Form of Work
Książki
(3)
Status
available
(2)
unavailable
(1)
Branch
Magazyn
(3)
Author
Eastop Dinah
(3)
Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
(1)
Atkinson Henry L. Wrapped in country
(1)
Bayer Anja. Preserving and displaying archaeological garments via pressure mounting
(1)
Behlen Beatrice. Peopling the Pleasure Garden
(1)
Brooks Mary M
(1)
Brooks Mary M. Acknowledgmenst
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Brooks Mary M. Editors' preface
(1)
Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
(1)
Brooks Mary M. Introduction
(1)
Brooks Mary M. Reflecting absence and presence
(1)
Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
(1)
Cheung Angela Yuenkuen. Dramatic effects on a static stage
(1)
Chiostrini Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
(1)
Coutinho Barbara. How to keep what was intended to be temporarily functional?
(1)
Couzens Vicki (1960). Wrapped in country
(1)
Darroch Lee (1957- ). Wrapped in country
(1)
Eastop D. D
(1)
Eastop Dinah D
(1)
Eastop Dinah. Acknowledgmenst
(1)
Eastop Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Eastop Dinah. Cultural heritage online: questions of authenticity authority and authorship
(1)
Eastop Dinah. Editors' preface
(1)
Eastop Dinah. Introduction
(1)
El-Maalouf Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Ferreira Joana Lia. How to keep what was intended to be temporarily functional?
(1)
Ford Micheline. Fashion as art
(1)
Foskett Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
(1)
Fung Joyce. Delicate balance
(1)
Gill Kathryn. Making sense of a fragmentary coat found concealed within a building
(1)
Gordon Rebecca
(1)
Gordon Rebecca. Identifying and pursuing authenticity in contemporary art
(1)
Gordon Rebecca. Real life questions of authenticity
(1)
Gresswell Claire. Concepts in practice
(1)
Grieves Genevieve (1976- ). Wrapped in country
(1)
Hamilton Samantha. Wrapped in country
(1)
Hashagen Joanna. Concepts in practice
(1)
Hermens Erma (1958- )
(1)
Ishii Mie. Conserving an Ainu robe within the framework of Japan's cultural property preservation policy
(1)
Jones Ceri (1964- ). Bringing the past to life?
(1)
Jones-Amin Holly. Wrapped in country
(1)
Khalife Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Krekel Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
(1)
Lee Rachael. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum University of Oxford
(1)
Lennard Frances
(1)
Leong Roger (1961- ). Fashion as art
(1)
Macedo Rita. How to keep what was intended to be temporarily functional?
(1)
Meijer Suzan. Moving forward together
(1)
Milnes Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Morena Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
(1)
Mortier Bianca M. du. Moving forward together
(1)
Mulholland Richard. And I know damned-well what he wanted: deliberate alteration and interpretations of intent in several late sculptures by David Smith
(1)
Nicholson Mandy. Wrapped in country
(1)
Nurse Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
O'Neill Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
(1)
Paula Teresa Cristina Toledo de (1959- ). Back to black
(1)
Penney Caron. Rediscovering the Unicorn tapesries
(1)
Peranteau Anne. Kahu ora
(1)
Phillips Kristin. Conserving damage
(1)
Plender Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Rajgopal Uthra. Dressing up for the Preston Guild: a very admirable and correct costume!
(1)
Ramos Ana Maria. How to keep what was intended to be temporarily functional?
(1)
Reynolds Amanda (1971- ). Wrapped in country
(1)
Richardson Heather M. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum University of Oxford
(1)
Sa Susana Franca de. How to keep what was intended to be temporarily functional?
(1)
Saltmarsh Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
(1)
Scaturro Sarah. Delicate balance
(1)
Scharffenberg Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal a Norwegian altar frontal from the 13th century
(1)
Sinclair Ross. Real life questions of authenticity
(1)
Slocombe Emma. Dress in the limelight
(1)
Sugiyama Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
(1)
Supianek-Chassay Christine. Peopling the Pleasure Garden
(1)
Tamarapa Awhina (1966- ). Kahu ora
(1)
Te Kanawa Rangi. Kahu ora
(1)
Timar-Balazsy Agnes (1948-2001)
(1)
Tinker Zenzie. Dress in the limelight
(1)
Uden Jeremy S. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum University of Oxford
(1)
Whalen Timothy P. Foreword
(1)
Wilcox Claire (1954- ). Radicalizing the representation of fashion
(1)
Wood Janet. Concepts in practice
(1)
Yeung Evita S. Dramatic effects on a static stage
(1)
Year
2010 - 2019
(2)
2000 - 2009
(1)
Country
Poland
(1)
United Kingdom
(1)
United States
(1)
Language
English
(3)
Subject
Tkaniny
(2)
Chemia
(1)
Konserwatorstwo
(1)
Odzież
(1)
Sztuka
(1)
Ubiór
(1)
Zbiory muzealne
(1)
Genre/Form
Materiały konferencyjne
(1)
4 results Filter
Authority data
Eastop Dinah (hasło formalne)
Nieużywane formy hasła: Eastop D. D ; Eastop Dinah D
No cover
Book
In basket
Autor: Timar-Balazsy Agnes (1948-2001)
Tytuł: Chemical principles of textile conservation / Ágnes Tímár-Balázsy and Dinah Eastop.
Adres wydawniczy: Oxford [etc.] : Butterworth : Heinemann, 2002.
Opis fizyczny: XX, 443 s., [16] s. tabl. kolor. : il. ; 26 cm.
Seria: Butterworth Heinemann Series of Conservation and Museology
Uwaga: Bibliogr. po rozdz. Indeks.
Temat: Chemia - stosowanie - konserwacja
Temat: Konserwatorstwo - zagadnienia
Temat: Tkaniny - konserwacja
Hasło dodatkowe: Eastop, Dinah.
ISBN: 0-7506-2620-8
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: sygn. sygn. III 13513 (1 egz.)
Book
In basket
Tytuł: Refashioning and redress : conserving and displaying dress / edited by Mary M. Brooks and Dinah D. Eastop.
Wariant tytułu: Conserving and displaying dress
Adres wydawniczy: Los Angeles : The Getty Conservation Institute, cop. 2016.
Opis fizyczny: XV, [1], 256 s. : il. (gł. kolor.) ; 24 cm.
Uwaga: Bibliogr. przy rozdz. Indeks.
Temat: Odzież - konserwacja
Temat: Ubiór - konserwacja
Temat: Tkaniny - konserwacja
Temat: Zbiory muzealne - ochrona i konserwacja
Hasło dodatkowe: Brooks, Mary M.
Hasło dodatkowe: Eastop, Dinah.
Hasło dodatkowe: Whalen, Timothy P. Foreword
Hasło dodatkowe: Brooks, Mary M. Acknowledgmenst
Hasło dodatkowe: Eastop, Dinah. Acknowledgmenst
Hasło dodatkowe: Brooks, Mary M. Editors' preface
Hasło dodatkowe: Eastop, Dinah. Editors' preface
Hasło dodatkowe: Eastop, Dinah. Introduction
Hasło dodatkowe: Brooks, Mary M. Introduction
Hasło dodatkowe: Brooks, Mary M. Reflecting absence and presence
Hasło dodatkowe: Ishii, Mie. Conserving an Ainu robe within the framework of Japan's cultural property preservation policy
Hasło dodatkowe: Atkinson, Henry L. "Wrapped in country"
Hasło dodatkowe: Couzens, Vicki (1960). "Wrapped in country"
Hasło dodatkowe: Darroch, Lee (1957- ). "Wrapped in country"
Hasło dodatkowe: Grieves, Genevieve (1976- ). "Wrapped in country"
Hasło dodatkowe: Hamilton, Samantha. "Wrapped in country"
Hasło dodatkowe: Jones-Amin, Holly. "Wrapped in country"
Hasło dodatkowe: Nicholson, Mandy. "Wrapped in country"
Hasło dodatkowe: Reynolds, Amanda (1971- ). "Wrapped in country"
Hasło dodatkowe: Te Kanawa, Rangi. Kahu ora
Hasło dodatkowe: Tamarapa, Awhina (1966- ). Kahu ora
Hasło dodatkowe: Peranteau, Anne. Kahu ora
Hasło dodatkowe: Bayer, Anja. Preserving and displaying archaeological garments via pressure mounting
Hasło dodatkowe: Uden, Jeremy S. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford
Hasło dodatkowe: Richardson, Heather M. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford
Hasło dodatkowe: Lee, Rachael. Conservation and display of the tahitian mourner's costume at the Pitt Rivers Museum, University of Oxford
Hasło dodatkowe: Slocombe, Emma. Dress in the limelight
Hasło dodatkowe: Tinker, Zenzie. Dress in the limelight
Hasło dodatkowe: Gill, Kathryn. Making sense of a fragmentary coat found concealed within a building
Hasło dodatkowe: Paula, Teresa Cristina Toledo de (1959- ). Back to black
Hasło dodatkowe: Gresswell, Claire. Concepts in practice
Hasło dodatkowe: Hashagen, Joanna. Concepts in practice
Hasło dodatkowe: Wood, Janet. Concepts in practice
Hasło dodatkowe: Scaturro, Sarah. Delicate balance
Hasło dodatkowe: Fung, Joyce. Delicate balance
Hasło dodatkowe: Ford, Micheline. Fashion as art
Hasło dodatkowe: Leong, Roger (1961- ). Fashion as art
Hasło dodatkowe: Wilcox, Claire (1954- ). Radicalizing the representation of fashion
Hasło dodatkowe: Behlen, Beatrice. Peopling the Pleasure Garden
Hasło dodatkowe: Supianek-Chassay, Christine. Peopling the Pleasure Garden
Hasło dodatkowe: Yeung, Evita S. Dramatic effects on a static stage
Hasło dodatkowe: Cheung, Angela Yuenkuen. Dramatic effects on a static stage
Hasło dodatkowe: Phillips, Kristin. Conserving damage
Hasło dodatkowe: Mortier, Bianca M. du. Moving forward together
Hasło dodatkowe: Meijer, Suzan. Moving forward together
Hasło dodatkowe: Getty Conservation Institute
ISBN: 978-1-60606-511-2
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 30866 (1 egz.)
Book
In basket
Tytuł: Authenticity and replication : the "real thing" in art and conservation : proceedings of the international conference held at the University of Glasgow, 6-7 December 2012 / edited by Rebecca Gordon, Erma Hermens and Frances Lennard.
Wariant tytułu: "Real thing" in art and conservation
Adres wydawniczy: London : Archetype Publications, 2014.
Opis fizyczny: IX, 214 s. : il. (gł. kolor.) ; 25 cm.
Uwaga: Bibliogr. przy ref.
Temat: Sztuka - ochrona i konserwacja - materiały konferencyjne
Temat: Sztuka - reprodukcje - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Gordon, Rebecca.
Hasło dodatkowe: Hermens, Erma (1958- ).
Hasło dodatkowe: Lennard, Frances.
Hasło dodatkowe: Allardt, Alexandra. Stitching the 21st century into a Gilded Age mansion
Hasło dodatkowe: Bülow, Anna. Cultural heritage online: questions of authenticity, authority and authorship
Hasło dodatkowe: Brooks, Mary M. "Indisputable authenticity": engaging with the real in the museum
Hasło dodatkowe: Brooks, Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: Chiostrini, Giulia. Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
Hasło dodatkowe: Coutinho, Bárbara. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Eastop, Dinah. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: Eastop, Dinah. Cultural heritage online: questions of authenticity, authority and authorship
Hasło dodatkowe: El-Maalouf, Aline. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Ferreira, Joana Lia. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Foskett, Sarah. The Triumph of the Virgin: unravelling authenticities in Glasgow Museums' tapestry
Hasło dodatkowe: Gordon, Rebecca. "Real life" questions of authenticity
Hasło dodatkowe: Gordon, Rebecca. Identifying and pursuing authenticity in contemporary art
Hasło dodatkowe: Jones, Ceri (1964- ). Bringing the past to life?
Hasło dodatkowe: Khalife, Kerstin. Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Krekel, Christoph (1966- ). Baskinta's Mother(s) of God: one strainer with two paintings found in the Convent of Saint Saqssine in Lebanon
Hasło dodatkowe: Macedo, Rita. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Milnes, Anne. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Hasło dodatkowe: Morena, Jill. Definitions of authenticity: a study of the relationship between the reprodution and original Gone With The Wind costumes at the Harry Ransom Center
Hasło dodatkowe: Mulholland, Richard. "And I know damned-well what he wanted": deliberate alteration and interpretations of intent in several late sculptures by David Smith
Hasło dodatkowe: Nurse, Luba Dovgan. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Hasło dodatkowe: O'Neill, Harriet. Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
Hasło dodatkowe: Penney, Caron. Rediscovering the Unicorn tapesries
Hasło dodatkowe: Plender, Sophie. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Hasło dodatkowe: Rajgopal, Uthra. Dressing up for the Preston Guild: a "very admirable and correct costume!"
Hasło dodatkowe: Ramos, Ana Maria. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Sá, Susana França de. How to keep what was intended to be temporarily functional?
Hasło dodatkowe: Saltmarsh, Polly. Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Hasło dodatkowe: Scharffenberg, Katrine. Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Hasło dodatkowe: Sinclair, Ross. "Real life" questions of authenticity
Hasło dodatkowe: Sugiyama, Keisuke. Conservation of Japanese paintings on paper and silk: tradition and innovation
Hasło dodatkowe: Archetype Publications
ISBN: 978-1-904982-99-9
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. II 31639 (1 egz.)
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