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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
(2)
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11 wyników Filtruj
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: I 2126 (1 egz.)
Brak okładki
Książka
W koszyku
The healing presence of art : a history of western art in hospitals / Richard Cork. - New Haven ; London : Yale University Press, cop. 2012. - XI, [1], 460 s. : il. (w tym kolor.) ; 29 cm.
Bibliogr. s. 444-449. Indeks.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 19473 (1 egz.)
Brak okładki
Książka
W koszyku
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 15049 (1 egz.)
Książka
W koszyku
(Conferences and Studies of the Polish Institute of World Art Studies / editorial board Agnieszka Kluczewska-Wójcik & Jerzy Malinowski ; vol. 13)
Autor
Markowska Anna (1962- ). Bandura Agnieszka. Politics of replacing in New Romanticism Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory? Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945 Gradinaru Camelia. Visual tyranny as autopoiesis Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art Jedlińska Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed Kubala Agata. Damnatio memoriae and Roman imperial art Markowska Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period) Narušytė Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu" Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places Palęcka Alicja. Visualizing the other: ethnographic film as thick description Popa Lucia. Removing Romania: the Western art world colonized by the "East" Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed Sikora Patrycja (1978- ). Erasure. Memory Exercises Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland Sinicka Agnieszka. Wilhem Sasnal’s photophobia Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland Soczyńska Agata. Marek Oberländer – a painter undesired by the time Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism Stec Anna (1987- ). Anish Kapoor, "Memory" Szczepaniak Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album" Tsiftsi Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea? Zawada Michał (1985- ). Imaging iconoclasm Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
Indeks R0: BMNK
Tyt. grzbietowy: Politics of erasure
Bibliogr. przy ref.
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Magazyn
Są egzemplarze dostępne do wypożyczenia: III 23601, III 23426 (2 egz.)
Książka
W koszyku
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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Jezierska Anna (1981- ). Szewczyk Aleksandra (1979- ). Śliwowska Anna (1972- ). Bursiewicz Natalia. Rema Koolhaasa refleksje o mieście Cybulska-Jędraszek Katarzyna A. Historia pewnej kolekcji - Mela Muter w zbiorach Liny i Bolesława Nawrockich, obecnie w Muzeum Uniwersyteckim w Toruniu Długosz Magdalena (1981- ). Problemy analizy wczesnych dzieł Oskara Kokoschki jako manifestacji duchowości jednostki na tle jej czasów Fuk Kamila. Ikonografia i ikonologia Speculum Humanae Salvationis Gawęcka Barbara Maria. Prace Franciszka Ksawerego Kowalskiego i Faustyna Cenglera przy katedrze w Kielcach w latach 1869-1872 Gieser Laura. Reflections on language and art - the case of Jochen Gerz Kaliś Natalia. Performance romantyczny Kleiber Katarzyna (1984- ). Iranian art influenced by western art theory and practice: problems of interpretation Kłudkiewicz Kamila. Obrazy grupy "la Bande noire" w kolekcji Edwarda Aleksandra Raczyńskiego - gusta epoki i działalność kolekcjonera na rynku paryskim przełomu XIX i XX wieku Krejči Marek (1976- ). Polityka, ochrona zabytków i tożsamość w Europie Środkowo-Wschodniej (studium krytyczno-porównawcze) Krynicka Katarzyna Architektura i kształtowanie pamięci Kwiatkowska-England Anna. Kamp w sztuce polskiej po roku 1989 w dobie globalizacji Lipiński Filip (1979- ). Problem medium w malarstwie Edwarda Hoppera Lipska Dąbrówka. Warmińskie baptysteria - pochodzenie, forma, treść Łuczak Dorota. O widzeniu fotograficznym na marginesie "Autoportretu" Man Raya Moskalewicz Magdalena (1984- ). Co dalej z obrazem? Niwińska Olga. Florencki portret Jana Zamoyskiego a wybrane, europejskie galerie di uomini famosi Ostrowska-Bies Marta. Karl Grosser (1850-1918) - architekt uniwersalny Paradowska Aleksandra (1983- ). Na froncie walki z chorobą Pech Milan (1977- ). Kitsch and Nazi Cultural Policy in Prague during World War II Perna Antonella. Noises and pluralities in art history: the judgemental role of critical concepts Poradzisz-Cincio Magdalena. Heinrich Bernhard Hattenkerell - nieznany nowomarchijski rzeźbiarz Stasiowski Piotr (1980- ). Polityczność polskiego malarstwa lat 80. XX wieku Szmelter-Fausek Bożena. Badania obrazów Antona Möllera i Hermanna Hana jako przyczynek do rozpoznania gdańskiego warsztatu malarskiego ostatniej ćwierci XVI i pierwszej połowy XVII wieku Świętosławska Agnieszka (1984- ). Między rodzajowością a obyczajowością, flamandczyzną a swojskością Tomczak Karolina (sztuka). Ironia wobec globalizacji - w sztuce Natalii Lach-Lachowicz, Zofii Kulik i Katarzyny Kozyry Zdrenka-Ciałkowska Magdalena. Reklama w przedwojennym Lwowie
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Materiały międzynarodowej konferencji zorganizowanej w Instytucie Historii Sztuki Uniwersytetu Wrocławskiego.
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Juruś Jerzy. Król Anna (1958- ). Deptuła Bogusław (1965- ). Cats and dogs, or the morals of an alley cat Deptuła Bogusław (1965- ). Jak pies z kotem, czyli wiara i wiarołomność Król Anna (1958- ). Here, there and ewerywhere Król Anna (1958- ). I, the cat Król Anna (1958- ). Ja, kot Król Anna (1958- ). Kot i reżyser Król Anna (1958- ). Raz tu, a raz tam Król Anna (1958- ). The cat and the director Kuma Kengo (1954- ). Kot i architekt Kuma Kengo (1954- ). The cat and the architect Motyka Jan (1956- ). Romanowska Jadwiga (kulturoznawstwo). To abandon oneself in cat content and die... On cats in internet culture Romanowska Jadwiga (kulturoznawstwo). Zatracić się w kocim kontencie i umrzeć... O kotach w kulturze internetu Szewczyk Agnieszka (1976- ). Cats for Rei Kawakubo. Filip Pągowski's Designsfor BLACK Comme des Garçons Szewczyk Agnieszka (1976- ). Koty dla Rei Kawakubo. Projekty Filipa Pągowskiego dla BLACK Comme des Garçons Tanikowski Artur (1965- ). At school and playing truant. Cats in Polish poster art Tanikowski Artur (1965- ). W szkole i na wagarach. Koty w polskim plakacie Weiss Renata. Kocie impresje Wojciecha Weissa we wspomnieniach wnuczki artysty Weiss Renata. Wojciech Weiss's feline impressions remembered by the artist's granddaughter Zalewska Anna (1970- ). Cat dances Zalewska Anna (1970- ). Cats in kimono, or a short history of the cat in Japanese culture Zalewska Anna (1970- ). Kot parafianin. Japońska opowieść ludowa Zalewska Anna (1970- ). Koty popularne, nie tylko rysowane Zalewska Anna (1970- ). Koty w kimonach, czyli krótka historia kota w kulturze Japonii Zalewska Anna (1970- ). O kocich tańcach Zalewska Anna (1970- ). Popular cats whether drawn or otherwise depicted Zalewska Anna (1970- ). The cat-parishioner. A Japanese folk tale
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Katalog wstawy prezentowanej w Muzeum Sztuki i Techniki Japońskiej Manggha, Kraków, 26.02-4.09.2022.
Bibliogr. s. 287-288.
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Guźlak Gerard. Czerwińska Katarzyna. Diduszko-Kuśmirska Joanna. Faryno Jerzy (1941- ). Bells and monuments recasting (semantic transfer) Faryno Jerzy (1941- ). Przetapianie dzwonów i pomników (transfer semantyki) Frąszczak Michał. Bells in the customs of provincial residents based on Polish and Italian comedies Frąszczak Michał. Dzwony w obyczajowości mieszkańców prowincji na przykładzie polskich i włoskich seriali komediowych Garbacz-Klempka Aldona. Badania metaloznawcze zabytkowych dzwonów Krakowa Garbacz-Klempka Aldona. Metallurgical studies of ancient Cracow bells Gil Sylwia (orientalistyka). Dźwięki łączące światy - o dzwonach i dzwonkach w Birmie Gil Sylwia (orientalistyka). Sounds connecting worlds - about bells and little bells in Burma Guseva Anna Nikolaevna. Ancient European Bells in Russia Guseva Anna Nikolaevna. Starożytne europejskie dzwony w Rosji Guźlak Gerard. Kultura dzwonu. Wprowadzenie do tomu i serii wydawniczej Guźlak Gerard. The Bell Culture. An Introduction to the Volume and Series Ivanova Mariâ Aleksandrovna. Early History of Church Ringing in the Monasteries of The Holy Mount Athos Ivanova Mariâ Aleksandrovna. Wczesna historia dzwonienia w monastyrach Świętej Góry Athos Jamski Piotr (1972- ). Projekt naukowy / o projekcie: "Ratownictwo Dzwonów 1915-1921. Inwentaryzacja dzwonów pochodzących z dawnych ziem Rzeczypospolitej, ewakuowanych przez władze rosyjskie" Jamski Piotr (1972- ). Research Project / about the Project: "Bell Rescue 1915-1921. An Inventory of Bells Coming from the Former Polish Lands evacuated by Russian Authorities" Jamski Piotr (1972- ). Wissenschaftliches Projekt / über das Projekt: "Rettungsaktion für Glocken 1915-1921. Inventarisation der Glocken, die aus den ehemaligen Gebieten der polnisch-litauischen Adelsrepublik stammen und durch die russischen Machthaber evakuiert wurden" Klimka Libertas (1940- ). Bells in Lithuanian folklore and mythology Klimka Libertas (1940- ). Die Glocken in der litauischen Folklore und Mythologie Klimka Libertas (1940- ). Dzwony w litewskim folklorze i mitologii Kowalski Krzysztof Maciej (1951- ). About modern historical campanology Kowalski Krzysztof Maciej (1951- ). Dawne dzwony kościelne na terytorium gminy Stegna. Obserwacje wybranego na Mierzei Wiślanej mikropejzażu kampanologicznego Kowalski Krzysztof Maciej (1951- ). Former Church Bells on the Territory of the Stegna Borough. Observations on the Campanological Microlandscape of the Vistula Spit Kowalski Krzysztof Maciej (1951- ). O nowoczesnej kampanologii historycznej Kubanek Martyna. Motyw dzwonu w sztuce ulicznej Kubanek Martyna. The bell motif in street art Künstler-Langner Danuta (1959- ). Symbolika dzwonów w kulturze i literaturze dawnej Europy Künstler-Langner Danuta (1959- ). Symbolism of Bells in the Culture and Literature of Old Europe Nestorow Rafał. Projekt naukowy / o projekcie: "Ratownictwo Dzwonów 1915-1921. Inwentaryzacja dzwonów pochodzących z dawnych ziem Rzeczypospolitej, ewakuowanych przez władze rosyjskie" Nestorow Rafał. Research Project / about the Project: "Bell Rescue 1915-1921. An Inventory of Bells Coming from the Former Polish Lands evacuated by Russian Authorities" Nestorow Rafał. Wissenschaftliches Projekt / über das Projekt: "Rettungsaktion für Glocken 1915-1921. Inventarisation der Glocken, die aus den ehemaligen Gebieten der polnisch-litauischen Adelsrepublik stammen und durch die russischen Machthaber evakuiert wurden" Pestrecov Vladimir Il'ič. Narodowe źródła rosyjskiej sztuki dzwonowej Pestrecov Vladimir Il'ič. National Originality of Russian Bell Art Peter Claus. Lutke Rose von Bielefeld — ein Glockengießer aus der van-Wou-Nachfolge im brandenburgisch-pommerschen Grenzgebiet zwischen Polen und Deutschland Peter Claus. Lutke Rose von Bielefeld — ludwisarz brandenbursko-pomorskiego i polsko-niemieckiego regionu granicznego, sukcesor tradycji odlewniczych mistrza van Wou Peter Claus. Podsumowanie sympozjum oraz prognozy dotyczące polskich i europejskich badań dzwonów Peter Claus. Résumé of the symposium and future prognosis regarding Polish and European scientific studies of bells Peter Claus. Rückschau auf die Tagung und Blick in die Zukunft des wissenschaftlichen Glockenwesens in Polen und Glocken-Europa Peter Claus. The Bellfounder Lutke Rose von Bielefeld, Successor to van Wou from the Brandenburg-Pomeranian Polish-German Border Region Pfeiffer-Rupp Rüdiger (1948- ). An inventory of the fourteen deep-voiced bells (< Db3) to be found in Western, Central and South Eastern Europe including a supplement of six of the most deep-voiced bellsto have been exported from Western and Central Europe Pfeiffer-Rupp Rüdiger (1948- ). Address Made at the Opening of the Symposium "Bellsin Christian Europe" on Behalf of the German Bell Museum Association (DGM e.V.) Pfeiffer-Rupp Rüdiger (1948- ). Die vierzehn tontiefsten Glocken West-, Mittel- und Südosteuropas - unter Einschluß der sechs tontiefsten Exportglocken aus West- und Mitteleuropa - jeweils bis zur Tonstufe des 0 Pfeiffer-Rupp Rüdiger (1948- ). Grundlagen der Struktur des Glockenklanges - am Beispiel einiger Glocken in Polen Pfeiffer-Rupp Rüdiger (1948- ). Grußwort zur Eröffnung der Tagung "Glocken im christlichen Europa" seitens des Deutschen Glockenmuseum e.V. Pfeiffer-Rupp Rüdiger (1948- ). Podstawy struktury dźwięku dzwonów - na przykładzie kilku dzwonów w Polsce Pfeiffer-Rupp Rüdiger (1948- ). Powitanie uczestników sympozjum "Dzwony w chrześcijańskiej Europie" wystosowane przez Niemieckie Muzeum Dzwonów (DGM e.V.) Pfeiffer-Rupp Rüdiger (1948- ). The structure of bell sounds - some basics, with special reference to selected bells in Poland Pietrzak Anna (kulturoznawstwo). Bells in Songs Pietrzak Anna (kulturoznawstwo). Dzwony w piosenkach Piłkowski Zbigniew. A bell - construction and microstructure Piłkowski Zbigniew. Dzwon - konstrukcja i mikrostruktura Poettgen Jörg (1939-2014). Die Entwicklung der Glockeninschriften in Mitteleuropa bis zur Reformation Poettgen Jörg (1939-2014). Rozwój inskrypcji dzwonowych w Europie Środkowej do reformacji Poettgen Jörg (1939-2014). The Development of Bell Inscriptions in Central Europe before the Reformation Przegiętka Krzysztof. Dzwon jako element dziedzictwa kulturowego i tradycji Przegiętka Krzysztof. The Bell as an element of cultural heritage and tradition Rezmer-Mrówczyńska Natalia. Symbolika dzwonu w kulturze i literaturze polskiego oświecenia Rezmer-Mrówczyńska Natalia. Symbolism of the bell in the culture and literature of the Polish enlightenment Rokosz Mieczysław (1942- ). Bells of the Royal Wawel Cathedral, Cracow (communiqué) Rokosz Mieczysław (1942- ). Dzwony królewskiej katedry na Wawelu w Krakowie (komunikat) Rozynkowski Waldemar (1968- ). Functions of Bells in the Teutonic Conventual Community in Prussia Rozynkowski Waldemar (1968- ). Funkcje dzwonów w krzyżackiej wspólnocie zakonnej w Prusach Rzadkosz Stanisław (1944-2014). Badania metaloznawcze zabytkowych dzwonów Krakowa Rzadkosz Stanisław (1944-2014). Metallurgical studies of ancient Cracow bells Šarikov Pavel Viktorovič. Acoustic studies of bells in Russia Šarikov Pavel Viktorovič. Badania akustyczne dzwonów w Rosji Šat'ko Elena Gеnnаd'еvnа (1966- ). Author about the book "Коlokol'nyj zvon - duša naroda" / "Bell Ringing - the Soul of the People" Šat'ko Elena Gеnnаd'еvnа (1966- ). Autor o książce "Dźwięk dzwonu - dusza narodu" Tararackaâ Nataliâ Valentinovna. Modern concerts and festivals of bell-ringing in Russia Tararackaâ Nataliâ Valentinovna. Współczesne koncerty i festiwale dzwonienia w Rosji Tomaszewska Joanna Maria. Symbolika wybranych dzwonów oraz ich obecność w przestrzeni internetowej Tomaszewska Joanna Maria. The symbolism of selected bells and their presence on the internet Trojanowska Marta. Historia zapisana na dzwonach z Daromina Trojanowska Marta. History inscribed on bells from Daromin Tureczek Marceli (1979- ). Bells between Silesia, Brandenburg and Pomerania. A short Retrospect of Past Study and Challenges (communiqué) Tureczek Marceli (1979- ). Dzwony między Śląskiem, Brandenburgią i Pomorzem. Krótka retrospekcja dotychczasowych badań oraz wyzwania (komunikat) Urban Justyna. Dissonance or harmony? Bells in the poetry of Józef Czechowicz Urban Justyna. Dysonans czy harmonia? Dzwony w poezji Józefa Czechowicza Węcławowicz Tomasz (1952- ). Badania metaloznawcze zabytkowych dzwonów Krakowa Węcławowicz Tomasz (1952- ). Metallurgical studies of ancient Cracow bells Žalėnas Gintautas (1957- ). Crossroads of European campanology - reflection after the conclusion of the Bydgoszcz Symposium Žalėnas Gintautas (1957- ). Rozdroża kampanologii europejskiej - refleksje po zakończeniu sympozjum bydgoskiego Zamulińska Katarzyna. Badania metaloznawcze zabytkowych dzwonów Krakowa Zamulińska Katarzyna. Metallurgical studies of ancient Cracow bells
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Caccamo Caltabiano Maria (1946- ). Carroccio Benedetto (1964- ). Castrizio Daniele (1964- ). Puglisi Mariangela. Salamone Grazia. Barbato Marta. The Roman Republican coins from excavations in the Sacred Area of the Largo di Torre Argentina (Rome): New data in the light of recent research Bransbourg Gilles (1965- ). The Currencies of the Roman Republic. Summary of an Argument on Weights and Currency Reform Bruni Valerio. La moneta provinciale in Spagna durante la guerra sertoriana (82-72 a.C.) D'Angelo Giulia (1942- ). Un lingotto con il segno del "ramo secco" dalla Pinacoteca Civica di Ascoli Piceno Martín Esquivel Alberto. Un lingotto con il segno del "ramo secco" dalla Pinacoteca Civica di Ascoli Piceno Hollstein Wilhelm (1960- ). Zum Prägeort des Sicinius/Coponius-Denars (RRC 444) Katz Rebecca. Muttonis Mutunus: Q. Titius and the Case of the Obverse Head Magalhães Maricí Martins. Le monete romane repubblicane del Museo Storico Nazionale di Rio de Janeiro e la Sylloge Nummorum Romanorum Brasil McCabe Andrew. The Roman Bronze Coinage struck in Apulia and South East Italy in the Second Punic War Pizzilli Emanuele. Il caso dei Bacchanalia nel documento monetale Ripollès Alegre Pere Pau (1953- ). The Unofficial Roman Republican Asses produced in Spain Gozalbes Fernández de Palencia Manuel. The Unofficial Roman Republican Asses produced in Spain Schwei David. Forgers’ Misunderstanding of Roman Coin Types Zawadzka Anna (1976- ). Some Gallic attributes on Roman Republican coins in the light of recent archaeological findings Bruni Stefano (1960- ). An AE3 mule of Priscus Attalus: new light on dating the Urbs Roma Felix series Carbone Frederico. Semissi pestani a Pompei: dati sulla circolazione Casoli Andrea. Due conii ritoccati di Nerone Ceccaroni Emanuela. I reperti numismatici provenienti dai recenti scavi del santuario di Ercole di Alba Fucens Molinari Maria Cristina. I reperti numismatici provenienti dai recenti scavi del santuario di Ercole di Alba Fucens Chiappini Alessia. Virtù e personificazioni nel Libro delle Medaglie da Cesare a Commodo di Pirro Ligorio Degler Adam (1978- ). Aureus of Postumus with the owner’s graffito (Gounthiou) Dell'Oro D'Amico Federica. Le Puellae Faustinianae nella monetazione di età antonina Dowling Melissa Barden. The Letter E at Delphi: a reconsideration of Plutarch, Faustina, and the appearance of the mystery on Roman coinage Drost Vincent (1979- ). The Seaton Down hoard (UK, Devon): c. 22,900 Constantinian nummi Ellithorpe Corey. Striking a Dissonant Chord: The Geographical Targeting of Trajan’s Debellator Coinage in Dacia Girod Virgine. Mammae gratias ago: mères et fils dans le monnayage impérial des Julio-Claudiens Küter Alexa. Imitatio Alexandri - Drusus Minor auf einer Tessera des Münzkabinetts der Staatlichen Museen zu Berlin Lanchi Cristina. La circolazione monetaria in epoca adrianea: alcuni esempi da Roma, dall’Italia e dal limes germanico-retico Lempereur Olivier (1977- ). Les frappes de deniers impériaux à Alexandrie à la fin du IIe siècle ap. J.-C.: premiers résultats d’analyses Blet-Lemarquand Maryse. Les frappes de deniers impériaux à Alexandrie à la fin du IIe siècle ap. J.-C.: premiers résultats d’analyses Marveggio Chiara. The Sabetta coin collection Mondello Cristian. Nuove osservazioni sui contorniati: la serie dei Literaten-Büsten Ortiz Córdoba José. Set of coins from late antiquity found in the town of Ronda (Málaga, Spain) Perassi Claudia (1957- ). Monete dal suburbio di Mediolanum. La documentazione dalla grande fossa di asportazione 10114 Staffieri Giovanni Maria (1944- ). I ritratti senza corona sui bronzi imperiali alessandrini Tonisch Mareike. Prices, wages and values in the Roman Empire: The Analysis of the Epigraphical Evidence Vicari Sottosanti Maria Agata. Testimonianze della circolazione degli antoniniani in Italia meridionale e insulare Zanchi Pierre. Le monnayage de Diocletien seul empereur (été 285-Mars 286) à Siscia Ziegert Martin. Aus alt mach neu. Nachahmungen und Legitimationsstrategien in der Münzprägung Vespasians Awianowicz Bartosz (1978- ). Peculiarities in the legends of Flavian aurei and denarii minted in Syria Bilić Tomislav. Coin circulation 3rd c. BC - 31 BC in north-west Croatia Nađ Miroslav. Coin circulation 3rd c. BC - 31 BC in north-west Croatia Blázquez Cerrato M. Cruces. Circulación monetaria en el territorium de Regina Turdulorum (Casas de Reina, Badajoz, España) Bodzek Jarosław. Finds of Roman Coins in Poland - Lesser Poland. Preliminary Report Kopij Kamil. Finds of Roman Coins in Poland - Lesser Poland. Preliminary Report Smagur Emilia. Finds of Roman Coins in Poland - Lesser Poland. Preliminary Report Breitsprecher Victoria Johanna. Sicheres Zeichen? Asylstädte und ihre Tempeldarstellungen Calabria Patrizia. Le zecche provinciali: una diversa prospettiva di studio Campo Díaz Marta. La moneda en las necrópolis del arco mediterráneo de Hispania (siglos I-II d.C.) Carbone Lucia Francesca. The epigraphic attestations of denarii in the Provincia Asia (133 BC - AD 96) Carvalheiro Porto Vagner. Western and Eastern Provincial Roman Coins: a view from the margins Conejo Delgado Noé. Villae Romanas y Via de la Plata: aproximaciòn a la economia rural romana de la parte occidental de la Peninsula Ibérica a través del registro monetario Dahmen Karsten (1969- ). The 1740 hoard of Roman denarii from Preussisch-Görlitz near Osterode in Eastern Prussia (Gierłoż/Ostróda in Poland) Deloum Said. Le Trésor Monétaire Inédit de Guernine (Djendel - Algérie): Étude Historique et Monétaire Di Jorio Francesco. Il culto di Cibele in Gallia: preesistenza di un culto o diffusione di tipologie da Roma verso la “periferia” dell’impero? Draganov Dimit"r (1952- ). The coinage of Anchialus: Iconography Dymowski Arkadiusz. The inflow of Roman Republican coins to the territory of present-day Poland Flueck Jonas Emmanuel. The Augustean monetary circulation at Lugdunum on the basis of stratigraphical and statistical analyses Găzdac Cristian (1970- ). Patterns of hoarding in the Roman provinces from the Middle and Lower Danube (2nd-3rd c. AD) Geneviève Vincent. Une production inédite de monnaies coulées de Nîmes datées des années 70/90-110 p.C. dans le Sud-Ouest de la Gaule Sarah Guillaume (1983- ). Une production inédite de monnaies coulées de Nîmes datées des années 70/90-110 p.C. dans le Sud-Ouest de la Gaule Duval Florian. Une production inédite de monnaies coulées de Nîmes datées des années 70/90-110 p.C. dans le Sud-Ouest de la Gaule Grozdanova Lily. 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