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wypożyczone
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Autor
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Auffret Stephanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Berg Rita. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Chang Julie. Reconstructing lacquer technology through Chinese classical texts
(1)
Chang Julie. Some observations on the composition of Chinese lacquer
(1)
Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research
(1)
Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ
(1)
Chao Raina. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Feston Briana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Grieser Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Grieser Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Hatchfield Pamela B. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Heginbotham Arlen. Some observations on the composition of Chinese lacquer
(1)
Hrdlickova Kuckova Stepanka. Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London
(1)
Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Johnson Galante Diana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Khanjian Herant. Some observations on the composition of Chinese lacquer
(1)
Kitagawa Erin. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Korber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
(1)
La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Mass Jennifer L
(1)
Mass Jennifer L. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Mass Jennifer L. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Mass Jennifer L. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Matsen Catherine. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Mesmaeker Delphine. The Japanese Tower at the Royal Domain in Laeken: a remarkable application of Japanese lacquer techniques in Belgium
(1)
Miklin Richard. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Monico Letizia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Nevin Austin (1978- )
(1)
Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Nevin Austin (1978- ). Fluorescence for the analysis of paintings
(1)
Pace Jessica. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Petisca Maria Joao. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
(1)
Pitthard Vaclav (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui
(1)
Pitthard Vaclav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
(1)
Plicht Johannes van der. Dating of artwork by radiocarbon
(1)
Pollak Rebecca. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Randall Megan. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
(1)
Rivers Shayne
(1)
Rivers Shayne. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry
(1)
Rivers Shayne. Editorial
(1)
Rousaki Anastasia. Raman analysis of inorganic and organic pigments
(1)
Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Saunders David
(1)
Saunders David. Editorial
(1)
Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Rok wydania
2020 - 2024
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2010 - 2019
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Kraj wydania
Belgia
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Szwajcaria
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Wielka Brytania
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Język
angielski
(3)
Temat
Archeologia
(1)
Chemia analityczna
(1)
Fałszerstwo
(1)
Laki barwne
(1)
Malarstwo
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Spektrometria fluorescencji rentgenowskiej
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Sztuka
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Gatunek
Materiały konferencyjne
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3 wyniki Filtruj
Brak okładki
Książka
W koszyku
(Studies in Archaeological Sciences ; 3)
Bibliogr. s. 468-470.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 29630 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Książka
W koszyku
(Studies in Conservation. Supplement ; 3)
Autor
Rivers Shayne. Saunders David. Anderson Mark. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Auffret Stéphanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Berg Rita. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui Chang Julie. Reconstructing lacquer technology through Chinese classical texts Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research Chang Julie. Some observations on the composition of Chinese lacquer Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ Chao Raina. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Feston Briana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Grießer Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Grießer Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries Hatchfield Pamela B. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries Heginbotham Arlen. Some observations on the composition of Chinese lacquer Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Hrdličková Kučková Štěpánka. Searching for blood in Chinese lacquerware: zhu xie hui Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Johnson Galante Diana. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Khanjian Herant. Some observations on the composition of Chinese lacquer Kitagawa Erin. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Körber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Mass Jennifer L. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Matsen Catherine. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Mesmaeker Delphine. The Japanese Tower at the Royal Domain in Laeken: a remarkable application of Japanese lacquer techniques in Belgium Miklin Richard. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Miklin-Kniefacz Silvia. Searching for blood in Chinese lacquerware: zhu xie hui Miklin-Kniefacz Silvia. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Pace Jessica. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Parson Walther (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Petersen W. Christian. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Petisca Maria João. A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum Pitthard Václav (1966- ). Searching for blood in Chinese lacquerware: zhu xie hui Pitthard Václav (1966- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Randall Megan. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Rivers Shayne. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Rivers Shayne. Editorial Saunders David. Editorial Schilling Michael R. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Schilling Michael R. Reconstructing lacquer technology through Chinese classical texts Schilling Michael R. The reproduction of realistic samples of Chinese export lacquer for research Schilling Michael R. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries Schilling Michael R. Some observations on the composition of Chinese lacquer Schilling Michael R. A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings Stanek Sabine. Searching for blood in Chinese lacquerware: zhu xie hui Stanek Sabine. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment Strahan Donna K. Measuring mercury emissions from cinnabar lacquer objects Sully Dean. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London Szelewski Mike. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers Taylor Ambrose C. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Thei Judith. A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electorn microscopy and profilometry Tjiong Amy. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Toro Manuela. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Tsukada Masahiko. Measuring mercury emissions from cinnabar lacquer objects Watson Adsit Kristen. Reduced, reused, recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence Webb Marianne. The reproduction of realistic samples of Chinese export lacquer for research
Temat
Indeks R0: BMNK
Jest to suplement nr 3 do czasopisma: Studies in Conservation. Vol. 61 (2016).
Bibliogr. przy ref.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 25068 (1 egz.)
Pozycja została dodana do koszyka. Jeśli nie wiesz, do czego służy koszyk, kliknij tutaj, aby poznać szczegóły.
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