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Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bogdanowska Monika (1962- )
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Eastop Dinah
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
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Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
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Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
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Stoner Joyce Hill (1946- )
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Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
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Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
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13 wyników Filtruj
Brak okładki
Książka
W koszyku
Textile conservation / ed. by Jentina Emma Leene. - London : Butterworths : [for] The International Institute for Conservation of Historic and Artistic Works, 1972. - [8], 275 s., [24] s. tabl. kolor. : il. ; 24 cm.
Autor
Leene Jentina E.
Temat
Tkaniny
Indeks R0: BMNK
Bibliogr. s. 263-266. Indeks.
spytaj bibliotekarza
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Dział
Zapytaj bibliotekarza o dostępność egzemplarzy do wypożyczenia: Dział Tkanin sygn. II 4950 (1 egz.)
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Textile conservation and research / Mechthild Flury-Lemberg. - Bern, cop. 1988. - s. ; cm.
Autor
Flury-Lemberg Mechthild (1929- ).
Indeks R0: BMNK
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 5975 (1 egz.)
Brak okładki
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W koszyku
Textile conservation: advances in practice / ed. by Frances Lennard and Patricia Ewer. - Amsterdam [etc.] : Elsevier Butterworth Heinemann, 2010. - XXIII, 311 s. : il. kolor. ; 26 cm.
Autor
Ewer Patricia. Lennard Frances.
Temat
Konserwatorstwo Tkaniny artystyczne
Indeks R0: BMNK
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 17211 (1 egz.)
Brak okładki
Książka
W koszyku
Chemical principles of textile conservation / Ágnes Tímár-Balázsy and Dinah Eastop. - Oxford [etc.] : Butterworth : Heinemann, 2002. - XX, 443 s., [16] s. tabl. kolor. : il. ; 26 cm.
(Butterworth-Heinemann Series of Conservation and Museology)
Autor
Timar-Balazsy Agnes (1948-2001). Eastop Dinah.
Temat
Chemia Konserwatorstwo Tkaniny
Indeks R0: BMNK
Bibliogr. po rozdz. Indeks.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 13513 (1 egz.)
Brak okładki
Książka
W koszyku
The textile conservator's manual / Sheila Landi. - 2nd ed. - Oxford [etc.] : Butterworth : Heinemann, 2002. - XVII, 340 s., [4] s. tabl. kolor. : il. ; 25 cm.
(Butterworth-Heinemann Series of Conservation and Museology)
Autor
Landi Sheila.
Temat
Konserwatorstwo Tkaniny
Indeks R0: BMNK
Brak s. 81-82.
Bibliogr. s. 330-333. Indeks.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 20560 (1 egz.)
Książka
W koszyku
Changing views of textile conservation / edited by Mary M. Brooks, Dinah D. Eastop. - Los Angeles : The Getty Conservation Institute, 2011. - XXI, [1], 658 s. : il. (w tym kolor.) ; 26 cm.
(Readings in Conservation ; 4)
Autor
Brooks Mary M. Eastop Dinah. Allen Robert. Naphthalene (1992) Ballard Mary W. Climate and conservation (1994) Ballard Mary W. Hanging out: strength, elongation, and relative humidity: some physical properties of textile fibres (1996) Bellinger Louisa. Basic habits of textile fibres (1963) Bengtsson Sven (1932- ). Preservation of the "Wasa" sails (1975) Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Bringel Anne-Rose. A conservation/restoration technique (2000) Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Brooks Mary M. To clean or not to clean: the value of soils and creases (1996) Brown Elizabeth. Practical aspects of consultation with communities (2005) Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999) Brutillot André. Reflections on slit stitching in tapestries (2002) Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000) Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992) Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994) Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003) Conti Susanna. Loss in textiles: technological and color problems (2004) Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993) Cooke Bill (historia sztuki). Creasing an ancient textiles (1988) Dal-Prà Patricia. In situ maintenance and storage: the unique case of textiles (2000) Daly Hartin Debra. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001) Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003) Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998) Eastop Dinah. To clean or not to clean: the value of soils and creases (1996) Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Estham Inger (1928-2016). Eighty years of Pietas (1988) Fields John. Surfactant investigations into alternatives for synperonic N® (2001) Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986) Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969) Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000) Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988) Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum, Bern (1957/58) Flury-Lemberg Mechthild (1929- ). Introduction to "Textile conservation and research" (1988) Fogelmarck Stig (1916-2006). John Böttiger: keeper of textiles (1988) French Ann. Textile or art? The conservation, display and storage of modern textile art (2004) Geijer Agnes (1898-1989). Brief reply from Dr. Geijer, Stockholm, 12 June 1961 (1961) Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961) Geijer Agnes (1898-1989). Preservation of textile objects (1963) Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003) Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003) Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001) Hayward Maria. Naphthalene (1992) Heald Susan. Practical aspects of consultation with communities (2005) Hefford Wendy. The restoration of the tapestries (1971) Herrmann Hannelore. Looking back at thirty years of textile conservation and restoration in the Federal Republic of Germany (1989) Hillyer Lynda. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Hinkel Ada. A sleeveless doublet circa 1585 from the Germanisches Nationalmuseum, Nuremberg (2002) Hofenk de Graaff Judith H. Some recent developments in the cleaning of ancient textiles (1982) Jędrzejewska Hanna (1906-2002). Problems in the conservation of textiles: needle versus adhesive (1981) Jędrzejewska Hanna (1906-2002). Problems of ethics in the conservation of textiles (1980) Johansen Katia (1948- ). Perfumed garments, their preservation and presentation: "...the good smell of old clothes" (1999) Johnson Jessica S. Practical aspects of consultation with communities (2005) Kajitani Nobuko. A contact/pressure mounting system (1986) Kajitani Nobuko. Care of fabrics in the Museum (1977) Kaminitz Marian A. Practical aspects of consultation with communities (2005) Kirkpatrick Bridie. Clear as mud: how cultural significance determines preservation choices (2003) Kite Marion. Conservator safety: Mercury in felt hats (2003) Kite Marion. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Kovács Tibor (1940-2013). A thousand-year-old relic in a new setting Krippendorf Agnes. "Information is defense": conservation in Auschwitz (2002) Landi Sheila. Three examples of textile conservation in the Victoria and Albert Museum (1966) Leene Jentina E. Restoration and preservation of ancient textiles, and natural science (1963) Leene Jentina E. The "Delft" methods for the conservation of textiles: response to Dr. Agnès Geijer, Stockholm (1961) Leene Jentina E. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Lennard Frances. The conservation of the United Tin Plate Workers' Society Banner of 1821 (1989) Lister Alison. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles (1997) Lodewijks Johan. The history of conservation and restoration of flags and banners in the Netherlands (1980) Lugtigheid Renée. A tale of two tapestries: considerations of restoration, de-restoration, and re-restoration (1995) Maheux Anne F. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Marko Ksynia. Two case histories: a seventeenth-century Antwerp tapestry and an eighteenth-century English Soho tapestry (1989) Martin Graham (1952- ). Conservator safety: Mercury in felt hats (2003) Martin Graham (1952- ). State of the art: non-invasive interrogation of textiles in museum collections (2008) Masschelein-Kleiner Liliane. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) McClean Lynn. Avendale for reformation: conservation of a 17th century covenanting banner (2003) McHugh Kelly. Practical aspects of consultation with communities (2005) Meert Geert. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Morgan Helen. Lining a banana fibre belt: a cool vacuum table technique (1993) Niekamp Bettina. Alterations, historical restorations, restoration and conservation interventions (2008) O'Connor Sonia A. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Odegaard Nancy (1955- ). Addressing the problem: the team approach (2005) Orlofsky Patsy. The role of connoisseurship in determining the textile conservator's treatment options (1993) Peacock Elizabeth E. Drying archaeological textiles (1992) Phipps Elena. A contact/pressure mounting system (1986) Pool Marilen. Addressing the problem: the team approach (2005) Raster Barbara. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Rice James W. Principles of textile conservation science, no. I: general chemical and physical structural features of the natural textile fibres (1962) Rice James W. Principles of textile conservation science, no. V: the characterisctics of soils and stains encountered on historic textiles (1964) Rice James W. Principles of textile conservation science, no. VI: the wonders of water in wetcleaning (1966) Rice James W. Principles of textile conservation science, no. VIII: Drycleaning of fine and fragile textiles (1967) Richardson Emma. State of the art: non-invasive interrogation of textiles in museum collections (2008) Ringgaard Maj. An investigation of the effects of borohydride treatments of oxidized cellulose textiles (2002) Rinuy Anne. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Robinson John M. Uppark restored: the conservation of the contents (1996) Rowell Christopher. Uppark restored: the conservation of the contents (1996) Ruggles Anne. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Sadongei Alyce (1959- ). Addressing the problem: the team approach (2005) Semečkin P. A. "Workshop for the repair of antique needlework": on the history of the decorative arts section of the Central State Restoration Workshops, 1919-1934 (2000/2001) Seth-Smith Alexandra. Animal glue removal from sixteenth-century Flemish tapestry fragments: a comparative study of three cleaning methods (1996) Sieders R. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Singer Poppy. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Stauffer Annemarie. A study of the conservation problems of archaeological textiles treated with synthetic consolidants (2005) Sykas Philip A. Caring or wearing? (1987) Temmink-van Dijkhuizen Marike. Textiles in all conditions: opinions about restoration and conservation from changing perspectives (1990) Timar-Balazsy Agnes (1948-2001). Drying behaviour of fibres (1999) Tinker Zenzie. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Trupin Deborah Lee. Flag conservation then and now (2003) Trupin Deborah Lee. The role of connoisseurship in determining the textile conservator's treatment options (1993) Tse Season. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Uytenbogaart J. W. H. (1897-1964). The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Vandermeersch-Coppens d'Eeckenbrugge Bernadette. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Vuori Jan. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Webber Pauline. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Windsor Deirdre. Preserving the historic document: minimal conservation intervation for 18th- and 19th-century needlework and pictorial embroidery (1999) Wingham Andrew. Surfactant investigations into alternatives for synperonic N® (2001) Wyeth Paul. State of the art: non-invasive interrogation of textiles in museum collections (2008) Zhang Xiaomei. State of the art: non-invasive interrogation of textiles in museum collections (2008)
Temat
Konserwatorstwo Tkaniny
Indeks R0: BMNK
Bibliogr. przy niektórych rozdz. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26994 (1 egz.)
Długość kolejki oczekujących: 1.
Brak okładki
Książka
W koszyku
Upholstery + : an interim conference organized by the ICOM-Poland Committee and the ICOM-Conservation Committee Leather Working Group, Textile Working Group, and the Wood, Furniture and Lacquer Working Group in concert with the National Museum in Cracow : Auditorium Maximum, Jagiellonian University, Cracow, Poland, May 13-18, 2007. - Cracow : National Museum in Cracow, cop. 2007. - 177, [7] s. ; 21 cm.
Temat
Międzynarodowa Rada Muzeów Konserwatorstwo Meble Skóry Tkaniny artystyczne
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
dostępna w czytelni
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Księgozbiór podręczny
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: (N 2007 (23)) sygn. II 26588 (1 egz.)
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W koszyku
Metody konserwacji malowideł dwustronnych na płótnie w pracach magisterskich Wydziału Konserwacji i Restauracji Dzieł Sztuki Akademii Sztuk Pięknych im. Jana Matejki w Krakowie = Restoration of two-sided paintings on textile supports - methods presented in the master's theses from the Faculty of Conservation-Restoration of Works of Art, Jan Matejko Academy of Fine Arts in Kraków / Jadwiga Wyszyńska ; [Tłumaczenia: Monika Bogdanowska, Chris Gray ; autorzy prezentowanych prac magisterskich: Zofia Augustyńska, Agata Barczyńska, Urszula Dyląg-Putowska, Tatiana Dzierżęga, Marek Gosztyła, Katarzyna Gwóźdź, Anna Jasieniak, Małgorzata Jucha, Izabela Kłeczek, Agnieszka Kossowska, Helena Krysińska-Godecka, Beata Lizak, Agnieszka Luboń, Dorota Narowska, Lidia Ramza, Hanna Stachowiak-Godlewska, Katarzyna Świerad, Monika Wroniak, Jadwiga Wyszyńska]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, 2017. - 198 s. : il. (w tym kolor.) ; 24 cm.
(Studia i Materiały Wydziału Konserwacji i Restauracji Dzieł Sztuki Akademii Sztuk Pięknych w Krakowie, ISSN 1230-0128 ; t. 25)
Autor
Wyszyńska Jadwiga. Bogdanowska Monika (1962- ). Gray Chris. Augustyńska Zofia. Barczyńska Agata. Dyląg-Putowska Urszula. Dzierżęga Tatiana. Gosztyła Marek. Gwóźdź Katarzyna. Jasieniak Anna. Jucha Małgorzata. Kłeczek Izabela. Kossowska Agnieszka. Krysińska-Godecka Helena. Lizak Beata. Luboń-Radwańska Agnieszka (konserwacja zabytków). Narowska Dorota. Ramza Lidia. Stachowiak-Godlewska Hanna. Świerad Katarzyna. Wroniak Monika.
Temat
Akademia Sztuk Pięknych im. Jana Matejki (Kraków). Konserwatorstwo Malarstwo Malarstwo polskie Sztandary
Indeks R0: BMNK
Na grzbiecie wyłącznie tyt. serii.
Bibliogr. s. 189-195.
dostępna do wypożyczenia
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Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31401 (1 egz.)
Książka
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - London ; New York : Routledge Taylor & Francis Group, 2012. - XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
Temat
Malarstwo (szt.plast.)
Indeks R0: BMNK
Bibliogr. s. 765-866. Indeks.
aktualnie wypożyczona
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Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)
Książka
W koszyku
The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
Temat
Konserwatorstwo Malarstwo (szt.plast.) Ochrona zabytków
Indeks R0: BMNK
Bibliogr. s. 792-890. Indeks.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)
Książka
W koszyku
Studia i Materiały Konferencji Naukowej Studentów Konserwacji i Restauracji Dzieł Sztuki : Kraków, 17-19 marca 2016 : III / [edited by Małgorzata Nowalińska ; redakcja - język angielski, tłumaczenia Monika Bogdanowska]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, cop. 2016. - 293, [1] s. : il. kolor. ; 24 cm.
Autor
Bogdanowska Monika (1962- ). Nowalińska Małgorzata. Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bártová Kateřina (1987- ). Restoration of book torsos Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Bernard Gabriel. International Klein Blue, a reconstruction Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bizoń Katarzyna. Riddles of the Greek Catholic church Botz Alexandra. Restoration of the Salviati Chandelier Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Esquivel Álvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Fekete Dóra. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Fiam Judit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology, wood identification and state of preservation Gonzáles Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Grabowska Joanna. Moisture in historical architectural structures Grachyova Ekaterina. Conservation of the icon "Baptism" Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Korza Eugine. Conservation of the icon "Baptism" Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kowalik Anna (sztuka). Taxidermy in contemporary art Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze "Christ Enters Jerusalem" vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Marecka Agnieszka. Pastel - an object with specific needs Masalska Aleksandra. Danger of using acrylic resins in oil painting Međeral Mirna. In Kraljević's shoes: research and conservation treatments conducted on the painting "The Satyr and the Peasant" by Miroslav Kraljević Michalik Izabela. Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow Mikó Edit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Owczarek Piotr. Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice, Mazowieckie voivodeship Płotek Michał (1988- ). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Potrawiak Maja. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Rădoi Elena. To fill or not to fill Robert Hortense. Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890, Paris Musée d'Orsay) Sitnik Joanna. Straightening of curled negative film strips Skarżyńska Magdalena. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Skarżyńska Magdalena. New exposition and conservation of the wall painting "Bishop Marianos under he protection the Mother of God and a Child" from the Faras cathedrall Skóra Magdalena. Research of lightfastness and qality of digital prints Skrzelowska Justyna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Slouková Lenka. Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings Stryczak Mateusz. Regeneration of varnish and binders used in painting Tauchmanova Renata. Adhesives in conservation of stone finishes Tiszai Rebeka. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Walczak Małgorzata (chemia). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Żarnowiecka Jagoda. Riddles of the Greek Catholic church Żygadło Andrzej. Riddles of the Greek Catholic church
Temat
Konserwatorstwo Kultura
Gatunek
Materiały konferencyjne.
Indeks R0: BMNK
Dod. s. tyt.: 3rd International Student Conference of Conservation and Restoration of Woorks of Art, Cracow, 17th - 19th March 2016
Tyt. z okł.
Bibliogr. przy ref.
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 31402 (1 egz.)
Książka
W koszyku
Mirabilia und Curiosa : Porträtminiaturen, Elfenbein, Wachs, Pastiglia, Scagliola, Eglomisé, Keramik, Steinätzung, Leder, Klosterarbeiten, Eisenschnitt / [Redaktion: Manfred Koller und Rainer Prandstetten]. - Klosterneuburg ; Wien : Mayer & Comp. Verlagsgesellschaft, 2000. - 192 s. : il. (w tym kolor.) ; 31 cm.
(Restauratorenblätter ; Bd. 21)
Autor
Koller Manfred (1941- ). Prandtstetten Rainer. Axer Peter (1965- ). Conservation of the miniatures in the Munich residence Axer Peter (1965- ). Die Restaurierung des Miniaturen-Bestands der Münchener Residenz Cummings Alan. Paraloid B72 als nichtwässriges Retuschiermedium für Miniaturen Cummings Alan. Paraloid B72 in selected solvents as a non-aqueous retouching medium for portrait miniatures painted in water-colour and gouache Delayre Catherine. Acces visuel a des miniatures conditionnees dans boites standard, en situation de stockage Delayre Catherine. Miniaturdepot in Standardbehältern mit Sichtkontrolle Delayre Catherine. Visible storage of miniatures with conditioned standard boxes Derbyshire Alan. Developments in the field of portrait miniature conservation Derbyshire Alan. Neue Entwicklungen in der Konservierung von Miniaturen Derbyshire Alan. Paraloid B72 als nichtwässriges Retuschiermedium für Miniaturen Derbyshire Alan. Paraloid B72 in selected solvents as a non-aqueous retouching medium for portrait miniatures painted in water-colour and gouache Fiedler Sonja. Die Pastigliatechnik der Brauttruhen von Paola Gonzaga um 1478 Fiedler Sonja. The technique of pastiglia on the cassoni of Paola Gonzaga about 1478 Flamm Verena. Die Konservierung und Restaurierung der Habsburger-Miniaturen Flamm Verena. The Habsburgsportraitminiatures in Vienna - conservation and restoration Frayling Nick. Developments in the field of portrait miniature conservation Frayling Nick. Neue Entwicklungen in der Konservierung von Miniaturen Furrer Rita. Die Restaurierung Anatomischer und Geburtshilflicher Wachsmodelle im Wiener Josephium Furrer Rita. On the restoration of 18th century anatomical and obstetrical waxmodels in Vienna-Josephium Homolka Elise. Problems concering historical tiled stoves Homolka Elise. Zur Konservierung und restaurierung eines Frühklassizistischen Kachelofens der Salzburger Residenz Höring Franz. A polychrome stone-etching from 1583: The Polheimepitaph at Grieskirchen Höring Franz. Die Pastigliatechnik der Brauttruhen von Paola Gonzaga um 1478 Höring Franz. Eine Polychromierte Steinätzung von 1583: der Polheim-Epitaph in Grieskirchen, OÖ. Höring Franz. The technique of pastiglia on the cassoni of Paola Gonzaga about 1478 Koller Manfred (1941- ). About technique and restoration of scagliola-paintings in Austria Koller Manfred (1941- ). About polychromy on gothic ivories: the diptych at Klosterneuburg Koller Manfred (1941- ). Barocke Klosterarbeiten - Techniken und Konservierung Koller Manfred (1941- ). Klosterarbeiten - baroque works from monasteries with textile, metal and paperwork Koller Manfred (1941- ). Late gothic cut ironwork with paper inlays in Austria Koller Manfred (1941- ). On the technology of pastiglia from 13th to 20th century Koller Manfred (1941- ). Spätgotischer Eisenschnitt mit Papier-Unterlage in Österreich Koller Manfred (1941- ). Zur Farbfassung Gotischer Elfenbein-Reliefs: das Klosterneuburger Diptychon Koller Manfred (1941- ). Zur Technik und Restaurierung von Scagliolabildern in Österreich Koller Manfred (1941- ). Zur Technologie der Pastiglia vom 13. bis 20. Jahrhundert Krisai-Chizzola Carmen. Basic documentation for examination and conservation of portrait miniatures on ivory Krisai-Chizzola Carmen. Copies of historical framing for miniatures in proper style Krisai-Chizzola Carmen. Dokumentationsraster für Untersuchung und Restaurierung von Porträtminiaturen auf Elfenbein Krisai-Chizzola Carmen. Stilgerechte Kopien von Historischen Miniaturrahmen Macho Elisabeth. Barocke Klosterarbeiten - Techniken und Konservierung Macho Elisabeth. Klosterarbeiten - baroque works from monasteries with textile, metal and paperwork Mayr Susanne. Conservation of the miniatures in the Munich residence Mayr Susanne. Die Restaurierung des Miniaturen-Bestands der Münchener Residenz Mercenier Catherine. Restauration et conservation preventive du portrait miniature "Jean Hyppolite Robert" Mercenier Catherine. Restaurierung und vorbeugende Konservierung des Miniaturportraits "Jean Hyppolite Robert" Paschinger Hubert. Die Pastigliatechnik der Brauttruhen von Paola Gonzaga um 1478 Paschinger Hubert. Naturwissenschaftliche Analysen zu den Anatomischen Wachsmodellen im Wiener Josefinum Paschinger Hubert. Scientific examination of the anatomical wax models in Vienna Paschinger Hubert. The technique of pastiglia on the cassoni of Paola Gonzaga about 1478 Petsche Erszebet. Die Restaurierung der Pastigliareliefs der Hochzeitstruhen Paola Gonzagas Petsche Erszebet. The restoration of reliefs in pastiglia from the cassoni made ca. 1478 for Paola Gonzaga Richard Helmut. Naturwissenschaftliche Analysen zu den Anatomischen Wachsmodellen im Wiener Josefinum Richard Helmut. Scientific examination of the anatomical wax models in Vienna Rönnerstam Cecilia. Developments in the field of portrait miniature conservation Rönnerstam Cecilia. Neue Entwicklungen in der Konservierung von Miniaturen Rönnerstam Cecilia. Paraloid B72 als nichtwässriges Retuschiermedium für Miniaturen Rönnerstam Cecilia. Paraloid B72 in selected solvents as a non-aqueous retouching medium for portrait miniatures painted in water-colour and gouache Sadek-Rosshap Monika. Restoration of a leather-antependium in Landsee, Burgenland, Austria Sadek-Rosshap Monika. Zur Restaurierung eines Lederantependiums in Landsee, Bgld. Simon Katharina. Restoration of a leather-antependium in Landsee, Burgenland, Austria Simon Katharina. Zur Restaurierung eines Lederantependiums in Landsee, Bgld. Sismanoglu Gül. Reverse goldpainting on glass with mirror framing for baroque views of Salzburg Sismanoglu Gül. Salzburger Barockveduten als Hinterglas-Goldradierungen mit Spiegelrahmen Thiel Sigrun. Crystal growth on miniatures painted on ivory Thiel Sigrun. Kristallbildung an Portrait-Miniaturen auf Elfenbein Zehetmaier Giovanna. Die Restaurierung der Pastigliareliefs der Hochzeitstruhen Paola Gonzagas Zehetmaier Giovanna. The restoration of reliefs in pastiglia from the cassoni made ca. 1478 for Paola Gonzaga
Temat
Ceramika Konserwatorstwo Kość słoniowa Miniatura malarska Rzemiosło artystyczne Skóry Szkło
Indeks R0: BMNK
Brak s. 139-148, 169-174 (brak uzupełniony kserokopią).
Bibliogr. przy art.
aktualnie wypożyczona
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 24670 (1 egz.)
Książka
W koszyku
Prace magisterskie = Master thesis. T. 7, 2018/2019 / [komitet redakcyjny Grażyna Korpal, Edward Kosakowski, Jadwiga Wyszyńska, Zofia Kaszowska, Marta Lempart-Geratowska, Grażyna Schulze-Głazik, Paweł Boliński, Aleksandra Hola, Regina Kozik, Janusz Sarkowicz, Barbara Budziaszek, Marek Wawrzkiewicz ; tłumaczenie: Weronika Sobita, Anna Meysztowicz]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki, cop. 2019. - 151, [34] s. : il. (gł. kolor.) ; 24 cm.
Autor
Boliński Paweł. Budziaszek Barbara. Hola Aleksandra. Kaszowska Zofia. Korpal Grażyna (1945- ). Kosakowski Edward (sztuki piękne). Kozik Regina. Lempart-Geratowska Marta (1962- ). Sarkowicz Janusz. Schulze-Głazik Grażyna. Wawrzkiewicz Marek. Wyszyńska Jadwiga. Meysztowicz Anna. Sobita Weronika. Antoniak Blanka. Stained glass painting on paper - the conservation and restoration of the cartoon for the stained glass window entitled "The Virgin and St John Evangelist" by Stefan Witold Matejko Antoniak Blanka. Witraż na papierze - konserwacja i restauracja kartonu do witrażu "Matka Boża z Janem Ewangelistą" Stefana Witolda Matejki Bednarczyk Daniel. Conservation and restoration aspects of a set of paintings: "The Adoration of the Holy Name of Jesus", "The Virgin and Child" and "Dominican Saints" from the church of SS Peter and Paul in Jaworowo Bednarczyk Daniel. Zagadnienia konserwatorskie i restauratorskie zespołu malowideł: "Adoracja Imienia Jezus", "Matka Boska z Dzieciątkiem" oraz "Święci dominikanie" z kościoła pw. św. św. Apostołów Piotra i Pawła w Jaworowie Brud Magdalena. Opracowanie metody przeniesienia fragmentu malowidła ze stropu pałacu w Łagowie ze skorygowaniem deformacji jego powierzchni Brud Magdalena. The development of a painting transfer method with adjustments to surface deformations to transfer a painting from the ceiling of a palace in Łagów Czarnecka Agnieszka. Problematyka konserwacji malowanych chorągwi jedwabnych na przykładzie chorągwi nagrobnej Katarzyny Żarczyńskiej z klasztoru oo. Franciszkanów w Krakowie Czarnecka Agnieszka. The conservation of painted silk banners - the case of the sepulchral banner of Katarzyna Żarczyńska from the Franciscan Monastery in Kraków Giżycka Barbara. Konserwacja obrazu "Pożar miasta w nocy" ze zbiorów Zamku Królewskiego na Wawelu oraz uwarunkowania dotyczące jego oprawy Giżycka Barbara. The conservation treatment of a painting entitled "The city on fire at night" from the collection of the Wawel Royal Castle and the specificity of its framing Głaz Joanna. The application of interdisciplinary research methods with the aim of confirming the common provenance of sculptures attributed to the Passion group from the church of the Exaltation of the Holy Cross in Szymocin Głaz Joanna. Zastosowanie interdyscyplinarnych metod badawczych w celu potwierdzenia wspólnej proweniencji rzeźb przypisywanych do grupy pasyjnej z kościoła pw. Podwyższenia Krzyża Świętego w Szymocinie Główczak Regina (1989- ). Opracowanie metody przywrócenia pozytywowej postaci malowidła odbitego na odwrociu płatów na przykładzie malowideł z Pałacu Spiskiego przy Rynku Głównym 34 w Krakowie Główczak Regina (1989- ). The development of the method for restoring the positive image of the painting imprinted on the verso of sheets - the case of paintings from the Spiski Palace at Rynek Główny 34 in Kraków Grzyb Anna. Konserwacja dwóch woskowo-tekstylnych figurek z XIX w. z klasztoru ss. Benedyktynek w Staniątkach Grzyb Anna. The conservation of two 19th-century wax and textile figures from the Monastery of Benedictine Nuns in Staniątki Hebda Katarzyna. An attempt to reconstruct the painted layer of the choir loft parapet from the Church of the Visitation of the Blessed Virgin Mary in Tłuczań Hebda Katarzyna. Próba rekonstrukcji warstwy malarskiej parapetu chóru muzycznego z kościoła pw. Nawiedzenia Najświętszej Marii Panny na Nowsiu w Tłuczani Halota Angelika. Conservation, reconstruction and rearrangement of the plaster cast of the tombstone of Filip Kallimach from the National Museum in Kraków within the context of the internal metal reinforcement structure of the object Halota Angelika. Konserwacja, rekonstrukcja i dekompozycja gipsowego odlewu płyty nagrobnej Filipa Kallimacha z Muzeum Narodowego w Krakowie w kontekście problematyki metalowej konstrukcji wewnętrznej wzmacniającej obiekt Jagiełka Aleksandra. Aranżacje konserwatorskie zabytkowych rzeźb drewnianych w kontekście ekspozycji muzealnej na przykładzie konserwacji XVI-wiecznej rzeźby drewnianej polichromowanej, tzw. Złotej Katarzyny z Katternecke, przypisywanej warsztatowi Jacoba Beinharta Jagiełka Aleksandra. Conservational arrangements of monumental wooden sculptures within the context of the museum exhibition on the example of the conservation of the 16th-century wooden polychrome sculpture known as The Golden Catherine of Katternecke, attributed to the workshop of Jacob Beinhart Korzeniowska Agnieszka. Odtworzenie zaginionej kwatery "Ścięcie Świętej Katarzyny Aleksandryjskiej" autorstwa Hansa Süssa z Kulmbachu w aspekcie dzieł sztuki zrabowanych podczas II wojny światowej Korzeniowska Agnieszka. The reconstruction of "The Beheading of St Catherine", a lost section of a cycle by Hans Süss of Kulmbach, in the context of works stolen during World War II Różańska Katarzyna. "Paul and Virginia" - rococo illustrations on a painted fan, identification of technology, conservation and reconstruction of the 18th-century paper folding fan on a bone handle from the collection of the Regional Museum in Tarnów Różańska Katarzyna. "Paweł i Virginia" - rokokowe ilustracje na malowanym wachlarzu, rozpoznanie technologii, konserwacja i rekonstrukcja XVIII-wiecznego papierowego wachlarza na kościanej rączce ze zbiorów Muzeum Okręgowego w Tarnowie Skóra Magdalena. Opracowanie metody odsłaniania malowideł ściennych spod nieprzepuszczalnych powłok malarskich na podstwawie gotyckiego malowidła w kościele pw. św. św. Apostołów Szymona i Judy Tadeusza w Jaczowie, woj. dolnośląskie Skóra Magdalena. The development of a method to uncover murals from under impermeable painting layers - a case study of a Gothic painting in the Church of SS Simon and Jude Thaddaeus the Apostles in Jaczów, Dolnośląskie Voivodeship Szarłata Ewa. Oczyszczanie malowideł ściennych wykonanych w wybranych technikach historycznych metodami "peel-off" z wykorzystaniem preparatów na bazie lateksu oraz agaru Szarłata Ewa. The cleaning of murals in selected historic techniques using "peel-off" methods with latex- and agar-based preparations Wójcicka Katarzyna. Conservation of the mirror of the Thangka featuring the representation of Avalokitesvara from the collection of The Asia and Pacific Museum in Warsaw Wójcicka Katarzyna. Konserwacja zwierciadła thanki z przedstawieniem Awalokiteśwary ze zbiorów Muzeum Azji i Pacyfiku w Warszawie Wsół Magdalena. Research and conservation issues concerning the Our Lady of Częstochowa painting from Rudy Wielkie Wsół Magdalena. Zagadnienia badawczo-konserwatorskie obrazu Matki Boskiej Częstochowskiej z Rud Wielkich Wyszkowska Katarzyna. Problematyka konserwacji obrazów olejnych uszkodzonych pod wpływem ognia na przykładzie konserwacji i restauracji portretu Adama Skrzyńskiego autorstwa Kazimierza Pochwalskiego Wyszkowska Katarzyna. Selected issues in the conservation of oil paintings damaged by fire on the example of the conservation and restoration of the portrait od Adam Skrzyński by Kazimierz Pochwalski Wywiórska Nadia (1987- ). Delamination of two icons painted on a single wooden support: "Christ Pantocrator" (16th/17th century) and "The Last Supper" (1st half of the 19th century), originating from the former Orthodox Church of Dimitri the Martyr in Czarna Wywiórska Nadia (1987- ). Rozwarstwienie dwóch ikon malowanych na jednym podobraziu drewnianym: "Chrystus Pantokrator" (XVI/XVII w.) i "Ostatnia Wieczerza" (1. poł. XIX w.), pochodzących z dawnej cerkwi pw. św. Dymitra Męczennika w Czarnej
Temat
Akademia Sztuk Pięknych im. Jana Matejki (Kraków). Ochrona zabytków Prace dyplomowe
Indeks R0: BMNK
dostępna do wypożyczenia
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: II 28806/7 (1 egz.)
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