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Biblioteka Muzeum Narodowego
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Adamson Glenn (1972- ). Imprints: Scale and the maker's trace
(1)
Adriaens-Pannier Anne. Four seasons of Leon Spilliaert's mind
(1)
Alhadeff Albert. Serres chaudes: inside-outside outside-inside
(1)
Amico Michael. The pulpit of Henry Trumbull
(1)
Bellion Wendy. Mast trees liberty poles and the politics of scale in late colonial New York
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Brunet Francois (1960- )
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Brunet Francois (1960- ). Introdution: No representation without Circulation
(1)
Davidts Wouter. As pointless as a yard rule: Barnett Newman and the scale of art
(1)
DeLue Rachael Ziady
(1)
DeLue Rachael Ziady. Picturing: an introduction
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Gaudio Michael. Magical pictures; or observations on lightning and thunder occasion'd by a portrait of dr. Franklin
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Gervais Thierry (1973- ). Shifting images: American News Photographs 1861-1945
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Grigsby Darcy Grimaldo. Blow-up: photographic projection dynamite and the sculpting of American mountains
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Gunning Tom (1949- ). Circulation and transformation of cinema; or Did the French invent the American cinema?
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Haselstein Ulla (1958- ). Learning from Cezanne: Stein's working with and through picturing
(1)
Heuer Christopher P. Arctic matters in early America
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Hokanson Alison. Henri de Braekeleer and Belgian landscape painting in the 1870s and 1880s
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Howe Jeffery (1951- )
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Howe Jeffery (1951- ). Fernand Khnopff's landscapes: nature as mirror
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Howe Jeffery (1951- ). Historical outline and map
(1)
Howe Jeffery (1951- ). Nature's mirror: reality and symbol in Belgian landscape
(1)
Hunter Matthew C. Did Joshua Reynolds paint his pictures?
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Hutchinson Elizabeth (1966- ). Conjuring in fog: Eadweard Muybridge at Point Reyes
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Kelsey Robin Earle (1961- ). Pictorialism at theory
(1)
Labio Catherine. Belgium in an industrialist: pride and exploitation in the black country 1850-1900
(1)
Mackintosh Lucy. A long-forgotten art: two Maori Flutes in the Peabody Essex Museum
(1)
Mancini JoAnne Marie (1968- ). American art's dark matter: a history of Uncirculation form revolution to empire
(1)
Marechal Dominique (1957- ). And the clouds stagnate. On the water's face: bruges as a cross-roads of European symbolism
(1)
Marshall Jennifer Jane. Ever Not Quite: empathy experience and William Edmondson
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Mehring Frank (1970- ). How silhouettes became Black: The visual rhetoric of the Harlem renaissance
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Nemerov Alexander (1963- )
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Nemerov Alexander (1963- ). Introduction: Experience
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Nemerov Alexander (1963- ). The Hushed Place: Richard Choi's Trampoline (2011)
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Peters Corbett David (1956- ). The World is terrible and it is not there at all: George Bellows on Monhegan Island
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Roberts Jennifer L. (1969- )
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Roberts Jennifer L. (1969- ). Introduction: Seeing scale
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Situ Xiao. Emily Dickinson's Windows
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Slifkin Robert (1973- ). The empty room and the and of man
(1)
Stein Joshua G. (1972- ). Imprints: Scale and the maker's trace
(1)
Valance Helene. Rematriating James McNeill Whistler: The Circulation of arrangement in grey and black No. 1: portrait of the Artist's Mother
(1)
Weems Jason. Scale a Slaughterhouse view: Industry corporeality and being in turn-of-the century Chicagop-p
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McMullen Museum of Art (Boston)
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