NLO) for painting investigation Philippidis Aggelos. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Posthuma de Boer Martine. Spectral imaging of Dutch gilt leather for improved conservation strategies Pouli Paraskevi. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Rafaelli Marco. Nonlinear optical imaging techniques (NLO) for painting investigation Rizzo Adriana. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Romani Martina. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Romeo Alessandro. Surface micro-profilometry for the assessment of the effects of traditional and innovative cleaning treatments of silver Roth Constanze. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Ruppen Veronica. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Saheb Mandana. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Sansonetti Antonio. Experiences at the Academy of Fine Arts of Brera in Milan, Italy: the application of laser-technology on three case studies of the historical heritage Sawicki Marek (1974- ). A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Schmidt Birgit Angelika. Decontamination of biocidal loaded wooden artworks by means of laser and plasma processing Scirpa Francesca. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Seymour Kate (1968- ). Spectral imaging of Dutch gilt leather for improved conservation strategies Siozos Panayiotis. Towards the understanding of the two wavelength laser cleaning in avoiding yellowing on stonework: a micro-Raman and LIBS study Skrzeczanowski Wojciech. LIBS, optical and multivariate analyses of selected 17th-century oil paintings from the Museum of King Jan III's palace at Wilanow Spizzichino Valeria. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Stoksik Henryk (1955- ). The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Striber Joakim (1965- ). Easel paintings on canvas and panel: application of Nd:YAG laser at 355 nm, 1064 nm and UV, IR and visible light for the development of new methodologies in conservation Striova Jana. Nonlinear optical imaging techniques (NLO) for painting investigation Sylwestrzak Marcin. The potential of OCT for assessing laser assisted removal of deposits from ceramic tiles Syta Olga. A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Tatì Angelo. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Terranova Gaetano. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Trykowski Grzegorz (1975- ). White, yellow and green pigments on Polish artists' palettes in the period 1838-1938 Velzen Bianca van. Spectral imaging of Dutch gilt leather for improved conservation strategies Vergès-Belmin Véronique. Laser yellowing effect: study of the nanophases created by laser irradiation of synthetic black crusts using transmission electron microscopy (TEM) and electron paramagnetic resonance (EPR) spectroscopy Verona-Rinati Gianluca. A preliminary study of contemporary binders by Time Resolved Laser Induced Fluorescence (TR-LIF) spectroscopy: characterization of the painting Nascita Delia Forma by Nato Frasca Vicenzi Edward P. From Earth to Outer Space: Laser cleaning semiprecious quartz and a novel application for meteoritic metal Wachowiak Mirosław. White, yellow and green pigments on Polish artists' palettes in the period 1838-1938 Wagner Barbara (chemia). A moderate microsampling in Laser Ablation Inductively Coupled Plasma Mass Spectrometry analysis of cultural heritage objects: a review Walczak Małgorzata (chemia). Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Wilk Dariusz (chemia). Archaeometric investigations of medieval stained glass panels from Grodziec in Poland Yandrisevits Marlene April. Wavelength-dependent absorption and scattering effects on laser cleaning of a corroded iron alloy European scale armor Yue Cai Bruno. Elemental analysis of Chinese red seal inks on xuan paper by ArF laser-induced plume fluorescence Zanini Alessandro. Laser-based techniques for a multidisciplinary action aimed at the restitutive restoration of S. Costanzo church in Ronciglione (Italy) Żmuda-Trzebiatowska Iwona. White, yellow and green pigments on Polish artists' palettes in the period 1838-1938
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31920 (1 egz.)
Książka
W koszyku
Autor
Boliński Paweł. Budziaszek Barbara. Hola Aleksandra. Kaszowska Zofia. Korpal Grażyna (1945- ). Kosakowski Edward (sztuki piękne). Kozik Regina. Lempart-Geratowska Marta (1962- ). Sarkowicz Janusz. Schulze-Głazik Grażyna. Wawrzkiewicz Marek. Wyszyńska Jadwiga. Meysztowicz Anna. Sobita Weronika. Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled "The Virgin and St John Evangelist" by Stefan Witold Matejko Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu "Matka Boża z Janem Ewangelistą" Stefana Witolda Matejki Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: "The Adoration of the Holy Name of Jesus", "The Virgin and Child" and "Dominican Saints" from the church of SS Peter and Paul in Jaworowo Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: "Adoracja Imienia Jezus", "Matka Boska z Dzieciątkiem" oraz "Święci dominikanie" z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie Brud Magdalena. Opracowanie metody przeniesienia fragmentu malowidła ze stropu pałacu w Łagowie ze skorygowaniem deformacji jego powierzchni Brud Magdalena. The development of a painting transfer method with adjustments to surface deformations to transfer a painting from the ceiling of a palace in Łagów Czarnecka Agnieszka. Problematyka konserwacji malowanych chorągwi jedwabnych na przykładzie chorągwi nagrobnej Katarzyny Żarczyńskiej z klasztoru oo. Franciszkanów w Krakowie Czarnecka Agnieszka. The conservation of painted silk banners - the case of the sepulchral banner of Katarzyna Żarczyńska from the Franciscan Monastery in Kraków Giżycka Barbara. Konserwacja obrazu "Pożar miasta w nocy" ze zbiorów Zamku Królewskiego na Wawelu oraz uwarunkowania dotyczące jego oprawy Giżycka Barbara. The conservation treatment of a painting entitled "The city on fire at night" from the collection of the Wawel Royal Castle and the specificity of its framing Głaz Joanna. The application of interdisciplinary research methods with the aim of confirming the common provenance of sculptures attributed to the Passion group from the church of the Exaltation of the Holy Cross in Szymocin Głaz Joanna. Zastosowanie interdyscyplinarnych metod badawczych w celu potwierdzenia wspólnej proweniencji rzeźb przypisywanych do grupy pasyjnej z kościoła pw. Podwyższenia Krzyża Świętego w Szymocinie Główczak Regina (1989- ). Opracowanie metody przywrócenia pozytywowej postaci malowidła odbitego na odwrociu płatów na przykładzie malowideł z Pałacu Spiskiego przy Rynku Głównym 34 w Krakowie Główczak Regina (1989- ). The development of the method for restoring the positive image of the painting imprinted on the verso of sheets - the case of paintings from the Spiski Palace at Rynek Główny 34 in Kraków Grzyb Anna. Konserwacja dwóch woskowo-tekstylnych figurek z XIX w. z klasztoru ss. Benedyktynek w Staniątkach Grzyb Anna. The conservation of two 19th-century wax and textile figures from the Monastery of Benedictine Nuns in Staniątki Hebda Katarzyna. An attempt to reconstruct the painted layer of the choir loft parapet from the Church of the Visitation of the Blessed Virgin Mary in Tłuczań Hebda Katarzyna. Próba rekonstrukcji warstwy malarskiej parapetu chóru muzycznego z kościoła pw. Nawiedzenia Najświętszej Marii Panny na Nowsiu w Tłuczani Halota Angelika. Conservation, reconstruction and rearrangement of the plaster cast of the tombstone of Filip Kallimach from the National Museum in Kraków within the context of the internal metal reinforcement structure of the object Halota Angelika. Konserwacja, rekonstrukcja i dekompozycja gipsowego odlewu płyty nagrobnej Filipa Kallimacha z Muzeum Narodowego w Krakowie w kontekście problematyki metalowej konstrukcji wewnętrznej wzmacniającej obiekt Jagiełka Aleksandra. Aranżacje konserwatorskie zabytkowych rzeźb drewnianych w kontekście ekspozycji muzealnej na przykładzie konserwacji XVI-wiecznej rzeźby drewnianej polichromowanej, tzw. Złotej Katarzyny z Katternecke, przypisywanej warsztatowi Jacoba Beinharta Jagiełka Aleksandra. Conservational arrangements of monumental wooden sculptures within the context of the museum exhibition on the example of the conservation of the 16th-century wooden polychrome sculpture known as The Golden Catherine of Katternecke, attributed to the workshop of Jacob Beinhart Korzeniowska Agnieszka. Odtworzenie zaginionej kwatery "Ścięcie Świętej Katarzyny Aleksandryjskiej" autorstwa Hansa Süssa z Kulmbachu w aspekcie dzieł sztuki zrabowanych podczas II wojny światowej Korzeniowska Agnieszka. The reconstruction of "The Beheading of St Catherine", a lost section of a cycle by Hans Süss of Kulmbach, in the context of works stolen during World War II Różańska Katarzyna. "Paul and Virginia" - rococo illustrations on a painted fan, identification of technology, conservation and reconstruction of the 18th-century paper folding fan on a bone handle from the collection of the Regional Museum in Tarnów Różańska Katarzyna. "Paweł i Virginia" - rokokowe ilustracje na malowanym wachlarzu, rozpoznanie technologii, konserwacja i rekonstrukcja XVIII-wiecznego papierowego wachlarza na kościanej rączce ze zbiorów Muzeum Okręgowego w Tarnowie Skóra Magdalena. Opracowanie metody odsłaniania malowideł ściennych spod nieprzepuszczalnych powłok malarskich na podstwawie gotyckiego malowidła w kościele pw. św. św. Apostołów Szymona i Judy Tadeusza w Jaczowie, woj. dolnośląskie Skóra Magdalena. The development of a method to uncover murals from under impermeable painting layers - a case study of a Gothic painting in the Church of SS Simon and Jude Thaddaeus the Apostles in Jaczów, Dolnośląskie Voivodeship Szarłata Ewa. Oczyszczanie malowideł ściennych wykonanych w wybranych technikach historycznych metodami "peel-off" z wykorzystaniem preparatów na bazie lateksu oraz agaru Szarłata Ewa. The cleaning of murals in selected historic techniques using "peel-off" methods with latex- and agar-based preparations Wójcicka Katarzyna. Conservation of the mirror of the Thangka featuring the representation of Avalokitesvara from the collection of The Asia and Pacific Museum in Warsaw Wójcicka Katarzyna. Konserwacja zwierciadła thanki z przedstawieniem Awalokiteśwary ze zbiorów Muzeum Azji i Pacyfiku w Warszawie Wsół Magdalena. Research and conservation issues concerning the Our Lady of Częstochowa painting from Rudy Wielkie Wsół Magdalena. Zagadnienia badawczo-konserwatorskie obrazu Matki Boskiej Częstochowskiej z Rud Wielkich Wyszkowska Katarzyna. Problematyka konserwacji obrazów olejnych uszkodzonych pod wpływem ognia na przykładzie konserwacji i restauracji portretu Adama Skrzyńskiego autorstwa Kazimierza Pochwalskiego Wyszkowska Katarzyna. Selected issues in the conservation of oil paintings damaged by fire on the example of the conservation and restoration of the portrait od Adam Skrzyński by Kazimierz Pochwalski Wywiórska Nadia (1987- ). Delamination of two icons painted on a single wooden support: "Christ Pantocrator" (16th/17th century) and "The Last Supper" (1st half of the 19th century), originating from the former Orthodox Church of Dimitri the Martyr in Czarna Wywiórska Nadia (1987- ). Rozwarstwienie dwóch ikon malowanych na jednym podobraziu drewnianym: "Chrystus Pantokrator" (XVI/XVII w.) i "Ostatnia Wieczerza" (1. poł. XIX w.), pochodzących z dawnej cerkwi pw. św. Dymitra Męczennika w Czarnej
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