Bobilewicz-Bryś Grażyna (1951- ). Music in Russian avant-garde painting
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Bobilewicz-Bryś Grażyna (1951- ). Muzyka w malarstwie awangardy rosyjskiej
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Bończuk-Dawidziuk Urszula. Collecting Antiquities at the Archaeological Museum of the Royal University in Wrocław in the second half of the nineteenth century
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Brehier Louis (1868-1951)
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Brody Michael John (1965- ). Several seventeenth-century armorial bianchi works for Roman and other elite clients
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Bryson Norman (1949- ). Semiotics and art history
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Buczyński Bartosz. Henryk Stażewski and his earliest works. Analysis of his style in relation to unknown composition dated ca. 1920
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Buczyński Bartosz. Wczesna twórczość Henryka Stażewskiego. Analiza i dynamika przemian na podstawie nowo odkrytej kompozycji malarskiej z początku lat 20
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Budzałek Anna. Na ratunek ostatniej polskiej przedwojennej awangardzie. Leon Chwistek i I Grupa Krakowska
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Budzałek Anna. Saving the last Polish pre-war avant-garde. Leon Chwistek and the Krakow Group
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Campbell Caroline (1973- ). The place of maiolica among the arts of the Renaissance
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Ceci Francesca. The Sobieskis: memories prints paintings and letters in the collections of the Sovrintendenza Capitolina di Roma in the Roman chronicles and in Rome: a historical commentary
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Cervonnaa Svetlana Mihajlovna (1936- ). Der Blaue Reiter (Błękitny Jeździec) i echo jego tryumfalnego marszu w narodowych szkołach artystycznych Europy Wschodniej
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Cervonnaa Svetlana Mihajlovna (1936- ). Der Blaue Reiter and the echo of his triumphal flight in national artistic schools of the East-Europa
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Chudzikowska Monika. Formists in terms of stage performance. Stage design by Andrzej and Zbigniew Pronaszko in 1925–1926
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Chudzikowska Monika. Formiści w przestrzeni sceny. Scenografia Andrzeja i Zbigniewa Pronaszków w latach 1925–1926
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Coombes Annie E. (1956- ). Inventing the postcolonial
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D'Amico Serena. United by context divided by collection: the nineteenth century collecting of prehistoric artifacts from Villafrati (Sicily Italy)
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Damisch Hubert (1928-2017). Semiotics and iconography
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Davis Whitney (1958- ). Winckelmann divided
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Derrida Jacques (1930-2004). Restitutions of the truth in pointing (pointure)
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Dufourcq Norbert (1904-1990)
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Duncan Carol (1936- ). Art museum as ritual
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Dziewicki Tomasz. Totemiczny wymiar abstrakcji. Wokół narodzin malarstwa bezprzedmiotowego i Kompozycji 5 Wassilego Kandinskiego
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Dziewicki Tomasz. Totemism of abstract painting. About birth of non-representational art and Composition 5 by Wassily Kandinsky
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Foucault Michel (1926-1984). What is an author?
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Garcia Canclini Nestor (1939- ). Remaking passports
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Geron Małgorzata. Kokaina/Cocain Rity Sacchetto i Augusta Zamoyskiego
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Geron Małgorzata. Kokaina/Cocain by Rita Sacchetto and August Zamoyski
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Giziński Kajetan (1993- ). Wassilij Kandinski – malarz jednego obrazu
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Giziński Kajetan (1993- ). Wassily Kandinsky – one picture painter
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Glaser Silvia (1958- ). Italian-influenced tin-glazed earthenware of the sixteenth and seventeenth centuries north of the Alps. More questions than answers
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Gombrich Ernst Hans (1909-2001). Style
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Gorzelany-Nowak Dorota (1973- ). The overlooked collection: the ancient art collection of the Princes Czartoryski Museum
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Gołyźniak Paweł. Glyptic treasures in Krakow and old master paintings collection of Constantine Schmidt-Ciążyński
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Gryglewicz Tomasz (1949-2022). Formism and the early avant-garde tendencies in the art of Central Europe. An outline of the problem
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Gryglewicz Tomasz (1949-2022). Formizm a tendencje wczesnoawangardowe w sztuce Europy Środkowej. Zarys problematyki
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Głowa Anna. The collection of late Antique textiles from Egypt acquired in 1893 by the Archaeological Cabinet of the Jagiellonian University in the context of the early interest in Coptic weaving
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Halbertsma Ruurd (1958- ). From antiquarianism to scholarship: classical archaeology in the Netherlands 1600–1840
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Hegel Georg Wilhelm Friedrich (1770-1831). Philosophy of fine art
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Heidegger Martin (1889-1976). Origin of the work of art
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Huyssen Andreas (1942- ). Mapping the postmodern
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Iversen Margaret (1949- ). Retrieving Warburg's tradition
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Jedlińska Eleonora (1954- ). Marek Szwarc: Jung Idysz i Bunt
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Jedlińska Eleonora (1954- ). Marek Szwarc: Young Yidish and Bunt Group
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Jones Amelia (1961- ). Postfeminism feminist pleasures and embodied theories of art
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Kant Immanuel (1724-1804). Critique of judgement
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Kant Immanuel (1724-1804). What is enlightenment?
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Kaśkiewicz Kinga (1973- ). Koncepcja wielości rzeczywistości Leona Chwistka a imaginatywny świat sztuki Leona Blausteina
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Kaśkiewicz Kinga (1973- ). Multiplicity of reality concept by Leon Chwistek vs imaginative world of art by Leon Blaustein
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Kelly Mary (1941- ). No essential femininity
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Krauss Rosalind E. (1941- ). Sculpture in the expanded field
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Kubala Agata. From Greece to Wrocław: Eduard Schaubert's collection of Antiquities
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Kulpińska Katarzyna (1973- ). Grafika malarza? Poszukiwania Wacława Wąsowicza (1891–1942) w grafice warsztatowej
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Kulpińska Katarzyna (1973- ). Graphics by a painter? Wacław Wąsowicz’s endeavours in printmaking
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Malinowski Jerzy (1950- )
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Malinowski Jerzy (1950- ). Foreword
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Malinowski Jerzy (1950- ). Przedmowa
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Mallet John Valentine Granville (1930- )
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Mallet John Valentine Granville (1930- ). An istoriato basin fit for a cardinal
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Mallet John Valentine Granville (1930- ). Preface
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Marin Louis (1931-1992). Toward a theory of reading in the visual arts
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Martini Annarita. From the Capitol to the Louvre: the journey of a relief of Mithras
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Mazzotti Valentina. Luigi Girelli a late-nineteenth and early twentieth-century collector and draughtsman of Italian maiolica
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Melville Stephen W. (1949- ). Temptation of new perspectives
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Mitchell Timothy (1955- ). Orientalism and the exhibitionary order
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Moretti Cursi Giulia. The Dionysian Ancient Reliefs of the Cardelli Collection: A Product of Seven - teenth Century Classicism or an Interpretative Paradigm?
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Norskov Vinnie. Introduction: When is a collection a collection? Provenance studies and the role of dealer's collections
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Nowakowski Wojciech (archeologia). Die ostpreussischen Sammlungen der vaterlandischen Alterthumer im 18 Jh
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Oboleńska Diana. Anthroposophic period of Stanisław Stuckgold
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Oboleńska Diana. Okres antropozoficzny Stanisława Stuckgolda
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Owens Craig (1950-1990). Allegorical impulse
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Palica Magdalena (1980- ). Antiquities collections in Silesia - terra incognita?
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Paliusyte Aiste (1966- ). Antiquities in the collection of the Radziwiłł family in the Wettin era
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Panofsky Erwin (1892-1968). Et in Arcadia ego
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Petrekova Eliska. Luxury souvenir or precious original: the case of the bronze tripod from the Real Museo Borbonico
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Piątkowska Renata (historia sztuki). After avant-garde. Is the Jewish avant-garde of the beginning of the twenties have influenced the Yiddish visual univers in Poland?
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Piątkowska Renata (historia sztuki). Po awangardzie. Czy żydowska awangarda początku lat 20. XX wieku oddziałała na żydowskie uniwersum wizualne w II Rzeczypospolitej?
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Pleguezuelo Hernandez Alfonso (1954- ). Revisiting Niculoso Pisano (active 1503-1529): Italian novelties and Iberian taste
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Powalska Izabella. Around the Dancing Fire. Women-artists in the Yung Yidish Group
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Powalska Izabella. Wokół „Tańczącego Ognia”. Kobiety artystki w grupie Jung Idysz
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Preziosi Donald (1941- )
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Preziosi Donald (1941- ). Art history
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Preziosi Donald (1941- ). Art of art history
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Riccetti Lucio. Fragments restoration fakes. Some considerations on the collectiong of maiolica before 1914
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Riegl Alois (1858-1905). Leading characteristics of the late Roman Kunstwollen
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Salamon-Radecka Agnieszka (1971- ). Jerzego Hulewicza (1886-1941) kłopoty z formizmem. Przyczynek do burzliwej historii kontaktów poznańskich ekspresjonistów z krakowskimi formistami
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Salamon-Radecka Agnieszka (1971- ). Jerzy Hulewicz (1886–1941) and his problems with formism. A contribution to the tempestuous history of contacts of Poznań-based expressionists and formists from Kraków
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Salomon Nanette. Art historical canon
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Salvatelli Luca. Anno ab incarnatione Domini Nostri MLXVI: a note about Halley's Comet in Viterbo's Archbishop library collection
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Sani Elisa Paola. Preface
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Sani Elisa Paola. Reflections on early Gubbio Lustreware
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