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Alexandridis Annetta (1968- )
(1)
Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race
(1)
Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan
(1)
Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute
(1)
Bevivino Michael Ann. A rampage by vandals: the history and destruction of the plaster casts of the National College of Art and Design of Ireland
(1)
Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva
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Champy-Vinas Cecilie (1984- )
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Collet Isabelle (1958- )
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Corbeau-Parsons Caroline
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Corbeau-Parsons Caroline. Crossing the Channel
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Corbeau-Parsons Caroline. The Thames and Westminster: from motif to leitmotif
(1)
DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution
(1)
Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value
(1)
Holm Henrik (1964- ). The (mis)performance of cast collections
(1)
Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University
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Jacobi Carol. Through French eyes
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Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile
(1)
Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
(1)
Moriniere Soline (1988- ). The fate of cast collection in French education: between destruction and abandonment
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Oldewurtel Ulfert. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit
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Payne Emma M. From pillar to post: calssical casts at the British Museum
(1)
Pearson Stephanie. Falling between the cracks: UC Berkeley's plaster casts
(1)
Pinatel Christiane. Destruction of plaster casts in workshops and collections of important French institution in th 19th and 20th centuries
(1)
Rabe Britta. Verkauft verschenkt zerstort. Vergessen? Die Frankfurter Abguss-Sammlung9en): Versuch einer Rekonstruktion
(1)
Rabinowitz Adam. Museum od ancient art or white elephant? The battle collection of plaster casts at the Unievrsity of Texas at Austin
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Robbins Anne‏. Monet Pissarro and fellow French painters in London 1970-1
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Robins Anna Gruetzner (1950- ). Alphonse Legros: migrant and cultural ambassador
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Rolland Christine
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Schorner Hadwiga. Von systematischer Vernachlassigung bis absichtlicher Zerstorung: Gipsabgusse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert
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Schreiter Charlotte. Burnt destroyed sold lost: the fate of cast collections in the 18th and 19th centuries
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Sciama Cyrille. James Tissot the Englishman
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Simier Amelie. A French demonstration: the pivotal roles of Jules Dalou and Edouard Lanteri in British sculpture
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Splitter Rudiger (1967- ). Die Abguss-Sammlungen im Museum Fridericianum und in der Gemaldegalerie Kassel
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Tillier Bertrand (1968- ). Painters tested by the terrible year (1870-1)
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Ward-Jackson Philip (1943- ). Jean-Baptiste Carpeaux in the footsteps of his idols
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Winkler-Horacek Lorenz (1963- )
(1)
Winkler-Horacek Lorenz (1963- ). Destroy the copy? Destroy the copy! A history of (non-)appreciation
(1)
Winkler-Horacek Lorenz (1963- ). The fate of the Berlin plaster cast collections: from veneration to dectruction defacement and disposal
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2020 - 2024
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2010 - 2019
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2001-
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1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. III 24175 (1 egz.)
Książka
W koszyku
Autor
Alexandridis Annetta (1968- ). Winkler-Horaček Lorenz (1963- ). Alexandridis Annetta (1968- ). 'Classical' plaster casts in enlightenment and colonialist discourse on race Araki Shinya (1977- ). Embrace the copy: plaster casts and modernity in art education in Japan Basile Joseph J. Models for eternity: the changing role of plaster casts at The Maryland Institute Bevivino Michael Ann. "A rampage by vandals": the history and destruction of the plaster casts of the National College of Art and Design of Ireland Bolle-Fivaz Clara. What archival records do or do not say: the destruction of plaster casts in Geneva DiSalvo Lauren Kellogg. Hidden in plain view: the plaster cast collection at the National Museum of Natural History of the Smithsonian Institution Foster Sally M. (1963- ). Smashing casts: replication of Scottish early medieval sculpture as a case study on the fragility of value Holm Henrik (1964- ). The (mis)performance of cast collections Hume Hannah C. M. Through Athena's eyes: the Nenry W. Sage collection of casts at Cornell University Keller Natalia. The rise and fall of the Museo de Copias: on the history of the collection of sculpture replicas in the National Museum of Fine Arts in Santiago de Chile Leisner Nadine. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit Morinière Soline (1988- ). The fate of cast collection in French education: between destruction and abandonment Oldewurtel Ulfert. Keep the copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit Payne Emma M. From pillar to post: calssical casts at the British Museum Pearson Stephanie. Falling between the cracks: UC Berkeley's plaster casts Pinatel Christiane. Destruction of plaster casts in workshops and collections of important French institution in th 19th and 20th centuries Rabe Britta. Verkauft, verschenkt, zerstört. Vergessen? Die Frankfurter Abguss-Sammlung9en): Versuch einer Rekonstruktion Rabinowitz Adam. "Museum od ancient art" or white elephant? The battle collection of plaster casts at the Unievrsity of Texas at Austin Schörner Hadwiga. Von systematischer Vernachlässigung bis absichtlicher Zerstörung: Gipsabgüsse in Jenaer und Wiener Antikensammlungen im 20. Jahrhundert Schreiter Charlotte. Burnt, destroyed, sold, lost: the fate of cast collections in the 18th and 19th centuries Splitter Rüdiger (1967- ). Die Abguss-Sammlungen im Museum Fridericianum und in der Gemäldegalerie Kassel Winkler-Horaček Lorenz (1963- ). Destroy the copy? Destroy the copy! A history of (non-)appreciation Winkler-Horaček Lorenz (1963- ). The fate of the Berlin plaster cast collections: from veneration to dectruction, defacement, and disposal
Indeks R0: BMNK
Materiały konferencyjne: Cornell University, 2010 oraz Freie Universität Berlin, 2015.
Bibliogr. przy art. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: sygn. II 35941 (1 egz.)
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