Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan
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Ataman Ferda (1979- ). Our heymat! Your museum? – Towards a more diverse museum culture. Susan Kamel in conversation with Ferda Ataman about childhood museums and the power of belonging
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Avramidou Sophia. The Greek crisis and the tale of an unemployment card - A biographical card
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Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute
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Beitl Matthias. Collecting is communicating
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Bevivino Michael Ann. A rampage by vandals: the history and destruction of the plaster casts of the National College of Art and Design of Ireland
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Biedrońska-Słotowa Beata
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Biedrońska-Słotowa Beata. The cross-cultural role of textiles exemplified by textiles with Arabic inscriptions and some other motifs
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Bielak Anna (japonistyka). The kimono as a fashion phenomenon in modern Japan and beyond
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Bodor Kata (1978- ). A chronological list of Japanese art-related exhibitions in the Austro-Hungarian Monarchy
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Bodor Kata (1978- ). The mixture of Eastern and Western styles of printmaking in the Austro-Hungarian Monarchy as seen through a characteristic example
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Bodzek Joanna. To mend* : a reflection on the Lee Edelkoort anti-fashion manifesto the kimono reconstruction project : my personal vision on how mended clothes can mean style in the future and how this is connected with the Boro textiles of Japan
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Boersma Susanne (1992- )
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Boersma Susanne (1992- ). The archive of forgotten memories - A participatory process of reflection
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Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva
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Buchczyk Magdalena. Horezu bowl - The lacklustre nature of tradition
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Buchczyk Magdalena. Pandora’s box? Transforming everyday collections
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Burns Kieran. Mind the gap(s)! – The challenges of delineating a narrative at the house of European history
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Chahine Anne. The archive of forgotten memories - A participatory process of reflection
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Chevallier Denis (1951- ). Collecting contemporary items to study and exhibit social issues – Experiences of the MuCEM Marseilles France
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Chevallier-Kause Eva. Yellow vests
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Chudzikowska Monika. Chinese Play given in the Chinese Manner
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Cybulska Maria (włókiennictwo). Traditional japanese Shibori and contemporary textile design
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Deja Katarzyna (1987- ). Józef Jankowski's play Kesa as an example of transculturality in Polish modernism
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Denes Mirjam. An Austro-Hungarian expedition to Japan
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Denes Mirjam. The phenomenon and theme of Japan on the theatrical stages of the Austro-Hungarian Monarchy in three acts
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Denes Mirjam. The treaty od friendship commerce and navigation between Japan and the Austro-Hungarian Monarchy 1869
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DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution
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Dróżdż Tomasz. Traditional japanese Shibori and contemporary textile design
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Edenheiser Iris. Introduction - Towards new filters and relations
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Edenheiser Iris. Kum’a Mbape and Ndumb’a Lobe on a Berlin pictorial broadsheet
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Edenheiser Iris. Open the gates - Museum methods and structures
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Fajcsak Gyorgyi. Austria exponens invitat orbis universum: the East Asia and Oriental art at the Vienna Weltausstellung 1873
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Farkas Maria Ildikó (1964- ). Imperial identity and national identities as impacted by Japonisme in the Austro-Hungarian Monarchy
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Foldi Eszter. Japanese-style colour woodcutes in the Austro-Hungarian Monarchy 1902-1914
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Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value
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Fujii-Karpoluk Yoko. Revived no dramas: issues and perspective
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Furmanik-Kowalska Magdalena. Chinese opera (xiqu) as a significant element of contemporary artwork
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Gawarski Maurycy. Chinese opera theatrical poster in Beijing in the first half of the twentieth century
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Gawarski Maurycy. List of Polish publications on Chinese theatre since the beginning of the twentieth century
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Gawarski Maurycy. Polish research on Chinese theatre since the beginning of the twentieth century to the present day
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Gorlich Aleksandra (1981- )
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Gorlich Aleksandra (1981- ). Kaoyo Gozen and attendants - realtionships between the costumes of the kabuki actors of the Kanadehon Chushingura play and their woodblock-print illustrations
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Goto Kosuke (1983- ). The Celestial Lotus: on the sources of ornamental patterns woven in silk samite
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Gouaffo Albert (1965- ). Kum’a Mbape and Ndumb’a Lobe on a Berlin pictorial broadsheet
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Gruda Hans-Joachim. #CollectingCorona
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Gul Fatma. Transnational solidarity - Transgender voices in the museum
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Gumińska Bronisława (1942- )
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Hanova Marketa. Sada Yakko and the reception of Japanese theatre in the context of Japonisme in the Czech lands
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Harlin Eeva-Kristiina (1972- ). Ladjogahpir rematriated - The Sami ontology of a museum object
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Heck Brigitte (1964- ). Another story to tell? New narrations for European exhibitions
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Hibino Kei (1967- ). Making comedy naturalised and vulgar: the theatre of Soganoya Goro the Japanese King of Kigeki
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Hirsch Mary E. (1958- ). What does Chinese Shadow Theatre tell us?
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Holm Henrik (1964- ). The (mis)performance of cast collections
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Hotopp-Riecke Mieste. The Fez emancipation and homelands - What a Crimean Tatar Feaz in Berlin is albe to tell us
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Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University
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Inoue Takashi. Particularity and new possibilities of Mishima's dramas
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Janik Paweł (archeologia). The faces from Noin Ula's Embroidery - Xiongnu or Kushans?
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Kamel Susan. Our heymat! Your museum? – Towards a more diverse museum culture. Susan Kamel on conversation with Ferda Ataman about childhood museums and the power of belonging
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Karadag Racep. Characterisation of dyes metal threads and silk yarns from 16-18th-century Ottoman silk brocades
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Kaschuba Wolfgang. Between cultural heritage and looted art - European museums in turbulent times
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Kaulbach Barbara M. (1950- ). Chinese theatre at the crossroads - Ouyang Yuqian and the West
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Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile
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Kiss Sandor. Japonisme exported from Japan
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Klein Astrid. The language of Kucean clothing: a comparative study of wall paintings and textiles
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Kluczewska-Wójcik Agnieszka (1960- )
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Kluczewska-Wójcik Agnieszka (1960- ). Yellow peril bright future: visual arts and the changing perception of Japan in West and East Europe
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Kluczewska-Wójcik Agnieszka. Go East: Orientalism and Japonisme in the Austro-Hungarian Monarchy
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Kobsell Swantje (1958- ). There’s never anyone like me... On the (Mis-)representation of disability
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Komatsu Hiroshi. Similarity and difference
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Kubiak Ho-Chi Beata (1958- )
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Kubiak Ho-Chi Beata (1958- ). Tragedy and the tragic in the Japanese puppet theatre
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Kupka Mahret Ifeoma. Contemporary Muslim fashions - Racism and diversity in European museums
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Kuti Klara. Community of remembrance versus the politics of memory - The example of a Hungarian museum
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Leca Radu. Women as active agents of Japonisme in the Dual Monarchy
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Lecińska-Ruchniewicz Monika. Entering the world of dreams
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Lee Insoo. Intercultural call from the Third World: Jaram Lee's Brecht pansori Sacheonga
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Lee Sang Woo. Between art and scandal: the actresses of Towolhoe and the gender politics of scandal
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Lehrer Erica T. (1969- ). From heritage communities” to communities of implication
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Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
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Li Wei. On female consciousness in contemporary xiqu in China
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Li Ying. Theatre and politics in China (PRC) in the recent years
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Lis Marianna. Wacinwa
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Macdonald Sharon (1961- ). Seven modes of museum forgetting
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Malik Saad. Queerness - free delivery to your home!
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Malinowski Jerzy (1950- )
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Martini Małgorzata (1953- ). Kumihimo: an ancient art or a present-day one?
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McMaster Gerald (1953- ). (Re)presenting the European – The virtual platform for indigenous art
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Moehring Markus (1958- ). Cross-border exhibitions to reflect upon and overcome national imaginaries
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Mond-Kozłowska Wiesna. Western aesthetic needs turning to no theatre
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