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Berrie Barbara Hepburn. Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
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Bertrand Loic. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Blauensteiner Bjorn (1981- ). Under- and overdrawing in the Pulkau altarpiece: new insights into a stylistic enigma
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Bonaduce Ilaria. Analytical pyrolysis of organic paint materials for authentication and attribution
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Burnstock Aviva. The role of technical study and chemical analysis on questions of attribution and dating of paintings and on easel painting conservation practice: selected case studies
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Campos Pedro. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Candeias António (1955- ). The drawing hand of a Portuguese mannerist painter
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Centeno Silvia A. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Clerici Ermanno Avranovich. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Colombini Maria Perla. (1951- )
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Colombini Maria Perla. (1951- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Cotte Marine. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Cotte Marine. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Cruz António Joao (1963- ). The drawing hand of a Portuguese mannerist painter
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Currie Christina. The Arbroath Sermon of Saint John the Baptist after Pieter Bruegel the Elder: a rare pastiche
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D'Imporzano Paolo (1988- ). Lead isotope ratios of lead white: from provenance to authentication
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Davies Gareth R. Lead isotope ratios of lead white: from provenance to authentication
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De Meyer Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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De Nolf Wout. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Degano Ilaria (1982- )
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Degano Ilaria (1982- ). Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Degano Ilaria (1982- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Delaney John K. (1961- ). Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
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Delaney John K. (1961- ). The underdrawing of the Lamentation of Christ revisited
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Delaney John K. (1961- ). Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Deleu Nina. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Depuydt-Elbaum Livia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Derks Kirsten (1992- ). Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions
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Derks Kirsten (1992- ). The underdrawing of the Lamentation of Christ revisited
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Dik Joris. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Dooley Kathryn A. Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
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Dooley Kathryn A. The underdrawing of the Lamentation of Christ revisited
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Dooley Kathryn A. Visible and infrared reflectance imaging spectroscopy of paintings and works on paper
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Duvernois Isabelle. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Elgammal Ahmed. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Erdmann Robert G. The eye versus chemistry? From twentieth to twenty-first century connoisseurship
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Espin Elsa. The Northern way: engraving success in Catalan painting around 1500
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Facini Michelle. Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
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Farmer Jana S. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
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Fasce Michela. In the manner of... Genoese Antoon Van Dyck: technique design development
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Felix Valter. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Finnefrock Adam C. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Firea Ciprian (1975- ). A 'Nuremberg' workshop in remote Transylvania? Investigations on early sixteenth-century altarpieces painted in Sighisoara/Schassburg
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Freitas Renato. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Gafa Sarah Yeomans. The technique of Filippo Paladini: a case study of his sixteenth-century wall paintings at Verdala Palace Buskett Malta
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Gerken Mareike. Elsheimer's creative process: new research on the Frankfurt altarpiece of the True Cross
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Gestels Arthur. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Girometti Stefania (1987- ). Michele Desubleo's self-portrait as Saint Luke: technique in context and the creation of a maniera
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Gonzalez Victor. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Hageraats Selwin (1992- ). Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Hajdas Irena. Dating of artwork by radiocarbon
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Hennen Sofia. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Hoenigswald Ann. Question of finish in the work of Edgar Degas
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Janssens Koen H. A. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Janssens Koen H. A. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Janssens Koen H. A. Reconstructing sweerts: practical insights into the historical dark halo technique based on paint reconstructions
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Jones Kimberly. Question of finish in the work of Edgar Degas
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Kajiya Elizabeth. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Kang Yan. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Kemperdick Stephan (1960- ). Hugo van der Goes's idiosyncrasies and maniera in visible and in infrared light
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Kendall Richard (1946-2021). Degas and difficulty
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Keune Katrien. Microchemical imaging of oil paint composition and degradation: state-of-the-art and future prospects
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Klein Koerkamp Joyce. Alla maniera di Gerard David? Stylistic irregularities in Ambrosius Benson's Oeuvre
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La Nasa J. Analytical pyrolysis of organic paint materials for authentication and attribution
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Leeuw Milko den. Automated analysis of drawings at the stroke level for attribution and authentication using artificial intelligence
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Legrand Stijn. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Lomax Suzanne Quillen
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Lomax Suzanne Quillen. Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
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Lomax Suzanne Quillen. Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
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Luchs Alison. Little dancer in wax and words: reading a sonnet by Edgar Degas
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Mass Jennifer L. Approaches to current issues with art forgery restoration and conservation: legal and scientific perspectives
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Mass Jennifer L. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Mateu Sara. The Phoebus Nativity: A close look into the workshop of Memling
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Melo Helena Pinheiro de. The drawing hand of a Portuguese mannerist painter
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Meloni Sabrina. The Versatile style of Jan Steen: how he varies the preparations of his composition during his career and according to the subject
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Modugno Francesca. Analytical pyrolysis of organic paint materials for authentication and attribution
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Monico Letizia. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Nevin Austin (1978- )
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Nevin Austin (1978- ). Analytical approaches to the analysis of paintings: an overview of methods and materials
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Nevin Austin (1978- ). Fluorescence for the analysis of paintings
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Palmer Michael (1933- ). Edgar Degas's wax sculptures: characterization and comparison with contemporary practice
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Palmer Michael (1933- ). Technical exploration of Edgar Degas's Ballet scene: a late pastel on tracing paper
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Pimenta Andre. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Plicht Johannes van der. Dating of artwork by radiocarbon
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Pollak Rebecca. Scientific study condition challenges and attribution questions in Yves Tanguy's oeuvre
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Pollmer-Schmidt Almut (1979- ). Elsheimer's creative process: new research on the Frankfurt altarpiece of the True Cross
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Pottasch Carol (1958- ). The underdrawing of the Lamentation of Christ revisited
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Rizzutto Marcia de Almeida. Rediscovering the Sao Paulo Museum of Art's Memling by technical examination
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Rousaki Anastasia. Raman analysis of inorganic and organic pigments
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Sabatini Francesca. Analysis of natural and synthetic organic lakes and pigments by chromatographic and mass spectrometric techniques
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Saverwyns Steven. Non-invasive and non-destructive examination of artists' pigments paints and paintings by means of X-Ray imaging methods
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Schenck Kimberly. Edgar Degas and Mary Cassatt: a comparison of drawings for soft-ground etchings
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