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Burckhardt Daniel. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Carvalho Rosario Salema de. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Chair Desiree de. Sings of mutual awareness. Johann Gottfried Schadow and Britain
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Champion Erik. Art history heritage games and virtual reality
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Cowan T. L. X-reception: re-mediating trans- feminist and queer performance art
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Cranston Jodi (1969- ). Mapping paintings or how to breathe life into provenance
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Czarnecki Alexandra (1980- ). The sisters as digital twins. Observations and findings from the 3D analysis of the princess group in plaster and marble
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Czarnecki Alexandra (1980- ). The transformation from model to exhibit reflected in the restoration history
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De Vincentis Stefania. Digital languages for art history: audience engagement virtual and augmented reality
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Deseyve Yvette. Goddesses of the public. An art historical review of Schadow's conception of form as exemplified by his princess group
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Deseyve Yvette. The princess group copyright case. On the historical practice of replicating the princess busts and the double statue through licit and illicit casting and replicas
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Dohring Marei. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Foka Anna (1981- ). Art history heritage games and virtual reality
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Gagliardi Susan Elizabeth. Mapping Senufo: mapping as a method to transcend colonial
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Gleis Ralph (1973- ). Foreword and acknowledgements
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Goodyear Anne Collins. The art-historical catalogue in the digital era
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Gottlich Fanet (1983- ). The sisters as digital twins. Observations and findings from the 3D analysis of the princess group in plaster and marble
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Guericke Sintje. Popular princesses. The dissemination of Johann Gottfried Schadow's princess group in porcelain graphic work and plaster
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Helmreich Anne (1963- ). Digital methods and the study of the art market
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Hoernes Martin (1965- ). Introductory remarks
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Hofereiter Rita. The path to becoming court sculptor. Schadow and Tassaert's sculpture atelier in Berlin
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Jaskot Paul B. (1963- ). Digital methods and the historiography of art
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Kandemir Baris. Computerized analysis of paintings
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Kiesant Silke. Prussiano! Prussiano!. Johann Gottfried Schadow and Italy
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Klinke Harald. The digital transformation of art history
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Leigh Allison (1983- ). Social media in the art history classroom
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Leitao Ines. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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Li Jia. Computerized analysis of paintings
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Mitchell Elspeth. Feminist digital art history
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Mulloli Nirmalie. The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Newbury David. Pointers and proxies: thoughts on the computational modeling of phenomenal World
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Quandt Gabriele. Introductory remarks
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Rodriguez-Ortega Nuria. Image processing and compute vision in the field of art history
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Rosa Javier de la. Curation content creation: computer approches to fine arts
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Rosenberg Raphael (1962- ). The database of modern exhibitions (DoME): European paintings and drawings 1905-1915
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Seidel Anna (1975- ). He is our greatest. The blossoming of Schadow's reception in the early twentieth century
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Vascon Luca Nicolo. Digital languages for art history: audience engagement virtual and augmented reality
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Xavier Rafaela. Digital techniques for the study of Portuguese Azulejos (glazed tiles): between Alice's white rabbit and the mad tea party
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