Becker Astrid. Verehrte Frau Nolde! Sie sind ja wunderbar : Ada Nolde und die Kunstler der Brucke
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Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
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Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Cate Phillip Dennis (1944- )
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Clarricoates Rhiannon
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Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Dahlmanns Janina. Begeistert verehrend : die Inspiration von Vincent van Gogh fur Emil Nolde und Die Brucke
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Deinzel Veronika. Brucke Ada und Emil Nolde : Chronologie. 1905-1907
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Du Quesne- van Gogh Elisabeth Huberta (1859-1936)
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Forster Lena-Alessa. Biografien
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Francis Henry Sayles (1902-1994)
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Gauguin Paul (1848-1903)
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Gille Sighard (1941- ). Die Brucke gegen Grau
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Gogh Vincent Willem van
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Grohn Hans Werner (1929-2009)
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Hammacher Abraham Marie (1897-2002)
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Hulsker Jan (1907-2002)
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Hurttig Marcus Andrew. Biografien
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Hurttig Marcus Andrew. Brucke Ada und Emil Nolde : Chronologie. 1905-1907
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Hurttig Marcus Andrew. Emil Nolde und die Kunstler der Brucke im Leipziger Kunstverein. 1904-1918
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Husch Anette (1972- )
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Lee Judith. Colour change and modern paints; an overview
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Meier-Graefe Julius (1867-1935)
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Muensterberger Werner (1913-2011)
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Oikawa Shigeru (1945- )
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Ormsby Bronwyn. Colour change and modern paints; an overview
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Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Remm Christiane. Ich war nicht Allein! : Emil Nolde und die Brucke - ein kunstlerischer Austausch
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schmidt Hans-Werner (1951- )
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Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Secomska Krystyna (1939-2010)
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Sheldon Libby. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts
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Spring Marika. Fading darkening browning blanching: a review of our current understanding of colour change and its consequences in old master paintings
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Stec Anna (1987- ). Anish Kapoor Memory
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Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Szymańska Anna (sztuka)
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Terrasse Charles (1893-1982)
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Thurmann Peter. Brucke nach Nolde Nolde nach Brucke
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Thurmann Peter. Brucke vor Nolde Nolde vor Brucke
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