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Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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Bolnes Catharina (1631-1687). The estate inventory of Catharina Bolnes
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Bomford David. Foreword
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Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
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Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Colombini Maria Perla. (1951- )
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Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Cornelis Bart. Musical appeal
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Cross Maureen. History and use of panels or other rigid supports for easel paintings
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D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
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De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dibbits Taco (1968- ). Foreword
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Dietemann Patrick
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Digney-Peer Shawn. The imitative retouching of easel paintings
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Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Druzik James. The lighting of easel paintings
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Duijn Esther Emmy van (1973- )
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Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Eastaugh Nicholas. Optical microscopy
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Eastaugh Nicholas. Pigments in Western easel painting
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Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Emmerling Erwin (1952- )
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Fife Gwendoline R
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Finn Clare. Written documentation for paintings conservation
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frissen Bente. Johannes Vermeer. List of works with provenance and literature
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Golden Mark (1948- ). Varnishing of acrylic paintings by artists
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Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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5 wyników Filtruj
Książka
W koszyku
Autor
Bouvier Pierre (tłumacz). Brennan Gerald. Nicholson John. Kidd Sophie. Roelofs Pieter (1972- ). Weber Gregor J. M. (1956- ). Bolnes Catharina (1631-1687). The estate inventory of Catharina Bolnes Cornelis Bart. Musical appeal Dibbits Taco (1968- ). Foreword Frissen Bente. Johannes Vermeer. List of works, with provenance and literature Gabrieli Francesca. Keune Katrien. Krekeler Anna. Loon Annelies van (1970- ). Noble Petria. Pénot Sabine. Ambitions of eternal renown. The art of painting Roelofs Pieter (1972- ). Closer to Vermeer. A look inside the family home of the Delft painter Roelofs Pieter (1972- ). Johannes Vermeer (Delft 1632-1675). Modestly masterful Roelofs Pieter (1972- ). Note from the editors Roelofs Pieter (1972- ). Venturing into town Roelofs Pieter (1972- ). Vermeer's tronies. An outward gaze of connection Schütt Friederike. The entire world inside Seifert Christian Tico (1968- ). Early ambitions. Vermeer's journey from Bible to Brothel Suchtelen Ariane van (1962- ). Fashionable intruders Vandivere Abbie (1979- ). Verslype Ige (1974- ). Weber Gregor J. M. (1956- ). At a distance Weber Gregor J. M. (1956- ). In search of the perfect illusion of space Weber Gregor J. M. (1956- ). Note from the editors Weber Gregor J. M. (1956- ). Paths to inner values Weber Gregor J. M. (1956- ). Up close Weber Gregor J. M. (1956- ). Vermeer's pictorial world Weber Gregor J. M. (1956- ). Windows between outer and inner worlds Wiesemann Marjorie E. Letters. The world outside inside
Indeks R0: BMNK
Katalog wystawy: Rijksmuseum (Amsterdam), 10.02. - 04.06.2023.
Bibliogr. s. 296-315. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 26603 (1 egz.)
Książka
W koszyku
(Studien aus dem Institut für Baugeschichte, Kunstgeschichte, Kunst und Design, Restaurierung mit Architekturmuseum Technische Universität München, Fakultät für Architektur)
Autor
Emmerling Erwin (1952- ). Kühlenthal Michael. Richter Mark. Baumer Ursula. Berberich Christine (1969- ). Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Boon Jaap J. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Dietemann Patrick. Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues Dodinet Elisabeth. Frankinscene "Boswellia" sp. Burseraceae: Identification issues and analyses of the sources throughout history Dodinet Elisabeth. A note on the Colorant Gamboge, its introduction in Europe and use in coloured glazes Fras Vlado. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Gruber Christian (1939- ). Grundmann Günther. Horst Jerre van der. Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Keune Katrien. Küffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts Kühlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Kühlenthal Michael. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Kühlenthal Michael. Lüsterfassungen von Skulpturen nd Altarretabeln im künstlerischen Ausstattungskonzept des Barock und Rokoko Kühlenthal Michael. "Lüstrieren, lasieren, lackieren". Die Erforschungvon Lüsterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft Mach Martin. Moser-Seiberl Lukas. Die Altäre von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee Moser-Seiberl Lukas. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Pelludat Inga. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Pelludat Inga. Das Cuivilliés-Theater in München Rapp Klaus. Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria) Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria) Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomünster Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddäus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland) Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Richter Mark. Coloured glazes on metal leaf: definition and terminology Richter Mark. The "Green Lacquered Room" in the Prince-Bishop's palace of Würzburg (1769-1772) Richter Mark. Historische Rezepte von farbigen Lüstern, Goldlacken auf Metallfolien und weiβen bzw. transparenten Überzügen (ca. 1100-1800) Richter Mark. A look at the issue concerning the so-called "Gold Altarpieces" in Slovenia with a special focus on the Gorjnska Region Richter Mark. Organic constituents analysed by DTMS in grounds, bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780) Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773) Richter Mark. The red glazed drapes in the Cuivilliés-Theatre: results of the scientific examination Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany, Austria and Switzerland (c. 1600-1780) Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins Schäfer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650 Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773) Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl, Bad Wiessee Stege Heike (1970- ). Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins Tucic Vojislav. Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables Wenzel Juliane. Der Hochaltar der Schlosskapelle Mariae Himmelfahrt in Sünching Wolf Stefan. Das Cuivilliés-Theater in München
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24782 (1 egz.)
Książka
W koszyku
(Cultural Heritage Science, ISSN 2366-6226)
Autor
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 36712 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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