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Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Borchert Till-Holger (1967- )
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Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
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Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
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Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
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Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
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Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
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Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Colombini Maria Perla. (1951- )
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Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
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Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
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De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Degano Ilaria (1982- )
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Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
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Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
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Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
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Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
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Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
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Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
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Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work
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Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Hajdas Irena. Dating of artwork by radiocarbon
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Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg c. 1420 - new findings about painting process and characteristics
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Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in Memento mori
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Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy
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Kempski Mary. Who is the man in red and who painted him?
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Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
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Laine David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
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Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group
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Mass Jennifer L. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
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Mass Jennifer L. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
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Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution
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Monico Letizia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Nevin Austin (1978- )
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Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Nevin Austin (1978- ). Fluorescence for the analysis of paintings
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Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
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Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens
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Perier-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise
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Plicht Johannes van der. Dating of artwork by radiocarbon
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Pollak Rebecca. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Rousaki Anastasia. Raman analysis of inorganic and organic pigments
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Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
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Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Shugar Aaron N. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
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Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship
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Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
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Vandenabeele Peter. Raman analysis of inorganic and organic pigments
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Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop
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Werf Inez Dorothe van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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