Form of Work
Książki
(4)
Status
available
(3)
unknown
(1)
Branch
Magazyn
(4)
Author
Kluczewska-Wójcik Agnieszka
(3)
Markowska Anna (1962- )
(2)
Bandura Agnieszka. Politics of replacing in New Romanticism
(1)
Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
(1)
Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
(1)
Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
(1)
Cambon Pierre (1955- ). Korean collection in Paris
(1)
De Fraeye Mark (1949- ). San-shin the Mountain God – Korea’s eternal spirit
(1)
Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
(1)
Dąbrowski Józef (1940-2019). "Hanji Paper" – Unique technologies of ancient Korean craft
(1)
Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
(1)
Farida Nike. "Et in Arcadia ego". Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
(1)
Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945
(1)
First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop"
(1)
Gradinaru Camelia. Visual tyranny as autopoiesis
(1)
Groning Gert (1944- ). The Heewon 희원 where the pungryu 풍류 can be perceived - an outstanding example of garden culture in Korea
(1)
Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
(1)
Głowacki Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France
(1)
Helman-Ważny Agnieszka (1974- ). "Hanji Paper" – Unique technologies of ancient Korean craft
(1)
Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
(1)
Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
(1)
Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
(1)
Jankowska Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art
(1)
Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
(1)
Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
(1)
Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
(1)
Kennedy Beccy. Orienting and disorienting contemporary Korean art
(1)
Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
(1)
Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
(1)
Krzyżanowska Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed
(1)
Kubala Agata. Damnatio memoriae and Roman imperial art
(1)
Kucharzewska Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang an architect from South Korea
(1)
Kuczyńska Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
(1)
Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
(1)
Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
(1)
Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Lee-Niinioja Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity
(1)
Malinowski Jerzy (1950- )
(1)
Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
(1)
Malinowski Jerzy (1950- ). Wstęp
(1)
Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
(1)
Martini Małgorzata (1953- ). Korean art and material culture in Polish museum collections
(1)
Mecsi Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries
(1)
Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
(1)
Naeyoung Ryu. Yun Duseo Korean scholar-painter precursor in painting of the Sirhak movement
(1)
Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
(1)
Nesterova Elena V. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Niemira Konrad. Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu"
(1)
Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
(1)
Nitka Maria. Henryk Siemiradzki's figuralism
(1)
Palęcka Alicja. Visualizing the other: ethnographic film as thick description
(1)
Paś Monika. Henryk Siemiradzki - works mamorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Pelz Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne
(1)
Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Popa Lucia. Removing Romania: the Western art world colonized by the "East"
(1)
Popławska Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea
(1)
Sarkowicz Dominika
(1)
Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums
(1)
Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
(1)
Schulenburg Stephan (1959- ). Korean collections in German museums
(1)
Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums
(1)
Sikora Patrycja (1978- ). Erasure. Memory Exercises
(1)
Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
(1)
Sinicka Agnieszka. Wilhem Sasnal’s photophobia
(1)
Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
(1)
Soczyńska Agata. Marek Oberlander – a painter undesired by the time
(1)
Spaid Sue (1961- )
(1)
Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
(1)
Stec Anna (1987- ). Anish Kapoor "Memory"
(1)
Suh Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do South Korea)
(1)
Susak Vita Volodimirivna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
(1)
Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album"
(1)
Toomey John J. The Korean way of tea. The way of universal peace
(1)
Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
(1)
Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
(1)
Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
(1)
Worłowska Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
(1)
Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
(1)
Youngsuk Park. Genesis of Korean art – Goguryeo art
(1)
Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea?
(1)
Zawada Michał (1985- ). Imaging iconoclasm
(1)
Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
(1)
Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
(1)
Świętosławska Agnieszka. First attempts: the early work of Henryk Siemiradzki
(1)
Year
2010 - 2019
(4)
Country
Poland
(4)
Language
English
(4)
Subject
Sztuka
(2)
Malarstwo polskie
(1)
Pamięć
(1)
Siemiradzki, Henryk
(1)
Sztuka europejska
(1)
Sztuka koreańska
(1)
Subject: place
Korea
(1)
Genre/Form
Materiały konferencyjne
(3)
5 results Filter
Authority data
World Art Studies (hasło formalne)
(nazwa wcześniejsza) zob. też Conferences and Studies of the Polish Institute of World Art Studies (hasło formalne)
Nieużywane formy hasła: Polski Instytut Studiów nad Sztuką Świata. World Art Studies ; World Art Studies conferences and studies of the Polish Institute of World Art Studies ; World Art Studies conferencias y estudios de Instituto Polaco de Investigación de Arte Mundial ; Conferences and Studies of the Polish Institute of World Art Studies a
Book
In basket
Tytuł: Sustainable art : facing the need for regeneration, responsibility and relations / ed. by Anna Markowska ; [aut. Sue Spaid et al.].
Adres wydawniczy: Warsaw : Polish Institute of World Art Studies ; Toruń : Tako Publishing House, 2015.
Opis fizyczny: 302, [13] s. : il. (gł. kolor.) ; 30 cm.
Seria: Conferences and Studies of the Polish Institute of World Art Studies
Uwaga: Bibliogr., netogr. przy pracach.
Temat: Sztuka - a ekologia
Temat: Sztuka - etyka
Hasło dodatkowe: Markowska, Anna (1962- ).
Hasło dodatkowe: Spaid, Sue (1961- ).
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka.
Hasło dodatkowe: Malinowski, Jerzy (1950- ).
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
ISBN: 978-83-62737-89-5 (Tako)
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 21919 (1 egz.)
Book
In basket
Tytuł: Korea : art and artistic relations with Europe / edited by Agnieszka Kluczewska-Wójcik.
Adres wydawniczy: Warsaw : Polish Institute of World Art Studies ; Torun : Tako Publishin House, 2014.
Opis fizyczny: 149 s. : il. (gł. kolor.) ; 30 cm.
Seria: Conferences and Studies of the Polish Institute of World Art Studies
Uwaga: Materiały konf.: Warszawa, 25-26 października 2012.
Uwaga: Bibliogr. przy ref.
Uwaga: Finansowanie: Ministerstwo Nauki i Szkolnictwa Wyższego ; Ministerstwo Kultury i Dziedzictwa Narodowego.
Temat: Sztuka koreańska - materiały konferencyjne
Temat: Sztuka europejska - recepcja - Korea - materiały konferencyjne
Temat: Sztuka koreańska - zbiory - Europa - materiały konferencyjne
Temat: Korea - kultura - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka.
Hasło dodatkowe: Cambon, Pierre (1955- ). Korean collection in Paris
Hasło dodatkowe: Dąbrowski, Józef (1940-2019). "Hanji Paper" – Unique technologies of ancient Korean craft
Hasło dodatkowe: De Fraeye, Mark (1949- ). San-shin, the Mountain God – Korea’s eternal spirit
Hasło dodatkowe: Gröning, Gert (1944- ). The Heewon,희원, where the pungryu 풍류, can be perceived - an outstanding example of garden culture in Korea
Hasło dodatkowe: Helman-Ważny, Agnieszka (1974- ). "Hanji Paper" – Unique technologies of ancient Korean craft
Hasło dodatkowe: Jankowska, Małgorzata (1971- ). Hunting for self-image. Construction of identity of Nikki S. Lee and Katarzyna Kozyra art
Hasło dodatkowe: Kennedy, Beccy. Orienting and disorienting contemporary Korean art
Hasło dodatkowe: Kucharzewska, Joanna (1973- ). Between tradition and modernity. From the works of Seung H-Sang, an architect from South Korea
Hasło dodatkowe: Lee-Niinioja, Hee Sook (1946- ). Costume culture of Hanbok as a living heritage and Korean identity
Hasło dodatkowe: Martini, Małgorzata (1953- ). Korean art and material culture in Polish museum collections
Hasło dodatkowe: Mecsi, Beatrix. Meeting of the East and the West: the Western visual world (perspective and three-dimensionality) and its reception in East Asia in the 17th-18th centuries
Hasło dodatkowe: Malinowski, Jerzy (1950- ). Wstęp
Hasło dodatkowe: Naeyoung, Ryu. Yun Duseo, Korean scholar-painter, precursor in painting of the Sirhak movement
Hasło dodatkowe: Pelz, Robert. A Korean ancestor portrait in the Museum of East Asian Art Cologne
Hasło dodatkowe: Popławska, Marzanna. The National Gugak Center – preserving and promoting intangible cultural properties in Korea
Hasło dodatkowe: Schulenburg, Stephan (1959- ). Korean collections in German museums
Hasło dodatkowe: Suh, Katharina I-Bon. The element of the dragon – an example of Korean dancheong on a Buddhist temple hall at Songgwangsa ( Jeollanam-do, South Korea)
Hasło dodatkowe: Toomey, John J. The Korean way of tea. The way of universal peace
Hasło dodatkowe: Youngsuk, Park. Genesis of Korean art – Goguryeo art
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
ISBN: 978-83-62737-42-0
This item is available in one branch. Expand information to see details.
Magazyn
There are copies available to loan: sygn. sygn. III 23428 (1 egz.)
Book
In basket
Tytuł: The Henryk Siemiradzki that we do not know / edited by Agnieszka Kluczewska-Wójcik & Dominika Sarkowicz.
Adres wydawniczy: Warsaw : Polish Institute od World Art Studies ; Toruń : Tako Publishing House, 2018.
Opis fizyczny: 178 s. : il. (gł. kolor.) ; 30 cm.
Seria: World Art Studies conferences and studies of the Polish Institute of World Art Studies
Uwaga: Bibliogr. w przypisach.
Uwaga: Materiały z konferencji: Muzeum Narodowe w Krakowie, 11-13 kwietnia 2018 r.
Temat: Siemiradzki Henryk (1843-1902) - materiały konferencyjne
Temat: Malarstwo polskie - 19 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka.
Hasło dodatkowe: Sarkowicz, Dominika.
Hasło dodatkowe: Malinowski, Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki
Hasło dodatkowe: Świętosławska, Agnieszka. First attempts: the early work of Henryk Siemiradzki
Hasło dodatkowe: Traânovna-Bogdan, Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
Hasło dodatkowe: Karpova, Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter
Hasło dodatkowe: Susak, Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
Hasło dodatkowe: Kuczyńska, Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
Hasło dodatkowe: First, Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop"
Hasło dodatkowe: Nitka, Maria. Henryk Siemiradzki's figuralism
Hasło dodatkowe: Biały, Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
Hasło dodatkowe: Farida, Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met
Hasło dodatkowe: Głowacki, Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France
Hasło dodatkowe: Twardowska, Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
Hasło dodatkowe: Laskowska, Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow
Hasło dodatkowe: Paś, Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow
Hasło dodatkowe: Sieklucka, Marzena. Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Sarkowicz, Dominika. Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Janke, Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Nesterova, Elena V. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
Hasło dodatkowe: Sirro, Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
Hasło dodatkowe: Dyakonova, Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
Hasło dodatkowe: Zdzieszyńska-Demolin, Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
Hasło dodatkowe: Pliś, Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
Hasło dodatkowe: Sarkowicz, Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Sieklucka, Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Klisińska-Kopacz, Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Kwiatkowska, Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
Hasło dodatkowe: Wąsik, Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
This item is available in one branch. Expand information to see details.
Zapytaj bibliotekarza: sygn. sygn. III 24282
Book
In basket
Tytuł: Politics of erasure from "Damnatio memoriae" to alluring void / edited by Anna Markowska.
Wariant tytułu: Politics of erasure
Adres wydawniczy: Warsaw : Polish Institute of World Art Studies ; Toruń : Tako Publishing House, 2014.
Opis fizyczny: 345 s. : il. (gł. kolor.) ; 30 cm.
Seria: Conferences and Studies of the Polish Institute of World Art Studies
Uwaga: Bibliogr. przy ref.
Uwaga: Współfinansowanie: Ministerstwo Nauki i Szkolnictwa Wyższego.
Temat: Pamięć - w sztuce - materiały konferencyjne
Temat: Sztuka - a historia - materiały konferencyjne
Temat: Sztuka - a polityka - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Markowska, Anna (1962- ).
Hasło dodatkowe: Bandura, Agnieszka. Politics of replacing in New Romanticism
Hasło dodatkowe: Bernatowicz, Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
Hasło dodatkowe: Bojarska, Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
Hasło dodatkowe: Eysymontt, Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
Hasło dodatkowe: Filipczyk-Topolnicka, Joanna (1969- ). Fine arts in the context of the "degermanization" in the region of Opolian Silesia after 1945
Hasło dodatkowe: Gradinaru, Camelia. Visual tyranny as autopoiesis
Hasło dodatkowe: Gut, Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
Hasło dodatkowe: Ilnicka, Zuzanna. Gerhard Richter’s failing memory. The October 18, 1977 and the need to allow doubt
Hasło dodatkowe: Ilnicki, Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
Hasło dodatkowe: Jarosz, Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
Hasło dodatkowe: Jedlińska, Eleonora (1954- ). A nook at Wolborska Street, or expunged remains of Jewish culture in Łódź
Hasło dodatkowe: Klimczak-Dobrzaniecka, Alicja. Erasure. Memory Exercises
Hasło dodatkowe: Kłos, Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
Hasło dodatkowe: Krzyżanowska, Małgorzata Ksenia. "Nothing is getting as old as modernity" – i.e. why the trend for Nine Graphic Artists Group has passed
Hasło dodatkowe: Kubala, Agata. Damnatio memoriae and Roman imperial art
Hasło dodatkowe: Markowska, Anna (1962- ). Conspicuously absent Jews, alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
Hasło dodatkowe: Morawiecka, Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
Hasło dodatkowe: Narušytė, Agnė (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevičius
Hasło dodatkowe: Niemira, Konrad. Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s "A la recherche de temps perdu"
Hasło dodatkowe: Nieszczerzewska, Małgorzata. Erasure of time. Photographs of abandoned places
Hasło dodatkowe: Palęcka, Alicja. Visualizing the other: ethnographic film as thick description
Hasło dodatkowe: Popa, Lucia. Removing Romania: the Western art world colonized by the "East"
Hasło dodatkowe: Scheflan-Katzav, Hadara (1963- ). Re-representation – critical art and the return of the repressed
Hasło dodatkowe: Sikora, Patrycja (1978- ). Erasure. Memory Exercises
Hasło dodatkowe: Sikora-Sabat, Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
Hasło dodatkowe: Sinicka, Agnieszka. Wilhem Sasnal’s photophobia
Hasło dodatkowe: Smolińska, Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
Hasło dodatkowe: Soczyńska, Agata. Marek Oberländer – a painter undesired by the time
Hasło dodatkowe: Speare, Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
Hasło dodatkowe: Stec, Anna (1987- ). Anish Kapoor, "Memory"
Hasło dodatkowe: Szczepaniak, Barbara. Strategy of erasing, manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s "Album"
Hasło dodatkowe: Tsiftsi, Xanthi. Void, the art of erasure. Representing absence in the Jewish Museum Berlin
Hasło dodatkowe: Worłowska, Magdalena. "Let self-effacement be my way of blazing" – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
Hasło dodatkowe: Zarzycki, Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a "quasi-metanarrative". Visible tyranny of Idea?
Hasło dodatkowe: Zawada, Michał (1985- ). Imaging iconoclasm
Hasło dodatkowe: Zięba, Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
Hasło dodatkowe: Ziębińska-Witek, Anna (1971- ). Historical museums: between representation and illusion
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
ISBN: 978-83-62737-66-6 (Tako)
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Magazyn
There are copies available to loan: sygn. sygn. III 23601, sygn. III 23426 (2 egz.)
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