Arenas Alatorre Jesus. Material study of the Codex Colombino
(1)
Baglioni P. Maya mural paintings in Calakmul
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Bailey Gregory H. Designing nature
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Basile Giuseppe (1942-2013). Burri project
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Bellucci Roberto. Underdrawing in paintings
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Bernikola Eirini. Integrated approach to the study and preservation of painting using laser light technology
(1)
Berrie Barbara Hepburn. Vibrant surface
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Bommel Maarten R. van. After the fact
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Bonacini Irene. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Brunetti Brunetto Giovanni
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Brunetti Brunetto Giovanni. Colours of indigenous memory
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Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Buti David. Colours of indigenous memory
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Carrasco Vargas R. Maya mural paintings in Calakmul
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Cartechini Laura. Multi-criterial studies of the masterpieces The Last Judgement attributed to Hans Memling at the National Museum of Gdańsk (2010-2013)
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Casadio Francesca. Vibrant surface
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Castro Rita. Colour in medieval Portuguese manuscripts
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Chelazzi David. Maya mural paintings in Calakmul
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Chelazzi David. Unveiling the artistic technique of the Florentine Codex
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Chiantore Oscar. Outdoor painted surfaces in contemporary art
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Ciatti Marco (1955- ). Science and conservation at the Florentine O. P. D. and Raphael's Madonna of the Goldfinch
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Clarricoates Rhiannon
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Colombini Maria Perla. (1951- ). Wall paintings of the monumental cemetery of Pisa
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Cordeiro Baqueiro M. Maya mural paintings in Calakmul
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Cotte Marine. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Crook Jo (1963- ). John Hoyland
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Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Daffara Claudia. Modern painted palimpsests
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Dahm K. Vibrant surface
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Daveri Alessia. Burri project
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De Cesare G. Burri project
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De Nolf Wout. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Dik Joris. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Doherty Brenda. Modern painted palimpsests
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Domenici Davide (1968- ). Colours of indigenous memory
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Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Ernst Richard R. Science and art - my two passions
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Falcón Tatiana. Material study of the Codex Colombino
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Falkenberg Gerald. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Filippini Giuseppe (1940- ). Integrated approach to the study and preservation of painting using laser light technology
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Filtenborg Troels (1951- ). As time passed by came sunset
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Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings
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Fontana Raffaella. Modern painted palimpsests
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Fotakis Costas. Integrated approach to the study and preservation of painting using laser light technology
(1)
Fratini F. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
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Frosinini Cecilia. Underdrawing in paintings
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Fukunaga Kaori. Designing nature
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Gallegos Damasia. Argentinean murals
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Giorgi R. Unveiling the artistic technique of the Florentine Codex
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Glanville Helen. Mens agitat molem
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Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Hale Charlotte (1959- ). Designing nature
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Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Hendriks Ella. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh
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Hernandez Eumelia. Material study of the Codex Colombino
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Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
(1)
Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials
(1)
Iazurlo Paola. Burri project
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Janssen Hans (1954- ). After the fact
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Janssens Koen H. A. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Keith Larry. Colour change and restoration
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Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Learner Thomas J. S. John Hoyland
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Lee Judith. Colour change and modern paints; an overview
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Leeuwestein Margje. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Legrand Stijn. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Leona Marco. Designing nature
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Ling He. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Londero Pablo S. Designing nature
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Magaloni Kerpel Diana Isabel (1961- ). Unveiling the artistic technique of the Florentine Codex
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Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
(1)
Marte Fernando. Argentinean murals
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Mascalchi M. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
(1)
Matteini Mauro (1943- ). Wall paintings of the monumental cemetery of Pisa
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Mazzei B. Study and laser uncovering of hypogean early Christian wall painting of Roma's catacombs of Santa Tecla and Domitilla
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Mazzeo Rocco. Scientific examination for the investigation and conservation for Far East Asian mural paintings
(1)
Melessanaki Kristalia. Integrated approach to the study and preservation of painting using laser light technology
(1)
Melo Maria Joao. Colour in medieval Portuguese manuscripts
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Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis
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Mendes Isolda. Material and technical studies of a selected group of paintings by Candido Portinari a major Brazilian modernist painter
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Miliani Costanza. Colours of indigenous memory
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Mirabile Antonio. Elusive nd transitory materials in contemporary drawings
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Miranda Adelaide. Colour in medieval Portuguese manuscripts
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Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector
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Monico Letizia. Examination of Vincent van Gogh's paintings and pigments by means of state-of-the-art analytical methods
(1)
Monrad Kasper (1952-2018). As time passed by came sunset
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Moretti Patrizia. Elusive nd transitory materials in contemporary drawings
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Motta Edson. Material and technical studies of a selected group of paintings by Candido Portinari a major Brazilian modernist painter
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Ormsby Bronwyn. Colour change and modern paints; an overview
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