Boeckl Matthias (1962- ). From life reform to bourgeois daily life. The villa Colony on the Hohe Warte
(1)
Boeckl Matthias (1962- ). In the modernist laboratory. Josef Hoffmann's architecture class at the Vienna School of Arts and Crafts 1899-1918
(1)
Boeckl Matthias (1962- ). Presence despite permanent crisis. Josef Hoffmann and the Vienna School of Arts and Crafts 1919-1938
(1)
Boeckl Matthias (1962- ). Reconstructing modernism. Josef Hoffmann's late work as an architect and curator
(1)
Boeckl Matthias (1962- ). The leadership's will Hoffmann's projects under national socialism
(1)
Boeckl Matthias (1962- ). The revelance of the beautiful. Enduring resonances of Josef Hoffmann's oeuvre
(1)
Boeckl Matthias (1962- ). The social question. Josef Hoffmann's municipal apartement complexes and housing developements before 1933
(1)
Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform
(1)
Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated
(1)
Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear
(1)
Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900
(1)
Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau
(1)
Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume
(1)
Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900
(1)
Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900
(1)
Franz Rainald (1964- )
(1)
Franz Rainald (1964- ). 150 years of Josef Hoffmann. A retrospect of his oeuvre
(1)
Franz Rainald (1964- ). A shrine of a thousand treasures to admire and stroll through. The Austrain pavilion at the International Decorative Arts Exhibition in Paris in 1925
(1)
Franz Rainald (1964- ). A truly effective culture of taste in atectonic classicism. The exhibitions in Rome (1911) and Cologne (1914)
(1)
Franz Rainald (1964- ). Austria's aesthetic self-portrait. The Austrian pavilion in Venice 1933-1934
(1)
Franz Rainald (1964- ). Chief architect of the show of force of Austrian ambitions in art. The 1908 Kunstschau in Vienna
(1)
Franz Rainald (1964- ). Continuing to build for patrons. Josef Hoffmann's villas 1918-1933
(1)
Franz Rainald (1964- ). Deeply honored to have been no nominated... Josef Hoffmann and the founding of the Union of Austrian Artists Secession
(1)
Franz Rainald (1964- ). Homely concept of housing versus decorating over the bad skeleton of a building. From Rental Cilla to Festival Building
(1)
Franz Rainald (1964- ). It was no simple matter to ... reach an understanding of the real sense of building. Josef Hoffmann: studies at the Vienna Academy
(1)
Freytag Anette (1971- ). Plant and square. The gardens of Josef Hoffmann
(1)
Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network
(1)
Hackenschmidt Sebastian (1971- ). System design. Josef Hoffmann's cooperation with J. & J. Kohn
(1)
Hahn Juliane. Skirt and rib: bodies in the gaze
(1)
Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk
(1)
Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation
(1)
Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences
(1)
Kapfinger Otto (1949- ). Anatomy of catharsis. Concrete structure as a formative factor for the Purkersdorf Sanatorium
(1)
Klamper Elisabeth (1956- ). Josef Hoffmann and national socialism. An evaluation
(1)
Klamper Elisabeth (1956- ). Temporary career setback. Josef Hoffmann and the Standestaat
(1)
Kristan Markus (1954- ). A pioneer of modernism. Josef Hoffmann and international arts journalism
(1)
Long Christopher (1957- ). From Vienna to Hollywood. Josef Hoffmann and America
(1)
Nemeckova Klara. Freedom from patronage. Josef Hoffmann adn the Deutsche Werkstatten Hellerau
(1)
Neumann Antje (1974- ). The fairies have strewn flowers along the way: the textile designer and Gesamtkunstler Henry van de Velde and his Weimar circle
(1)
Nierhaus Andreas (1968- ). The decorative arts destroyed? Josef Hoffmann and the Austrian Werkbund
(1)
Norrman Jan (1967- ). A cheerful and capricious energy. Josef Hoffmann and the Wiener Werkstatte in Sweden
(1)
Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform
(1)
Orosz Eva-Maria. On the reconstruction of the arts and crafts. Osterreichische Werkstatten 1948
(1)
Prieto Adrian. Beauty in utility. The reception of Josef Hoffmann in Belgium and France 1900-1939
(1)
Prokop Ursula. Josef Hoffmann's customers as a reflection of social change at the fin de siecle
(1)
Scheer Thorsten (1961- ). Deeds not words: on the political iconography of women's dress
(1)
Steinhauser Lara. Women's clothing as another surface. Josef Hoffmann and fashion
(1)
Terraroli Valerio. A new classicism. Josef Hoffmann and his reception in Italy
(1)
Thillmann Wolfgang. System design. Josef Hoffmann's cooperation with J. & J. Kohn
(1)
Thonnissen Karin (1951- ). The Omega Workshops: painting in space
(1)
Thun-Hohenstein Christoph (1960- )
(1)
Thun-Hohenstein Christoph (1960- ). Hoffmann's dream of the high-quality society
(1)
Witt-Dorring Christian (1950- )
(1)
Witt-Dorring Christian (1950- ). 150 years of Josef Hoffmann. A retrospect of his oeuvre
(1)
Witt-Dorring Christian (1950- ). From art object to standard product. The Wiener Werkstatte 1903-1918
(1)
Witt-Dorring Christian (1950- ). Indiciduality versus obligatory conformity. Decorative arts 1938-1956
(1)
Witt-Dorring Christian (1950- ). Interior design as a work of art. From Brettlsil to Viennese Style 1898-1900
(1)
Witt-Dorring Christian (1950- ). Luxury put to the test. The Wiener Werkstatte and Hoffmann's interior designs 1919-1932
(1)
Witt-Dorring Christian (1950- ). Protesetant materialism meets catholic emotions. The English exemplar
(1)
Witt-Dorring Christian (1950- ). Stoclet House: a Gesamtkunstwerk. The shared fate of Adolphe Stoclet and the Wiener Werkstatte 1905-1911
(1)
Witt-Dorring Christian (1950- ). The Viennese style. Interiors 1900-1918
(1)
Witt-Dorring Christian (1950- ). Working without the Wiener Werkstatte. Decorative arts 1933-1938
(1)