Form of Work
Książki
(2)
Status
available
(1)
unknown
(1)
Branch
Magazyn
(2)
Author
Banasiak Jakub (1980- )
(1)
Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Benesz-Goldfinger Zuzanna. Minor remnants from Solna street - Isaac Celnikier’s post-war sketches and the Holocaust experience
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Bojarska Katarzyna (1981- ). Wilhelm Sasnal's transitional images
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Głowacka Dorota (1960- ). Gendered representations of beauty and the female body in Holocaust art
(1)
Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Kowalczyk Izabela (1971- ). Polish art of/on/in the shadow of the Holocaust
(1)
Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Lachowski Marcin (1975- ). Post-war landscapes
(1)
Leociak Jacek (1957- ). An oputline of the history of objects in Muranow (casus: a Pot)
(1)
Markowska Anna (1962- )
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Michna Paweł. Modernism in the Lodz Ghetto - tentative interpretation of forgotten Holocaust documents
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Nader Luiza
(1)
Nader Luiza. The history of art in Poland and the Holocaust - introduction
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Niemira Konrad. Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Pietrasik Agata (1985- ). Symbol testimony evidence: representations of Majdanek in the 1944-45 work of Zinovy Tolkachev
(1)
Piątkowska Renata (historia sztuki). Elżbieta Nadel's Images from home: 18 sketches from nature Lvov 1942
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the East
(1)
Romik Natalia (1983- ). Hiding places - the architecture of survival
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Sendyka Roma (1973- ). Bystanders' images of the Holocaust
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
(1)
Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stec Anna (1987- ). Anish Kapoor Memory
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
(1)
Słodkowski Piotr (1985- )
(1)
Słodkowski Piotr (1985- ). The history of art in Poland and the Holocaust - introduction
(1)
Tarnowska Magdalena. Kazimierz Libin (1904–1944) - a painter from Tadeusz Pruszkowski’s circle-life and work
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
(1)
Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
(1)
Year
2020 - 2022
(1)
2010 - 2019
(1)
Country
Poland
(2)
Language
English
(2)
Subject
Pamięć
(1)
Sztuka
(1)
Genre/Form
Materiały konferencyjne
(1)
2 results Filter
No cover
Book
In basket
Tytuł: The history of art in Poland and the Holocaust / [editor-in-chief: Jakub Banasiak ; managing editorts: Luiza Nader, Piotr Słodkowski].
Wariant tytułu: Miejsce : studia nad sztuką i architekturą polską XX i XXI wieku
Adres wydawniczy: Warszawa : Akademia Sztuk Pięknych w Warszawie, 2020.
Opis fizyczny: 359 s. : il. (gł. kolor.) ; 22 cm.
Uwaga: T. monogr.: "Miejsce : studia nad sztuką i architekturą polską XX i XXI wieku". R. 6 (2020).
Uwaga: Bibliogr. przy art.
Uwaga: Numer współfinansowany ze środków Ministerstwa Nauki i Szkolnictwa Wyższego z programu "Wsprcie czasopism" na lata 2019-2020.
Uwaga: DOKUMENT W ZBIORZE CZASOPISM zob. WARIANT TYTUŁU
Hasło dodatkowe: Banasiak, Jakub (1980- ).
Hasło dodatkowe: Nader, Luiza.
Hasło dodatkowe: Słodkowski, Piotr (1985- ).
Hasło dodatkowe: Benesz-Goldfinger, Zuzanna. Minor remnants from Solna street - Isaac Celnikier’s post-war sketches and the Holocaust experience
Hasło dodatkowe: Bojarska, Katarzyna (1981- ). Wilhelm Sasnal's transitional images
Hasło dodatkowe: Głowacka, Dorota (1960- ). Gendered representations of beauty and the female body in Holocaust art
Hasło dodatkowe: Kowalczyk, Izabela (1971- ). Polish art of/on/in the shadow of the Holocaust
Hasło dodatkowe: Lachowski, Marcin (1975- ). Post-war landscapes
Hasło dodatkowe: Leociak, Jacek (1957- ). An oputline of the history of objects in Muranow (casus: a Pot)
Hasło dodatkowe: Michna, Paweł. Modernism in the Lodz Ghetto - tentative interpretation of forgotten Holocaust documents
Hasło dodatkowe: Nader, Luiza. The history of art in Poland and the Holocaust - introduction
Hasło dodatkowe: Piątkowska, Renata (historia sztuki). Elżbieta Nadel's "Images from home: 18 sketches from nature", Lvov 1942
Hasło dodatkowe: Pietrasik, Agata (1985- ). Symbol, testimony, evidence: representations of Majdanek in the 1944-45 work of Zinovy Tolkachev
Hasło dodatkowe: Romik, Natalia (1983- ). Hiding places - the architecture of survival
Hasło dodatkowe: Sendyka, Roma (1973- ). Bystanders' images of the Holocaust
Hasło dodatkowe: Słodkowski, Piotr (1985- ). The history of art in Poland and the Holocaust - introduction
Hasło dodatkowe: Tarnowska, Magdalena. Kazimierz Libin (1904–1944) - a painter from Tadeusz Pruszkowski’s circle-life and work
Hasło dodatkowe: Akademia Sztuk Pięknych (Warszawa ; 1957- )
This item is available in one branch. Expand information to see details.
Zapytaj bibliotekarza: sygn. sygn. Czas. II 2515/6
Book
In basket
Tytuł: Politics of erasure from "Damnatio memoriae" to alluring void / edited by Anna Markowska.
Wariant tytułu: Politics of erasure
Adres wydawniczy: Warsaw : Polish Institute of World Art Studies ; Toruń : Tako Publishing House, 2014.
Opis fizyczny: 345 s. : il. (gł. kolor.) ; 30 cm.
Seria: Conferences and Studies of the Polish Institute of World Art Studies
Uwaga: Bibliogr. przy ref.
Uwaga: Współfinansowanie: Ministerstwo Nauki i Szkolnictwa Wyższego.
Temat: Pamięć - w sztuce - materiały konferencyjne
Temat: Sztuka - a historia - materiały konferencyjne
Temat: Sztuka - a polityka - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Markowska, Anna (1962- ).
Hasło dodatkowe: Bandura, Agnieszka. Politics of replacing in New Romanticism
Hasło dodatkowe: Bernatowicz, Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
Hasło dodatkowe: Bojarska, Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
Hasło dodatkowe: Eysymontt, Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
Hasło dodatkowe: Filipczyk-Topolnicka, Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945
Hasło dodatkowe: Gradinaru, Camelia. Visual tyranny as autopoiesis
Hasło dodatkowe: Gut, Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
Hasło dodatkowe: Ilnicka, Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt
Hasło dodatkowe: Ilnicki, Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
Hasło dodatkowe: Jarosz, Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
Hasło dodatkowe: Jedlińska, Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź
Hasło dodatkowe: Klimczak-Dobrzaniecka, Alicja. Erasure. Memory Exercises
Hasło dodatkowe: Kłos, Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
Hasło dodatkowe: Krzyżanowska, Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed
Hasło dodatkowe: Kubala, Agata. Damnatio memoriae and Roman imperial art
Hasło dodatkowe: Markowska, Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
Hasło dodatkowe: Morawiecka, Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
Hasło dodatkowe: Narušytė, Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius
Hasło dodatkowe: Niemira, Konrad. Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu"
Hasło dodatkowe: Nieszczerzewska, Małgorzata. Erasure of time. Photographs of abandoned places
Hasło dodatkowe: Palęcka, Alicja. Visualizing the other: ethnographic film as thick description
Hasło dodatkowe: Popa, Lucia. Removing Romania: the Western art world colonized by the "East"
Hasło dodatkowe: Scheflan-Katzav, Hadara (1963- ). Re-representation – critical art and the return of the repressed
Hasło dodatkowe: Sikora, Patrycja (1978- ). Erasure. Memory Exercises
Hasło dodatkowe: Sikora-Sabat, Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
Hasło dodatkowe: Sinicka, Agnieszka. Wilhem Sasnal’s photophobia
Hasło dodatkowe: Smolińska, Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
Hasło dodatkowe: Soczyńska, Agata. Marek Oberländer – a painter undesired by the time
Hasło dodatkowe: Speare, Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
Hasło dodatkowe: Stec, Anna (1987- ). Anish Kapoor, "Memory"
Hasło dodatkowe: Szczepaniak, Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album"
Hasło dodatkowe: Tsiftsi, Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin
Hasło dodatkowe: Worłowska, Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
Hasło dodatkowe: Zarzycki, Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea?
Hasło dodatkowe: Zawada, Michał (1985- ). Imaging iconoclasm
Hasło dodatkowe: Zięba, Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
Hasło dodatkowe: Ziębińska-Witek, Anna (1971- ). Historical museums: between representation and illusion
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
ISBN: 978-83-62737-66-6 (Tako)
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 23601, sygn. III 23426 (2 egz.)
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