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Duijn Esther Emmy van (1973- )
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Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
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Ahn Sang Doo. Study of the composition and mictrostructure of Koryo celadon and whiteware from the Kiln Complex at Bangsan Village Kyonggi Province Korea
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Al Tamimi Fatima. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
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Aldhous Chris. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs
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Aldrovandi Alfredo. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment
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Alexopoulou-Agoranou Athena. Oil media on paper: reflections on condition assessment in a new context
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Allan Ed. The problems of house mice in hostoric houses and museums
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Allardt Alexandra. Stitching the 21st century into a Gilded Age mansion
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Amarasinghe Deepika. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries
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Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
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Angelo Christina
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Angelova Lora V
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Arenstein Rachael Perkins. Crazy as a bedbug: the Integrated Pest Management Working Group's developement of resources and best practices for the museum community
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Arenstein Rachael Perkins. The attractive qualities of wool and larval frass on wool to the webbing clothes moth (Tineola bisselliella)
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Arik Ruchan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Abad Lake Beysehir Turkey
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Ashley-Smith Jonathan (1946- )
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Assumpcao Aline. A history of 'green' solvents in conservation
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Auffret Stephanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
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Baatz Wolfgang. Studying the artistic process
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Bacon Louise
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Baija Hubert (1953- )
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Bainbridge Abigail. Preface
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Baldwin Jessica. Retrieved from the rubble: reconstructing Ireland's lost archive
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Ball Marieanne Davy. Assessment of the Thermo-Lignum oven pest eradication treatment on natural and synthetic polymers and resins
(1)
Ballantyne Ann
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Balta Ileana Zizi (1966- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Ban Matea. The Biedermeier cemetery of St Marx in Vienna: planning management and treatment implementation
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Bancroft Anne. Minus 20 degrees in the sun
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Bancroft Anne. Training tools and technology for managing IPM at the Victoria and Albert Museum London
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Banou Penelope. Oil media on paper: reflections on condition assessment in a new context
(1)
Barrett Brian D. (1951- ). Archives of Blockx an Antwerp family of chemist-colourmen founded 1865
(1)
Basten Nikki van. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming filling and retouching
(1)
Bellegem Maickel van. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
(1)
Bennett William (konserwacja książek)
(1)
Berg Jan-Erik. The brown carpet beetle Attagenus smirnovi: how will climate change affect its future pest status?
(1)
Berg Rita. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui
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Berrie Barbara Hepburn
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Bertasa Moira. A study of commercial agar gels as cleaning materials
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Bisulca Christina. Assessment of the Thermo-Lignum oven pest eradication treatment on natural and synthetic polymers and resins
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Blyth Valerie. Minus 20 degrees in the sun
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Blyth Valerie. Training tools and technology for managing IPM at the Victoria and Albert Museum London
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Blyth Valerie. Webbing clothes moth in the Victoria and Albert Museum's British galleries: a successful campaign
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Boccia Paterakis Alice
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Bommel Maarten R. van
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Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Borig Janelle. Mobigas at the National Gallery of Victoria Australia and the struggle for recognition by quarantine authorities
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Bortolussi Claudia. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project
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Bosetto Eleonora. An oasis for pests? Setting up IPM in the Emirate of Abu Dhabi
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Boust Clotilde. To acquire a good name
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Bowens Jen. Contemporary paper sculptures and their conservation: an artist survey
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Bridal Jonathan. Moths Exosex and floor voids at Hampton Court Palace
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Brierley Liesa. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs
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Brookes Anna. De/re-constructing Turner for research projects at Tate
(1)
Brooks Mary M. Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
(1)
Brooks Mary M. Indisputable authenticity: engaging with the real in the museum
(1)
Brown David. Retrieved from the rubble: reconstructing Ireland's lost archive
(1)
Brukner Havelkova Petra
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Brukner Havelkova Petra. Characteristics of gypsum binder and plaster casts
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Brukner Havelkova Petra. Consolidation
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Brukner Havelkova Petra. Damage to plaster casts
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Brukner Havelkova Petra. Gluing
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Brukner Havelkova Petra. Integration and retouching
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Brunetti Bruno (1947- ). Study of materials and techniques used in a 15th-century Romanian illuminated manuscript
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Bucklow Spike. Impossible recipes
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Bucklow Spike. The state of research into retouching resins
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Bulow Anna. Cultural heritage online: questions of authenticity authority and authorship
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Burgio Lucia. To acquire a good name
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Burmester Andreas
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Burns Thea
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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Cabral Udaya. Efficacy of a low-cost simple solar heating box to eradicate insect pests in Sri Lankan libraries
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Cabral Udaya. Screening of two plant-derived extracts from Sri Lanka for their potential to control the subterranean termite Coptotermes formosanus
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Cahill Fiona. Quick quick put the lid back on!
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Camerini Ilaria. Red rot and nano collagen: a work in progress research on leather consolidation
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Campbell Lorne (1946- ). Conservation of Netherlandish paintings in the fifteenth and sixteenth centuries
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Cannon Joanna (1951- )
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Cardon Dominique
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Zawiera materiały konferencji w ramach "Mazarin Chest Project". - Tyt. oraz tyt. art. równol. w jęz. ang. i japońskim.
Bibliogr. przy art.
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Są egzemplarze dostępne do wypożyczenia: III 19058 (1 egz.)
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Bibliogr. s. 605-635. Indeksy. Słownik terminów.
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Są egzemplarze dostępne do wypożyczenia: II 27031/1 (1 egz.)
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Bibliogr. s. 344-355. Indeks.
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Bibliogr. s. 344-355. Indeks.
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Bibliogr. s. 154-155. Indeks.
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Cort Louis Allison. Douglas Janet G. Jett Paul. McCarthy Blythe Ellen. Salzman Chase Ellen. Ahn Sang Doo. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Arık Rüçhan. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Chāy Visuddh. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Cheng Qian. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Chhay Rachna. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Choo Carolyn Kyongshin Koh (1946- ). Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Choo Woong Kil. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Dussubieux Laure (1975- ). The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Ea Darith. New data in the distribution of Khmer Ceramic Kilns and the study of ceramics Freestone Ian C. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Furihata Junko. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Gogte Vishwas D. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Grave Peter. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Guo Qinghua. Mingqi pottery buildings of Han Dynasty China: production, methods and techniques Han Nyunt. The study of Pyu ceramics from ancient Pyu Cities in Myanmar (Burma) Kawamura Yoshio. The spread of pottery miniatures in Han Dynasty China Kim Gyu Ho. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Koss Kerith. Analysis of Persian painted Minai Ware Kusimba Chapurukha Makokha. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Lee Young Eun. Study of the composition and mictrostructure of Koryŏ celadon and whiteware from the Kiln Complex at Bangsan Village, Kyŏnggi Province, Korea Lei Yong. The latest archaeological discoveries of Tang Sancai in China and the study of provenance Li Jiazhi. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Li Wei Dong. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Luo Hongjie. Microstructures of Chinese green-glazed porcelains from Ru Guan Kiln and Laohudong Guan Kiln Ma Qinglin. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Maccheroni Michael. Characterizing Asian stoneware jar production at the transition to the early modern period, 1550-1650 Mao Zhenwei. Technological innovation in the manufacture of white porcelain in North China Maske Andrew L. Defining a new type of Japanese "Folk" ceramic: Nishi Sarayama Ware McCarthy Blythe Ellen. Analysis of Persian painted Minai Ware Oka Rahul. The impact of imitation ceramic industries and internal political restrictions on Chinese commercial ceramic exports in the Indian Ocean Maritime Exchange, ca. 1200-1700 Pan Weibin (1969- ). Technological innovation in the manufacture of white porcelain in North China Pollard A. M. Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Pomper Linda Rosenfeld. Research on the question of dating Chinese Famille Noire Porcelain Salzman Chase Ellen. Analysis of Persian painted Minai Ware San Kosal. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sasaki Tatsuo. Mutual influence and imitation of Mesopotamian and Chinese ceramics in the Ninth Tenth centuries Smith Dylan. Analysis of Persian painted Minai Ware Sok Hun Ly. Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Sok Keo Sovannara. Rethinking Khmer ceramics and metal vessels through ancient inscriptions and Bas-Reliefs: Khmer ceramic typology through ancient words Song Yan. Scientific study of porcelain from the Lingwu Kiln of Xixia Dynasty in Ningxia, China Stamen Jeffrey P. Research on the question of dating Chinese Famille Noire Porcelain Tabata Yukitsugu (1972- ). Preliminary results of the Anlong Thom Kiln Excavation on Phnom Kulen in Angkor: a case study of ALK01 Tatsumi Junitiro. Characteristic of tricolored earthenware from the Huangye Kiln Site and the Heijo Capital Site determined by nondestructive analysis Wang Changsui. Technological innovation in the manufacture of white porcelain in North China Wang Changsui. The provenance of ancient Chinese proto-celadon Weiss Norman R. Research on the question of dating Chinese Famille Noire Porcelain Wen Rui (1980- ). Comparative study of cobalt blue pigment of Chinese blue-and-white porcelain and Islamic glazed pottery, thirteenth-seventeenth centuries Xue Bin. Technological innovation in the manufacture of white porcelain in North China Yao Zhengquan. Technological innovation in the manufacture of white porcelain in North China Yegingil Zehra. Scientific analysis of glazed title from the Seljuq Palace of Kubad-Âbâd, Lake Beyşehir, Turkey Zhu Jian. The provenance of ancient Chinese proto-celadon Zhu Tiequan. Technological innovation in the manufacture of white porcelain in North China
Indeks R0: BMNK
Materiały konferencji zorg. w Freer Gallery of Art w Waszyngtonie, 27-29 września 2007 r.
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24878 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 15206 (1 egz.)
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(The Knowledge Tree)
Indeks R0: BMNK
Bibliogr. przy pracach.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 18892 (1 egz.)
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Publ. związana z konf. "Playing to the galleries and engaging new audiences. The public face of conservation", Williamsburg, 2011.
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 21476 (1 egz.)
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 15789 (1 egz.)
Książka
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Autor
Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Indeks R0: BMNK
Bibliogr. przy art.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 31515 (1 egz.)
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Autor
Clarricoates Rhiannon. Dowding Helen. Gent Alexandra. Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Keith Larry. Colour change and restoration Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Lee Judith. Colour change and modern paints; an overview Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Ormsby Bronwyn. Colour change and modern paints; an overview Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Rae Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Sheldon Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Spring Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Townsend Joyce H. Microfading: a useful tool for paintings conservators? Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Wadum Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Indeks R0: BMNK
Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31511 (1 egz.)
Książka
W koszyku
Autor
Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Indeks R0: BMNK
Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 31514 (1 egz.)
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