SOWA OPAC : Catalogue of the National Museum in Krakow Library

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Książki

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available

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unavailable

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Magazyn

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Author

Ackroyd Paul. Retouching media used at the National Gallery London since the nineteenth century

(1)

Bucklow Spike. The state of research into retouching resins

(1)

Buti David. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings

(1)

Ciatti Marco (1955- ). An unusual case of integration and its solution

(1)

Clarricoates Rhiannon

(1)

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Cove Sarah. Retouching with a PVA resin medium

(1)

Cross Maureen. Retouching media for acrylic paintings

(1)

Cuellar Santiago. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Dowding Helen

(1)

Dunkerton Jill (1952- ). Retouching with Gamblin conservation colours

(1)

Eikema Hommes Margriet van (1969- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis

(1)

Ellison Rebecca

(1)

Evans Stig. Colour theory and the application of a portable spectrophotometer for retouching

(1)

Ferrer Jin Strand. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials

(1)

Filtenborg Troels (1951- ). Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings

(1)

Folkes Simon. Texturing fills using a silicone mould

(1)

Gent Alexandra

(1)

Gschwind Rudolf (1949- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Hanson Andrew. Colour theory and the application of a portable spectrophotometer for retouching

(1)

Haswell Raplh. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis

(1)

Hendriks Ella. Paintings fade like flowers: colour change in paintings by Vincent van Gogh

(1)

Hoekstra Ivo. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis

(1)

Hoffmeister Christine. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Hull Alyssa. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials

(1)

Keith Larry. Colour change and restoration

(1)

Kempski Mary. The art of tempera retouching

(1)

Khandekar Narayan (1964- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Koneczny Peter. An introduction to B72 Retouching Gels

(1)

Koneczny Peter. Properties of pigments retouching media and their use

(1)

Lee Judith. Colour change and modern paints; an overview

(1)

Lowry Kate. Retouching with Paraloid B-72

(1)

Mancusi-Ungaro Carol. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Massing Ann. The history of egg tempera as a retouching medium

(1)

Meloni Sabrina. Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis

(1)

Mohan Ankit. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Ormsby Bronwyn. Colour change and modern paints; an overview

(1)

Padfield Joseph. An Introduction to the Measurement and Comparison of Light Sources used Within Cultural Heritage

(1)

Phenix Alan. The composition and chemistry of eggs and egg tempera

(1)

Pottasch Carol (1958- ). Vivid Colours in the Golden Room: An educated but tentative reconstruction of an ensemble by Pellegrini in the Mauritshuis

(1)

Rae Caroline. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits

(1)

Raskar Ramesh (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Reddington Sophie. Texturing fills using a silicone mould

(1)

Roma Paolo. An unusual case of integration and its solution

(1)

Sartiani Oriana (1960- ). An unusual case of integration and its solution

(1)

Schneider Enriquez Mary. Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Severini Leonardo. An unusual case of integration and its solution

(1)

Sheldon Libby. Lost Purples: Detection Composition and Reconstruction: Re-discovering the Appearance and Contemporary Resonance of Purple Paint in Tudor and Stuart Portraits

(1)

Sims Shelley. Retouching media for acrylic paintings

(1)

Smithen Patricia

(1)

Smithen Patricia. Retouching media for acrylic paintings

(1)

Sozzani Laurent. Pushing the borders of retouching and reconstruction: can enough ever be too much?

(1)

Speleers Lidwien. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts

(1)

Spring Marika. Fading darkening browning blanching: a review of our current understanding of colour change and its consequences in old master paintings

(1)

Stenger Jens (1970- ). Non-Invasive Colour Restoration of Mark Rothko's Harvard Murals Using Light from a Digital Projector

(1)

Syversen Terje. Investigating surface phenomena in paints and paintings by Edvard Munch (1863a -1944) – in the context of the artist’s painting materials

(1)

Townsend Joyce H. Microfading: a useful tool for paintings conservators?

(1)

Turnbull Rachel

(1)

Verhave Johanneke. Choosing colour ; the reconstruction of green textiles in The National Synod by Pouwel Weyts

(1)

Vila Anna. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings

(1)

Wadum Jorgen. Colour Changes due to the Fading of Prussian Blue in Danish Golden Age Paintings

(1)

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Year

2010 - 2019

(2)

Country

United Kingdom

(2)

Language

English

(2)

Subject

Malarstwo (szt.plast.)

(2)

Barwy

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Genre/Form

Materiały konferencyjne

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Book

In basket

This item is available in one branch. Expand information to see details.

Magazyn

There are copies available to loan: sygn. sygn. II 31511 (1 egz.)

Book

In basket

This item is available in one branch. Expand information to see details.

Magazyn

All copies are currently on loan: sygn. sygn. II 31514 (1 egz.)