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Source
National Museum in Krakow Library
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Form of Work
Książki
(2)
Status
available
(1)
unavailable
(1)
Branch
Magazyn
(2)
Author
Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Barbour Daphne
(1)
Barbour Daphne. Casting Degas's sculpture into bronze: a closer look
(1)
Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Berrie Barbara Hepburn. Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
(1)
Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
(1)
Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Colombini Maria Perla. (1951- )
(1)
Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
(1)
Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
(1)
De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Degano Ilaria (1982- )
(1)
Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Delaney John K. (1961- ). Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
(1)
Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Dooley Kathryn A. Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
(1)
Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
(1)
Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Facini Michelle. Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
(1)
Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Hajdas Irena. Dating of artwork by radiocarbon
(1)
Hoenigswald Ann. Question of finish in the work of Edgar Degas
(1)
Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Jones Kimberly. Question of finish in the work of Edgar Degas
(1)
Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Kendall Richard (1946-2021). Degas and difficulty
(1)
Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
(1)
Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Lomax Suzanne Quillen
(1)
Lomax Suzanne Quillen. Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
(1)
Lomax Suzanne Quillen. Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
(1)
Luchs Alison. Little dancer in wax and words: reading a sonnet by Edgar Degas
(1)
Mass Jennifer L. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
(1)
Mass Jennifer L. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution
(1)
Monico Letizia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Nevin Austin (1978- )
(1)
Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
(1)
Nevin Austin (1978- ). Fluorescence for the analysis of paintings
(1)
Palmer Michael (1933- ). Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
(1)
Palmer Michael (1933- ). Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
(1)
Plicht Johannes van der. Dating of artwork by radiocarbon
(1)
Pollak Rebecca. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Rousaki Anastasia. Raman analysis of inorganic and organic pigments
(1)
Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
(1)
Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Schenck Kimberly. Edgar Degas and Mary Cassatt: a comparison of drawings for soft-ground etchings
(1)
Shugar Aaron N. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
(1)
Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Sturman Shelley. Casting Degas's sculpture into bronze: a closer look
(1)
Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
(1)
Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship
(1)
Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Vandenabeele Peter. Raman analysis of inorganic and organic pigments
(1)
Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
(1)
Werf Inez Dorothe van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
(1)
Year
2020 - 2024
(1)
2010 - 2019
(1)
Country
Switzerland
(1)
United Kingdom
(1)
United States
(1)
Language
English
(2)
Subject
Chemia analityczna
(1)
Degas, Edgar (1834-1917)
(1)
Fałszerstwo
(1)
Malarstwo
(1)
Malarstwo francuskie
(1)
National Gallery of Art (Waszyngton ; 1937- )
(1)
Rzeźba francuska
(1)
Subject: time
1801-
(1)
1901-
(1)
2 results Filter
Book
In basket
Indeks R0: BMNK
T. monogr.: "Facture : conservation, science, art history". Vol. 3 (2017).
Bibliogr. przy art.
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: Czas. III 2457/3 (1 egz.)
Book
In basket
(Cultural Heritage Science, ISSN 2366-6226)
Author
Colombini Maria Perla. (1951- ). Degano Ilaria (1982- ). Nevin Austin (1978- ). Alfeld Matthias (1981- ). Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Andreotti Alessia. Analytical pyrolysis of organic paint materials for authentication and attribution Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint Bertrand Loïc. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies Centeno Silvia A. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Cotte Marine. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Deleu Nina. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dik Joris. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper Duvernois Isabelle. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship Farmer Jana S. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Finnefrock Adam C. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Hajdas Irena. Dating of artwork by radiocarbon Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Mass Jennifer L. Approaches to current issues with art forgery, restoration and conservation: legal and scientific perspectives Mass Jennifer L. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution Monico Letizia. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials Nevin Austin (1978- ). Fluorescence for the analysis of paintings Plicht Johannes van der. Dating of artwork by radiocarbon Pollak Rebecca. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Rousaki Anastasia. Raman analysis of inorganic and organic pigments Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Shugar Aaron N. Scientific study, condition challenges, and attribution questions in Yves Tanguy's oeuvre Thoury Mathieu (1977- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects Tummers Anna (1974- ). The eye versus chemistry? From twentieth to twenty-first century connoisseurship Snickt Geer van der. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Van Espen Piet. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Vandenabeele Peter. Raman analysis of inorganic and organic pigments Vanmeert Frederik. Non-invasive and non-destructive examination of artists' pigments, paints and paintings by means of X-Ray imaging methods Werf Inez Dorothé van der. Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
Indeks R0: BMNK
Bibliogr. przy art.
This item is available in one branch. Expand information to see details.
Magazyn
All copies are currently on loan: II 36712 (1 egz.)
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