Baer Norbert S. (1938- )
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Bagińska Agnieszka (1985- ). Between Paris and Saint Petersburg. Polish artists and European art around 1900
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Bagińska Agnieszka (1985- ). Duty and freedom. The role of art and the artist in Poland in the second half of the nineteenth century
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Barral i Altet Xavier (1947- )
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Barral i Altet Xavier (1947- ). Introduction. Hungarian Medieval Art from a European Point of View
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Barral i Altet Xavier (1947- ). The Szentkiraly Romanesque Tympanum
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Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Berger Gustav A. (1920-2006). Formulating adhesives for the conservation of paintings
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Biczó Piroska (1945- ). The Hungarian National Museum in Budapest
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Biemann Klaus (1926-2016)
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Bogacka Katarzyna (1965- ). Nineteenth- and twentieth-century Italian bishops' rings in the artistic culture of Poland
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Bogacka Katarzyna (1965- ). Włoskie pierścienie biskupie z XX i XXI wieku w kulturze artystycznej Polski
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Borchert Till-Holger (1967- )
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Bordt Nele. Observations on Rudolf Swoboda’s painting technique
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Boreczky Anna. Book culture in medieval Hungary
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Bończuk-Dawidziuk Urszula. Collecting Antiquities at the Archaeological Museum of the Royal University in Wrocław in the second half of the nineteenth century
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Bucklow Spike. The state of research into retouching resins
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Bykova Galina Zaharovna
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Campbell Lorne (1946- ). Conservation of Netherlandish paintings in the fifteenth and sixteenth centuries
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Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings
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Ceci Francesca. The Sobieskis: memories prints paintings and letters in the collections of the Sovrintendenza Capitolina di Roma in the Roman chronicles and in Rome: a historical commentary
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Chabiera Piotr Paweł. Konkurs na pomnik Księcia Witolda w Wilnie. Niezrealizowany projekt Ludomira Sleńdzińskiego w duchu nowego klasycyzmu
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Chabiera Piotr Paweł. The competition for a monument to Prince Witold - Vytautas in Wilno - Vilnius. Ludomir Sleńdzinski's unrealized project in the spirit of new classicism
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Chenaux Philippe (1959- )
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Chmielewski Filip. Motywy antyczne niedostrzegane... ,,Antykizujące godła międzywojennych krakowskich kamienic a klasyczne motywy w polskim malarstwie i grafice lat 20. i 30. XX wieku
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Chmielewski Filip. Unnoticed ancient motifs?: antiquitising emblems on interwar town houses in Kraków and classical motifs in Polish paintings and graphics of the 1920s and 1930s
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciatti Marco (1955- ). An unusual case of integration and its solution
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Costaras Nicola. These pitchy pigments from their very nature never harden: a nineteenth-century perspective on premature cracking in oil paintings
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Cove Sarah. Retouching with a PVA resin medium
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Cross Maureen. Retouching media for acrylic paintings
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Csorba Laszló (1952- )
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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D'Amico Serena. United by context divided by collection: the nineteenth century collecting of prehistoric artifacts from Villafrati (Sicily Italy)
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Delbourgo Suzy. Application of the electron microprobe to the study of some Italian paintings from the fourteenth to the sixteenth century
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Diederen Roger (1965- )
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Endrodi Gabor. Winged altarpieces in medieval Hungary
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Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Farbaky Peter (1957- ). The Bakócz Chapel of Esztergom
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Farbaky Peter (1957- ). The Budapest History Museum
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Farbaky Peter (1957- ). The Royal Palace of Buda during the reigns of Matthias Corvinus and the Jagiellonian kings
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Fejerdy Andras (1977- )
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Feld Istvan (1951- ). Castles mansions and manor houses in medieval Hungary
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Feller Robert L. (1919-2018). Problems in the investigation of picture varnishes
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Feller Robert L. (1919-2018). The relative solvent power needed to remove various aged solvent-type coatings
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First Grzegorz. Antiquity in Polish films: between literature archaeology and art
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First Grzegorz. Antyk w polskim filmie fabularnym. Od literatury i archeologii do obrazu
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Flieder Francoise (1929-2017)
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Folkes Simon. Texturing fills using a silicone mould
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study
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Frinta Mojmir Svatopluk (1932- ). On the punched decoration in mediaeval panel painting and manuscript illumination
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gallo Fausta. The work of the biology laboratory Istituto di Patologia del Libro during the ten years from 1961 to 1972
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Gay Marie Christine. Application of the staining method to cross-sections in the study of the media of various italian paintings of the fourteenth and fifteenth centuries
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Gerat Ivan (1964- ). The high altar retable of Saint Elizabeth in Kosice (Kassa/Kaschau)
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Geron Małgorzata. Antique inspirations and new classicism in the works of Tymon Niesiołowski
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Geron Małgorzata. Antyk i nowy klasycyzm w twórczości Tymona Niesiołowskiego
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Gettens Rutherford J. (1900-1974). Japanese paintings - technical studies at the freer gallery of arts
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Godetzky Albert. Gamins of the studio. Youth and childhood as subjects in Polish painting around 1900
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Godetzky Albert. Happy endings? Polonia's ever-shifting image
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Godolle Matyas (1976- )
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Goodrow Gerard A. (1964- )
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Gorzelany-Nowak Dorota (1973- ). Mitoraj: from myth to... Oświęcim
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Gorzelany-Nowak Dorota (1973- ). Mitoraj: od mitu do... Oświęcimia
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Gorzelany-Nowak Dorota (1973- ). The overlooked collection: the ancient art collection of the Princes Czartoryski Museum
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