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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bogdanowska Monika (1962- )
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Fuster-López Laura. Filling
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
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Hackney Stephen. Lining easel paintings
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Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Hola Aleksandra
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Korpal Grażyna (1945- )
(2)
Kosakowski Edward (sztuki piękne)
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Lempart-Geratowska Marta (1962- )
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
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35 wyników Filtruj
Brak okładki
Książka
W koszyku
Effects of light on materials in collections : data on photoflash and related sources / Terry T. Schaeffer. - Los Angeles : The Getty Conservation Institute, 2001. - VIII, 211, [1] s. : il. ; 28 cm.
(Research in Conservation)
Autor
Schaeffer Terry T. (1939- ).
Temat
Fotochemia. Konserwatorstwo Luminescencja. Muzealnictwo. Sztuka Światło. Zbiory archiwalne
Indeks R0: BMNK
Bibliogr. s. 169-198. Indeks.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 22327 (1 egz.)
Brak okładki
Książka
W koszyku
Solvent gels for the cleaning of works of art : the residue question / Dusan Stulik [et al.] ; edited by Valerie Dorge. - Los Angeles : The Getty Conservation Institute, 2004. - XI, 162 s. : il. ; 28 cm.
(Research in Conservation)
Autor
Dorge Valerie (1946- ). Stulik Dusan (1956- )
Temat
Aerozole Koloidy Konserwatorstwo Sztuka
Indeks R0: BMNK
Bibliogr. s. 145-152. Indeks.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 19057 (1 egz.)
Brak okładki
Książka
W koszyku
Changes in Post-Byzantine icon painting techniques : ICOM Committee for Conservation Interim meeting of the Icon Research Area Copenhagen, Denmark, 14-17 October, 2001 / [ed. Nina Jolkkonen, Helena Nikkanen]. - Uusi-Valamo : Valamo Art Conservation Institute, 2001. - 72 s. ; 30 cm.
Autor
Jolkkonen Nina. Nikkanen Helena.
Temat
Ikony Konserwatorstwo europejskie
Gatunek
Materiały konferencyjne.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 19451 (1 egz.)
Brak okładki
Książka
W koszyku
Plaster casts of the works of art : history of collections, conservation, exhibition practice : materials from the conference in the National Museum in Krakow, May 25, 2010 / [scholarly ed.: Wojciech Marcinkowski, Tomasz Zaucha ; aut. Jean-Marc Hofman et al.]. - Kraków : Muzeum Narodowe w Krakowie, 2010. - 115 s. : il. ; 24 cm.
(The National Museum in Cracow Studies and Research Materials)
Autor
Hofman Jean-Marc. Marcinkowski Wojciech (1956- ). Zaucha Tomasz (1969- ).
Temat
Muzeum Narodowe (Kraków) Gips Rzeźba europejska
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Konferencja towarzyszy wystawie "Kraków na wyciągnięcie ręki", Muzeum Narodowe w Krakowie - Pałac Biskupa Erazma Ciołka, 2010.
dostępna do wypożyczenia
Ta pozycja znajduje się w zbiorach 2 placówek. Rozwiń listę, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 25187 (1 egz.)
Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: (N 2010 (10)) sygn. II 25186 (1 egz.)
Książka
W koszyku
Princes Czartoryski Museum - Klasztorek / edited by Katarzyna Płonka-Bałus ; [forewrod: Andrzej Szczerski ; essays: Katarzyna Płonka-Bałus, Elżbieta Musialik, Mateusz Chramiec, Katarzyna Novljaković, Justyna Łuczyńska-Bystrowska ; museum description and list of objects on exhibition: Mateusz Chramiec, Elżbieta Musialik, Justyna Łuczyńska-Bystrowska, Anna Lebet-Minakowska ; translation Marta Herudzińska-Oświecimska, Karl Wood - Poleng Sp. z o.o.]. - Kraków : Muzeum Narodowe w Krakowie, 2023. - 157 s. : il. kolor. ; 31 cm.
Autor
Płonka-Bałus Katarzyna. Herudzińska-Oświecimska Marta. Wood Karl. Chramiec Mateusz. About the Museum Chramiec Mateusz. Provenance research at the Princes Czartoryski Museum Lebet-Minakowska Anna. About the Museum Łuczyńska-Bystrowska Justyna. About the Museum Łuczyńska-Bystrowska Justyna. Old conservation and collecting practices on the example of selected paintings at the Princes Czartoryski Museum Musialik Elżbieta. About the Museum Musialik Elżbieta. Provenance research at the Princes Czartoryski Museum Novljaković Katarzyna. Old conservation and collecting practices on the example of selected paintings at the Princes Czartoryski Museum Płonka-Bałus Katarzyna. In the depths of the Museum Szczerski Andrzej (1971- ). Forewod
Temat
Czartoryski (rodzina) Muzeum Czartoryskich (Kraków) Muzeum Narodowe (Kraków) Broń Rzemiosło artystyczne Sztuka
Indeks R0: BMNK
Publikacja związana z nową ekspozycją stałą urządzoną w Klasztorku Muzeum Książąt Czartoryskich.
Bibliogr. s. 151-153 i w przypisach.
dostępna do wypożyczenia
Ta pozycja znajduje się w zbiorach 2 placówek. Rozwiń listę, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 27053 (1 egz.)
Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: (N 2023 (17)) sygn. III 27052 (1 egz.)
Brak okładki
Książka
W koszyku
Synthesis of art and science in conservation : trends and achievements : preprints / ed. Jūratė Senvaitienė ; [forew. Diana Varnaitė et al.]. - Vilnius : Lietuvos Dailės Muziejus, 2011. - 403 s. : il. ; 30 cm + Vilnius organ builder Nicolaus Jantzon and his grand baroque organs : presentation of the works by the influential innovator and research into surviving instruments / Girėnas Povilionis. - X s. : il. ; 30 cm Restoration of wax seals in the Secret State Archives Prussian Cultural Heritage Foundation / Hinrich Peters. - 9 k. : il. ; 30 cm.
Autor
Peters Hinrich. Povilionis Girėnas (1976- ). Senvaitienė Jūratė. Varnaitė Diana (1968- ).
Temat
Konserwatorstwo
Indeks R0: BMNK
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 18562 (1 egz.)
Książka
W koszyku
Contemporary issues in book and paper conservation : proceedings of the Icon Book and Paper Group Third Triennal Conference 2021 / edited by Pamela Murray, Leah Humenuck, William Bennett and Lauren Moon-Schott. - London : Archetype Publications, 2022. - XI, [1], 108 s. : il. kolor. ; 30 cm.
Autor
Bennett William (konserwacja książek). Humenuck Leah. Moon-Schott Lauren. Murray Pamela. Alexopoulou-Agoranou Athēna. Oil media on paper: reflections on condition assessment in a new context Bainbridge Abigail. Preface Baldwin Jessica. Retrieved from the rubble: reconstructing Ireland's lost archive Banou Penelope. Oil media on paper: reflections on condition assessment in a new context Bowens Jen. Contemporary paper sculptures and their conservation: an artist survey Brown David. Retrieved from the rubble: reconstructing Ireland's lost archive Camerini Ilaria. Red rot and nano collagen: a "work in progress" research on leather consolidation Coppola Floriana. Verba volant, scripta manent? (Words fly, texts remain?) Crooks Peter. Retrieved from the rubble: reconstructing Ireland's lost archive Esser Laura. Paper at a distance: conservation in the time of the COVID-19 pandemic Helman Susannah. Reconsidering Captain Cook at the National Library of Australia Henderson Jane. Inconvenient questions and the question of neutrality Huynh Hoa. Connect, conserve and (de)colonise: conservators reflect on the colonial links in W.D. Campbell's "Aboriginal carvings" Jinxiang Qiu. A licence to conserve: cultural diversity as a practical asset in conservation Kim Meejung (1969- ). A licence to conserve: cultural diversity as a practical asset in conservation Knoetze Daniele. Paper at a distance: conservation in the time of the COVID-19 pandemic Kosek Joanna M. A licence to conserve: cultural diversity as a practical asset in conservation Kusunoki Kyoko. A licence to conserve: cultural diversity as a practical asset in conservation Lawler-Dormer Kêyeele. Connect, conserve and (de)colonise: conservators reflect on the colonial links in W.D. Campbell's "Aboriginal carvings" Lirette Morgane. The role of conservation in the development of the British Library Green Network Marabini Valentina. A licence to conserve: cultural diversity as a practical asset in conservation McGinn Isabelle. Paper at a distance: conservation in the time of the COVID-19 pandemic McGuire Claire. Inspiring and informing development: advocating for culture in sustainable development Miller Ann-Marie. Born in lockdown. Impact heritage: setting up a community interest company to improve diversity and access to funding in the cultural heritage sector Murray Pamela. Foreword Muzart Marya. Conserving Dunhuang manuscripts at the British Library: how do we avoid dissociation? Reid Zoë. Retrieved from the rubble: reconstructing Ireland's lost archive Sawicki Rachel. Reconsidering Captain Cook at the National Library of Australia Sotiras Matthias. A licence to conserve: cultural diversity as a practical asset in conservation Stevens Ruth. Born in lockdown. Impact heritage: setting up a community interest company to improve diversity and access to funding in the cultural heritage sector Strlič Matija. Verba volant, scripta manent? (Words fly, texts remain?) Watson Ian. Born in lockdown. Impact heritage: setting up a community interest company to improve diversity and access to funding in the cultural heritage sector Weiss Carol. A licence to conserve: cultural diversity as a practical asset in conservation
Temat
Konserwatorstwo Książka Papier
Indeks R0: BMNK
Bibliogr. przy ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26384 (1 egz.)
Książka
W koszyku
Studia i Materiały Konferencji Naukowej Studentów Konserwacji i Restauracji Dzieł Sztuki : Kraków, 17-19 marca 2016. [T. 3] / [edited by Małgorzata Nowalińska ; redakcja - język angielski, tłumaczenia Monika Bogdanowska]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, cop. 2016. - 293, [1] s. : il. kolor. ; 24 cm.
Autor
Bogdanowska Monika (1962- ). Nowalińska Małgorzata. Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bártová Kateřina (1987- ). Restoration of book torsos Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Bernard Gabriel. International Klein Blue, a reconstruction Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bizoń Katarzyna. Riddles of the Greek Catholic church Botz Alexandra. Restoration of the Salviati Chandelier Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Esquivel Álvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Fekete Dóra. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Fiam Judit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology, wood identification and state of preservation Gonzáles Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Grabowska Joanna. Moisture in historical architectural structures Grachyova Ekaterina. Conservation of the icon "Baptism" Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Korza Eugine. Conservation of the icon "Baptism" Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kowalik Anna (sztuka). Taxidermy in contemporary art Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze "Christ Enters Jerusalem" vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Marecka Agnieszka. Pastel - an object with specific needs Masalska Aleksandra. Danger of using acrylic resins in oil painting Međeral Mirna. In Kraljević's shoes: research and conservation treatments conducted on the painting "The Satyr and the Peasant" by Miroslav Kraljević Michalik Izabela. Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow Mikó Edit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Owczarek Piotr. Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice, Mazowieckie voivodeship Płotek Michał (1988- ). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Potrawiak Maja. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Rădoi Elena. To fill or not to fill Robert Hortense. Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890, Paris Musée d'Orsay) Sitnik Joanna. Straightening of curled negative film strips Skarżyńska Magdalena. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Skarżyńska Magdalena. New exposition and conservation of the wall painting "Bishop Marianos under he protection the Mother of God and a Child" from the Faras cathedrall Skóra Magdalena. Research of lightfastness and qality of digital prints Skrzelowska Justyna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Slouková Lenka. Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings Stryczak Mateusz. Regeneration of varnish and binders used in painting Tauchmanova Renata. Adhesives in conservation of stone finishes Tiszai Rebeka. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Walczak Małgorzata (chemia). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Żarnowiecka Jagoda. Riddles of the Greek Catholic church Żygadło Andrzej. Riddles of the Greek Catholic church
Temat
Konserwatorstwo Kultura
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Dod. s. tyt.: 3rd International Student Conference of Conservation and Restoration of Woorks of Art, Cracow, 17th - 19th March 2016
Tyt. z okł.
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: II 31402 (1 egz.)
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Temat
Konserwatorstwo Malarstwo (szt.plast.) Ochrona zabytków
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
aktualnie wypożyczona
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Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
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Changing views of textile conservation / edited by Mary M. Brooks, Dinah D. Eastop. - Los Angeles : The Getty Conservation Institute, 2011. - XXI, [1], 658 s. : il. (w tym kolor.) ; 26 cm.
(Readings in Conservation ; 4)
Autor
Brooks Mary M. Eastop Dinah. Allen Robert. Naphthalene (1992) Ballard Mary W. Climate and conservation (1994) Ballard Mary W. Hanging out: strength, elongation, and relative humidity: some physical properties of textile fibres (1996) Bellinger Louisa. Basic habits of textile fibres (1963) Bengtsson Sven (1932- ). Preservation of the "Wasa" sails (1975) Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Bringel Anne-Rose. A conservation/restoration technique (2000) Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Brooks Mary M. To clean or not to clean: the value of soils and creases (1996) Brown Elizabeth. Practical aspects of consultation with communities (2005) Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999) Brutillot André. Reflections on slit stitching in tapestries (2002) Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000) Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992) Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994) Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003) Conti Susanna. Loss in textiles: technological and color problems (2004) Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993) Cooke Bill (historia sztuki). Creasing an ancient textiles (1988) Dal-Prà Patricia. In situ maintenance and storage: the unique case of textiles (2000) Daly Hartin Debra. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001) Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003) Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998) Eastop Dinah. To clean or not to clean: the value of soils and creases (1996) Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Estham Inger (1928-2016). Eighty years of Pietas (1988) Fields John. Surfactant investigations into alternatives for synperonic N® (2001) Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986) Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969) Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000) Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988) Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum, Bern (1957/58) Flury-Lemberg Mechthild (1929- ). Introduction to "Textile conservation and research" (1988) Fogelmarck Stig (1916-2006). John Böttiger: keeper of textiles (1988) French Ann. Textile or art? The conservation, display and storage of modern textile art (2004) Geijer Agnes (1898-1989). Brief reply from Dr. Geijer, Stockholm, 12 June 1961 (1961) Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961) Geijer Agnes (1898-1989). Preservation of textile objects (1963) Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003) Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003) Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001) Hayward Maria. Naphthalene (1992) Heald Susan. Practical aspects of consultation with communities (2005) Hefford Wendy. The restoration of the tapestries (1971) Herrmann Hannelore. Looking back at thirty years of textile conservation and restoration in the Federal Republic of Germany (1989) Hillyer Lynda. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Hinkel Ada. A sleeveless doublet circa 1585 from the Germanisches Nationalmuseum, Nuremberg (2002) Hofenk de Graaff Judith H. Some recent developments in the cleaning of ancient textiles (1982) Jędrzejewska Hanna (1906-2002). Problems in the conservation of textiles: needle versus adhesive (1981) Jędrzejewska Hanna (1906-2002). Problems of ethics in the conservation of textiles (1980) Johansen Katia (1948- ). Perfumed garments, their preservation and presentation: "...the good smell of old clothes" (1999) Johnson Jessica S. Practical aspects of consultation with communities (2005) Kajitani Nobuko. A contact/pressure mounting system (1986) Kajitani Nobuko. Care of fabrics in the Museum (1977) Kaminitz Marian A. Practical aspects of consultation with communities (2005) Kirkpatrick Bridie. Clear as mud: how cultural significance determines preservation choices (2003) Kite Marion. Conservator safety: Mercury in felt hats (2003) Kite Marion. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Kovács Tibor (1940-2013). A thousand-year-old relic in a new setting Krippendorf Agnes. "Information is defense": conservation in Auschwitz (2002) Landi Sheila. Three examples of textile conservation in the Victoria and Albert Museum (1966) Leene Jentina E. Restoration and preservation of ancient textiles, and natural science (1963) Leene Jentina E. The "Delft" methods for the conservation of textiles: response to Dr. Agnès Geijer, Stockholm (1961) Leene Jentina E. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Lennard Frances. The conservation of the United Tin Plate Workers' Society Banner of 1821 (1989) Lister Alison. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles (1997) Lodewijks Johan. The history of conservation and restoration of flags and banners in the Netherlands (1980) Lugtigheid Renée. A tale of two tapestries: considerations of restoration, de-restoration, and re-restoration (1995) Maheux Anne F. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Marko Ksynia. Two case histories: a seventeenth-century Antwerp tapestry and an eighteenth-century English Soho tapestry (1989) Martin Graham (1952- ). Conservator safety: Mercury in felt hats (2003) Martin Graham (1952- ). State of the art: non-invasive interrogation of textiles in museum collections (2008) Masschelein-Kleiner Liliane. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) McClean Lynn. Avendale for reformation: conservation of a 17th century covenanting banner (2003) McHugh Kelly. Practical aspects of consultation with communities (2005) Meert Geert. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Morgan Helen. Lining a banana fibre belt: a cool vacuum table technique (1993) Niekamp Bettina. Alterations, historical restorations, restoration and conservation interventions (2008) O'Connor Sonia A. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Odegaard Nancy (1955- ). Addressing the problem: the team approach (2005) Orlofsky Patsy. The role of connoisseurship in determining the textile conservator's treatment options (1993) Peacock Elizabeth E. Drying archaeological textiles (1992) Phipps Elena. A contact/pressure mounting system (1986) Pool Marilen. Addressing the problem: the team approach (2005) Raster Barbara. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Rice James W. Principles of textile conservation science, no. I: general chemical and physical structural features of the natural textile fibres (1962) Rice James W. Principles of textile conservation science, no. V: the characterisctics of soils and stains encountered on historic textiles (1964) Rice James W. Principles of textile conservation science, no. VI: the wonders of water in wetcleaning (1966) Rice James W. Principles of textile conservation science, no. VIII: Drycleaning of fine and fragile textiles (1967) Richardson Emma. State of the art: non-invasive interrogation of textiles in museum collections (2008) Ringgaard Maj. An investigation of the effects of borohydride treatments of oxidized cellulose textiles (2002) Rinuy Anne. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Robinson John M. Uppark restored: the conservation of the contents (1996) Rowell Christopher. Uppark restored: the conservation of the contents (1996) Ruggles Anne. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Sadongei Alyce (1959- ). Addressing the problem: the team approach (2005) Semečkin P. A. "Workshop for the repair of antique needlework": on the history of the decorative arts section of the Central State Restoration Workshops, 1919-1934 (2000/2001) Seth-Smith Alexandra. Animal glue removal from sixteenth-century Flemish tapestry fragments: a comparative study of three cleaning methods (1996) Sieders R. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Singer Poppy. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Stauffer Annemarie. A study of the conservation problems of archaeological textiles treated with synthetic consolidants (2005) Sykas Philip A. Caring or wearing? (1987) Temmink-van Dijkhuizen Marike. Textiles in all conditions: opinions about restoration and conservation from changing perspectives (1990) Timar-Balazsy Agnes (1948-2001). Drying behaviour of fibres (1999) Tinker Zenzie. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Trupin Deborah Lee. Flag conservation then and now (2003) Trupin Deborah Lee. The role of connoisseurship in determining the textile conservator's treatment options (1993) Tse Season. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Uytenbogaart J. W. H. (1897-1964). The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Vandermeersch-Coppens d'Eeckenbrugge Bernadette. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Vuori Jan. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Webber Pauline. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Windsor Deirdre. Preserving the historic document: minimal conservation intervation for 18th- and 19th-century needlework and pictorial embroidery (1999) Wingham Andrew. Surfactant investigations into alternatives for synperonic N® (2001) Wyeth Paul. State of the art: non-invasive interrogation of textiles in museum collections (2008) Zhang Xiaomei. State of the art: non-invasive interrogation of textiles in museum collections (2008)
Temat
Konserwatorstwo Tkaniny
Indeks R0: BMNK
Bibliogr. przy niektórych rozdz. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26994 (1 egz.)
Długość kolejki oczekujących: 1.
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - London ; New York : Routledge Taylor & Francis Group, 2012. - XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Temat
Malarstwo (szt.plast.)
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
aktualnie wypożyczona
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
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A changing art : nineteenth-century painting practice and conservation / edited by Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe and Polly Saltmarsh. - London : Archetype Publications : The British Association of Paintings Conservator-Restorers, 2017. - IX, 133 s. : il. (gł. kolor.) ; 25 cm.
Autor
Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
Temat
Konserwatorstwo Malarstwo europejskie
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Bibliogr. przy art.
aktualnie wypożyczona
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 31515 (1 egz.)
Książka
W koszyku
The conservation of sculpture parks / edited by Sagita Mirjam Sunara and Andrew Thorn. - London : Archetype Publications, 2018. - IX, 181 s. : il. (gł. kolor.) ; 25 cm.
Autor
Sunara Sagita Mirjam. Thorn Andrew. Aldhous Chris. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Aldrovandi Alfredo. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment Ban Matea. The Biedermeier cemetery of St Marx in Vienna: planning, management and treatment implementation Basten Nikki van. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Bortolussi Claudia. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project Brierley Liesa. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Coltharp Maria. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Defeyt Catherine. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Dolničar Rok. Conservation plan for the Forma Viva Sculpture Park in Kostanjevica na Krki Ekstroem Loekkegaard Anders. The restoration and care of zinc sculptures in the Baroque Garden of Frederiksborg Castle, Denmark Gómez Ubierna Marta. Conservation and documentation of site-specific collections Langenbacher Julia. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Langenbacher Julia. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Lewis Anthony. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Lowinger Rosa. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Makuc Semion Miladi. Conservation plan for the Forma Viva Sculpture Park in Kostanjevica na Krki Meštrić Vesna. Small SPark ignites big discussion: the sculpture park of the Vjenceslav Richter and Nada Kareš Richter Collection (Museum of Contemporary Art, Zagreb, Croatia) Meštrić Vesna. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project Michel Ellinor. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Olmstead Lois. How the ‘Seven Deadly Agents of Destruction’ can help preserve the Crystal Palace Dinosaurs Pannunzio Elisa. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment Pavić Mirta. Small SPark ignites big discussion: the sculpture park of the Vjenceslav Richter and Nada Kareš Richter Collection (Museum of Contemporary Art, Zagreb, Croatia) Peko Neven. Summary of the panel discussion ‘Reviving neglected sculpture parks in Croatia’ Pliessnig Martin. The Biedermeier cemetery of St Marx in Vienna: planning, management and treatment implementation Rivenc Rachel. Local treatment for outdoor painted metal sculpture: research on products and methodologies for priming, filling and retouching Rivenc Rachel. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Sunara Sagita Mirjam. Summary of the panel discussion ‘Reviving neglected sculpture parks in Croatia’ Sunara Sagita Mirjam. The sculpture park in Sisak: in search of answers Thorn Andrew. Defining and preserving sculptural landscapes Trimble Brian. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Varvi Christina. When art meets technology – can the love affair last? The legacy of the 1965 sculpture symposium at the California State University Long Beach and the challenges of maintaining a sculpture park on a university campus Vigna Luigi. The Daniel Spoerri Sculpture Garden in Seggiano (Italy): regular maintenance within a challenging environment Wella Serena. The eternal youth of Capalbio’s Monsters : a planned preventive conservation project Wielocha Agnieszka. A museum collection in a public space Yrigaray Aida Marín. La Comella or the spirit of non-conservation: the Rufino Mesa Sculpture Garden Zanardi Bruno (1948- ). The eternal youth of Capalbio’s Monsters : a planned preventive conservation project
Temat
Parki i ogrody Rzeźba Sztuka ogrodowa
Indeks R0: BMNK
Bibliogr. przy art.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 32212 (1 egz.)
Książka
W koszyku
Problemy konserwacji i zachowania zbiorów muzealnych : praca zbiorowa = Problems of conservation and preservation of museum collections / [redaktor Krzysztof Wisłocki]. - Poznań : Poznańskie Towarzystwo Przyjaciół Nauk ; Szreniawa : Muzeum Narodowe Rolnictwa i Przemysłu Rolno-Spożywczego w Szreniawie, 2022. - 328 s. : il. (gł. kolor.) ; 24 cm.
Autor
Wisłocki Krzysztof. Błędowski Piotr. Liofilizacja i fumigacja dokumentów pochodzących z Archiwum Zakładowego Urzędu Miasta Krakowa Błędowski Piotr. Lyophilization and fumigation of documents from the Archives of the Company Office of the City of Krakow Braovac Susan. Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Braovac Susan. Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Bronchard Sylwia (1975- ). "Horse brasses" niezwykłe artefakty kultury ludowej Wysp Brytyjskich. Zagadnienia konserwatorskie, wystawiennicze i ekspozycyjne Bronchard Sylwia (1975- ). "Horse brasses" unusual artifacts from the British Isles of the folk culture. Conservation, presentation and exhibition issues Brzezińska-Marjanowska Wioletta. Conservation issues of church banners from the collections of Kielce Village Museum Brzezińska-Marjanowska Wioletta. Problematyka konserwatorska chorągwi kościelnych ze zbiorów Muzeum Wsi Kieleckiej Chaumat Gilles. Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Chaumat Gilles. Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Chojna Bartłomiej. Badania wykonane podczas translokacji dworku Kałamarzyk w Suchedniowie na terenie Parku Etnograficznego w Tokarni Chojna Bartłomiej. Research performed during the translocation of the Kałamarzyk Manor House in Suchedniów to the Etnographic Park in Tokarnia Cześnik Lesław. Conservation and exhibition of the swan, emblem of The Swan pharmacy in Bydgoszcz Cześnik Lesław. Konserwacja i ekspozycja figury łabędzia - godła Apteki "Pod Łabędziem" w Bydgoszczy Dąbrowski Henryk Paweł (1972- ). Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Dąbrowski Henryk Paweł (1972- ). Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Fejfer Mariusz. Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Fejfer Mariusz. Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Jarmulska Zuzanna. Problematyka technologiczna i konserwatorska zabytkowych rzeźb gipsowych - cz. I Jarmulska Zuzanna. Technological and conservation issues of heritage plaster sculptures - part I Jędrysek-Skotnicka Diana. Conservation of Abakans and other works by Magdalena Abakanowicz from the collection of the National Museum in Wrocław: "Abakanowicz. Total" exhibition Jędrysek-Skotnicka Diana. Konserwacja Abakanów oraz innych dzieł autorstwa Magdaleny Abakanowicz, ze zbiorów Muzeum Narodowego we Wrocławiu - wystawa "Abakanowicz. Totalna" Jutrzenka-Supryn Dorota. How long will a historical evidence survive? Issues of research, the extent of conservation interventions, storage and display of WWII soldiers' uniforms Jutrzenka-Supryn Dorota. Jak długo przetrwa świadectwo? Problematyka badań, zakresu ingerencji konserwatorskiej, przechowywania i ekspozycji mundurów żołnierzy z okresu II wojny światowej Kaźmierczak Ryszard (archeologia). Liofilizacja i fumigacja dokumentów pochodzących z Archiwum Zakładowego Urzędu Miasta Krakowa Kaźmierczak Ryszard (archeologia). Lyophilization and fumigation of documents from the Archives of the Company Office of the City of Krakow Kola Robert. Konserwatorski dylemat przywracania urządzeń dawnych do stanu czynnego Kola Robert. The conservator's dilemma of restoring old devices to working order Kołyszko Marek. Museum faciliteis in former churches and other forms of adaptation of similar buildings - case studies from the Republic of Ireland and Poland Kołyszko Marek. Placówki muzealne w dawnych kościołach oraz inne formy zagospodarowania podobnych obiektów na przykładach z Republiki Irlandii oraz z Polski Łucejko Jeannette Jacqueline (1974- ). Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Łucejko Jeannette Jacqueline (1974- ). Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Maćkowiak Jan. Introduction Maćkowiak Jan. Wprowadzenie Mazela Bartłomiej. Selected properties of nanocellulose coatings as a potential conservation agent for lignocellulose materials of historical value Mazela Bartłomiej. Wybrane właściwości powłok nanocelulozowych jako potencjalny środek do konserwacji materiałów lignocelulozowych o wartości historycznej Modugno Francesca. Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Modugno Francesca. Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Napierała Paweł (1983- ). Conservation of works by Leopold Nowotny and the context of his life and art Napierała Paweł (1983- ). Prace konserwatorskie dwóch dzieł Leopolda Nowotnego w kontekście jego życia i twórczości Niemcewicz Piotr (1960- ). Problematyka technologiczna i konserwatorska zabytkowych rzeźb gipsowych - cz. I Niemcewicz Piotr (1960- ). Technological and conservation issues of heritage plaster sculptures - part I Panto Eugeniusz. Konserwacja prewencyjna w Narodowym Muzeum Morskim w Gdańsku Panto Eugeniusz. Preventive conservation in the National Maritime Museum in Gdańsk Pietrzak Katarzyna (1979- ). Dźwigi osobowe z napędem elektrycznym na ziemiach polskich jako obiekty zabytkowe Pietrzak Katarzyna (1979- ). Electric passenger elevators in Poland as heritage objects Prałat Emilian (1984- ). Conservation of works by Leopold Nowotny and the context of his life and art Prałat Emilian (1984- ). Prace konserwatorskie dwóch dzieł Leopolda Nowotnego w kontekście jego życia i twórczości Ribechini Erika. Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Ribechini Erika. Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Rodzik Irena. Konserwacja prewencyjna w Narodowym Muzeum Morskim w Gdańsku Rodzik Irena. Preventive conservation in the National Maritime Museum in Gdańsk Rudy Maria. Desalination of stone and ceramic historical items. History, research and practice Rudy Maria. Odsalanie zabytków kamiennych i ceramicznych. Historia, badania i praktyka Rybka Krzysztof. Liofilizacja i fumigacja dokumentów pochodzących z Archiwum Zakładowego Urzędu Miasta Krakowa Rybka Krzysztof. Lyophilization and fumigation of documents from the Archives of the Company Office of the City of Krakow Schaefer-Rychel Katarzyna. Ionising radiation as a research tool in the work of the conservator of the National Maritime Museum in Gdańsk Schaefer-Rychel Katarzyna. Promieniowanie jonizujące jako narzędzie badawcze w pracy konserwatora Narodowego Muzeum Morskiego w Gdańsku Steindal Calin C. Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Steindal Calin C. Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Subocz Dariusz. Liofilizacja i fumigacja dokumentów pochodzących z Archiwum Zakładowego Urzędu Miasta Krakowa Subocz Dariusz. Lyophilization and fumigation of documents from the Archives of the Company Office of the City of Krakow Szczotka Józef. Revitalization of the crowning cornice of the church of St. Matthew of XIX century in Ogrodzona, Poland Szczotka Józef. Rewitalizacja gzymsu wieńczącego w kościele pod wezwaniem św. Mateusza w Ogrodzonej z XIX wieku Świtała Marta. Tabernacle from the church of St. Dorothy in Wolanów in the Museum of Radom Countryside in Radom Świtała Marta. Tabernakulum z kościoła pw. św. Doroty z Wolanowa w Muzeum Wsi Radomskiej w Radomiu. Prace konserwatorskie Tomkowiak Karolina. Selected properties of nanocellulose coatings as a potential conservation agent for lignocellulose materials of historical value Tomkowiak Karolina. Wybrane właściwości powłok nanocelulozowych jako potencjalny środek do konserwacji materiałów lignocelulozowych o wartości historycznej Wągrodny Marcin. In the absence of own conservation studio Wągrodny Marcin. Wobec braku własnej pracowni konserwacji Wisłocki Krzysztof. Introduction Wisłocki Krzysztof. Wprowadzenie Zapolska Katarzyna. How long will a historical evidence survive? Issues of research, the extent of conservation interventions, storage and display of WWII soldiers' uniforms Zapolska Katarzyna. Jak długo przetrwa świadectwo? Problematyka badań, zakresu ingerencji konserwatorskiej, przechowywania i ekspozycji mundurów żołnierzy z okresu II wojny światowej Zawistowska Wanda. Conservation issues of stone objects with a significant degree of destruction on the example of the conservation of the tombstone of Jeanne Goldfeder born Citroën Zawistowska Wanda. Problematyka konserwatorska obiektów kamiennych o znacznym stopniu zniszczenia na przykładzie nagrobka Jeanne Goldfeder z d. Citroën Zborowska Magdalena (technologia drewna). Development of storage and evaluation methods suitable for organic archaeological artifacts (StAr) - JPI-CH project Zborowska Magdalena (technologia drewna). Opracowanie metod przechowywania i oceny stopnia degradacji dla organicznych artefaktów archeologicznych (StAr) - projekt JPI-CH Żołędziowski Karol. Microscopic stereoscopic studies in the study of archaeological artefacts Żołędziowski Karol. Mikroskopowe badania stereoskopowe w badaniach nad zabytkami archeologicznymi Żurańska Martyna. Historical, technological and conservation issues of clothing monuments with the presence of leather with preserved coat Żurańska Martyna. Zagadnienia historyczne, technologiczne i konserwatorskie zabytków ubioru z obecnością skóry z zachowaną okrywą włosową
Temat
Zbiory muzealne
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Bibliogr. przy większości ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 35765 (1 egz.)
Brak okładki
Książka
W koszyku
Historical and philosophical issues in the conservation of cultural heritage / edited by Nicholas Stanley Price, M. Kirby Talley, Jr., Alessandra Melucco Vaccaro. - Los Angeles : The Getty Conservation Institute, cop. 1996. - XVII, [1], 500 s. : il. (w tym kolor.) ; 26 cm.
(Readings in Conservation ; [vol. 3])
Autor
Melucco Vaccaro Alessandra (1940- ). Stanley-Price Nicholas (1947- ). Talley Mansfield Kirby (1941- ). Albano Albert. Art in transition Baldini Umberto (1921-2006). Theory of restoration and methodological unity Bell Clive (1881-1964). Art Berducou Marie. Introduction to archaeological conservation Berenson Bernard (1865-1959). Aesthetics and history in the visual arts Berenson Bernard (1865-1959). Italian painters of the Renaissance Berenson Bernard (1865-1959). Rudiments of connoisseurship Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina, varnish, and glazes Brandi Cesare (1906-1988). Theory of restoration, I Brandi Cesare (1906-1988). Theory of restoration, II Brandi Cesare (1906-1988). Theory of restoration, III Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments Clark Kenneth (1903-1983). Looking at pictures Coremans Paul B. Scientific research and the restoration of paintings France-Lanord Albert (1915-1993). Knowing how to "question" the Friedländer Max J. (1867-1958). On art and connoisseurship Friedländer Max J. (1867-1958). On restoration Gombrich Ernst Hans (1909-2001). Fron light into paint Keck Sheldon. Further materials for a history of conservation Marijnissen Roger H. (1923- ). Degradation, conservation, and restoration of works of art: historical overview Mora Laura (1923-2015). Problems of presentation Mora Paolo (1921-1998). Problems of presentation Morra Umberto. Conversations with Berenson Morris William (1834-1896). Manifesto of the Society for the Protection of Ancient Buildings Panofsky Erwin (1892-1968). The history of art as a humanistic discipline Philippot Albert. The problem of the integation of lacunae in the restoration of paintings Philippot Paul (1925- ). Historic preservation: phiosophy, criteria, guidelines, I Philippot Paul (1925- ). Problems of presentation Philippot Paul (1925- ). Restoration from the perspective of the humanities Philippot Paul (1925- ). The idea of patina and dhe cleaning of paintings Philippot Paul (1925- ). The problem of the integation of lacunae in the restoration of paintings Pope-Hennessy John Wyndham (1913-1994). Connoisseurship Richardson John (1924-2019). Crimes against the Cubists Riegl Alois (1858-1905). The modern cult of monuments: its essence and its development Rossi Pinelli Orietta (1943- ). the surgery of memory: ancient sculpture and historical restorations Ruskin John (1819-1900). Fundamental laws of sculpture Ruskin John (1819-1900). On Turnerian mystery: secondly, willful Ruskin John (1819-1900). The lamp of memory, I Ruskin John (1819-1900). The lamp of memory, II Ruskin John (1819-1900). The nature of Gothic Torraca Giorgio. The scientist's role inhitoric preservation with particular reference to stone conservation Urbani Giovanni (1923-2018). The science and art of conservation of cultural property Viollet-le-Duc Eugène Emmanuel (1814-1879). Restoration Weil Phoebe Dent. A review of the history and practice of patination Wetering Ernst van de (1938- ). The autonomy of restoration: ethical considerations in relation to artistic concepts Wetering Ernst van de (1938- ). The surface of objects and museumstyle Wölfflin Heinrich (1864-1945). Principles of art history Yourcenar Marguerite (1903-1987). That mighty sculptor, Time
Temat
Architektura Sztuka
Gatunek
Źródła historyczne.
Indeks R0: BMNK
Biogramy aut. tekstów źródłowych s. 472-482.
Bibliogr. s. 451-471. Indeks.
aktualnie wypożyczona
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23169 (1 egz.)
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