Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
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Bartkevicius Ricardas (1959- ). Interconnection of heritage and artistic activitites: experience in non-formal education
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Bartkevicius Ricardas (1959- ). Introduction to the artistic action
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Bartkevicius Ricardas (1959- ). Wspólnota dziedzictwa. Wprowadzenie do akcji artystycznej
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Bartkevicius Ricardas (1959- ). Wzajemne związki między dziedzictwem a działalnością artystyczną: doświadczenie edukacji nieformalnej
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Batschmann Oskar (1943- ). The analysis of form: Heinrich Wolfflin Fritz Burger Johannes Itten
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Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
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Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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Bernatowicz Piotr (1973- ). 1500 drzewek w Yad Vashem. Relacje polsko-żydowskie w kontekście współczesnej wojny o pamięć
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Bernatowicz Piotr (1973- ). 1500 trees of Yad Vashem. Polish-Jews relationships in the context of the war for memory
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Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Blonka-Drzażdżewska Aleksandra. Jerzy Brodnicki - Van Haardt - une vie deux biographies
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Bobilewicz-Bryś Grażyna (1951- ). Music in Russian avant-garde painting
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Bobilewicz-Bryś Grażyna (1951- ). Muzyka w malarstwie awangardy rosyjskiej
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Bobrowska Ewa (1958- ). Les associations artistiques polonaises en France dans la seconde moitie du XXe siecle : vers une integration du milieu
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Borowik Aneta. Modernity in the arhitecture of the Polish People's Republic
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Borowik Aneta. Nowoczesność w architekturze Polskiej Rzeczypospolitej Ludowej
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Boust Clotilde. To acquire a good name
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Brandys Iwona. Scenograf Wincenty Drabik w dziele tworzenia polskiej sceny narodowej. Przyczynek do badań nad sylwetką artysty i reinterpretacją jego stylu
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Brandys Iwona. Scenographer Wincenty Drabik in creating the Theatre in Poland. Contribution to research on the artist and on interpretation of his style
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Brookes Anna. De/re-constructing Turner for research projects at Tate
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
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Bucklow Spike. Impossible recipes
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Buczyński Bartosz. Henryk Stażewski and his earliest works. Analysis of his style in relation to unknown composition dated ca. 1920
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Buczyński Bartosz. Wczesna twórczość Henryka Stażewskiego. Analiza i dynamika przemian na podstawie nowo odkrytej kompozycji malarskiej z początku lat 20
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Budzałek Anna. Na ratunek ostatniej polskiej przedwojennej awangardzie. Leon Chwistek i I Grupa Krakowska
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Budzałek Anna. Saving the last Polish pre-war avant-garde. Leon Chwistek and the Krakow Group
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Burgio Lucia. To acquire a good name
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Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
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Cartechini Laura. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Casanova Conseicao. Study of Portugese 18th-century manuscript
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Caspers Charlotte. De/re-constructing Turner for research projects at Tate
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Causey Faya. Tectonic Cezanne
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Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Cervonnaa Svetlana Mihajlovna (1936- ). Der Blaue Reiter (Błękitny Jeździec) i echo jego tryumfalnego marszu w narodowych szkołach artystycznych Europy Wschodniej
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Cervonnaa Svetlana Mihajlovna (1936- ). Der Blaue Reiter and the echo of his triumphal flight in national artistic schools of the East-Europa
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Cervonnaa Svetlana Mihajlovna (1936- ). Kaunas - Vilnius - Paris: Lithuanian parallel of Polish artistic exile during and after World War II
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Chudzikowska Monika. Formists in terms of stage performance. Stage design by Andrzej and Zbigniew Pronaszko in 1925–1926
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Chudzikowska Monika. Formiści w przestrzeni sceny. Scenografia Andrzeja i Zbigniewa Pronaszków w latach 1925–1926
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Ciovica Sorin. Romanian handbooks on manuscript illumination in the 18th century
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Clarke Mark (1962- ). Codicological indicators of practical medieval artists' recipes
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Clarke Mark (1962- ). Writing recipes for non-specialists c. 1300
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Claro Ana Luisa do Vale Fonseca. Copper pigments in medieval times
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Claro Ana Luisa do Vale Fonseca. Study of Portugese 18th-century manuscript
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Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Colombini Maria Perla. (1951- )
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Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Cretu Ileana. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Czekalski Stanisław (1967- ). Artysta kurator i spektakl dzieła sztuki w narratologii Mieke Bal
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Czekalski Stanisław (1967- ). The artist the curator and the spectacle of an art work in Mieke Bal's narratology
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Czyż Anna Sylwia (1974- ). Independence motifs in decoration of the oldest so-called Polish Cathedrals
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Czyż Anna Sylwia (1974- ). Motywy niepodległościowe w dekoracji najstarszych tzw. Polish Catedrals
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D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
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Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
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De Angelis Roberta. Tracing the history of wall paintings through visual documents
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De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Degano Ilaria (1982- )
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Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Deptuła Bogusław (1965- ). Kuratorem bywać
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Deptuła Bogusław (1965- ). To be an occasional curator
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Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Desperak Olga. Józef Piłsudski Independence Defence Centre in Częstochowa as a living monument of the 10th anniversary of the restoration of Poland's sovereignty and an initiative to modernise the residents' sports life
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Desperak Olga. Modernizacja życia sportowego częstochowian - budowa Ogniska Obrony Niepodległości im. Marszałka Józefa Piłsudskiego w Częstochowie jako pomnika 10. rocznicy odzyskania przez Polskę niepodległości
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Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Doherty Brenda. Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Doherty Tiarna. Oudry's painted menagerie
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Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
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Drabarczyk Paweł. A history of insanity in the age of the curatorial turn
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Drabarczyk Paweł. Historia szaleństwa w dobie kuratoringu
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Dubois Helene. Master's own hand?
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Durda-Dmitruk Magdalena. Mirror Mirages of Gabriela Morawetz
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Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Dzierżyc-Horniak Anna (1975- ). Polish art is an interest otherwise it won’t be seen as in comparison with what is being done in the world…. Foksal Gallery and Polish-French artistic relations
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Dziewicki Tomasz. Totemiczny wymiar abstrakcji. Wokół narodzin malarstwa bezprzedmiotowego i Kompozycji 5 Wassilego Kandinskiego
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Dziewicki Tomasz. Totemism of abstract painting. About birth of non-representational art and Composition 5 by Wassily Kandinsky
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Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
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Eyb-Green Sigrid. Studying the artistic process
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Faassen S. A. J. van (1949- ). De Stijl neo-plasticism and abstraction 1908-1918
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Fardi Theodora. Tracing the history of wall paintings through visual documents
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Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
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Filipczyk-Topolnicka Joanna (1969- ). Museum collections of contemporary Polish painting as a tool of repolonisation of Silesia after 1945 (selected examples)
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