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Abdel-Wahab Mohammed. Automatic fusion of digital images and laser scanner data for heritage preservation
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Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century
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Adam-Veleni Polyxene. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
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Adamczyk Paulina (1989- )
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Agapiou Athos. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
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Agosti Maristella (1950- ). CULTURA Project: supporting next generation interaction with digital cultural heritage collections
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Al-Mukhtar Muzahim (1957- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Albes Claudia. Groteske und Karikatur in Thomas Bernhards Erzahlung Alte Meister und Nicolas Mahlers gleichnamiger Graphic Novel
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Alexakis Dimitrios D. Development of a low altitude airborne imaging system for supporting remote sensing and photogrammetric applications The ICAROS Project intended for archaeological applications in Cyprus
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Alexakis Dimitrios D. Towards an archaeological index: identification of the spectral regions of stress vegetation due to buried archaeological remains
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Allotta Benedetto. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Alrawi Osama Mohammad. Model-based user interface design for the Encyclopedia of Islamic Architecture
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Amato Alba. Mobile devices for the visit of Anfiteatro Campano in Santa Maria Capua Vetere
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Andaroodi Elham. Architectural photogrammetry by non-metric cameras: CAD-based 2D drawing of facades from rectified photos
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Andrejcikova Nadezda (1966- ). Identifying semantic relationships in digital libraries of cultural heritage
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Angelini Maria Giuseppa. Process modeling and photogrammetric production for structural investigations concerning to the collapse of Palazzo Edilizia in Salerno (Italy)
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Apostolou Charalambos. Reconstruction of everyday life in 19th century Nicosia
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Argyros Antonis A. Macedonia from fragments to pixels: a permanent exhibition of interactive systems at the Archaeological Museum of Thessaloniki
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Arich-Gerz Bruno (1966- )
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Aristidou Andreas. Digitization of Cypriot folk dances
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Asolati Michele. Micrometer multiresolution laser scanning of a renaissance medallion
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Athanasiou George S. Evolution of the e-museum concept through exploitation of cryptographic algorithms
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Avramides Ioannis. Arches: an open source GIS for the inventory and management of immovable cultural heritage
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Baglivo Antonio. Google cloud approach to implement a graphical data access interface binding heterogeneous cultural repositories
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Bailey Eoin. CULTURA Project: supporting next generation interaction with digital cultural heritage collections
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Bakolas Asterios. Integrated documentation protocols enabling decision making in cultural heritage protection
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Baldi Marialuisa (1952- ). Interaction for a shared knowledge with reperio: the Cardano case
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Balzani Marcello (1962- ). Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti
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Barański Marek (1943- ). Architectural monument researcher and his workshop
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Barański Marek (1943- ). Badacz zabytków architektury i jego warsztat
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Bargagliotti Sergio. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Bartolomucci Carla. Reintegration of urban lacunas at Castelvecchio Calvisio (AQ) after the 2009 earthquake: the use of GIS 3D as a project monitoring tool
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Baschiera Adriano. Micrometer multiresolution laser scanning of a renaissance medallion
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Basso Peressut Luca. Contemporary museums in an age of migrations: the reinterpretation of European cultural heritage
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Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France
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Bałus Wojciech (1961- ). Nieoczywista literackość malarstwa i jej granice
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Becherini Francesca. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
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Beck Kevin (1978- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Bein Matthias. Completing digital cultural heritage objects by sketching subdivision surfaces toward restoration planning
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Bensadoun Marion. Handke und Cezanne Winkler und Soutine: Die poetologische Perspektive in der literarischen Malereibetrachtung
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Berg Evy. Use of GIS in the National System for Cultural Heritage Management and Dissemination to the general public in Norway: case study: the heritage management database Askeladden and the system for dissemination to the public Kulturminnesok
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Bergeon Segolene (1942- ). The restoration of wooden painting supports. Two hundred years of history in France
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Bernardi Adriana (1957- ). Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
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Berndt Rene. Enhanced distributed repository for working with 3D assets in cultural heritage
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Bernikola Eirini. Mapping of defect structural micro-morphology in the documentation of conservation approaches
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Biedrońska-Słotowa Beata
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Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini
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Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects
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Blasko Miroslav (1983- ). Monument damage ontology
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Bobak Simon. A flexible unattached auxiliary support
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Bodnar Jean Luc. Mapping of defect structural micro-morphology in the documentation of conservation approaches
(1)
Boi Jean-Marc (1956- ). Information system for medieval archaeology based on photogrammetry and archaeological database: The Shawbak Castle Project
(1)
Bomford David. Introduction: keynote address
(1)
Bonacini Elisa (1975- ). Catacombs of San Giovanni in Syracuse: surveying digital enhancement and revitalization of an archaeological landmark
(1)
Bonazza Alessandra. Methodology to monitor the pollution impact on historic buildings surfaces: the TeACH Project
(1)
Bonzagni Daniele. Reintegration of urban lacunas at Castelvecchio Calvisio (AQ) after the 2009 earthquake: the use of GIS 3D as a project monitoring tool
(1)
Boochs Frank. COSCH - colour and space in cultural heritage a new COST action starts
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Borowska Dorota. We see what we know. The meaning of geomatry in the creation of the composition of Jan van Eyck's painting The Arnolfini portrait
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Borowska Dorota. Widzimy to co wiemy. Znaczenie geometrii w tworzeniu kompozycji obrazu Jana van Eycka Małżeństwo Arnolfinich
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Botarelli Lucia. Thesaurus Project: design of new autonomous underwater vehicles for documentation and protection of underwater archaeological sites
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Bourrillon Raphaelle (1979- ). 3D multi-sacle scanning of the archaeological cave Les Fraux in Dordogne (France)
(1)
Braghiroli Andrea. Ancient fragment collection at the Museo Archeologico in Florence Italy a digital proposal to allow its access
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musees de France
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Brewer Al. Practical aspects of the structural conservation of large panel paintings
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Brewer Al. Some rejoining methods for panel paintings
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Brewer Stephen. EGI: an open e-infrastructure ecosystem for the digital European research area and the humanities
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Brumana Raffaella. Three-dimensional virtual models for better comprehension of architectural heritage construction techniques and its maintenance over time
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Brunetaud Xavier (1978- ). 3D information system for the digital documentation and the monitoring of stone alteration
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Bruzda Jan (1930- )
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Brylla Wolfgang Damian (1984- ). Die Stadt am Abgrund. Zur Bildlichkeit der lyrischen steinernen Stadt im fruhen 20. Jahrhundert
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Bucklow Spike. The state of research into retouching resins
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Bughi Carlo. Alberti's Box: the cultural multimedia project on the architectures of Leon Battista Alberti
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Bunsch Eryk (1973- ). Automated view integration techniques for numerous 3D clouds of points
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Burens Albane. 3D multi-sacle scanning of the archaeological cave Les Fraux in Dordogne (France)
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Burgenmeister Sophia (1988- ). beidseitig stills. Das Zusammenspiel von Literatur und Malerei in Kling und Langankys wande machn
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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Cacciotti Riccardo. Monument damage ontology
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Caffo Rosella
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31 wyników Filtruj
Książka
W koszyku
Autor
Dardes Kathleen (1952- ). Rothe Andrea (1936- ). Baÿ Odile. The restoration of wooden painting supports. Two hundred years of history in France Bergeon Ségolène (1942- ). The restoration of wooden painting supports. Two hundred years of history in France Bisacca George. Structural considerations in the treatment of a nativity by Francesco di Giorgio Martini Blanchette R. A. A guide to wood deterioration caused by microorganisms and insects Bobak Simon. A flexible unattached auxiliary support Bomford David. Introduction: keynote address Bret Jacqueline. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Brewer Al. Practical aspects of the structural conservation of large panel paintings Brewer Al. Some rejoining methods for panel paintings Castelli Ciro. The restoration of panel painting supports. Some case histories Corzo Miguel Angel (1942- ). Foreword Daniel Vinod. Modified atmosphere treatments of insect infestations Dardes Kathleen (1952- ). Preface Emile-Mâle Gilberte (1912-2008). The restoration of wooden painting supports. Two hundred years of history in France Glatigny Jean-Albert. Backings of painted panels. Reinforcement and constraint Hanlon Gordon. Modified atmosphere treatments of insect infestations Hoadley R. Bruce (1933-2019). Chemical and physical properties of wood Hoadley R. Bruce (1933-2019). Identification of wood in painting panels Horns James S. Richard Buck. The development and use of the balsa backing for panel paintings Huot Claude. The restoration of wooden painting supports. Two hundred years of history in France Jaunard Daniel. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Klein Peter. Dendrochronological analyses of panel paintings Lebas Frédéric J. M. The cradling of a relief of the annunciation attributed to Martin Schaffner Mandron Patrick. The conservation-restoration of wooden painting supports. Evolution of methods and current research in the service de restauration des Musées de France Marchant Raymond. The development of a flexible attached auxiliary support Marussich Giovanni. Florentine structural stabilization techniques McClure Ian. History of structural conservation of panel paintings in Great Britain McClure Ian. The framing of wooden panels Mecklenburg Marion F. Technical considerations for the transport of panel paintings Reeve Anthony M. Structural conservation of panel paintings at the National Gallery, London Richard Mervin. Technical considerations for the transport of panel paintings Rothe Andrea (1936- ). Critical history of panel painting restoration in Italy Rothe Andrea (1936- ). Florentine structural stabilization techniques Rothe Andrea (1936- ). Preface Schiessl Ulrich (1948-2011). History of structural panel painting conservation in Austria, Germany and Switzerland Schniewind Arno P. (1929- ). Consolidation of wooden panels Tumosa Charles S. Technical considerations for the transport of panel paintings Uzielli Luca. Historical overview of panel-making techniques in central Italy Véliz Zahira. Wooden panels and their preparation for painting from the Middle Ages to the seventeenth century in Spain Wadum Jørgen. Historical overview of panel-making techniques in the northern countries Wadum Jørgen. Microclimate boxes for panel paintings Walker Philip (1925- ). The making of panels. History of relevant woodworking tools and techniques Walsh John (1937- ). Foreword Williams Donald C. (konserwatorstwo). A survey of adhesives for wood conservation Wilmering Antoine M. A Renaissance Studiolo from the Ducal Palace in Gubbio. Technical aspects of the conservation treatment
Indeks R0: BMNK
Bibliogr. przy ref.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26440 (1 egz.)
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W koszyku
Autor
Ellison Rebecca. Smithen Patricia. Turnbull Rachel. Ackroyd Paul. Retouching media used at the National Gallery, London, since the nineteenth century Bucklow Spike. The state of research into retouching resins Ciatti Marco (1955- ). An unusual case of integration and its solution Cove Sarah. Retouching with a PVA resin medium Cross Maureen. Retouching media for acrylic paintings Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching Folkes Simon. Texturing fills using a silicone mould Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching Kempski Mary. The art of tempera retouching Koneczny Peter. An introduction to B72 Retouching Gels Koneczny Peter. Properties of pigments, retouching media and their use Lowry Kate. Retouching with Paraloid B-72 Massing Ann. The history of egg tempera as a retouching medium Phenix Alan. The composition and chemistry of eggs and egg tempera Reddington Sophie. Texturing fills using a silicone mould Roma Paolo. An unusual case of integration and its solution Sartiani Oriana (1960- ). An unusual case of integration and its solution Severini Leonardo. An unusual case of integration and its solution Sims Shelley. Retouching media for acrylic paintings Smithen Patricia. Retouching media for acrylic paintings Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?
Indeks R0: BMNK
Publikacja jest efektem trzech warsztatów zorganizowanch przez Paintings Group of the Institute of Conservation (Icon) oraz British Association of Painting Conservator-Restorers (BAPCR) w Courtauld Institute of Art, Londyn, 2007.
Bibliogr. przy ref.
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 31514 (1 egz.)
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Książka
W koszyku
W przedr. powtórzone błędy wyd. oryg.: zdubl. s. XVIII-XX, 1-7.
Bibliogr. s. XVII-XVIII. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32041 (1 egz.)
Książka
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Autor
Clarricoates Rhiannon. Dowding Helen. Gent Alexandra. Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hendriks Ella. "Paintings fade like flowers": colour change in paintings by Vincent van Gogh Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Keith Larry. Colour change and restoration Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Lee Judith. Colour change and modern paints; an overview Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Ormsby Bronwyn. Colour change and modern paints; an overview Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis Rae Caroline. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Sheldon Libby. Lost Purples: Detection, Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Spring Marika. Fading, darkening, browning, blanching: a review of our current understanding of colour change and its consequences in old master paintings Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863â -1944) – in the context of the artist’s painting materials Townsend Joyce H. Microfading: a useful tool for paintings conservators? Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings Wadum Jørgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
Indeks R0: BMNK
Materiały z konf. Icon Paintings Group "Appearance and reality: examining colour change in paintings" w Tate Britain w Londynie, 9 października 2015.
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31511 (1 egz.)
Książka
W koszyku
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31572 (1 egz.)
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 21084 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 21519 (1 egz.)
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Książka
W koszyku
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Wszystkie egzemplarze są obecnie wypożyczone: II 22007 (1 egz.)
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(Literatura - Konteksty / herausgegeben von Joanna Godlewicz-Adamiec, Tomasz Szybisty, ISSN 2543-9480 ; Bd. 3)
Autor
Arich-Gerz Bruno (1966- ). Godlewicz-Adamiec Joanna (1970- ). Piszczatowski Paweł. Schneider Angelika (1955- ). Szybisty Tomasz. Albes Claudia. Groteske und Karikatur in Thomas Bernhards Erzählung "Alte Meister" und Nicolas Mahlers gleichnamiger Graphic Novel Bensadoun Marion. Handke und Cézanne, Winkler und Soutine: Die poetologische Perspektive in der literarischen Malereibetrachtung Brylla Wolfgang Damian (1984- ). Die Stadt am Abgrund. Zur Bildlichkeit der lyrischen "steinernen Stadt" im frühen 20. Jahrhundert Burgenmeister Sophia (1988- ). "beidseitig stills". Das Zusammenspiel von Literatur und Malerei in Kling und Langankys wände machn Eigler Friederike Ursula (1960- ). Die Buchkunst von Felicitas Hoppe und Ingrid Jörg in der Berliner Handpresse Fasshauer Vera (1976- ). "O, Hogarth, had I thy Penil!" Henry Fieldings literarische Karikaturen im Verhältnis zu den grafischen Satiren William Hogarths Godlewicz-Adamiec Joanna (1970- ). Liebeswerben als Falkenjagd? Intermedialität im "Codex Manesse" Godlewicz-Adamiec Joanna (1970- ). Literatur und Malerei - zwischen Ähnlichkeit und Differenz Gwozdz Patricia A. (1984- ). Fixiertes Bild - Fixierendes Zeichen. Das disegno-Konzept zwischen Linie, Buchstaben und Figur bei Leonardo da Vinci und Walter Benjamin Kłańska Maria (1951- ). Der Maler Maurycy Gottlieb und sein Schaffen in der "Cultur-Bildern" des deutsch-jüdischen Prosaikers Nathan Samuely Kuharenoka Tatjana. Metamorphosen einer Landschaft. Die Provence als Bildraum bei Peter Handke und Paul Cézanne Lipiński Cezary (1968- ). Bilder um der "Gesundheit der Seelen" willen. Ikonotextuelle Strategien und Apologie der Bilder bei Johannes Scheffler Mirbeth Jonas. Die Politik des Schriftbildes - Flächen, Linien und Punkte in John Cages "Empty Words" Nitschmann Till (1983- ). "Ich habe getan, was du - nur maltest." Metareflexion des Ästhetischen in Friedrich Schillers "Die Verschwörung des Fiesko zu Genua" Piszczatowski Paweł. Literatur und Malerei - zwischen Ähnlichkeit und Differenz Puccioni Linda. "ein Geheimnis zwischen meinem Schickasl, den Bildern und mir": Bildende Kunst als poetische Strategie bei Hugo von Hofmannsthal Sabaté Planes Dolors. Rilkes Aufnahme der spanischen Malerei: Variationen des Spanienbildes in der Literatur der Avantgarde Seidel Anna (1975- ). Imagination zwischen Klischee und Originalität. Zum Konkurrenzverhältnis von Bild und Literatur in Gustave Flauberts "Madame Bovary" Sommerfeld Beate (1962- ). Farbpaletten der Erinnerung und künstlerichen Selbstverständigung - Rose Ausländers "Malergedichte" Sowa Agnieszka (1983- ). Malerei als Kontext im Band "Vom Schnee oder Descartes in Deutschland" von Durs Grünbein Szabó László V. (1968- ). Perlenkreis und Goldstickerei: Stefan Georges Ekphrasen Szybisty Tomasz. Literatur und Malerei - zwischen Ähnlichkeit und Differenz Szybisty Tomasz. Protestantische Bildpredigt, nationales Kunstwerk: Dürers "Vier Apostel" in der Prosa des ausgehenden 19. Jahrhunderts Winter Astrid (1966- ). Verführerische Lektüre - Dantes "Paolo und Francesca" als transmedialer Stoff? Wittstruck Wilfried. Erinnerung in Bildern: Sehen beim Lesen von zwei lyrischen Stillleben von J. Wagner und M. Poschmann
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Bibliogr. przy ref.
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Są egzemplarze dostępne do wypożyczenia: II 32754 (1 egz.)
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(Literatura - Konteksty / red. serii Joanna Godlewicz-Adamiec, Tomasz Szybisty, ISSN 2543-9480 ; t. 2)
Autor
Godlewicz-Adamiec Joanna (1970- ). Kociumbas Piotr (1977- ). Szybisty Tomasz. Godlewicz-Adamiec Joanna (1970- ). Literatura a malarstwo - między heterogenicznością a autonomicznością Kociumbas Piotr (1977- ). Literatura a malarstwo - między heterogenicznością a autonomicznością Szybisty Tomasz. Literatura a malarstwo - między heterogenicznością a autonomicznością Bałus Wojciech (1961- ). Nieoczywista literackość malarstwa i jej granice Jurkowlaniec Grażyna. Autorytet obrazu Godlewicz-Adamiec Joanna (1970- ). Opisać barwę, namalować cierpienie Krawczyk Dariusz (romanista). "Z niemych i martwych zrobię je mówiące i żywe" Makowska Urszula. Granice ilustracji w polskiej krytyce i praktyce artystycznej w drugiej połowie XIX wieku Mosakowski Janusz. Słów kilka o szacie graficznej "Legend" Andrzeja Niemojewskiego Tomasik Tomasz (1971- ). "Ekphrasis" w dobie kryzysu "mimesis" Michalski Przemysław (1971- ). O pojęciu (nie)wierności w wybranych ekfrazach Ronalda Stuarta Thomasa Dąbrowski Mieczysław (1947- ). Dekonstrukcja ekfrazy Garnczarska Magdalena. Opisy ikonograficzne w "Hermenei" Dionizjusza z Furny: ich charakterystyka oraz funkcja Mikiciuk Elżbieta. "Andriej Rublow. Mistrz niewidzialnej strony" Andrzeja Turczyńskiego jako powieść-dysputa o malarstwie i literacka ikona z żywotem Kwiatkowska Anna (1950- ). Martwa natura w opowiadaniach Katherine Mansfield Zawadzka Małgorzata (1980- ). O tekstach Jeana Cocteau inspirowanych malarstwem Kownacka-Rogulska Dorota. Hausenstein - Rilke - Klee Kłos Anita. "Artemisia" Anny Banti Piszczatowski Paweł. Między sztuką paleolitu a monochromatyzmem awangardy Gielata Ireneusz. Nad chmurami Constable'a - obrazowość w "Mojej walce" Karla Ove Knausgårda Ryś Anna. Skyluros i jego wcielenia Sokołowicz Małgorzata. "Wzruszyć wspomieniem" Łuczyńska-Hołdys Małgorzata. Kobieta, sztuka, samotność, piękno: poezja Alfreda Tennysona na płótnach prerafaelitów Muszyńska-Andrejczyk Agnieszka. Stile Liberty w służbie opery: Ricordi - Hohenstein - Puccini Haake Michał. "Eloe ze zwłokami Ellenai" Jacka Malczewskiego
Indeks R0: BMNK
Materiały z konf., Warszawa, 1-2 kwietnia 2017 r.
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 32089 (1 egz.)
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