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Autor
Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective
(1)
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Ashley-Smith Jonathan (1946- ). The basis of conservation ethics
(1)
Avrami Erica. Heritage values and sustainability
(1)
Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood
(1)
Bauerova Zuzana (1974- ). A critical reflection on Czechoslovak conservation-restoration: its theory and methodological approach
(1)
Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton Parish Church of Priessnitz/Saxony
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Bezur Aniko. Structural treatment of a seventeenth-century Flemish panel painting
(1)
Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
(1)
Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
(1)
Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
(1)
Bomford David. Foreword
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Bracker Alison Lee
(1)
Bracker Alison Lee. Introduction
(1)
Brajer Isabelle. The concept of authenticity expressed in the treatment of wall paintings in Denmark
(1)
Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Cane Simon. Why do we conserve? Developing understanding of conservation as a cultural construct
(1)
Caple Chris (1958- ). The aims of conservation
(1)
Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
(1)
Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Chui Sue Ann
(1)
Chui Sue Ann. Preface
(1)
Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies
(1)
Clavir Miriam (1948- ). Conservation and cultural significance
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Clifford Helen (1962- ). The problem of patina: thoughts on changing attitudes to old and new things
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Duin Paul van (1956- ). Panels in furniture: observations and conservation issues
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Eastop Dinah. The cultural dynamics of conservation principles in reported practice
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Enote Jim. Conservation access and use in a museum of living culture
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Fiske Tina. White Walls: installations absence iteration and difference
(1)
Fuente Martinez Jose de la. The treatment of Durer’s Adam and Eve panels at the Prado Museum
(1)
Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
(1)
Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar portugal
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood
(1)
Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
(1)
Grontoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation
(1)
Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Hamm James. Structural treatment of a seventeenth-century Flemish panel painting
(1)
Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
(1)
Hoeniger Cathleen Sara (1958- ). The development of principles in paintings conservation: case studies from the restoration of Raphael's art
(1)
Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
(1)
Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
(1)
Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Jokilehto Jukka (1938- ). Conservation principles in the international context
(1)
Kaminitz Marian A. Conservation access and use in a museum of living culture
(1)
Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting
(1)
Kemp Jonathan (1920- ). Practical ethics v2.0
(1)
Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Korzeniowski Tomasz (konserwacja zabytków)
(1)
Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
(1)
Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
(1)
La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
(1)
Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967
(1)
Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
(1)
Marchant Ray. Alleviating stress in the framing of panel paintings
(1)
Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings
(1)
Rok wydania
2020 - 2024
(2)
2010 - 2019
(1)
2000 - 2009
(1)
Kraj wydania
Stany Zjednoczone
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(1)
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angielski
(3)
polski
(1)
Temat
Konserwatorstwo
(2)
Malarstwo
(2)
Ochrona zabytków
(2)
Sztuka
(2)
Chemia analityczna
(1)
Fałszerstwo
(1)
Konserwatorstwo polskie
(1)
Gatunek
Materiały konferencyjne
(1)
4 wyniki Filtruj
Książka
W koszyku
Autor
Richmond Alison. Bracker Alison Lee. Ashley-Smith Jonathan (1946- ). The basis of conservation ethics Avrami Erica. Heritage, values, and sustainability Bauerová Zuzana (1974- ). A critical reflection on Czechoslovak conservation-restoration: its theory and methodological approach Bracker Alison Lee. Introduction Brajer Isabelle. The concept of authenticity expressed in the treatment of wall paintings in Denmark Cane Simon. Why do we conserve? Developing understanding of conservation as a cultural construct Caple Chris (1958- ). The aims of conservation Clavir Miriam (1948- ). Conservation and cultural significance Clifford Helen (1962- ). The problem of patina: thoughts on changing attitudes to old and new things Eastop Dinah. The cultural dynamics of conservation principles in reported practice Enote Jim. Conservation, access and use in a museum of living culture Fiske Tina. White Walls: installations, absence, iteration and difference Hoeniger Cathleen Sara (1958- ). The development of principles in paintings conservation: case studies from the restoration of Raphael's art Jokilehto Jukka (1938- ). Conservation principles in the international context Kaminitz Marian A. Conservation, access and use in a museum of living culture Kemp Jonathan (1920- ). Practical ethics v2.0 Molotch Harvey Luskin (1940- ). The challenge of installation art Muñoz Viñas Salvador (1963- ). Minimal intervention revisited Pye Elizabeth. Archaeological conservation: scientific practice or sociel process? Quam Curtis. Conservation, access and use in a museum of living culture Rée Jonathan (1948- ). Auto-Icons Richmond Alison. Introduction Scott Marcelle. Ethics and practice: Australian and New Zealand conservation context Smith Catherine. Ethics and practice: Australian and New Zealand conservation context Stanley-Price Nicholas (1947- ). The reconstruction of ruins: principles and practice Sterrett Jill. Contemporary museums of contemporary art West W. Richard (1943- ). Conservation, access and use in a museum of living culture Wharton Glenn. The challenge of installation art Yatsattie Eileen. Conservation, access and use in a museum of living culture
Indeks R0: BMNK
Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 36459 (1 egz.)
Brak okładki
Książka
W koszyku
(Studenci o Konserwacji ; 3)
Materiały z VII konferencji w r. 2005 w serii pt.: "Art Conservation-Restoration - Studies and Practice = Konserwacja Zabytków - Studia i Praktyka.
Art Conservation-Restoration - Studies and Practice.
Konserwacja Zabytków - Studia i Praktyka.
Bibliogr. po części art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 18942 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Brak okładki
Książka
W koszyku
Autor
Chui Sue Ann. Phenix Alan. Ainsworth Maryan Wynn. Special exhibitions and the panel paintings: a curatorial perspective Andrade Guillermo (konserwatorstwo). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Baker Wendy. Search for a dimension-neutral effect in the solvent treatment of wood Bendfeldt Sabine. Stabilization and rejoining of a seventeenth-century panel painting: Portrait of Philip Melanchton, Parish Church of Priessnitz/Saxony Bezùr Anikò. Structural treatment of a seventeenth-century Flemish panel painting Bisacca George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Bisacca George. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Boevé-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936 Bomford David. Foreword Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Bratasz Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Carvalho Salomé Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes Castelli Ciro. The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Chui Sue Ann. Preface Ciatti Marco (1955- ). The conservation of panel painting supports at the opificio delle pietre dure: experiences and methodologies Colombini Maria Perla. (1951- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Czop Janusz (1967- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Dahlin Elin (1953- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Duin Paul van (1956- ). Panels in furniture: observations and conservation issues Fife Gwendoline R. Developments in education in the Netherlands for the conservation of panel paintings Fuente Martinez José de la. The treatment of Dürer’s Adam and Eve panels at the Prado Museum Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar, portugal Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display Grattan David W. Search for a dimension-neutral effect in the solvent treatment of wood Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections Grøntoft Terje (1962- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Haack Christensen Anne (1980- ). Interim results of a needs assessment survey for the field of panel paintings conservation Hackney Stephen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Hamm James. Structural treatment of a seventeenth-century Flemish panel painting Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts, Kraków Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967 Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project Łukomski Michał. Allowable microclimatic variations for painted wood: direct tracing of damage development Marchant Ray. Alleviating stress in the framing of panel paintings Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings Marchant Ray. The repair and support of thinned panel paintings: a case study in modifying established techniques Monfardini PierPaolo. Structural and climate control systems for thinned panel paintings Mora Costanza. The conservation of an Insieme: The Madonna of Aracoeli and its original display Myers Alan Miller (1955- ). Marvel seal envelopes at the Metropolitan Museum of Art Myers Alan Miller (1955- ). The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels New Britta. Experimental evaluation of adhesive-filler combinations for joining panel paintings New Britta. The repair and support of thinned panel paintings: a case study in modifying established techniques Newman Nicola. Finding solutions for mounting ancient Egyptian funerary portraits Obarzanowski Michał. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Odlyha Marianne. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Ormond Devi. Alleviating stress in the framing of panel paintings Ortega Antonio. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Perla Maria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Phenix Alan. Preface Provinciali Beatrice. The conservation of an Insieme: The Madonna of Aracoeli and its original display Richard Mervin. Further studies on the benefit of adding silica gel to microclimate packages for panel paintings Roeders Jessica. The history of cradling in the Frans Hals Museum, Haarlem Rogala Dawn V. Structural treatment of a seventeenth-century Flemish panel painting Rubino Angelo. The conservation of an Insieme: The Madonna of Aracoeli and its original display Ryhl-Svendsen Morten. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Saccuman Roberto. The conservation of an Insieme: The Madonna of Aracoeli and its original display Salgueiro Joana Isabel Monteiro da Silva. Conservation study of the wooden support of The Pentecost by Vasco FernandesTechnical and c Scharff Mikkel. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Scharff Mikkel. Interim results of a needs assessment survey for the field of panel paintings conservation Schreuder Kees. Developments in education in the Netherlands for the conservation of panel paintings Seymour Kate (1968- ). Developments in education in the Netherlands for the conservation of panel paintings Soavi Albertina. The conservation of an Insieme: The Madonna of Aracoeli and its original display Sozzani Laurent. Microclimate vitrines for panel paintings: an update Thickett David. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Thornton Jonathan. Structural treatment of a seventeenth-century Flemish panel painting Wadum Jørgen. Gaseous pollutants inside microclimate frames: results from the PROPAINT project Wadum Jørgen. Interim results of a needs assessment survey for the field of panel paintings conservation Weinstein Joan. Foreword Whalen Timothy P. Foreword Williams Donald C. (konserwatorstwo). Some experiences with flexible gap-fillingaAdhesives for the conservation of wood objects Woolston Jonathan. Restoration - a sound practice Young Christina. Experimental evaluation of adhesive-filler combinations for joining panel paintings
Indeks R0: BMNK
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26405 (1 egz.)
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