Bommel Maarten R. van. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Boon Jaap J. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Bykova Galina Zaharovna
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Dallongeville Sophie (1984- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Delbourgo Suzy. Application of the electron microprobe to the study of some Italian paintings from the fourteenth to the sixteenth century
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Dodinet Elisabeth. A note on the Colorant Gamboge its introduction in Europe and use in coloured glazes
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Dodinet Elisabeth. Botanical sources of dragon's blood: methodology and identification issues
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Dodinet Elisabeth. Frankinscene Boswellia sp. Burseraceae: Identification issues and analyses of the sources throughout history
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Emmerling Erwin (1952- )
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Feller Robert L. (1919-2018). Problems in the investigation of picture varnishes
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Feller Robert L. (1919-2018). The relative solvent power needed to remove various aged solvent-type coatings
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Flieder Francoise (1929-2017)
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Fras Vlado. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Frinta Mojmir Svatopluk (1932- ). On the punched decoration in mediaeval panel painting and manuscript illumination
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Frowein Susanne. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Gallo Fausta. The work of the biology laboratory Istituto di Patologia del Libro during the ten years from 1961 to 1972
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Garnier Nicholas (1982- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Gay Marie Christine. Application of the staining method to cross-sections in the study of the media of various italian paintings of the fourteenth and fifteenth centuries
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Gettens Rutherford J. (1900-1974). Japanese paintings - technical studies at the freer gallery of arts
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Gruber Christian (1939- )
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Harley Rosamond Drusilla (1934- ). Artists' brushes - historical evidence from the sixteenth to the nineteenth century
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Hulmer Eric C. Notes on the formulation and application of acrylic coatings
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Johnson Ben B. Oriental mounting techniques in the conservation of Western prints and drawings
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Karbacher Rupert. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Karbacher Rupert. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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King Antoinette G. Conservation of the collage roses by Juan Gris
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Kuffner Markus. Der Hochaltar in St. Anna zu Ering am Inn. Verborgene Fassmalpracht des 17. Jahrhunderts
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Kuhlenthal Michael. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Kuhlenthal Michael. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Kuhlenthal Michael. Lusterfassungen von Skulpturen nd Altarretabeln im kunstlerischen Ausstattungskonzept des Barock und Rokoko
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Kuhlenthal Michael. Lustrieren lasieren lackieren. Die Erforschungvon Lusterfasungen des Barock und Rokoko. Ein Projekt der Deutschen Forscungsgemeinschaft
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Lank Herbert. Picture varnishes formulated with resin MS2A
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Lazzarini Lorenzo (1947- )
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Margaritoff Tasso. Removing successive layers of painting - further work
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Masschelein-Kleiner Liliane. Contribution to the study of aged proteinaceous media
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Mills John S. (1928- ). The gas chromatographic examination of paint media. Some examples of medium identification in paintings by fatty acid analysis
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Mills John S. (1928- ). The identification of paint media - an introduction
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Mokrecova Inna Pavlovna
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Moser-Seiberl Lukas. Die Altare von Johann Meinrad Guttenbichler mit Fassungen von Matthias Wichelhammer in der ehem. Stiftskirche in Mondsee
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Moser-Seiberl Lukas. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Murrell Jim. The restoration of portrait miniatures
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Pelludat Inga. Das Cuivillies-Theater in Munchen
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Pelludat Inga. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Pemberton-Pigott Viola
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Plahter Leif Einar (1929-2016)
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Plossi Zappala Mariagrazia
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Richter Mark. '... verguldt und die Fuederung an Khlaidern schenist lassirt werden sole...'. The technique of coloured glazes on the Holy Ghost and St. Sebastian Altarpieces in the former Monastery Church of St. Michael in Mondsee (Upper Austria)
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Richter Mark. A look at the issue concerning the so-called Gold Altarpieces in Slovenia with a special focus on the Gorjnska Region
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Richter Mark. Analytical methodology for the scientific examination of coloured glazes on metal leaf
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Richter Mark. Art-technological source research and scientific examination : a comparative study on the technique of coloured glazes applied on metal leaf
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Richter Mark. Coloured glazes of the High Altarpiece by Judas Thaddaus Sichelbein and his workshop in the former monastery church of Rheinau (Switzerland)
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Richter Mark. Coloured glazes of the St. Joseph sculpture group and the High Altarpiece by Andreas Thamasch in the Former Monastery Church Mariae Himmelfahrt of Kaisheim
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Richter Mark. Coloured glazes on metal leaf: definition and terminology
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Richter Mark. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Richter Mark. Die Antependien der Benediktuskapelle in er Benedikterabtei Ottobruren
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Richter Mark. Historische Rezepte von farbigen Lustern Goldlacken auf Metallfolien und weiβen bzw. transparenten Uberzugen (ca. 1100-1800)
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Richter Mark. Organic constituents analysed by DTMS in grounds bole and transparent colored glazes sampled from ploychrome works of art (c. 1620-1780)
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Richter Mark. Polychrome wooden reliquary retable (dated 1740-1773)
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Richter Mark. Tables of the layer build-up of coloured glazes on silver leaf and their materials in Southern Germany Austria and Switzerland (c. 1600-1780)
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Richter Mark. The Abwinkl reliquary-retable: scientific examination results of the coloured glazes on metal leaf
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Richter Mark. The Altarpieces of St. Alto and St. Augustine (1768/69) in the Catholic Parish and Monastery Church St. Alto and St. Brigitta in Altomunster
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Richter Mark. The Green Lacquered Room in the Prince-Bishop's palace of Wurzburg (1769-1772)
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Richter Mark. The materials and techniques of the coloured glazes used on the High Altarpiece in Georgenberg (Austria)
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Richter Mark. The red glazed drapes in the Cuivillies-Theatre: results of the scientific examination
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Rogers George de Witt
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Rolando Christian. Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Schafer Stephan. A luminescent metal chelate stain and its application protocol for the identification of proteinaceous binding media within paint cross sections
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Schieber Judith. Glanz und Abglanz: Rekonstruktionsversuche zur barocken Polychromie am Beispiel einer Skulpturenfassung um 1650
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Schott Frauke. Der Reliquienschrein aus der Hauskapelle des Friedlhofes in Abwinkl Bad Wiessee
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Schott Frauke. Polychrome wooden reliquary retable (dated 1740-1773)
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Stolow Nathan (1928- )
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Tokarski Caroline (1976- ). Coloured glazes on silver leaf: identification of the protein binders and their biological origins
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Vanden Berghe Ina. Analysis of organic pigments applied on baroque and rokoko sculptures and retables
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Watherston Margaret M
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