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Bisacca George. The treatment of Durer’s Adam and Eve panels at the Prado Museum
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Boeve-Jones Gwendolyn P. The structural stability of the plywood panel support of Salvador Dali's Couple with clouds in their heads and their bespoke frames from 1936
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Bomford David. Foreword
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Bonaduce Ilaria. Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Bracker Alison Lee. Introduction
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Brajer Isabelle. The concept of authenticity expressed in the treatment of wall paintings in Denmark
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Carvalho Salome Silva de. Conservation study of the wooden support of The Pentecost by Vasco Fernandes
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Chui Sue Ann. Preface
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Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Enote Jim. Conservation access and use in a museum of living culture
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Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
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Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Galitzine George. The development of a spring mechanism for use in conjunction with auxiliary supports for previously thinned panels
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Garcia Miguel. Structural interventions on sixteenth-century monumental oak panels in Tomar portugal
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Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Giani Elisabetta. The conservation of an Insieme: The Madonna of Aracoeli and its original display
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Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Griesbach Monica. A hybrid approach to the structural treatment of panel paintings: case studies from American collections
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Hajdas Irena. Dating of artwork by radiocarbon
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Harrison Lynne. Finding solutions for mounting ancient Egyptian funerary portraits
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Hoeniger Cathleen Sara (1958- ). The development of principles in paintings conservation: case studies from the restoration of Raphael's art
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Hola Aleksandra. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Hopfner Ingrid. The development of flexible auxiliary support systems for panel paintings and the monitoring of panel movement by strain gauges
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Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Kelberlau Sandra. Structural treatment of a seventeenth-century Flemish panel painting
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Korzeniowski Tomasz (konserwacja zabytków)
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Kostecki Grzegorz. Structural consolidation and stabilization of panel paintings at the Academy of Fine Arts Kraków
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Kozłowski Roman (chemia). Allowable microclimatic variations for painted wood: direct tracing of damage development
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Lasyk Łukasz. Allowable microclimatic variations for painted wood: direct tracing of damage development
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Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Lemus Elsa M. Arroyo. La Virgen del Perdón after the fire of 1967
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Lopez-Aparicio Susana (1975- ). Gaseous pollutants inside microclimate frames: results from the PROPAINT project
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Marchant Ray. Alleviating stress in the framing of panel paintings
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Marchant Ray. Experimental evaluation of adhesive-filler combinations for joining panel paintings
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