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Adkins Helen (1960- )
(1)
Afroz Nazes. 1968 in India the Naxalites: The Thunder that Withered
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled The Virgin and St John Evangelist by Stefan Witold Matejko
(1)
Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu Matka Boża z Janem Ewangelistą Stefana Witolda Matejki
(1)
Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest revolution and terrorism
(1)
Baehr Ulrich (1938- ). Svastika and soviet star as art?
(1)
Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: The Adoration of the Holy Name of Jesus The Virgin and Child and Dominican Saints from the church of SS Peter and Paul in Jaworowo
(1)
Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: Adoracja Imienia Jezus Matka Boska z Dzieciątkiem oraz Święci dominikanie z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie
(1)
Beitin Andreas (1968- )
(1)
Beitin Andreas (1968- ). Art is politics
(1)
Beitin Andreas (1968- ). I lived my entire life to prepare for May 68
(1)
Beitin Andreas (1968- ). It was a matter of equal voices
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Berrios Maria (1978- ). Now history happens here: Del Tercer Mundo
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Boliński Paweł
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Bottcher Anke Paula (1971- ). Graffiti both sides on tracing paper
(1)
Brock Bazon (1936- ). Voices from the grave or the resurrection of the 68ers from the spirit of the present
(1)
Brud Magdalena. Opracowanie metody przeniesienia fragmentu malowidła ze stropu pałacu w Łagowie ze skorygowaniem deformacji jego powierzchni
(1)
Brud Magdalena. The development of a painting transfer method with adjustments to surface deformations to transfer a painting from the ceiling of a palace in Łagów
(1)
Budziaszek Barbara
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Cailloux Bernd (1945- ). The commercial flash: the history of the leisure society
(1)
Cambon Pierre (1955- ). Korean collection in Paris
(1)
Cameron Dan (1956- ). Is the personal really political?
(1)
Carrier David (1944- ). Putting abstraction in touch with reality: the achievement of Sean Scully
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Conradt Gerd (1941- ). Dark days in a colorful costume
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Czarnecka Agnieszka. Problematyka konserwacji malowanych chorągwi jedwabnych na przykładzie chorągwi nagrobnej Katarzyny Żarczyńskiej z klasztoru oo. Franciszkanów w Krakowie
(1)
Czarnecka Agnieszka. The conservation of painted silk banners - the case of the sepulchral banner of Katarzyna Żarczyńska from the Franciscan Monastery in Kraków
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Dammbeck Lutz (1948- ). 37 + 31 = 68
(1)
Danto Arthur Coleman (1924-2013). Sean Scully and the art of painting
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Fraeye Mark (1949- ). San-shin the Mountain God – Korea’s eternal spirit
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Dresen Wolfgang (1942- ). 1968: violent relationships and resistance
(1)
Duspohl Andreas (1967- ). 1968: Media transformation and the culture of protest
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Dąbrowski Józef (1940-2019). Hanji Paper – Unique technologies of ancient Korean craft
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Elliot Fiona (1951- )
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Feher David (1987- )
(1)
Feher David (1987- ). Architectures of light (walls and landlines)
(1)
Feher David (1987- ). Behind the wall: figures and grounds in the art of Sean Scully
(1)
Feher David (1987- ). Figure abstract and vice versa. The Madonna Series
(1)
Feher David (1987- ). Figure/abstract: early experiments from the 1960s
(1)
Feher David (1987- ). Hidden narratives: after the turning point of 1981
(1)
Feher David (1987- ). In dialogue #1: soft edges (Scully and Bonnard)
(1)
Feher David (1987- ). In dialogue #2: fields of colour (Scully and Van Gogh)
(1)
Feher David (1987- ). Sensual constructions: works from the 1980s and 1990s
(1)
Feher David (1987- ). Supergrids: works from the 1970s
(1)
Feher David (1987- ). The passenger: an introduction
(1)
Feher David (1987- ). Uninsideout
(1)
Feher David (1987- ). Windows and figures
(1)
Feher David (1987- ). Works on paper: pastels and watercolours
(1)
Ficher Tilman P. (1937- ). Maundy Thursday 1968
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Fischer Yona (1932- )
(1)
Fox Jonathan
(1)
Frei Norbert (1955- ). Protests in the West Unrest in the East
(1)
Fritzsch Constanze. The battered body - Belgrade 1968
(1)
Fritzsch Constanze. Where do you stand with your art friend?
(1)
Frohne Ursula. The United States in Vietnam and the critique from art
(1)
Gerhardt-Schubert Ezra (1951- ). 1968 and the student movement
(1)
Gerz Jochen (1940- ). One of the most artistic works in history
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Gillen Eckhart (1947- )
(1)
Gillen Eckhart (1947- ). Art is politics
(1)
Gillen Eckhart (1947- ). I came to my painting along a different path
(1)
Gillen Eckhart (1947- ). I lived my entire life to prepare for May 68
(1)
Gillen Eckhart (1947- ). Performative enlightenment: false consciousness
(1)
Giżycka Barbara. Konserwacja obrazu Pożar miasta w nocy ze zbiorów Zamku Królewskiego na Wawelu oraz uwarunkowania dotyczące jego oprawy
(1)
Giżycka Barbara. The conservation treatment of a painting entitled The city on fire at night from the collection of the Wawel Royal Castle and the specificity of its framing
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Grimaldi Fulvio (1934- ). A lifelong Sixty-Eighter
(1)
Groning Gert (1944- ). The Heewon 희원 where the pungryu 풍류 can be perceived - an outstanding example of garden culture in Korea
(1)
Grovier Kelly (1968- ). Breathing mirrors: Sean Scully and the art of metaphor
(1)
Grzyb Anna. Konserwacja dwóch woskowo-tekstylnych figurek z XIX w. z klasztoru ss. Benedyktynek w Staniątkach
(1)
Grzyb Anna. The conservation of two 19th-century wax and textile figures from the Monastery of Benedictine Nuns in Staniątki
(1)
Gutierrez Galindo Blanca. Mexico 1968
(1)
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Centrum Sztuki Współczesnej (Warszawa)
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Chemia analityczna
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Detroit Institute of Arts (Detroit)
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Kupferman, Moshe (1926-2003)
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Ludwig Forum für Internationale Kunst (Akwizgran)
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Malarstwo
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7 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: Kat. 5451, Kat. 16430 (2 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 12277 (1 egz.)
Książka
W koszyku
(Publications by the Hungarian National Gallery ; ISSN 0864-7291 ; 2020/4)
Katalog wystawy: Museum of Fine Arts - Hungarian National Gallery, Budapeszt, 14 października 2020 - 31 stycznia 2021.
Bibliogr. w przyp.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25564 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Książka
W koszyku
Autor
Boliński Paweł. Budziaszek Barbara. Hola Aleksandra. Kaszowska Zofia. Korpal Grażyna (1945- ). Kosakowski Edward (sztuki piękne). Kozik Regina. Lempart-Geratowska Marta (1962- ). Sarkowicz Janusz. Schulze-Głazik Grażyna. Wawrzkiewicz Marek. Wyszyńska Jadwiga. Meysztowicz Anna. Sobita Weronika. Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled "The Virgin and St John Evangelist" by Stefan Witold Matejko Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu "Matka Boża z Janem Ewangelistą" Stefana Witolda Matejki Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: "The Adoration of the Holy Name of Jesus", "The Virgin and Child" and "Dominican Saints" from the church of SS Peter and Paul in Jaworowo Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: "Adoracja Imienia Jezus", "Matka Boska z Dzieciątkiem" oraz "Święci dominikanie" z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie Brud Magdalena. Opracowanie metody przeniesienia fragmentu malowidła ze stropu pałacu w Łagowie ze skorygowaniem deformacji jego powierzchni Brud Magdalena. The development of a painting transfer method with adjustments to surface deformations to transfer a painting from the ceiling of a palace in Łagów Czarnecka Agnieszka. Problematyka konserwacji malowanych chorągwi jedwabnych na przykładzie chorągwi nagrobnej Katarzyny Żarczyńskiej z klasztoru oo. Franciszkanów w Krakowie Czarnecka Agnieszka. The conservation of painted silk banners - the case of the sepulchral banner of Katarzyna Żarczyńska from the Franciscan Monastery in Kraków Giżycka Barbara. Konserwacja obrazu "Pożar miasta w nocy" ze zbiorów Zamku Królewskiego na Wawelu oraz uwarunkowania dotyczące jego oprawy Giżycka Barbara. The conservation treatment of a painting entitled "The city on fire at night" from the collection of the Wawel Royal Castle and the specificity of its framing Głaz Joanna. The application of interdisciplinary research methods with the aim of confirming the common provenance of sculptures attributed to the Passion group from the church of the Exaltation of the Holy Cross in Szymocin Głaz Joanna. Zastosowanie interdyscyplinarnych metod badawczych w celu potwierdzenia wspólnej proweniencji rzeźb przypisywanych do grupy pasyjnej z kościoła pw. Podwyższenia Krzyża Świętego w Szymocinie Główczak Regina (1989- ). Opracowanie metody przywrócenia pozytywowej postaci malowidła odbitego na odwrociu płatów na przykładzie malowideł z Pałacu Spiskiego przy Rynku Głównym 34 w Krakowie Główczak Regina (1989- ). The development of the method for restoring the positive image of the painting imprinted on the verso of sheets - the case of paintings from the Spiski Palace at Rynek Główny 34 in Kraków Grzyb Anna. Konserwacja dwóch woskowo-tekstylnych figurek z XIX w. z klasztoru ss. Benedyktynek w Staniątkach Grzyb Anna. The conservation of two 19th-century wax and textile figures from the Monastery of Benedictine Nuns in Staniątki Hebda Katarzyna. An attempt to reconstruct the painted layer of the choir loft parapet from the Church of the Visitation of the Blessed Virgin Mary in Tłuczań Hebda Katarzyna. Próba rekonstrukcji warstwy malarskiej parapetu chóru muzycznego z kościoła pw. Nawiedzenia Najświętszej Marii Panny na Nowsiu w Tłuczani Halota Angelika. Conservation, reconstruction and rearrangement of the plaster cast of the tombstone of Filip Kallimach from the National Museum in Kraków within the context of the internal metal reinforcement structure of the object Halota Angelika. Konserwacja, rekonstrukcja i dekompozycja gipsowego odlewu płyty nagrobnej Filipa Kallimacha z Muzeum Narodowego w Krakowie w kontekście problematyki metalowej konstrukcji wewnętrznej wzmacniającej obiekt Jagiełka Aleksandra. Aranżacje konserwatorskie zabytkowych rzeźb drewnianych w kontekście ekspozycji muzealnej na przykładzie konserwacji XVI-wiecznej rzeźby drewnianej polichromowanej, tzw. Złotej Katarzyny z Katternecke, przypisywanej warsztatowi Jacoba Beinharta Jagiełka Aleksandra. Conservational arrangements of monumental wooden sculptures within the context of the museum exhibition on the example of the conservation of the 16th-century wooden polychrome sculpture known as The Golden Catherine of Katternecke, attributed to the workshop of Jacob Beinhart Korzeniowska Agnieszka. Odtworzenie zaginionej kwatery "Ścięcie Świętej Katarzyny Aleksandryjskiej" autorstwa Hansa Süssa z Kulmbachu w aspekcie dzieł sztuki zrabowanych podczas II wojny światowej Korzeniowska Agnieszka. The reconstruction of "The Beheading of St Catherine", a lost section of a cycle by Hans Süss of Kulmbach, in the context of works stolen during World War II Różańska Katarzyna. "Paul and Virginia" - rococo illustrations on a painted fan, identification of technology, conservation and reconstruction of the 18th-century paper folding fan on a bone handle from the collection of the Regional Museum in Tarnów Różańska Katarzyna. "Paweł i Virginia" - rokokowe ilustracje na malowanym wachlarzu, rozpoznanie technologii, konserwacja i rekonstrukcja XVIII-wiecznego papierowego wachlarza na kościanej rączce ze zbiorów Muzeum Okręgowego w Tarnowie Skóra Magdalena. Opracowanie metody odsłaniania malowideł ściennych spod nieprzepuszczalnych powłok malarskich na podstwawie gotyckiego malowidła w kościele pw. św. św. Apostołów Szymona i Judy Tadeusza w Jaczowie, woj. dolnośląskie Skóra Magdalena. The development of a method to uncover murals from under impermeable painting layers - a case study of a Gothic painting in the Church of SS Simon and Jude Thaddaeus the Apostles in Jaczów, Dolnośląskie Voivodeship Szarłata Ewa. Oczyszczanie malowideł ściennych wykonanych w wybranych technikach historycznych metodami "peel-off" z wykorzystaniem preparatów na bazie lateksu oraz agaru Szarłata Ewa. The cleaning of murals in selected historic techniques using "peel-off" methods with latex- and agar-based preparations Wójcicka Katarzyna. Conservation of the mirror of the Thangka featuring the representation of Avalokitesvara from the collection of The Asia and Pacific Museum in Warsaw Wójcicka Katarzyna. Konserwacja zwierciadła thanki z przedstawieniem Awalokiteśwary ze zbiorów Muzeum Azji i Pacyfiku w Warszawie Wsół Magdalena. Research and conservation issues concerning the Our Lady of Częstochowa painting from Rudy Wielkie Wsół Magdalena. Zagadnienia badawczo-konserwatorskie obrazu Matki Boskiej Częstochowskiej z Rud Wielkich Wyszkowska Katarzyna. Problematyka konserwacji obrazów olejnych uszkodzonych pod wpływem ognia na przykładzie konserwacji i restauracji portretu Adama Skrzyńskiego autorstwa Kazimierza Pochwalskiego Wyszkowska Katarzyna. Selected issues in the conservation of oil paintings damaged by fire on the example of the conservation and restoration of the portrait od Adam Skrzyński by Kazimierz Pochwalski Wywiórska Nadia (1987- ). Delamination of two icons painted on a single wooden support: "Christ Pantocrator" (16th/17th century) and "The Last Supper" (1st half of the 19th century), originating from the former Orthodox Church of Dimitri the Martyr in Czarna Wywiórska Nadia (1987- ). Rozwarstwienie dwóch ikon malowanych na jednym podobraziu drewnianym: "Chrystus Pantokrator" (XVI/XVII w.) i "Ostatnia Wieczerza" (1. poł. XIX w.), pochodzących z dawnej cerkwi pw. św. Dymitra Męczennika w Czarnej
Indeks R0: BMNK
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 28806/7 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 12)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Cambon Pierre (1955- ). Korean collection in Paris Dąbrowski Józef (1940-2019). "Hanji Paper" – Unique technologies of ancient Korean craft De Fraeye Mark (1949- ). San-shin, the Mountain God – Korea’s eternal spirit Gröning Gert (1944- ). The Heewon,희원, where the pungryu 풍류, can be perceived - an outstanding example of garden culture in Korea Helman-Ważny Agnieszka (1974- ). "Hanji Paper" – Unique technologies of ancient Korean craft Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art Kennedy Beccy. Orienting and disorienting contemporary Korean art Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang, an architect from South Korea Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries Malinowski Jerzy (1950- ). Wstęp Naeyoung Ryu. Yun Duseo, Korean scholar-painter, precursor in painting of the Sirhak movement Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea Schulenburg Stephan (1959- ). Korean collections in German museums Suh Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do, South Korea) Toomey John J. The Korean way of tea. The way of universal peace Youngsuk Park. Genesis of Korean art – Goguryeo art
Indeks R0: BMNK
Materiały konf.: Warszawa, 25-26 października 2012.
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 23428 (1 egz.)
Książka
W koszyku
(Zeitbilder)
Autor
Beitin Andreas (1968- ). Gillen Eckhart (1947- ). Adkins Helen (1960- ). Elliot Fiona (1951- ). Fox Jonathan. Molinaro Geraldine. Rosenblatt Lisa. Afroz Nazes. 1968 in India, the Naxalites: The Thunder that Withered Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest, revolution, and terrorism Baehr Ulrich (1938- ). Svastika and soviet star as art? Beitin Andreas (1968- ). "Art is politics" Beitin Andreas (1968- ). "I lived my entire life to prepare for May 68" Beitin Andreas (1968- ). "It was a matter of equal voices..." Berríos María (1978- ). "Now history happens here": Del Tercer Mundo Böttcher Anke Paula (1971- ). Graffiti, both sides on tracing paper Brock Bazon (1936- ). Voices from the grave, or the resurrection of the 68ers from the spirit of the present Cailloux Bernd (1945- ). The commercial flash: the history of the leisure society Cameron Dan (1956- ). Is the personal really political? Conradt Gerd (1941- ). Dark days in a colorful costume Dammbeck Lutz (1948- ). 37 + 31 = 68 Dreßen Wolfgang (1942- ). "1968": violent relationships and resistance Düspohl Andreas (1967- ). 1968: Media transformation and the culture of protest Ficher Tilman P. (1937- ). Maundy Thursday 1968 Frei Norbert (1955- ). Protests in the West, Unrest in the East Fritzsch Constanze. The battered body - Belgrade 1968 Fritzsch Constanze. "Where do you stand with your art, friend?" Frohne Ursula. The United States in Vietnam and the critique from art Gerhardt-Schubert Ezra (1951- ). 1968 and the student movement Gerz Jochen (1940- ). One of the most artistic works in history Gillen Eckhart (1947- ). "Art is politics" Gillen Eckhart (1947- ). "I came to my painting along a different path" Gillen Eckhart (1947- ). "I lived my entire life to prepare for May 68" Gillen Eckhart (1947- ). Performative enlightenment: false consciousness Grimaldi Fulvio (1934- ). A lifelong Sixty-Eighter Gutiérrez Galindo Blanca. Mexico 1968 Hacker Dieter (1942- ). "I came to my painting along a different path" Hartung Klaus (1940- ). 1968 and the end of painting Heidelberger Michael (1947- ). Vietnam protests in the United States, 1969-70 Heil Axel (1965- ). Games without frontiers for individualists in Munich, Paris, Amsterdam, and Cuba Hershman-Leeson Lynn (1941- ). "It was a matter of equal voices..." Herz Rudolf (1954- ). Materials for the project Revolutionäre Ungeduld Hoffmann Justin (1955- ). Gustav Metzger at the movement for destruction in art Jooss Birgit (1965- ). Between poetry and the pigsty: on the student protests at the Kunstakademie and the Kunstverein in Munich Katti Christian (1966- ). The United States in Vietnam and the critique from art Kolb Ulrike (1942- ). Communal living and Kinderland Köhler Otto (1935- ). Musings of a Pre-68er who still has no desire, at 83, to become a Post-68er Lebel Jean-Jacques (1936- ). "I lived my entire life to prepare for May 68" Link Jürgen (1940- ). 1968, Post-1968, and the borders of flexible normalism Löser Claus (1962- ). The stolen rebellion - films and filmmakers in the GDR from 1961 to 1968 Ludwig Volker (1937- ). GRIPS Theather in and after 1969 Martin Julie (1938- ). New paths to the future Michel Detlef (1944- ). The Reichskabarett in West Berlin Mille Daria. On the move between studio and lab in the 1960s: technology and art in the USSR Rehberg Karl-Siegbert (1943- ). "1968" in the Provinces? Rosner Bernd (1953- ). Considering the 68ers and the German leaning toward a "Final solution mindset" Ruppert Wolfgang (1946- ). Self-education Rutschky Michael (1943-2018). Stopping and starting Sander Helke (1937- ). Feminism - experiments Sandfort Bernhard (1936- ). About my producer Gallery Sauer Johann (1948- ). Theater and 68? Schmidt Ute (1943- ). A political coming-of-age in the Munich SDS in the 1960s Šumylovyč Bohdan. Czechoslovakia and Ukraine: popular art and language policy opposition in early 1968 to the russification in Central Europe Smolik Noemi. 1968 in Prague - the other protest movement, or who's listening to who? Strohmeyer Klaus (1947- ). Utopia on offer between rubble and bulk waste Strohmeyer Marianne (1949- ). The "Third battle of Tannenberg" Subirats Eduardo (1947- ). Variations on 1968 Sukrow Oliver (1985- ). "Designing freedom" - the computer: "Liberty Machine" or means of control in the global context of the 68ers? Syring Marie-Luise (1944- ). Revolutionary art is made in the streets Thiel Paul (1937- ). The 68ers in the GDR and Marxist-Leninist System Theory Weber Laura (1985- ). Real life in art : Jean Tinguely and Niki de Saint Phalle Weibel Peter (1944- ). "Art is politics" Werner Thomas (1944- ). Fragments Wilhelm Karin (1947- ). ...when water cannons were (still) welcome Wunderlich Sonja (1987- ). The body as a tool for self-empowerment
Indeks R0: BMNK
Katalog wystawy: Ludwig Forum for International Art, Aachen, 20 kwietnia - 19 sierpnia 2018 r.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24262, III 24263 (2 egz.)
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