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Berg Klaas Jan van den (1964- ). Direct and hyphenated mass spectrometry to detect glycerolipids and additives in paint
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Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
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Blumenroth Diana Sabine. Losemittelsensitivitat moderner Olfarben. Empfindlichkeit synthetisch-organischer Pigmente in Kunstlerfarben des 20. Jahrhunderts
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Bomford David. Foreword
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Bomford David. Picture cleaning: positivism and metaphysics
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Buck Susan L. Cross-section microscopy analysis and fluorescent staining
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Bucklow Spike. The classification of craquelure patterns
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Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
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Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
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Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Cushman Matthew. Aqueous methods for the cleaning of paintings
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D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
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Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
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De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Diependaal Hannie. Breitner's paint box and the colours of Standage
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Dietemann Patrick. Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Digney-Peer Shawn. The imitative retouching of easel paintings
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Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
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Dixon Thomas. Storage of easel paintings
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Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
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Eastaugh Nicholas. Pigments in Western easel painting
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Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
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Fiedler Irene (1948- ). Ernst Ludwig Kirchner's binding media - material surface and colour perception
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Finn Clare. Written documentation for paintings conservation
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Fucker Beate. Geschichte Herstellung und Verwendung von Glasaugen an barocker polychromer Grossplastik im deutschsprachigen Raum
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Fuster-López Laura. Filling
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Gabler Wolfram (1954- )
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Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
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Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
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Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Gottsegen Mark D. Twentieth-century grounds
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Griesebach Lucius (1942- ). Vorderseite? Ruckseite? ober beides? Uber den Umgang mit Ernst Ludwig Kirchners doppelseitig bemalten Leinwanden
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Gritt Stephen. The imitative retouching of easel paintings
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Groot Suzan de (1972- ). Breitner's paint box and the colours of Standage
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Hackney Stephen. Lining easel paintings
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Haidvogl Martina. Audiokunstwerke von Dieter Roth. Problematiken und mogliche Losungsansatze zur Erhaltung
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Hajdas Irena. Dating of artwork by radiocarbon
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Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
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Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
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Horovitz Isabel. Consolidation of flaking paint and ground
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Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art
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Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Katlan Alexander. History of fabric supports
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Keijzer Matthijs de. Breitner's paint box and the colours of Standage
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Keulen Henk van. Breitner's paint box and the colours of Standage
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