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Autor
Adkins Helen (1960- )
(1)
Afroz Nazes. 1968 in India the Naxalites: The Thunder that Withered
(1)
Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes
(1)
Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Badde Aurelia (1967- ). Conservation and restoration at the Gipsformerei: mission challanges and prospects
(1)
Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest revolution and terrorism
(1)
Baehr Ulrich (1938- ). Svastika and soviet star as art?
(1)
Bal Mieke (1946- ). Semiotics and art history
(1)
Baldassari Francesca (1963- )
(1)
Baratti Giorgio (1946- ) . Io ho il dovere di tramandare
(1)
Baratti Giorgio (1946- ). I have the obligation to share
(1)
Baratti Giorgio (1946- ). Mano pareiga dalintis
(1)
Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop
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Baxandall Michael (1933-2008). Patterns of intention
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Beitin Andreas (1968- )
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Beitin Andreas (1968- ). Art is politics
(1)
Beitin Andreas (1968- ). I lived my entire life to prepare for May 68
(1)
Beitin Andreas (1968- ). It was a matter of equal voices
(1)
Bellandi Alfredo
(1)
Bellesi Sandro. Graiku ir romenu mitologija naujuju laiku Italijos mene
(1)
Bellesi Sandro. Greco-Roman mythology in Italian art of the modern period
(1)
Bellesi Sandro. La mitologia greco-romana nell'arte italiana in eta moderna
(1)
Bellesi Sandro. Natiurmortas XVII-XVIII a. italu tapyboje
(1)
Bellesi Sandro. Still life in Italian painting of the seventeenth and eighteenth century
(1)
Bellesi Sandro. la natura morta nella oittura italiana del Seicento e del Settecento
(1)
Benati Daniele
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Berner Margit. Lost moulds
(1)
Berrios Maria (1978- ). Now history happens here: Del Tercer Mundo
(1)
Bezouskova Martina. Forerunners of modern art. Ideals and visions of the nineteenth century
(1)
Bezouskova Martina. The Barbizon School and realistic tendencies
(1)
Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants
(1)
Binder Otmar
(1)
Bogdanski Lothar. Conservation and restoration at the Gipsformerei: mission challanges and prospects
(1)
Borchert Till-Holger (1967- )
(1)
Bottcher Anke Paula (1971- ). Graffiti both sides on tracing paper
(1)
Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Brock Bazon (1936- ). Voices from the grave or the resurrection of the 68ers from the spirit of the present
(1)
Brusati Celeste
(1)
Bryson Norman (1949- ). Semiotics and art history
(1)
Bucken Veronique. Le Triptyque de l'Adoration des Mages (Turin-Genes) et le mecenat d'Hendrik Keddekin abbe de Ter Doest
(1)
Bure Dainius (1969- )
(1)
Burg Fabian. Conservation and restoration at the Gipsformerei: mission challanges and prospects
(1)
Burg Fabian. Glossary: technology and craftsmanship at the Gipsformerei
(1)
Burgel Jan. Conservation and restoration at the Gipsformerei: mission challanges and prospects
(1)
Cailloux Bernd (1945- ). The commercial flash: the history of the leisure society
(1)
Cameron Dan (1956- ). Is the personal really political?
(1)
Carcano Paolo
(1)
Chong Alan (1957-)
(1)
Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination cleaning and restoration
(1)
Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem
(1)
Ciampolini Marco (1959- )
(1)
Ciulisova Ingrid (1960- ). The Saint Michael altarpiece in Spisska Kapitula - a preliminary report
(1)
Conradt Gerd (1941- ). Dark days in a colorful costume
(1)
Coombes Annie E. (1956- ). Inventing the postcolonial
(1)
Couvert Jacqueline
(1)
Crispo Alberto
(1)
Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Damian Veronique
(1)
Damisch Hubert (1928-2017). Semiotics and iconography
(1)
Dammbeck Lutz (1948- ). 37 + 31 = 68
(1)
Davis Whitney (1958- ). Winckelmann divided
(1)
Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters
(1)
Derrida Jacques (1930-2004). Restitutions of the truth in pointing (pointure)
(1)
Di Natale Pietro (1981- )
(1)
Dolinskas Vydas (1970- ). 500 years on another exclusive guest comes to Vilnius from Milan
(1)
Dolinskas Vydas (1970- ). A 500 anni di distanza un'altra illustre ospite da Milano visita Vilnius
(1)
Dolinskas Vydas (1970- ). Po 500 metu is Milano į Vilniu vel atvyko isskirtine viesnia
(1)
Dresen Wolfgang (1942- ). 1968: violent relationships and resistance
(1)
Dubois Anne
(1)
Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve Archives de l’Universite ms. A2)
(1)
Duncan Carol (1936- ). Art museum as ritual
(1)
Duspohl Andreas (1967- ). 1968: Media transformation and the culture of protest
(1)
Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered
(1)
Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Elliot Fiona (1951- )
(1)
Emiliani Andrea (1931-2019)
(1)
Ewing Dan. Two new paintings by Jan de Beer – technical studies connoisseurship and provenance research
(1)
Falciani Carlo (1963- )
(1)
Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz
(1)
Ficher Tilman P. (1937- ). Maundy Thursday 1968
(1)
Flecker Manuel (1978- ). Terra incognita: lifecasts in antiquity
(1)
Fonsmark Anne-Brigitte (1950- ). The Wilhelm Hansen Collection of French art at Ordrupgaard
(1)
Forti Grazzini Nello (1954- )
(1)
Foucault Michel (1926-1984). What is an author?
(1)
Fox Jonathan
(1)
Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger
(1)
Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece
(1)
Frei Norbert (1955- ). Protests in the West Unrest in the East
(1)
Fritzsch Constanze. The battered body - Belgrade 1968
(1)
Fritzsch Constanze. Where do you stand with your art friend?
(1)
Frohne Ursula. The United States in Vietnam and the critique from art
(1)
Fucker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop
(1)
Galassi Maria Clelia (1954- ). Revising Friedlander - the underdrawing connoisseurship” and the Master of the Turin Adoration
(1)
Garcia Canclini Nestor (1939- ). Remaking passports
(1)
Gassmann Johanna. Conservation and restoration at the Gipsformerei: mission challanges and prospects
(1)
Gattai Leonardo
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Gentilini Giancarlo (1959- )
(1)
Gentilini Giancarlo (1959- ). About sculpture. Opere dalle collecioni di Giorgio Baratti
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Gentilini Giancarlo (1959- ). About sculpture. Works from the collection of Giorgio Baratti
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Gentilini Giancarlo (1959- ). Apie skulpturą. Kuriniai is Dzordzo Baracio rinkiniu
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Baratti, Giorgio (1946- )
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Indeks R0: BMNK
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Wszystkie egzemplarze są obecnie wypożyczone: III 6263 (1 egz.)
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Są egzemplarze dostępne do wypożyczenia: III 10854 (1 egz.)
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The art of art history : a critical anthology / ed. by Donald Preziosi. - Oxford ; New York : Oxford University Press, 1998. - 595 s. : il. (w tym kolor.) ; 24 cm.
(Oxford History of Art)
Autor
Preziosi Donald (1941- ). Preziosi Donald (1941- ). Art history Winckelmann Johann Joachim (1717-1768). Reflections on the imitation of Greek works in painting and sculpture Davis Whitney (1958- ). Winckelmann divided Baxandall Michael (1933-2008). Patterns of intention Kant Immanuel (1724-1804). What is enlightenment? Kant Immanuel (1724-1804). Critique of judgement Hegel Georg Wilhelm Friedrich (1770-1831). Philosophy of fine art Wölfflin Heinrich (1864-1945). Principles of art history Summers David (1941- ). "Form", nineteenth-century metaphysics, and the problem of art historical description Schapiro Meyer (1904-1996). Style Gombrich Ernst Hans (1909-2001). Style Riegl Alois (1858-1905). Leading characteristics of the late Roman "Kunstwollen" Warburg Aby M. (1866-1929). Images from the region of the Pueblo Indians of North America Wind Edgar (1900-1971). Warburg's concept of "Kulturwissenschaft" and its meaning for aesthetics Iversen Margaret (1949- ). Retrieving Warburg's tradition Damisch Hubert (1928-2017). Semiotics and iconography Bal Mieke (1946- ). Semiotics and art history Bryson Norman (1949- ). Semiotics and art history Panofsky Erwin (1892-1968). "Et in Arcadia ego" Marin Louis (1931-1992). Toward a theory of reading in the visual arts Krauss Rosalind E. (1941- ). Sculpture in the expanded field Foucault Michel (1926-1984). What is an author? Owens Craig (1950-1990). Allegorical impulse Huyssen Andreas (1942- ). Mapping the postmodern Salomon Nanette. Art historical canon Tickner Lisa (1944- ). Sexuality and/in representation Kelly Mary (1941- ). No essential femininity Smith Paul (1956- ). No essential femininity Jones Amelia (1961- ). Postfeminism, feminist pleasures, and embodied theories of art Melville Stephen W. (1949- ). Temptation of new perspectives Heidegger Martin (1889-1976). Origin of the work of art Schapiro Meyer (1904-1996). Still life as a personal object - a note on Heidegger and van Gogh Derrida Jacques (1930-2004). Restitutions of the truth in pointing ("pointure") Mitchell Timothy (1955- ). Orientalism and the exhibitionary order Duncan Carol (1936- ). Art museum as ritual Coombes Annie E. (1956- ). Inventing the "postcolonial" García Canclini Néstor (1939- ). Remaking passports Preziosi Donald (1941- ). Art of art history
Temat
Gatunek
Indeks R0: BMNK
Słownik terminów s. 576-583. Indeks.
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Są egzemplarze dostępne do wypożyczenia: II 30376 (1 egz.)
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Autor
Binder Otmar. Haak Christina (1966- ). Helfrich Miguel. Radowitz Philip. Tocha Veronika. Badde Aurelia (1967- ). Conservation and restoration at the Gipsformerei: mission, challanges and prospects Berner Margit. Lost moulds Bogdanski Lothar. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Burg Fabian. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Burg Fabian. Glossary: technology and craftsmanship at the Gipsformerei Bürgel Jan. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Flecker Manuel (1978- ). Terra incognita: lifecasts in antiquity Gassmann Johanna. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Grimm Susanne. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Gröting Asta (1961- ). Casting as art. A conversation with Asta Gröting Hiller von Gaertringen Hans Georg (1972- ). 'Berlin supplies the World with Gods': the history of the Gipsformerei, Staatliche Museen zu Berlin, 1819-2019 Hoppe Cornelia. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Jerichow Samuel. Polar Bear.STL John-Schoubye Peter. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Klöppel Timo (1981- ). Conservation and restoration at the Gipsformerei: mission, challanges and prospects Klöppel Timo (1981- ). Glossary: technology and craftsmanship at the Gipsformerei König Hanne. Transformation as a concept: notes on the exhibition architecture Kramer Stefan. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Lange Britta (1973- ). Lost moulds Meyer Daniel. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Michele Sandro di. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Miniers Marc. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Nikolai Angela (1985- ). After nature, near nature? The plant casts from Moritz Meurer's Collection of teaching aids Palau Rainer. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Rauch Nicolas. Transformation as a concept: notes on the exhibition architecture Schelper Thomas. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Schelper Thomas. Glossary: technology and craftsmanship at the Gipsformerei Schelper Thomas. Lost moulds Schipka Andreas. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Schulz Robin. Conservation and restoration at the Gipsformerei: mission, challanges and prospects Seyfried Friederike (1960- ). Meeting at the workshop of Thutmose: two casts from Tell el-Amarna Siebert Moritz (1983- ). Can that still be called art? Death masks as tools for sculptors Stoll Kerstin. Lost moulds Thieme Nadine. Meeting at the workshop of Thutmose: two casts from Tell el-Amarna Tocha Veronika. Anthropological casts in the collection of the Gipsformerei: a stocktaking Tocha Veronika. Casting as art. A conversation with Asta Gröting Tocha Veronika. Near life: the Gipsformerei - 200 years of casting plaster Tocha Veronika. Pars pro toto: the Kunstgewerbemuseum casts of body parts in the Collection of the Gipsformerei Völlnagel Jörg (1967- ). Excursus: galvanoplastics. A recipe for artificial creation and eternal life? Weinhold Joachim. Polar Bear.STL Zaubitzer Hardy. Conservation and restoration at the Gipsformerei: mission, challanges and prospects
Indeks R0: BMNK
Katalog wystawy w Staatliche Museum zu Berlin, James-Simon-Galerie, 30 sierpnia 2019 do 1 marca 2020.
U góry k. tyt. nazwa aut.: Veronika Tocha.
Bibliogr. s. 262. Słownik terminów s. 233-238.
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Magazyn
Zapytaj bibliotekarza: III 24803 (1 egz.)
Książka
W koszyku
(Zeitbilder)
Autor
Beitin Andreas (1968- ). Gillen Eckhart (1947- ). Adkins Helen (1960- ). Elliot Fiona (1951- ). Fox Jonathan. Molinaro Geraldine. Rosenblatt Lisa. Afroz Nazes. 1968 in India, the Naxalites: The Thunder that Withered Baden Sebastian (1980- ). Urban Guerrilla aesthetic after 1968: art between protest, revolution, and terrorism Baehr Ulrich (1938- ). Svastika and soviet star as art? Beitin Andreas (1968- ). "Art is politics" Beitin Andreas (1968- ). "I lived my entire life to prepare for May 68" Beitin Andreas (1968- ). "It was a matter of equal voices..." Berríos María (1978- ). "Now history happens here": Del Tercer Mundo Böttcher Anke Paula (1971- ). Graffiti, both sides on tracing paper Brock Bazon (1936- ). Voices from the grave, or the resurrection of the 68ers from the spirit of the present Cailloux Bernd (1945- ). The commercial flash: the history of the leisure society Cameron Dan (1956- ). Is the personal really political? Conradt Gerd (1941- ). Dark days in a colorful costume Dammbeck Lutz (1948- ). 37 + 31 = 68 Dreßen Wolfgang (1942- ). "1968": violent relationships and resistance Düspohl Andreas (1967- ). 1968: Media transformation and the culture of protest Ficher Tilman P. (1937- ). Maundy Thursday 1968 Frei Norbert (1955- ). Protests in the West, Unrest in the East Fritzsch Constanze. The battered body - Belgrade 1968 Fritzsch Constanze. "Where do you stand with your art, friend?" Frohne Ursula. The United States in Vietnam and the critique from art Gerhardt-Schubert Ezra (1951- ). 1968 and the student movement Gerz Jochen (1940- ). One of the most artistic works in history Gillen Eckhart (1947- ). "Art is politics" Gillen Eckhart (1947- ). "I came to my painting along a different path" Gillen Eckhart (1947- ). "I lived my entire life to prepare for May 68" Gillen Eckhart (1947- ). Performative enlightenment: false consciousness Grimaldi Fulvio (1934- ). A lifelong Sixty-Eighter Gutiérrez Galindo Blanca. Mexico 1968 Hacker Dieter (1942- ). "I came to my painting along a different path" Hartung Klaus (1940- ). 1968 and the end of painting Heidelberger Michael (1947- ). Vietnam protests in the United States, 1969-70 Heil Axel (1965- ). Games without frontiers for individualists in Munich, Paris, Amsterdam, and Cuba Hershman-Leeson Lynn (1941- ). "It was a matter of equal voices..." Herz Rudolf (1954- ). Materials for the project Revolutionäre Ungeduld Hoffmann Justin (1955- ). Gustav Metzger at the movement for destruction in art Jooss Birgit (1965- ). Between poetry and the pigsty: on the student protests at the Kunstakademie and the Kunstverein in Munich Katti Christian (1966- ). The United States in Vietnam and the critique from art Kolb Ulrike (1942- ). Communal living and Kinderland Köhler Otto (1935- ). Musings of a Pre-68er who still has no desire, at 83, to become a Post-68er Lebel Jean-Jacques (1936- ). "I lived my entire life to prepare for May 68" Link Jürgen (1940- ). 1968, Post-1968, and the borders of flexible normalism Löser Claus (1962- ). The stolen rebellion - films and filmmakers in the GDR from 1961 to 1968 Ludwig Volker (1937- ). GRIPS Theather in and after 1969 Martin Julie (1938- ). New paths to the future Michel Detlef (1944- ). The Reichskabarett in West Berlin Mille Daria. On the move between studio and lab in the 1960s: technology and art in the USSR Rehberg Karl-Siegbert (1943- ). "1968" in the Provinces? Rosner Bernd (1953- ). Considering the 68ers and the German leaning toward a "Final solution mindset" Ruppert Wolfgang (1946- ). Self-education Rutschky Michael (1943-2018). Stopping and starting Sander Helke (1937- ). Feminism - experiments Sandfort Bernhard (1936- ). About my producer Gallery Sauer Johann (1948- ). Theater and 68? Schmidt Ute (1943- ). A political coming-of-age in the Munich SDS in the 1960s Šumylovyč Bohdan. Czechoslovakia and Ukraine: popular art and language policy opposition in early 1968 to the russification in Central Europe Smolik Noemi. 1968 in Prague - the other protest movement, or who's listening to who? Strohmeyer Klaus (1947- ). Utopia on offer between rubble and bulk waste Strohmeyer Marianne (1949- ). The "Third battle of Tannenberg" Subirats Eduardo (1947- ). Variations on 1968 Sukrow Oliver (1985- ). "Designing freedom" - the computer: "Liberty Machine" or means of control in the global context of the 68ers? Syring Marie-Luise (1944- ). Revolutionary art is made in the streets Thiel Paul (1937- ). The 68ers in the GDR and Marxist-Leninist System Theory Weber Laura (1985- ). Real life in art : Jean Tinguely and Niki de Saint Phalle Weibel Peter (1944- ). "Art is politics" Werner Thomas (1944- ). Fragments Wilhelm Karin (1947- ). ...when water cannons were (still) welcome Wunderlich Sonja (1987- ). The body as a tool for self-empowerment
Indeks R0: BMNK
Katalog wystawy: Ludwig Forum for International Art, Aachen, 20 kwietnia - 19 sierpnia 2018 r.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24262, III 24263 (2 egz.)
Książka
W koszyku
Autor
Kasíková Lucie. Kotková Olga (1967- ). Jandlová Sošková Martina (1963- ). Between the North and South: German travelling artists in the 17th century Jandlová Sošková Martina (1963- ). Dějiny Sbírky starého umění v souvislosti se souborem vystaveným ve Šternberském paláci Jandlová Sošková Martina (1963- ). 18th century art in Vienna. Viennese cabinet painting in the 18th century Jandlová Sošková Martina (1963- ). Francouzští umělci v Římě v 17. a 18. století Jandlová Sošková Martina (1963- ). French artists in Rome in the 17th and 18th centuries Jandlová Sošková Martina (1963- ). History of the Collection of old masters in relation to the artworks displayed in the Sternberg Palace Jandlová Sošková Martina (1963- ). Mezi severem a jihem: cesty německých malířů v 17. století Jandlová Sošková Martina (1963- ). Španělské sochařství 16. a 17. století a technika "estofado" Jandlová Sošková Martina (1963- ). Spanish sculpture in the 16th and 17th centuries and the "estofado" technique Jandlová Sošková Martina (1963- ). Umění 18. století ve Vídni. Vídeňská kabinetní malba v 18. století Kotková Olga (1967- ). Art centres in the Southeast of to today's Germany: Nuremberg and Augsburg Kotková Olga (1967- ). Collection of Archduke Franz Ferdinand of Austria. Italian art of the 14th - 16th centiries Kotková Olga (1967- ). Dějiny Sbírky starého umění v souvislosti se souborem vystaveným ve Šternberském paláci Kotková Olga (1967- ). Dutch and Flemish painting: still lifes & landscape painting Kotková Olga (1967- ). Flemish painting of the high baroque era: Antwerp as a significant art centre Kotková Olga (1967- ). Flemish painting of the 17th century Kotková Olga (1967- ). German art of the 15th and 16th centuries Kotková Olga (1967- ). Hans Raphon, Pašijový iltář z Göttingenu Kotková Olga (1967- ). Hans Raphon, The Passion altarpiece from Göttingen Kotková Olga (1967- ). History of the Collection of old masters in relation to the artworks displayed in the Sternberg Palace Kotková Olga (1967- ). Holandská a vlámská malba: zátiší a krajinomalba Kotková Olga (1967- ). Icons. The N.P. Kondakov Archaeological Institute Kotková Olga (1967- ). Ikony. Archeologický institut N. P. Kondakova Kotková Olga (1967- ). Malířská rodina Brueghelů Kotková Olga (1967- ). Německé umění 15. a 16. století Kotková Olga (1967- ). Netherlandish art of the 15th and 16th centuries. Landscape painting Kotková Olga (1967- ). Nizozemské umění 15. a 16. století. Krajinářství Kotková Olga (1967- ). Sbírka rakouského arcivévody Františka Ferdinanda d'Este. Italské umění 14. - 16. století Kotková Olga (1967- ). The Brueghel family of painters Kotková Olga (1967- ). Umělecká centra na jihovýchodě dnešního Německa: Norimberk a Augsburg Kotková Olga (1967- ). Vlámská malba vrcholného baroka: Antverpy jako významné umělecké centrum Kotková Olga (1967- ). Vlámské malířství 17. století Němečková Lucie (1969- ). Benátské a boloňské malíství Němečková Lucie (1969- ). Between Madrid and Naples Němečková Lucie (1969- ). Dějiny Sbírky starého umění v souvislosti se souborem vystaveným ve Šternberském paláci Němečková Lucie (1969- ). Dutch and Flemish painting: still lifes & landscape painting Němečková Lucie (1969- ). Dutch painting of the 17th century and its main centres Němečková Lucie (1969- ). History of the Collection of old masters in relation to the artworks displayed in the Sternberg Palace Němečková Lucie (1969- ). Holandská a vlámská malba: zátiší a krajinomalba Němečková Lucie (1969- ). Holandská a vlámská žánrová malba 17. století: každodenni svět Němečková Lucie (1969- ). Holandské malířství 17. století a jeho hlavní centra Němečková Lucie (1969- ). Italian art of the high renaissance and mannerism Němečková Lucie (1969- ). Italské umění vrcholné renesance a manýrismu Němečková Lucie (1969- ). "Leidse Fijnschilders": Leiden as a centre of fine painting Němečková Lucie (1969- ). "Leidse Fijnschilders": Leiden jako centrum drobnomalby Němečková Lucie (1969- ). Mezi Madridem a Neapolí Němečková Lucie (1969- ). 17th-century Dutch and Flemish genre painting: everyday life Němečková Lucie (1969- ). Venetian and Bolognese painting Winzeler Marius (1970- ). Šternberský palác na Hradčanech Winzeler Marius (1970- ). The Sternberg Palace at Hradčany
Indeks R0: BMNK
Bibliogr. s. 289-291.
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Są egzemplarze dostępne do wypożyczenia: III 26337 (1 egz.)
Książka
W koszyku
(Dessin Sous-Jacent et la Technologie dans la Peinture = Underdrawing and Technology in Painting ; symposium 19)
Autor
Borchert Till-Holger (1967- ). Couvert Jacqueline. Dubois Anne. Ainsworth Maryan Wynn. The Middendorf altarpiece by a follower of Hugo van der Goes Allart Dominique. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Baum Katja von. Master or assistant? – painted alterations in the Pleydenwurff workshop Billinge Rachel. The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Brink Peter van den (1956- ). Two “new” paintings by Jan de Beer – technical studies, connoisseurship and provenance research Bücken Véronique. Le Triptyque de l'Adoration des Mages (Turin-Gênes) et le mecenat d'Hendrik Keddekin, abbe de Ter Doest Ciulisová Ingrid (1960- ). The Saint Michael altarpiece in Spišská Kapitula - a preliminary report Chorley Claire. Hans Holbein Hans of Antwerp - findings from the recent examination, cleaning and restoration Christie Nicola. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Currie Christina. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Debaene Marjan (1978- ). Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Dubois Anne. XRF analysis of pigments in the Donne Hours (Louvain-la-Neuve, Archives de l’Université, ms. A2) Dyballa Katrin. The oeuvre of Jan Swart van Groningen reconsidered Eckstein Lisa. Master or assistant? – painted alterations in the Pleydenwurff workshop Ewing Dan. Two "new" paintings by Jan de Beer – technical studies, connoisseurship and provenance research Faries Molly (1940- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Fraiture Pascale. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Fransen Bart (1973- ). The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Fücker Beate. Master or assistant? – painted alterations in the Pleydenwurff workshop Galassi Maria Clelia (1954- ). Revising Friedländer - the "underdrawing connoisseurship” and the Master of the Turin Adoration Gifford E. Melanie. Keynotlecture - Willem van Aelst and the market for still-life painting in Paris - reattribution of an aarly work Hartwieg Babette (1958- ). The Goldene Tafel from Liineburg, c. 1420 - new findings about painting process and characteristics Henderiks Valentine. Albrecht Bouts in Sibiu: a unique self-portrait in "Memento mori" Hirschfelder Dagmar (1973- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Kemperdick Stephan (1960- ). Philip the Good bare-headed - in search for original and copy Kempski Mary. Who is the man in red and who painted him? Lainé David. Reading between the lines... - attribution problems regarding early sixteenth century Louvain painters Limentani Virdis Caterina (1940-2018). A new Virgo Lactans of the Gold Brocade group Meuwissen Daantje (1970- ). Identifying two family members in Jacob Cornelisz's Amsterdam workshop: Cornelis Buys and Cornelis Anthonisz Niessen Judith (1971- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution Oosterwijk Anne van. The contribution of technical art history to the reconstruction of the oeuvre of Pieter I Claeissens Périer-D'Ieteren Catheline (1944- ). The painted wings of the Passion Altarpiece of Giistrow - a vast collective enterprise Sandalinas Linares Carmen. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Mares - as unusual altarpiece Saverwyns Steven. A case of mistaken identity - a version of the Good Shepherd by Pieter Brueghel the Younger Steyaert Griet (1965- ). The Beaune last judgement - sorting out Rogier van der Weyden and his assistants Van Eyck Elisabeth. The Polyptych of the Seven Sorrows of the Virgin in the Museu Frederic Marés - as unusual altarpiece Waterman Joshua P. (1974- ). Master or assistant? – painted alterations in the Pleydenwurff workshop Whitaker Lucy. The Calling of Saint Matthew attributed to the Master of the Abbey of Dielegem Whitaker Lucy. Who is the man in red and who painted him? Wolters Margreet (1958- ). The triptych of the True Cross in Veurne in connection to a drawing in Rotterdam - working process and attribution
Indeks R0: BMNK
Konferencja zorganizowana przez: Université catholique de Louvain, Musée de Louvain-la-Neuve, and Musea Brugge in collaboration with KIK-IRPA, Royal Institute for Cultural Heritage, Illuminare - Centre for Study of Medieval Art - KULeuven - University of Leuven.
Druk. dedyk.: In memoriam Roger Van Schoute.
Bibliogr. s. 351-369.
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Są egzemplarze dostępne do wypożyczenia: III 24321 (1 egz.)
Książka
W koszyku
(Lietuvos Didžiųjų Kunigaikščių Rūmų Parodų Katalogai ; ISSN 2351-7115 ; t. 22)
Autor
Būrė Dainius (1969- ). Guidetti Giovanni Matteo. Maniscalco Ileana. Mitrulevičiūtė Daiva. Roberts Mark Adrian. Strunga Albina. Baldassari Francesca (1963- ). Baratti Giorgio (1946- ). I have the obligation to share... Baratti Giorgio (1946- ) . Io ho il dovere di tramandare... Baratti Giorgio (1946- ). Mano pareiga dalintis... Bellandi Alfredo. Bellesi Sandro. Graikų ir romėnų mitologija naujųjų laikų Italijos mene Bellesi Sandro. Greco-Roman mythology in Italian art of the modern period Bellesi Sandro. La mitologia greco-romana nell'arte italiana in età moderna Bellesi Sandro. la natura morta nella oittura italiana del Seicento e del Settecento Bellesi Sandro. Natiurmortas XVII-XVIII a. italų tapyboje Bellesi Sandro. Still life in Italian painting of the seventeenth and eighteenth century Benati Daniele. Carcano Paolo. Ciampolini Marco (1959- ). Crispo Alberto. Damian Véronique. Di Natale Pietro (1981- ). Dolinskas Vydas (1970- ). 500 years on, another exclusive guest comes to Vilnius from Milan Dolinskas Vydas (1970- ). A 500 anni di distanza un'altra illustre ospite da Milano visita Vilnius Dolinskas Vydas (1970- ). Po 500 metų iš Milano į Vilnių vėl atvyko išskirtinė viešnia Emiliani Andrea (1931-2019). Falciani Carlo (1963- ). Forti Grazzini Nello (1954- ). Gattai Leonardo. Gentilini Giancarlo (1959- ). Guidetti Giovanni Matteo. Considerations on the themes of the sacred in Italian art from the third to the seventeenth century Guidetti Giovanni Matteo. Considerazioni sui temi del sacro nella pittura italiana dal III al XVII secolo Guidetti Giovanni Matteo. Krikščioniškieji sakraliniai siužetai italų tapyboje III-XVII amžiais Gentilini Giancarlo (1959- ). About sculpture. Opere dalle collecioni di Giorgio Baratti Gentilini Giancarlo (1959- ). About sculpture. Works from the collection of Giorgio Baratti Gentilini Giancarlo (1959- ). Apie skulptūrą. Kūriniai iš Džordžo Baračio rinkinių Kuizinienė Ieva (1966- ). Gli arazzi e i loro soggetti tra XV e XVII secolo Kuizinienė Ieva (1966- ). Gobelenai ir jų siužetai XV-XVII a. Kuizinienė Ieva (1966- ). Tapestries and their subjects between the 15th and 17th centuries Lucco Mauro (1947- ). Lucidi David. About sculpture. Opere dalle collecioni di Giorgio Baratti Lucidi David. About sculpture. Works from the collection of Giorgio Baratti Lucidi David. Apie skulptūrą. Kūriniai iš Džordžo Baračio rinkinių Mitrulevičiūtė Daiva. Between 'Sacro' and 'Profano': a historical artistic itinerary tracing European cultural identity Mitrulevičiūtė Daiva. Nuo sacro iki profano: kelionė po meno pasaulį europietiškosios kultūrines tapatybės pėdsakais Mitrulevičiūtė Daiva. Tra 'Sacro' e 'Profano': un intinerario storico artistico sulle tracce dell'identità culturale europea Morandotti Alessandro (1958- ). Nesi Alessandro (1966- ). Orlando Anna (1967- ). Papi Gianni. Petrucci Francesco (1958- ). Pulini Massimo (1958- ). Sestieri Giancarlo. Breve vitico sul ritratto: genesi e sviluppo dal XIV al XVII secolo tra l'Italia a l'Europa Sestieri Giancarlo. In breif about the appearance of the portrait genre and its developement in Italy and Europe in the 14th-17th centuries Sestieri Giancarlo. Origine della pittura di Paesaggio e del Caproccio e loro fortuna tra XVII e XVIII secolo Sestieri Giancarlo. Peizažo ir architektūrinio kaprizo žanrų atsiradimas ir populiarumas XVII-XVIII a. tapyboje Sestieri Giancarlo. the origin of landscape painting and the capriccio, and their reception in the seventeenth and eighteenth century Sestieri Giancarlo. Trumpai apie portreto žanro atsiradimą ir vystymąsi XIV-XVII a. Italijoje ir Europoje Spike John T. (1951- ). Spinosa Nicola. Strinati Claudio (1943- ). Vannugli Antonio (1959- ). Vanoli Paolo (1974- ).
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Brak s. 513-516, 525-528. Zdubl. s. 517-524.
Katalog wystawy: Nacionalinis muziejus Lietuvos Didžiosios Kunigaikštystės valdovų rūmai, 16 lutego - 27 września 2020 r.
Bibliogr. przy notach katalogowych.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
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Są egzemplarze dostępne do wypożyczenia: III 25201 (1 egz.)
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