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Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Bashkoff Tracey
(1)
Bashkoff Tracey. Temples for paintings
(1)
Bauduin Tessel M. (1980- ). Science and occultism in Hilma af Klint's time and in her work
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Birnbaum Daniel. Another canon or why have there been no great women artists?
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Burgin Christine. Art for another future: learning from Hilma af Klint
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dickerman Leah (1964- ). Art for another future: learning from Hilma af Klint
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Fer Briony (1956- ). Hilma af Klint diagrammer
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Florman Lisa Carol (1961- ). Art for another future: learning from Hilma af Klint
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Greene Vivien. Hilma af Klint and the Swedish Folk Art Revival
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Hillstrom Ylva (1975- ). Chronology
(1)
Horowitz David Max. World keeps you in fetters; cast them aside. Hilma af Klint spiritualism and agency
(1)
Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Kollnitz Andrea (1970- ). Questioning the spiritual in art: Hilma af Klint Vadily Kandinsky and the Swedish Art World
(1)
La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Mass Jennifer L. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Mass Jennifer L. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
McElheny Josiah (1966- ). Art for another future: learning from Hilma af Klint
(1)
Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Molesworth Helen. Art for another future: learning from Hilma af Klint
(1)
Monico Letizia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Nevin Austin (1978- )
(1)
Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Nevin Austin (1978- ). Fluorescence for the analysis of paintings
(1)
Plicht Johannes van der. Dating of artwork by radiocarbon
(1)
Pollak Rebecca. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Quaytman Rebecca H. (1961- ). Art for another future: learning from Hilma af Klint
(1)
Rousaki Anastasia. Raman analysis of inorganic and organic pigments
(1)
Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Shugar Aaron N. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Sillman Amy (1955- ). Art for another future: learning from Hilma af Klint
(1)
Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Stockman Russell
(1)
Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Vandenabeele Peter. Raman analysis of inorganic and organic pigments
(1)
Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Voss Julia (1974- ). Chronology
(1)
Voss Julia (1974- ). Traveling Hilma af Klint
(1)
Werf Inez Dorothe van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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Rok wydania
2020 - 2024
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2010 - 2019
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angielski
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Chemia analityczna
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Klint, Hilma af (1862-1944)
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Malarstwo szwedzkie
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Solomon R. Guggenheim Museum
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1801-
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2001-
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2 wyniki Filtruj
Książka
W koszyku
Hilma af Klint : paintings for the future / Tracey Bashkoff ; [translation: Russell Stockman]. - Second print. - New York, NY : Guggenheim Museum Publications, cop. 2018. - 243 s. : il. (gł. kolor.) ; 30 cm.
Katalog wystawy: Solomon R. Guggenheim Museum, Nowy Jork, 12 października 2018 - 23 kwietnia 2019 r.
Bibliogr. S. 238-239.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24256 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
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