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Abbe Mary. Fałszywy zestaw lego wysyła mocny przekaz na temat wpływu zła
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Abbe Mary. Lego denies backing Concentration camp
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Ackermann Marion (1965- ). Vorwort
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Addiss Stephen (1935- ). Japanese calligraphy since 1868
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Agapiou Athos. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
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Aheimastou-Potamianou Murtale. The conservation of icons in Byzantium
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Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements
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Akhmadeeva Dina
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Akhmadeeva Dina. The liveliness of matter. Contemporary dialogues
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Al-Mukhtar Muzahim (1957- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Albano Albert. Art in transition
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Alexakis Dimitrios D. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
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Alexakis Dimitrios D. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
(1)
Alexopoulou-Agoranou Athena. The contribution of digital image-processing to the identification of pigments
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Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Alkemade Karolina
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Allen Robert. Naphthalene (1992)
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Allotta Benedetto. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Aloni Udi (1959- ). Brooklyn-Jenin: the Binational Popular Front for The Liberation of the Middle East
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Alrawi Osama Mohammad. Model-based user interface design for the Encyclopedia of Islamic Architecture
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Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
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Amato Alba. Mobile devices for the visit of Anfiteatro Campano in Santa Maria Capua Vetere
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Amishai-Maisels Ziva (1939- ). Chagall's Jewish identity
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Amit Gish. When suffering becomes an identity: On the moments of catastrophe and the contours of hope
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Anani Yazid. Facebook your space for revolution
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Andaroodi Elham. Architectural photogrammetry by non-metric cameras: CAD-based 2D drawing of facades from rectified photos
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Andrasi Gabor (1954- ). Das Licht schafft Raum und Zeit
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Andrasi Gabor (1954- ). Light creates space and time
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Andrejcikova Nadezda (1966- ). Identifying semantic relationships in digital libraries of cultural heritage
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Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
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Andriusyte-Zukiene Rasa (1960- ). Art studies and the situation of artists in the context of power relations: transformations and the annihilation of the Kaunas Art School (1940–1953)
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Andrysiak Ewa (1955- ). Miniature editions of Julian Tuwims works
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Andrysiak Ewa (1955- ). Miniaturowe edycje utworów Juliana Tuwima
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Anger Jenny. Die Ausstellungen von Klee und Kandinsky
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Anger Jenny. The exhibitions of Klee and Kandinsky
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Anglos D. Integrated approach to the study and preservation of painting using laser light technology
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Anselmi C. Modern painted palimpsests
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Apostolou Charalambos. Reconstruction of everyday life in 19th century Nicosia
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Arenas Alatorre Jesus. Material study of the Codex Colombino
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Argyros Antonis A. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
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Aristidou Andreas. Digitization of Cypriot folk dances
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Arnold David B. 3D heritage on mobile devices: scenarios and opportunities
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Artese Maria Teresa. Cataloging intangible cultural heritage on the web
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Asolati Michele. Micrometer multiresolution laser scanning of a renaissance medallion
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Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
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Athanasiou George S. Evolution of the e-museum concept through exploitation of cryptographic algorithms
(1)
Atkins Robert (historia sztuki). Bringing nazi symbols to the Jewish Museum
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Atkins Robert (historia sztuki). Sprowadzając hitlerowskie symbole do Jewish Museum
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Auberson Laurent (1962- ). Saints and wolves in the Middle Ages: ecclesiastical discourse folklore and relationship to the environment
(1)
Avramides Ioannis. Arches: an open source GIS for the inventory and management of immovable cultural heritage
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Azeredo Taina. Intervalo-Escola: the artisanship of times learnings and collectivities
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Azoulay Ariella (1962- ). Guided imagination
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Babraj Krzysztof (1952- ). Clothes do not make the man
(1)
Babraj Krzysztof (1952- ). Nie szata zdobi człowieka
(1)
Backes Martina. The hunt for the unicorn: ambivalent representation of a mythical figure in text and image
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Badach Artur (1969- ). Fenomen obecności malarstwa manierystycznego w kilku wczesnorenesansowych kościołach we Florencji
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Badach Artur (1969- ). The phenomenon of the presence of Mannerist painting in a few Early Renaissance church in Florence
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Badovinac Zdenka (1958- ). Once upon a time in the East
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Baglioni P. Maya mural paintings in Calakmul
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Baglivo Antonio. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories
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Bago Ivana (1979- ). Dialectics at a standstill: Andrzej Wróblewski as a Yugoslav heretic
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Bailey Eoin. CULTURA Project: supporting next generation interaction with digital cultural heritage collections
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Bailey Gregory H. Designing nature
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Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
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Baker Malcolm (1945- ). Considering replication. Social functions and sculptural practices
(1)
Baker Malcolm (1945- ). Mise-en-scene. Displaying and curating the bust
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Baker Malcolm (1945- ). Thorvaldsen and three - dimensional portraiture
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Baker Malcolm (1945- ). Thorvaldsen the portrait bust and Europe
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Bakolas Asterios. Integrated documentation protocols enabling decision making in cultural heritage protection
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Baldi Marialuisa (1952- ). Interaction for a shared knowledge with reperio: the Cardano case
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Baldini Umberto (1921-2006). Theory of restoration and methodological unity
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Ballard Mary W. Climate and conservation (1994)
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Ballard Mary W. Hanging out: strength elongation and relative humidity: some physical properties of textile fibres (1996)
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Balzani Marcello (1962- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti
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68 wyników Filtruj
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Książka
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 13435 (1 egz.)
Książka
W koszyku
(Spatia Mediaevalia. Studies in the Perception of Medieval Culture ; t. 3)
(Publikacje Centrum Mediewistycznego Wydziału Nauk Historycznych UMK ; nr 7)
Autor
Kopczyńska Magdalena. Orenduff-Bartos Lillian Claire. Wenta Jarosław (1955- ). Błażejewska Anna (historia sztuki). 'Native' figural art of Southern Coast of the Balitc Sea at the time of christianization Butryn Bartłomiej. Tableaux Vivants and theatricalization of the Teutonic Order at the turn of the nineteenth and twentieth centuries Dobry Artur. The medieval image of the Emperor's Day in the Marienburg Castle Dżurkowa-Kossowska Irena (1955- ). Neo-medievalist idioms in British and Polish interwar art. 'Heraldic sign': the esthetic concepts of Eric Gill Hartmann Sieglinde (1945- ). Beautiful Madonnas in the works od Oswald von Wolkenstein: eksphrasis in the marian song "Fräu dich, du weltlich creatur" (Kl 120) Hochleitner Janusz (1966- ). Tableaux Vivants and theatricalization of the Teutonic Order at the turn of the nineteenth and twentieth centuries Lijka Justyna (1970- ). Ruins. Visions and reconstructions. The Marienburg Castle in the creative output of German artists in the period of romantic restoration Mączyński Ryszard (1954- ). Gothic revival in Polish classical architecture Orenduff-Bartos Lillian Claire. Decadence and decisiveness: the evolution of medieval knighty tropes in Polish modern art before and after 1918 Poksińska Maria. Medieval inspirations in the classical Palace in Lubostroń Trattner Irma. Methods of art sciences: new aspects and perspectives of art history Tylicki Jacek (1962- ). Several examples of prolonged duration of medieval forms in modern-era painting in Toruń Waszak Przemysław (historia sztuki). Interpretations and permanence - references to medieval artistic solutions Wenta Jarosław (1955- ). Narratives of art Ziółkowska-Ganc Emilia. Medieval architectural styles in the views of architects in Inter-Uprising Congress Poland
Indeks R0: BMNK
Bibliogr. przy niektórych art.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24738 (1 egz.)
Książka
W koszyku
(World Art Studies : conferences and studies of the Polish Institute of World Art Studies, ISSN 2543-4624 ; vol. 15)
Autor
Malinowski Jerzy (1950- ). Piątkowska Renata (historia sztuki). Stolarska-Fronia Małgorzata. Sztyma-Knasiecka Tamara. Piątkowska Renata (historia sztuki). Shared space Livnat Aviv (1963- ). Far Undzere Kinstler (For Our Artists) Matyjasek Joanna. Functions of traditional Jewish paper-cutting in the past and their modern-day changes Powalska Izabella. Samuel Hirszenberg and the Zionism Kamczycki Artur. From Mentsh to Macho Kotlâr Evgenij Aleksandrovič (1970- ). "If I forget Thee, Jerusalem" Sztyma-Knasiecka Tamara. Unrealised projects Gilcher William. Artist and the patron: Izrael Lejzerowicz and the Margolin/Spektor family in pre-war Lodz Buchowska Dominika. Jewish themes in David Bomberg's early works Stępnik Małgorzata (1975- ). Artist, the explorer, the initiate Levin Gail (1948- ). Theresa Bernstein (1890-2002): a Krakow-born Jewish artist in America Śmiechowska Teresa. Master and apprentice Obuchowa-Zielińska Irina. Henryk Stifelman, the Warsaw architect in the context of his time Stolarska-Fronia Małgorzata. Ludwig Meidner - a hyperbaroque expressionist Czekanowska-Gutman Monika. Dialogue with Christian art: the Pietà in early 20th-century Jewish art Dżurkowa-Kossowska Irena. In search for cultural identity: Bruno Schulz, Debora Vogel and Giorgio de Chirico Amishai-Maisels Ziva (1939- ). Chagall's Jewish identity Kravcov Sergej R. Synagogue architecture of Volhynia: a search for identities Finkelstein Haim N. (1940- ). E. M. Lilien: between Drohobych and Brunswick Khisamova Dina. Role of Kazan Art School in a formation of a creative destiny of the sculptor Yankel Katz Jedlińska Eleonora (1954- ). Art of life and the art: Eugenia (Gina) Pinkus-Szwarc and Marek Szwarc Susak Vìta Volodimirìvna (1966- ). "Laocoon: or the Limits" of pogroms representation in visual arts (first third of the 20th century) Brutin Batya (1949- ). Lea Grundig: duality between Political and Jewish Identity - 1933-1939 Simonson Karina. Historical memory in the work of South African Litvak photographers Katz Maya Balakirsky (1973- ). Cartooning citizen collaboration: a 1949 Jewish war film in Moscow Kunińska Magdalena. In search of the Jewish identity: Zofia Ameisenowa and research into Jewish iconography and its place in Polish art history discourse Gradinskaite Vilma (1971- ). History of Art Collection in Vilna Jewish Museums: from the time of the Russian Empire to the present Švantnerová Jana. Prešov Jewish Museum Lebet-Minakowska Anna. Minister dream or "cold" calculation? Handrock Ariane (1967- ). Representing and constructing Jewish art: Alfred Grotte as an architect and author Walfish Barry Dov (1947- ). Otto Schneid and his Archive: a new digital resource for the study of modern Jewish art Buchowska Dominika. Jewish Art in London Weinreich Regina (1949- ). Degenerate Art: Exile to Extinction
Indeks R0: BMNK
Materiały z konf., 24-26 czerwca 2014 r., Warszawa.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 22451 (1 egz.)
Książka
W koszyku
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24194 (1 egz.)
Brak okładki
Książka
W koszyku
(Readings in Conservation ; [vol. 3])
Autor
Melucco Vaccaro Alessandra (1940- ). Stanley-Price Nicholas (1947- ). Talley Mansfield Kirby (1941- ). Albano Albert. Art in transition Baldini Umberto (1921-2006). Theory of restoration and methodological unity Bell Clive (1881-1964). Art Berducou Marie. Introduction to archaeological conservation Berenson Bernard (1865-1959). Aesthetics and history in the visual arts Berenson Bernard (1865-1959). Italian painters of the Renaissance Berenson Bernard (1865-1959). Rudiments of connoisseurship Brandi Cesare (1906-1988). The cleaning of pictures in relation to patina, varnish, and glazes Brandi Cesare (1906-1988). Theory of restoration, I Brandi Cesare (1906-1988). Theory of restoration, II Brandi Cesare (1906-1988). Theory of restoration, III Carbonara Giovanni (1942- ). The integration of the image: problems in the restoration of monuments Clark Kenneth (1903-1983). Looking at pictures Coremans Paul B. Scientific research and the restoration of paintings France-Lanord Albert (1915-1993). Knowing how to "question" the Friedländer Max J. (1867-1958). On art and connoisseurship Friedländer Max J. (1867-1958). On restoration Gombrich Ernst Hans (1909-2001). Fron light into paint Keck Sheldon. Further materials for a history of conservation Marijnissen Roger H. (1923- ). Degradation, conservation, and restoration of works of art: historical overview Mora Laura (1923-2015). Problems of presentation Mora Paolo (1921-1998). Problems of presentation Morra Umberto. Conversations with Berenson Morris William (1834-1896). Manifesto of the Society for the Protection of Ancient Buildings Panofsky Erwin (1892-1968). The history of art as a humanistic discipline Philippot Albert. The problem of the integation of lacunae in the restoration of paintings Philippot Paul (1925- ). Historic preservation: phiosophy, criteria, guidelines, I Philippot Paul (1925- ). Problems of presentation Philippot Paul (1925- ). Restoration from the perspective of the humanities Philippot Paul (1925- ). The idea of patina and dhe cleaning of paintings Philippot Paul (1925- ). The problem of the integation of lacunae in the restoration of paintings Pope-Hennessy John Wyndham (1913-1994). Connoisseurship Richardson John (1924-2019). Crimes against the Cubists Riegl Alois (1858-1905). The modern cult of monuments: its essence and its development Rossi Pinelli Orietta (1943- ). the surgery of memory: ancient sculpture and historical restorations Ruskin John (1819-1900). Fundamental laws of sculpture Ruskin John (1819-1900). On Turnerian mystery: secondly, willful Ruskin John (1819-1900). The lamp of memory, I Ruskin John (1819-1900). The lamp of memory, II Ruskin John (1819-1900). The nature of Gothic Torraca Giorgio. The scientist's role inhitoric preservation with particular reference to stone conservation Urbani Giovanni (1923-2018). The science and art of conservation of cultural property Viollet-le-Duc Eugène Emmanuel (1814-1879). Restoration Weil Phoebe Dent. A review of the history and practice of patination Wetering Ernst van de (1938- ). The autonomy of restoration: ethical considerations in relation to artistic concepts Wetering Ernst van de (1938- ). The surface of objects and museumstyle Wölfflin Heinrich (1864-1945). Principles of art history Yourcenar Marguerite (1903-1987). That mighty sculptor, Time
Indeks R0: BMNK
Biogramy aut. tekstów źródłowych s. 472-482.
Bibliogr. s. 451-471. Indeks.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23169 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: III 23601, III 23426 (2 egz.)
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(Sztuka Europy Wschodniej / Redakcja Jerzy Malinowski, Irina Gavrash ; ISSN 2353-5709 ; t. 9)
Autor
Gavrash Irina (1985-2023). Geron Małgorzata. Malinowski Jerzy (1950- ). Andriušytė-Žukienė Rasa (1960- ). Art studies and the situation of artists in the context of power relations: transformations and the annihilation of the Kaunas Art School (1940–1953) Červonnaâ Svetlana Mihajlovna (1936- ). The unknown life of a Polish artist in the context of the known Polish art and art education problems of the 20th century: Stefan Narębski Dżurkowa-Kossowska Irena (1955- ). The Vienna School and Polish Neo-Realism of the 1930s Geron Małgorzata. Foreword Geron Małgorzata. The early years of the Faculty of Fine Arts at the Nicolaus Copernicus University in Toruń (1945–1950) Griniuk Marija. 6 A/r/tography and love within the project The Temporary Department of Time, Space and Action Kaczmarek Adrianna. Self-portraits of the Nine Printmakers Group (1947–1960) from their 3rd exhibition catalogue: the question of quiet resistance Knapik Agata. Radical architecture and its contribution to art and design education Koprowski Piotr (1976- ). A contemporary critic of a literary work. A few reflections Kulpińska Katarzyna (1973- ). The Printmaking Department at the Faculty of Fine Arts of the Nicolaus Copernicus University in Toruń in the years 1946–1960. The beginnings, the educational process, the graduates Pelše Stella (1972- ). Construction and constructive art in Latvian art critic Uga Skulme’s writings of the 1920s–30s Pleikienė Ieva. The education of artists in Lithuania during the Soviet Period: the relationship between official programmes and individual positions Sīle Linda. Towards a utopia of emerging art education
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Bibliogr. przy art.
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Są egzemplarze dostępne do wypożyczenia: III 26010 (1 egz.)
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Katalog wystawy: Bard Graduate Center Gallery, 14 września 2018 - 6 stycznia 2019 r.
Bibliogr. s. 328-343. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 24667 (1 egz.)
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Autor
Dobkowska Marianna. Łukomski Krzysztof. Azeredo Tainá. Intervalo-Escola: the artisanship of times, learnings, and collectivities Brown Imani Jacqueline (1988- ). Them: reflections on truth as theatrical fiction Bueno Cláudio. Intervalo-Escola: the artisanship of times, learnings, and collectivities Depczyński Jakub. Intervalo-Escola - time for a break Dobkowska Marianna. Things we do together Ferenc Kamila. The law at the service of the excluded Irwan Ahmett (1975- ). Gotong Royong Diagram Irwan Ahmett (1975- ). Gotong Royong ethics in art practices and various contexts of Indonesian history Kosterewa Julia (1973- ). Fresh market Kručak Ûrìj (1973- ). Fresh market Luna Alfadir. Notes on a procession Łukomski Krzysztof. Gotong Royong ethics in art practices and various contexts of Indonesian history Łukomski Krzysztof. Happy 14th birthday to Jatiwangi art Factory: on practice and challenges Łukomski Krzysztof. Meeting people first: things we do together while working in various social circumstances Łukomski Krzysztof. On education in practice, group dynamics, being ready to carry on, and what happens next in active work for the sake of community Łukomski Krzysztof. Things we do together and their genesis Pawluśkiewicz Joanna (1975- ). On education in practice, group dynamics, being ready to carry on, and what happens next in active work for the sake of community Rumahloine Vincent. Meeting people first: things we do together while working in various social circumstances Salina Tita. Gotong Royong Diagram Salina Tita. Gotong Royong ethics in art practices and various contexts of Indonesian history Stefańska Bogna (muzeologia). Intervalo-Escola - time for a break Stokfiszewski Igor (1979- ). Art in society: the dilemmas of subjectification Syarifuddin Arie. Happy 14th birthday to Jatiwangi art Factory: on practice and challenges Szreder Kuba (1977- ). Institutions of the artistic borderlines Vanhoe Reinaart (1972- ). Continuage: arT afteR thE globaL (art)markeT, or how losing makes us stronger Wicab Aisel. How my bodies cross bridges, paths, and tunnels between art and education Yudi Arief. Happy 14th birthday to Jatiwangi art Factory: on practice and challenges Yuliana Ika. Happy 14th birthday to Jatiwangi art Factory: on practice and challenges
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Publ. związana z wystawą: "Gotong Royong. Things We Do Together", Centrum Sztuki Współczesnej Zamek Ujazdowski, 20.10.2017-28.01.2018.
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Publikacja towarzysząca wystawie: Belvedere, Wiedeń, 21.10.2016-12.02.2017.
Bibliogr. przy notach katalogowych. Indeks.
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Lahoda Vojtěch (1955-2019). Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devětsil Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art Dovydaitytė Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism Forgács Éva (1947- ). Whose narrative is it? Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Jankevičiutė Giedrė (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art Kļaviņš Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism Kolešnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s Lahoda Vojtěch (1955-2019). Global form and local spirit: Czech and Central European modern art Levinger Esther. Hungarian constructivism and totality Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky, Katarzyna Kobro and Władisław Strzemiński Mazzone Marian. Location, process, identity: actions and happenings in the 1960s Mudrak Miroslava Marìâ (1950- ). Polish modernism and Ukrainian artists: parallel strategies Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka, or does Eastern (Central) European art exist? Pachmanová Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism Prelovšek Damjan (1945- ). The architect Jože Plečnik: the originator of critical regionalism Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvořák Schultz Deborah. Methodological issues: researching socialist realist Romania Šimičić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity? Waenerberg Annika. National features in modern art: Edwin Lydén (1879-1956) and Wassily Kandinsky (1866-1944) Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the École de Paris Milieu (1918-1939): the problem of assimilation and identity Witkovsky Matthew S. (1967- ). The cage of the center Wünsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde Zwickl András (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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Bibliogr. w przypisach do ref.
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Są egzemplarze dostępne do wypożyczenia: III 26282 (1 egz.)
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Brunetti Brunetto Giovanni. Miliani Costanza. Sgamellotti Antonio. Ernst Richard R. Science and art - my two passions Siano S. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Patrizi G. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings Sciutto Giorgia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Prati Silvia. Scientific examination for the investigation and conservation for Far East Asian mural paintings Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings Baglioni P. Maya mural paintings in Calakmul Carrasco Vargas R. Maya mural paintings in Calakmul Cordeiro Baqueiro M. Maya mural paintings in Calakmul Chelazzi David. Maya mural paintings in Calakmul Domenici Davide (1968- ). Colours of indigenous memory Buti David. Colours of indigenous memory Miliani Costanza. Colours of indigenous memory Brunetti Brunetto Giovanni. Colours of indigenous memory Sgamellotti Antonio. Colours of indigenous memory Zetina Sandra. Material study of the Codex Colombino Ruvalcaba José Louis. Material study of the Codex Colombino Falcón Tatiana. Material study of the Codex Colombino Arenas Alatorre Jesús. Material study of the Codex Colombino Yanagisawa Saeko. Material study of the Codex Colombino Álvarez Icaza Longoria Marisa. Material study of the Codex Colombino Hernández Eumelia. Material study of the Codex Colombino Giorgi R. Unveiling the artistic technique of the Florentine Codex Chelazzi David. Unveiling the artistic technique of the Florentine Codex Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex Melo Maria João. Colour in medieval Portuguese manuscripts Castro Rita. Colour in medieval Portuguese manuscripts Miranda Adelaide. Colour in medieval Portuguese manuscripts Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa Paolucci Antonio. Wall paintings of the monumental cemetery of Pisa Peggie David. Chemistry and chemical investigation of the transition from egg tempera painting to oil in Italy in the 15th century Szmelter Iwona (1952- ). Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Cartechini Laura. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Romani Aldo. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Pezzati Luca. Multi-criterial studies of the masterpieces "The Last Judgement", attributed to Hans Memling, at the National Museum of Gdańsk (2010-2013) Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's "Madonna of the Goldfinch" Bellucci Roberto. Underdrawing in paintings Frosinini Cecilia. Underdrawing in paintings Pouli Paraskevi. Integrated approach to the study and preservation of painting using laser light technology Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology Tornari V. Integrated approach to the study and preservation of painting using laser light technology Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology Anglos D. Integrated approach to the study and preservation of painting using laser light technology Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology Glanville Helen. Mens agitat molem Rousselière Hélène. Mens agitat molem Viguerie L. de. Mens agitat molem Walter Ph. Mens agitat molem Leona Marco. Designing nature Londero Pablo S. Designing nature Perry Jennifer. Designing nature Fukunaga Kaori. Designing nature Bailey Gregory H. Designing nature Hale Charlotte (1959- ). Designing nature Vila Anna. As time passed by came sunset Monrad Kasper (1952-2018). As time passed by came sunset Filtenborg Troels (1951- ). As time passed by came sunset Wadum Jørgen. As time passed by came sunset Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Snickt Geer van der. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Vanmeert Frederik. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Struick van der Loeff Luuk. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods Berrie Barbara Hepburn. Vibrant surface Casadio Francesca. Vibrant surface Dahm K. Vibrant surface Strumfels Y. Vibrant surface Tedeschi M. Vibrant surface Walsh John (1937- ). Vibrant surface Bommel Maarten R. van. After the fact Janssen Hans (1954- ). After the fact Spronk Ron (1957- ). After the fact Marte Fernando. Argentinean murals Gallegos Damasia. Argentinean murals Rosado Alessandra. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Teixeira Cláudio Valério. Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Souza Luiz A. C. (1962- ). Material and technical studies of a selected group of paintings by Candido Portinari, a major Brazilian modernist painter Patti Mattia. Modern painted palimpsests Anselmi C. Modern painted palimpsests Doherty Brenda. Modern painted palimpsests Daffara Claudia. Modern painted palimpsests Fontana Raffaella. Modern painted palimpsests Rosi Francesca (1977- ). Burri project De Cesare G. Burri project Iazurlo Paola. Burri project Daveri Alessia. Burri project Vagnini Manuela. Burri project Valentini F. Burri project Basile Giuseppe (1942-2013). Burri project Ormsby Bronwyn. John Hoyland Learner Thomas J. S. John Hoyland Crook Jo (1963- ). John Hoyland Smithen Patricia. John Hoyland Rava Antonio. Outdoor painted surfaces in contemporary art Chiantore Oscar. Outdoor painted surfaces in contemporary art Mirabile Antonio. Elusive nd transitory materials in contemporary drawings Moretti Patrizia. Elusive nd transitory materials in contemporary drawings Presciutti Federica. Elusive nd transitory materials in contemporary drawings
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Bibliogr. przy rozdz. Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 31075 (1 egz.)
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Kozieł Małgorzata. Lachowski Marcin (1975- ). Michniowski Marcin (1986- ). Blonka-Drzażdżewska Aleksandra. Andrzej Wróblewski - collective imagination Blonka-Drzażdżewska Aleksandra. Andrzej Wróblewski - wyobraźnia zbiorowa Kowalczyk Izabela (1971- ). Catastrophes, cosmos and love Kowalczyk Izabela (1971- ). Katastrofy, kosmos i miłość Leśniak Kamila (1985- ). Andrzej Wróblewski and photography Leśniak Kamila (1985- ). Andrzej Wróblewski i fotografia Lachowski Marcin (1975- ). Following Wróblewski. Themes and interpretations of artist's work Lachowski Marcin (1975- ). Podążając za Wróblewskim. Tematy i interpretacje twórczości artysty Maksymczak Marek (1983- ). Cytując Andrzeja Wróblewskiego. O tradycji malarstwa artysty w polskiej sztuce Maksymczak Marek (1983- ). Quoting Andrzej Wróblewski. On the tradition of the artist's painting in polish art Mieczkowska-Czerniak Katarzyna (1980- ). Exhibition as a social message. About semiotic reception in practice Mieczkowska-Czerniak Katarzyna (1980- ). Wystawa jako komunikat społeczny. O odbiorze semiotycznym w praktyce Wiącek Łukasz (1988- ). "I carry death with me all the time...". Interpretation of Andrzej Wróblewski's work in modern art Wiącek Łukasz (1988- ). "Śmierć noszę stale ze sobą..." Interpretacja twórczości Andrzeja Wróblewskiego w sztuce współczesnej Ziółkowska Magdalena (1981- ). Season of the dead. About Andrzej Wróblewski's brutal paintings and notes from the war period Ziółkowska Magdalena (1981- ). Sezon martwych. O okrutnych obrazach Andrzeja Wróblewskiego i zapiskach z czasów wojny
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Katalog wystawy prezentowanej w Muzeum Narodowym w Lublinie, 28.04.-27.08.2023.
Bibliogr. w przypisach do art.
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Są egzemplarze dostępne do wypożyczenia: III 26904 (1 egz.)
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Bibliogr. s. 279 oraz przy notach katalogowych.
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Są egzemplarze dostępne do wypożyczenia: III 25365 (1 egz.)
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Bochyński Romuald K. (1956- ). Apanowicz Maria (1958?- ). Kopcińska Klara (1967- ). Korolko-Zipper Małgorzata. Baruch Adam (1951- ). The Book of Job Baruch Adam (1951- ). Księga Hioba Bierzańska Danuta. Impossible is nothing Bierzańska Danuta. Nic nie jest niemożliwe Bochyński Romuald K. (1956- ). Between Bochyński Romuald K. (1956- ). Czas przeszły odnaleziony Bochyński Romuald K. (1956- ). Pomiędzy Bochyński Romuald K. (1956- ). The past time recaptured Cholewińska-Szkolik Aniela. Niezwykła kolekcja. 9 płyt Antrzeja Mietana Cholewińska-Szkolik Aniela. Unique collection. Andrzej Mitan's nine records Chwiszczuk Czesław (1951- ). Akcja Format, Onomatopeja, FAMA, Świnoujście 1976 Chwiszczuk Czesław (1951- ). The Format action, Onomatopeja, FAMA, Świnoujście 1976 Domanowska Eulalia (1960- ). Life is art Domanowska Eulalia (1960- ). Życie jest sztuką Jodko Alicja. Płyty bezdźwięczne i Onomatopeja Jodko Alicja. Soundless records and Onomatopeja Michnik Antoni (1987- ). Penetrating space. On Andrzej Mitan and the project "Birds" Michnik Antoni (1987- ). Przenikanie przestrzeni. O Andrzeju Mitanie i projekcie "Ptaki" Mioduszewski Jan (1974- ). Polish didactic poem Mioduszewski Jan (1974- ). Polski poemat dydaktyczny Mitan Andrzej (1950- ). Kiedy umiera człowiek Mitan Andrzej (1950- ). When the man dies Piotrowski Kazimierz (1964- ). Andrzej Mitan - experience of Job Piotrowski Kazimierz (1964- ). Andrzej Mitan - Hiobowe doświadczenie Rogala Grzegorz (1956- ). Elevation : record, 2013 Rogala Grzegorz (1956- ). Podniesienie : płyta, 2013 Kasprzycki Jacek (1950- ). From "Concert for Fish" to "Creation of the world" Kasprzycki Jacek (1950- ). Od "Koncertu na ryby" do "Stworzenia świata" Strzelczyk Łukasz (1984- ). Onomatopeja - premiera po 46 latach Strzelczyk Łukasz (1984- ). Onomatopeja - premiere after 46 years
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Publikacja towarzysząca wystawie: Mazowieckie Centrum Sztuki Współczesnej Elektrownia w Radomiu, 18 lutego - 23 kwietnia 2017.
Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 31092 (1 egz.)
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W koszyku
Autor
Domanowska Eulalia (1960- ). Smolińska Marta (1975- ). Apanowicz Maria (1958?- ). Bianchi Giacomo. Arte Sella: the contemporary mountain Bianchi Giacomo. Arte Stella: współczesna góra Bugajska-Bigos Iwona (1969- ). Jakie szanse ma sztuka w przestrzeni publicznej? Bugajska-Bigos Iwona (1969- ). What are the chances of art in the public space Cichocki Sebastian (1975- ). "Horseman without anything, the Horse Alone" Cichocki Sebastian (1975- ). "Jeździec bez niczego, sam koń" Domanowska Eulalia (1960- ). Park rzeźby jako eko-art-system, instrument społecznej komunikacji i multisensoryczne muzeum przyszłości? Domanowska Eulalia (1960- ). Sculpture Park as an Eco-art system, instrument of social communication and multisensory museum of the future? Domanowska Eulalia (1960- ). Stary nowy park Domanowska Eulalia (1960- ). The old new park Domański Tomasz (1962- ). Wieżogród / TowerTopia Drapella-Hermansdorfer Alina (1950- ). Rzeźba w narracji krajobrazowej: Meandry czasu i Ślężański Mamut Drapella-Hermansdorfer Alina (1950- ). Sculpture in the landscape narration: Meanders of time and the Ślęża Mammoth Dziembowski Bettina von (1965- ). Invasion, interaction, integration - art, landscape and the local public Dziembowski Bettina von (1965- ). Inwazja, interakcja, integracja - sztuka, krajobraz i lokalna społeczność Fiedler Elisabeth (1960- ). Austriacki Park Rzeźby Fiedler Elisabeth (1960- ). The Austrian Sculpture Park Higham Hannah. Henry Moore and the art of nature Higham Hannah. Henry Moore i sztuka natury Hughes Henry Meyric (1942- ). Henry Moore - Człowiek na wszystkie pory roku Hughes Henry Meyric (1942- ). Henry Moore - Man for all seasons Jankowiak-Gumna Katarzyna. Between a sculpture park and art in the public space Jankowiak-Gumna Katarzyna. Między parkiem rzeźby a sztuką w przestrzeni publicznej Koziara Jarosław (1967- ). Landart.lubelskie.pl Lapicoré Alain. Pracownia za horyzontem Lapicoré Alain. Workshop behind the horizon Ławicka-Cuper Aleksandra. Pracownia za horyzontem Ławicka-Cuper Aleksandra. Workshop behind the horizon Michelkevičius Vytautas (1981- ). Nature park as performative sculpture park: a case of Nida Art Colony on the Baltic Sea Cost Michelkevičius Vytautas (1981- ). Park przyrodniczy jako park performatywnej rzeźby: przypadek Kolonii Artystycznej Nida na wybrzeżu Morza Bałtyckiego Murray Peter. Yorkshire Sculpture Park Smolińska Marta (1975- ). Park rzeźby jako eko-art-system, instrument społecznej komunikacji i multisensoryczne muzeum przyszłości? Smolińska Marta (1975- ). Sculpture Park as an Eco-art system, instrument of social communication and multisensory museum of the future? Świątkowski Maciej (1956- ). Garden of art Świątkowski Maciej (1956- ). Ogród sztuki Villata Anselmo. Parki rzeźby w epoce wirtualnej rzeczywistości: egzystencja, konsekwencja, działanie Villata Anselmo. Sculpture parks in the age of virtuality: existence, consistency, action Weilacher Udo (1963- ). Parki rzeźby dzisiaj - salony piękności pod gołym niebem? Weilacher Udo (1963- ). Sculpture parks today - open air beauty parlors? Winner Calvin. Park rzeźby w Sainsbury Centre for Visual Arts: rzeźba i miejsce Winner Calvin. The sculpture park at the Sainsbury Centre for Visual Arts: sculpture and place
Indeks R0: BMNK
Materiały z konf.: 18-19 października 2018 r., Orońsko; 20-21 października 2018 r., Wrocław.
Bibliogr., netogr. przy niektórych ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32851, II 33153 (2 egz.)
Książka
W koszyku
(Conferenze / Accademia Polacca delle Scienze ; ISSN 0239-8605 ; 145)
Autor
Kluczewska-Wójcik Agnieszka (1960- ). Nitka Maria. Chasjanowa Lejła S. (1963- ). "Do we need a Russian Academy in Rome?" Henryk Siemiradzki and art education Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome Dobrowolski Witold (1939-2019). Programme related content in the "The judgment of Paris" by Henryk Siemiradzki First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki Gerc Lidia. "Thinks like Dante, handles paints like Boccaccio". About Henryk Siemiradzki in Vienna Haake Michał. Realism and figuralism. On "Christ and the Harlot" by Henryk Siemiradzki Karpova Tatʹâna Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence Klimov Pavel Û. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg) Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki Malinowski Jerzy (1950- ). Introduction Markova Nina Kirillovna. Some ideas about "A French artist of the time of Louis XV paints the portrait of a Marquise" by Henryk Siemiradzki Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's "Phryne" Okoń Waldemar (1953- ). Siemiradzki and the three bards Ormond Leonée (1940- ). Frederic Leighton and the poets Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse Rosales Rodríguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's "fetishization of sight" Traânovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
Indeks R0: BMNK
Materiały z międzynarodowej konferencji naukowej, 7-9 listopada 2018 r., Rzym.
Bibliogr. w przypisach do ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 34738 (1 egz.)
Książka
W koszyku
Autor
Rimer John Thomas (1933- ). McCallum Toshiko M. (1943- ). Addiss Stephen (1935- ). Japanese calligraphy since 1868 Ajioka Chiaki (1952- ). Aspects of twentieth-century crafts: The New Craft and Mingei movements Clark John (1946- ). Okakura Tenshin and aesthetic nationalism Conant Ellen P. Japanese painting from Edo to Meiji: rhetoric and reality Hirayama Mikiko. Japanese art criticism: the first fifty years Marra Michael F. (1956-2011). The creation of the vocabulary of aesthetics in Meiji Japan Reynolds Jonathan M. (1954- ). Can architecture be both modern and "Japanese"? The expression of Japanese cultural identity through architectural practice from 1850 to the present Rimer John Thomas (1933- ). Introduction Seo Audrey Yoshiko. Adoption, adaptation, and innovation: the cultural and aesthetic transformations of fashion in modern Japan Smith Lawrence (1941- ). Japanese prints 1868-2008 Shiner Eric C. Fashion altars, performance factors, and pop cells: transforming contemporary Japanese art, one body at a time Tanaka Shūji (1968- ). Sculpture Tomii Reiko. How gendai bijutsu stole the "museum": an institutional observation of the vanguard 1960s Tsuruya Mayu (1961- ). Sensō Sakusen Kirokuga: seeing Japan's war documentary painting as a public monument Watanabe Toshio (1945- ). The modern Japanese garden Weisenfeld Gennifer S. (1966- ). The expanding arts of the interwar period Winther-Tamaki Bert (1959- ). From resplendent signs to heavy hands: Japanese painting in war and defeat, 1937-1952 Yamanashi Emiko. Western-style painting: four stages of acceptance
Indeks R0: BMNK
Bibliogr. s. 313-314. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26386 (1 egz.)
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