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Marani Pietro C. (1952- )
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194 wyniki Filtruj
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Autor
Gorgoń Alicja. Karczewska-Golec Joanna. Strojecki Marcin. Wiłkojć Ewa. Winiewicz Joanna. Bogdanowicz-Prus Angelika. Kolekcja Lanckorońskich na Wawelu i jej konserwacja prewencyjna Bogdanowicz-Prus Angelika. The Wawel Lanckoroński Collection and its preventive conservation Buchwald-Zięcina Oliwia. Kolekcja Lanckorońskich na Wawelu i jej konserwacja prewencyjna Buchwald-Zięcina Oliwia. The Wawel Lanckoroński Collection and its preventive conservation Dyda Magdalena. Analysis of microbial contamination of air and historic surfaces Dyda Magdalena. Badanie czystości mikrobiologicznej powietrza i powierzchni zabytkowych Pyzik Adam. Identification of microorganisms with the use of metagenomic methods Pyzik Adam. Identyfikacja mikroorganizmów metodami metagenomowymi Siwczyńska Katarzyna. Kolekcja Lanckorońskich na Wawelu i jej konserwacja prewencyjna Siwczyńska Katarzyna. The Wawel Lanckoroński Collection and its preventive conservation Stachurska-Barańska Małgorzata. Kolekcja Lanckorońskich na Wawelu i jej konserwacja prewencyjna Stachurska-Barańska Małgorzata. The Wawel Lanckoroński Collection and its preventive conservation Strojecki Marcin. Badanie zmienności mikroklimatycznej w celu określenia właściwej strategii ochrony dzieł sztuki Strojecki Marcin. Examination of microclimatic variability in order to determine the appropriate strategy for the protection of works of art Tykarski Piotr (biologia). Entomological surveys Tykarski Piotr (biologia). Przeglądy entomologiczne Wiłkojć Ewa. Kolekcja Lanckorońskich na Wawelu i jej konserwacja prewencyjna Wiłkojć Ewa. Strategia konserwacji prewencyjnej Zamku Królewskiego na Wawelu Wiłkojć Ewa. The strategy of preventive conservation of the Wawel Royal Castle Wiłkojć Ewa. The Wawel Lanckoroński Collection and its preventive conservation Wyszkowska Justyna. Kolekcja Lanckorońskich na Wawelu i jej konserwacja prewencyjna Wyszkowska Justyna. The Wawel Lanckoroński Collection and its preventive conservation
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Są egzemplarze dostępne do wypożyczenia: III 24898 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 19501 (1 egz.)
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U dołu k. tyt.: Projekt badawczy: Procesy starzeniowe w malarstwie sztalugowym na przykładzie malarstwa staropolskiego z XVIII w., kierownik projektu badawczego prof. dr hab. Joanna Szpor.
Badane obrazy pochodzą ze zbiorów Muzeum Narodowego w Warszawie.
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Są egzemplarze dostępne do wypożyczenia: III 23410, III 23731 (2 egz.)
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Autor
Clarricoates Rhiannon. Dowding Helen. Wright Adèle. Carnazza Paola. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Caruso Francesco. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Cornwell Annie. The application of water-based cleaning systems in the treatment of George Stubbs' wax paintings Christensen Marie. Bulging in wax-resin impregnated canvas paintings Francone Serena. Using high molecular weight polysaccharides to clean vinyl paintings: a case study on a mixed-media contemporary artwork and experimental tests Frøysaker Tine (1957- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Gregers-Høegh Cecilia. Bulging in wax-resin impregnated canvas paintings Harrison Lynne. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Hellen Rebecca (1972- ). 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Henriksen Karen-Marie. Bulging in wax-resin impregnated canvas paintings Higgs Sally. Paintings affected by mould at the Palace of Westminster Hollis David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Howard Helen. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Krarup Andersen Cecil. Bulging in wax-resin impregnated canvas paintings Meredith Clare. Twenty-five years after the Perth Museum and Art Gallery flood: reflection Miller Eric. The conservation of two water-sensitive, 14th century Italian fresco fragments by Spinello Aretino, previously treated and displayed as easel paintings in the 19th century Mortensen Martin N. Bulging in wax-resin impregnated canvas paintings Ormsby Bronwyn. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Ormsby Bronwyn. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Richardson Emma. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Santacesaria Andrea. The conservation legacy of the flood of 1966: the experience of the Opificio delle Pietre Dure in Florence through the restoration of the "The last supper" by Giorgio Vasari Seed Alison. Paintings affected by mould at the Palace of Westminster Scott Rachel. 'It is a formal problem to represent water, to describe water, because it can be anything': watery subjects, media, materials and conservations solutions for paintings by David Hockney Slottved Kimbriel Christine (1982- ). Bulging in wax-resin impregnated canvas paintings Stols-Witlox Maartje (1972- ). Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Stoveland Lena Porsmo. Edvard Munch's monumental Aula paintings: a review of soilling and surface cleaning issues and the search for new soultions Sučević Miklin Maja. The challenges of reconstructing water-damaged paint layers on painted wooden panelling Thickett David. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Vilde Vladimir. Methodology for monitoring the impact of moisture on lined canvas paintings in historic houses Wischniowski Tatjana. Oil-based paint under a layer of water: a rare miniature painting technique from the 18th century
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Materiały z konferencji: National Museums of Scotland, 12 października 2018 r.
Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: II 33820 (1 egz.)
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(Spätantike - Frühes Christentum - Byzanz - Kunst im Ersten Jahrtausend / hrsg. von Beat Brenk [et al.]. Reihe A: Grundlagen und Monumente ; Bd. 14)
Bibliogr. s. 273-289.
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Są egzemplarze dostępne do wypożyczenia: III 16235 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: II 19269 (1 egz.)
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(Lecture Notes in Computer Science / Gerhard Goos, Juris Hartmanis, Jan van Leeuwen, ISSN 0302-9743 ; 7616)
Autor
Caffo Rosella. Davies Rob. Fritsch Dieter (1950- ). Ioannides Marinos. Leissner Johanna. Remondino Fabio (1974- ). Goos Gerhard (1937- ). Hartmanis Juris (1928- ). Leeuwen Jan van (1946- ). Kersten Thomas P. (1960- ). Image-based low-cost systems for automatic 3D recording and modelling of archaeological finds and objects Lindstaedt Maren. Image-based low-cost systems for automatic 3D recording and modelling of archaeological finds and objects Fritsch Dieter (1950- ). Photogrammetric point cloud collection with multi-camera systems Abdel-Wahab Mohammed. Photogrammetric point cloud collection with multi-camera systems Cefalu Alessandro. Photogrammetric point cloud collection with multi-camera systems Wenzel Konrad (1986- ). Photogrammetric point cloud collection with multi-camera systems Trinks Immo (1972- ). Prospecting archaeological landscapes Neubauer Wolfgang (1963- ). Prospecting archaeological landscapes Doneus Michael (1967- ). Prospecting archaeological landscapes Hollaus Fabian. Multispectral image acquisition of ancient manuscripts Gau Melanie. Multispectral image acquisition of ancient manuscripts Sablatnig Robert. Multispectral image acquisition of ancient manuscripts Remondino Fabio (1974- ). Low-cost and open-source solutions for automated image orientation - a critical overview Del Pizzo Silvio. Low-cost and open-source solutions for automated image orientation - a critical overview Kersten Thomas P. (1960- ). Low-cost and open-source solutions for automated image orientation - a critical overview Troisi Salvatore. Low-cost and open-source solutions for automated image orientation - a critical overview Kersten Thomas P. (1960- ). Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Keller Friedrich (1943- ). Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Saenger Jerome. Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Schiewe Jochen (1965- ). Automated generation of an historic 4D city model of Hamburg and its visualisation with the GE Engine Balzani Marcello (1962- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Bughi Carlo. Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Ferrari Federico (1969- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Rossato Luca (1979- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Tursi Alessandra. Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti Moussa Wassim (1979- ). Automatic fusion of digital images and laser scanner data for heritage preservation Abdel-Wahab Mohammed. 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IMAT Project: from innovative nanotechnology to best practices in art conservation Olsson Nina. IMAT Project: from innovative nanotechnology to best practices in art conservation Carfagni Monica. IMAT Project: from innovative nanotechnology to best practices in art conservation Furferi Rocco. IMAT Project: from innovative nanotechnology to best practices in art conservation Governi Lapo. IMAT Project: from innovative nanotechnology to best practices in art conservation Puggelli Luca. IMAT Project: from innovative nanotechnology to best practices in art conservation Patelli Alessandro. PANNA Project - plasma and nano for new age soft conseravtion Favaro Monica. PANNA Project - plasma and nano for new age soft conseravtion Simon Stefan. PANNA Project - plasma and nano for new age soft conseravtion Storme Patrick. PANNA Project - plasma and nano for new age soft conseravtion Scopece Paolo. PANNA Project - plasma and nano for new age soft conseravtion Kamenova Veska. PANNA Project - plasma and nano for new age soft conseravtion Kamenarov Zdravko. PANNA Project - plasma and nano for new age soft conseravtion Lorenzon Andrea. PANNA Project - plasma and nano for new age soft conseravtion De Voeght Frank. PANNA Project - plasma and nano for new age soft conseravtion Cordoncillo Elisa. Synthesis and characterization of nanostructured BaO solutions: appilcation in conservation of wall paintings Machado T. R. Synthesis and characterization of nanostructured BaO solutions: appilcation in conservation of wall paintings Ferrazza Livio. Synthesis and characterization of nanostructured BaO solutions: appilcation in conservation of wall paintings Juanes David. Synthesis and characterization of nanostructured BaO solutions: appilcation in conservation of wall paintings Torres Juan Carlos. Information system to analize cultural heritage information López L. Information system to analize cultural heritage information Romo C. Information system to analize cultural heritage information Soler F. Information system to analize cultural heritage information Myers David (1945- ). Arches: an open source GIS for the inventory and management of immovable cultural heritage Dalgity Alison. Arches: an open source GIS for the inventory and management of immovable cultural heritage Avramides Ioannis. Arches: an open source GIS for the inventory and management of immovable cultural heritage Wuthrich Dennis. Arches: an open source GIS for the inventory and management of immovable cultural heritage Wittich Christine E. Methodology for integrative documentation and characterization of culturally important statues to support seismic analysis Hutchinson Tara C. Methodology for integrative documentation and characterization of culturally important statues to support seismic analysis Wood Richard L. Methodology for integrative documentation and characterization of culturally important statues to support seismic analysis Kuester Falko. Methodology for integrative documentation and characterization of culturally important statues to support seismic analysis McKeague Peter. Historic environment and INSPIRE - a view from Scotland Yen Ya-Ning. CH based integrative management framework on the value priority aspect Newhouse Steven J. EGI: an open e-infrastructure ecosystem for the digital European research area and the humanities Brewer Stephen. EGI: an open e-infrastructure ecosystem for the digital European research area and the humanities Basso Peressut Luca. Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage Postiglione Gennaro. Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage Lanz Francesca (1980- ). Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage Boochs Frank. COSCH - colour and space in cultural heritage, a new COST action starts Koussiaki Fotini. Science in aid of expert opinion: a tell-tale on disputed artworks Tornarē Bibē. Science in aid of expert opinion: a tell-tale on disputed artworks Kouloumpi Eleni. Science in aid of expert opinion: a tell-tale on disputed artworks Lembessis Alkis. Science in aid of expert opinion: a tell-tale on disputed artworks Juanes David. Computed tomography studies applied to polychromed sculpture: the making process in three different times Ferrazza Livio. Computed tomography studies applied to polychromed sculpture: the making process in three different times
Indeks R0: BMNK
Bibliogr. przy art. Indeks.
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Balch Pippa. Costaras Nicola. Glanville Helen. Lowry Kate. Saltmarsh Polly. Sutcliffe Victoria. Bordt Nele. Observations on Rudolf Swoboda’s painting technique Carlyle Leslie. Building visual evidence of past practices in the creation of oil paintings Costaras Nicola. "These pitchy pigments from their very nature never harden": a nineteenth-century perspective on premature cracking in oil paintings Frezzato Fabio (1956- ). Giovanni Boldini: technique and conservation. A systematic scientific study Herring Sarah. Ernst-Victor Hareux and the Barbizon Artists Lo Russo Francesca. Giovanni Boldini: technique and conservation. A systematic scientific study Macaro Gabriella. Ernst-Victor Hareux and the Barbizon Artists Macaro Gabriella. The Barbizon paintings at the National Gallery, London: a technical study Poldi Gianluca. Giovanni Boldini: technique and conservation. A systematic scientific study Saunders-Blessley Katy. Observations on Rudolf Swoboda’s painting technique Savoia Enzo. Giovanni Boldini: technique and conservation. A systematic scientific study Simon Jacob. Restoration practice in museums and galleries in Britain in the nineteenth century Speleers Lidwien. The cleaning of a solvent-sensitive painting by Jacob Maris Sperber Roxanne. The retouching practices of John Linnell: technique, patronage and practice from two works in the Yale Center for British Art Splendore Arianna. Giovanni Boldini: technique and conservation. A systematic scientific study Straub Michaela. The conservation and research of two paintings by Alfred East RA Tomlinson Hayley. Ernst-Victor Hareux and the Barbizon Artists Veldink Suzanne. George Hendrik Breitner at work: new insights Whitehouse Rosalind. Oily drops on the window panes: celebrity portraiture in a murky climate Woltman Nienke. George Hendrik Breitner at work: new insights Woodcock Sally. Alteration, restoration and why pictures foam: what conservators can learn from Victorian artists’ colourmen Wright Adèle. "Method cannot govern everything". Delacroix: mid-century modern master
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Bibliogr. przy art.
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Jaskanis Paweł (1958- ). Modzelewska Elżbieta (konserwacja dzieł sztuki). Górska Magdalena (1972- ). Michelangelo Palloni w świetle publikacji najdawniejszych i najnowszych Guidetti Giovanni Matteo. "Szlachetny" Michelangelo Palloni, malarz fresków Paknys Mindaugas (1973- ). Realizacje Michelangelo Palloniego w Pożajściu, ze szczególnym uwzględnieniem cyklu fresków dotyczących życia bł. Bogumiła Chmielewski Krzysztof (historia sztuki). Założenia i realizacja projektu naukowo-badawczego "Badania technologiczne malowideł ściennych Michała Anioła Palloniego" Baran Maciej. Technologia malowideł ściennych Michelangelo Palloniego Modzelewska Elżbieta (konserwacja dzieł sztuki). Malowidła Michelangelo Palloniego w galeriach ogrodowych pałacu króla Jana III w Wilanowie Molga Karolina (1981- ). Historia przekształceń i konserwacji malowideł ściennych Michelangelo Palloniego w kaplicy poseminaryjnej św. Karola Boromeusza w Łowiczu Jeżewska Elżbieta (konserwacja dzieł sztuki). Techologia malowideł Michelangelo Palloniego na ścianach i plafonach galerii ogrodowych pałacu króla Jana III w Wilanowie w świetle badań specjalistycznych Kurkowska Joanna. Techologia malowideł Michelangelo Palloniego na ścianach i plafonach galerii ogrodowych pałacu króla Jana III w Wilanowie w świetle badań specjalistycznych Koss Irena. Techologia malowideł Michelangelo Palloniego na ścianach i plafonach galerii ogrodowych pałacu króla Jana III w Wilanowie w świetle badań specjalistycznych Modzelewska Elżbieta (konserwacja dzieł sztuki). Zestawienie danych pozyskanych podczas prac konserwatorskich prowadzonych w galeriach ogrodowych pałacu w Wilanowie w latach 1959-2004 Milewska-Waźbińska Barbara. Baśń o Amorze i Psyche i jej recepcja w tekstach kultury (ze szczególnym uwzględnieniem fresków wilanowskich)
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Bibliogr. s. 345-352. Indeksy.
Zawiera m.in.: Badania historyczne i ikonograficzne dzieł Michelangelo Palloniego - źródła spuścizny artystycznej i realizacje na terenie Włoch i Rzeczpospolitej Obojga Narodów. Badania malowideł ściennych w galeriach pałacu króla Jana III w Wilanowie, w tym analizy porównawcze innych realizacji artysty w Polsce i na Litwie. Aneks dotyczący badań technologicznych malowideł Palloniego - badania instrumentalne. Wybrane realizacje.
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