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Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
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Brauer Fae. Naturyzacja ewolucji
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Brauer Fae. Superevolution
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Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
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Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
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Forgacs Eva (1947- ). Whose narrative is it?
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Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
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Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Jach Aleksandra (1983- ). Biofilia
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Jach Aleksandra (1983- ). Evolution
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Jach Aleksandra (1983- ). Fourth dimension
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Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
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Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
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Kurc-Maj Paulina. Embodied visions
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Kļaviņs Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism
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Lahoda Vojtech (1955-2019)
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Lahoda Vojtech (1955-2019). Global form and local spirit: Czech and Central European modern art
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Levinger Esther. Hungarian constructivism and totality
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Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky Katarzyna Kobro and Władisław Strzemiński
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Luba Iwona. Organicity and the nature of cosmos in the avant-garde discourse in Poland
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Luba Iwona. Organiczność i natura kosmosu w dyskursie awangardy w Polsce
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Mazzone Marian. Location process identity: actions and happenings in the 1960s
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Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
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Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
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Pachmanova Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism
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Połowińska Beata
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Prelovsek Damjan (1945- ). The architect Joze Plecnik: the originator of critical regionalism
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Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
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Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvorak
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Schultz Deborah. Methodological issues: researching socialist realist Romania
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Simicić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe
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Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity?
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Waenerberg Annika. National features in modern art: Edwin Lyden (1879-1956) and Wassily Kandinsky (1866-1944)
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Wamberg Jacob (1961- ). Entering second nature
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Wamberg Jacob (1961- ). Wejście w drugą naturę
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Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the Ecole de Paris Milieu (1918-1939): the problem of assimilation and identity
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Witkovsky Matthew S. (1967- ). The cage of the center
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Wunsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde
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Wunsche Isabel (1965- ). Natural phenomena and universal laws
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Wunsche Isabel (1965- ). Zjawiska naturalne i prawa powszechne
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Zwickl Andras (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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Łobożewicz Ada
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2000 - 2009
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3 wyniki Filtruj
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W koszyku
Autor
Lahoda Vojtěch (1955-2019). Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devětsil Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art Dovydaitytė Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism Forgács Éva (1947- ). Whose narrative is it? Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Jankevičiutė Giedrė (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art Kļaviņš Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism Kolešnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s Lahoda Vojtěch (1955-2019). Global form and local spirit: Czech and Central European modern art Levinger Esther. Hungarian constructivism and totality Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky, Katarzyna Kobro and Władisław Strzemiński Mazzone Marian. Location, process, identity: actions and happenings in the 1960s Mudrak Miroslava Marìâ (1950- ). Polish modernism and Ukrainian artists: parallel strategies Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka, or does Eastern (Central) European art exist? Pachmanová Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism Prelovšek Damjan (1945- ). The architect Jože Plečnik: the originator of critical regionalism Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvořák Schultz Deborah. Methodological issues: researching socialist realist Romania Šimičić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity? Waenerberg Annika. National features in modern art: Edwin Lydén (1879-1956) and Wassily Kandinsky (1866-1944) Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the École de Paris Milieu (1918-1939): the problem of assimilation and identity Witkovsky Matthew S. (1967- ). The cage of the center Wünsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde Zwickl András (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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