Aleksandrowicz Franciszek
(2)
Duijn Esther Emmy van (1973- )
(2)
Groen Catharina Maria (1941-2013)
(2)
Lam Władysław (1893-1984)
(2)
Mottez Victor Louis (1809-1897)
(2)
Mączyński Ryszard (1954- )
(2)
Stefańska-Szewczuk Dorota
(2)
Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
(1)
Adamowicz Jarosław. Painting techniques in the St. Mary's altar by Veit Stoss in the light of former and present studies
(1)
Adamowicz Jarosław. Techniki malarskie w ołtarzu mariackim Wita Stwosza w świetle dawnych i nowych badań
(1)
Alexopoulou-Agoranou Athena. Study and documentation of an icon of Saint George by Angelos using infrared reflectography
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Alfeld Matthias (1981- ). Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Alvarez Icaza Longoria Marisa. Material study of the Codex Colombino
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Andreotti Alessia. Wall paintings of the monumental cemetery of Pisa
(1)
Andrikopoulos Konstantinos S. Analysis of organic and inorganic materials and their application on icons by Angelos
(1)
Anglos D. Integrated approach to the study and preservation of painting using laser light technology
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Anselmi C. Modern painted palimpsests
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Arenas Alatorre Jesus. Material study of the Codex Colombino
(1)
Baglioni P. Maya mural paintings in Calakmul
(1)
Bailey Gregory H. Designing nature
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Barański Marek (1943- ). Architectural monument researcher and his workshop
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Barański Marek (1943- ). Badacz zabytków architektury i jego warsztat
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Basile Giuseppe (1942-2013). Burri project
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Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
(1)
Bednarz Kazimierz (1957- )
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Bellucci Roberto. Underdrawing in paintings
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Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
(1)
Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
(1)
Berrie Barbara Hepburn. Vibrant surface
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Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
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Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
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Bobak Simon. A flexible unattached auxiliary support
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Bomford David. Introduction: keynote address
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Bommel Maarten R. van. After the fact
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Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Borowska Dorota. We see what we know. The meaning of geomatry in the creation of the composition of Jan van Eyck's painting The Arnolfini portrait
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Borowska Dorota. Widzimy to co wiemy. Znaczenie geometrii w tworzeniu kompozycji obrazu Jana van Eycka Małżeństwo Arnolfinich
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Bourbopoulou Hrusa. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Branopoulou Lena. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Brewer Al. Practical aspects of the structural conservation of large panel paintings
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Brewer Al. Some rejoining methods for panel paintings
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Brunetti Brunetto Giovanni
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Brunetti Brunetto Giovanni. Colours of indigenous memory
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
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Bucklow Spike. The state of research into retouching resins
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Buti David. Colours of indigenous memory
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Carrasco Vargas R. Maya mural paintings in Calakmul
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Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
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Casadio Francesca. Vibrant surface
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Castelli Ciro. The restoration of panel painting supports. Some case histories
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Castro Rita. Colour in medieval Portuguese manuscripts
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Chelazzi David. Maya mural paintings in Calakmul
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Chelazzi David. Unveiling the artistic technique of the Florentine Codex
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Chiantore Oscar. Outdoor painted surfaces in contemporary art
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Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
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Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
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Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
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Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
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Church Arthur Herbert (1834-1915)
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Ciatti Marco (1955- ). An unusual case of integration and its solution
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Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
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Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
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Cordeiro Baqueiro M. Maya mural paintings in Calakmul
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Corzo Miguel Angel (1942- ). Foreword
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Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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Cove Sarah. Retouching with a PVA resin medium
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Crook Jo (1963- ). John Hoyland
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Cross Maureen. Retouching media for acrylic paintings
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Daffara Claudia. Modern painted palimpsests
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Dahm K. Vibrant surface
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Damisch Hubert (1928-2017)
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Daniel Vinod. Modified atmosphere treatments of insect infestations
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Dardes Kathleen (1952- )
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Dardes Kathleen (1952- ). Preface
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Daveri Alessia. Burri project
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De Cesare G. Burri project
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De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
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