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Autor
Ackroyd Paul. The structural conservation of paintings on wooden panel supports
(2)
Birkenbeul Ina. Consolidation of flaking paint and ground
(2)
Bisacca George. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Consolidation of flaking paint and ground
(2)
Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings
(2)
Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA
(2)
Bomford David. Foreword
(2)
Bomford David. Picture cleaning: positivism and metaphysics
(2)
Boon Jaap J. Research and instrumental analysis in the materials of easel paintings
(2)
Buck Susan L. Cross-section microscopy analysis and fluorescent staining
(2)
Buckley Barbara A. Stretchers tensioning and attachments
(2)
Bucklow Spike. The classification of craquelure patterns
(2)
Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints
(2)
Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions
(2)
Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Cross Maureen. History and use of panels or other rigid supports for easel paintings
(2)
Dixon Thomas. Framing glazing backing and hanging of paintings on canvas
(2)
Dixon Thomas. Storage of easel paintings
(2)
Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground
(2)
Druzik James. The lighting of easel paintings
(2)
Eastaugh Nicholas. Optical microscopy
(2)
Eastaugh Nicholas. Pigments in Western easel painting
(2)
Fuster-López Laura. Filling
(2)
Golden Mark (1948- ). Varnishing of acrylic paintings by artists
(2)
Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Goltz Michael von der (1956- ). Consolidation of flaking paint and ground
(2)
Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings
(2)
Gottsegen Mark D. Recommending materials to artists
(2)
Gottsegen Mark D. Twentieth-century grounds
(2)
Hackney Stephen. Lining easel paintings
(2)
Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Hermens Erma (1958- ). Binding media
(2)
Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings
(2)
Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings
(2)
Horovitz Isabel. Consolidation of flaking paint and ground
(2)
Katlan Alexander. History of fabric supports
(2)
Klein Peter. History and use of panels or other rigid supports for easel paintings
(2)
Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects
(2)
Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints
(2)
Learner Thomas J. S. Modern paints
(2)
Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints
(2)
Lowengard Sarah. Pigments in Western easel painting
(2)
MacBeth Rhona. The technical examination and documentation of easel paintings
(2)
Marvelde Mireille te. Lining easel paintings
(2)
Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Mayer Debora D. Identification of textile fibres found in common painting supports
(2)
Mayer Lance. Varnishing as part of the conservation treatment of easel paintings
(2)
McClure Ian. Framing and microclimate enclosures for panel paintings
(2)
McGinn Mary. Health and safety concerns in the paintings conservation studio
(2)
Michalski Stefan (konserwatorstwo). The lighting of easel paintings
(2)
Myers Gay. Varnishing as part of the conservation treatment of easel paintings
(2)
Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century
(2)
Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII
(2)
Nadolny Jilleen. History of visual compensation for paintings
(2)
Nadolny Jilleen. Pigments in Western easel painting
(2)
Noble Petria. Ageing and deterioration of traditional oil and tempera paints
(2)
Oddy William Andrew (1942- )
(2)
Olley Peggy A. Cross-section microscopy analysis and fluorescent staining
(2)
Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints
(2)
Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings
(2)
Ormsby Bronwyn. Twentieth-century grounds
(2)
Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects
(2)
Phenix Alan. A brief survey of historical varnishes
(2)
Phenix Alan. Removal of varnish: organic solvents as cleaning agents
(2)
Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings
(2)
Ramsay Barbara A. Travelling exhibitions and transporting paintings
(2)
Reifsnyder Joan. Lining easel paintings
(2)
Rossol Monona. Health and safety concerns in the paintings conservation studio
(2)
Rushfield Rebecca (1954- )
(2)
Rushfield Rebecca (1954- ). Conservation organizations and professional standards
(2)
Saunders David. Image documentation for paintings conservation
(2)
Scharff Mikkel. Lining easel paintings
(2)
Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction
(2)
Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art
(2)
Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings
(2)
Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings
(2)
Stavroudis Chris. Aqueous methods for the cleaning of paintings
(2)
Stols-Witlox Maartje (1972- ). Grounds 1400-1900
(2)
Stoner Joyce Hill (1946- )
(2)
Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations
(2)
Stoner Joyce Hill (1946- ). International public outreach projects
(2)
Stoner Joyce Hill (1946- ). Introduction
(2)
Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings
(2)
Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66
(2)
Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings
(2)
Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining
(2)
Townsend Joyce H. A brief survey of historical varnishes
(2)
Townsend Joyce H. Binding media
(2)
Townsend Joyce H. Health and safety concerns in the paintings conservation studio
(2)
Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings
(2)
Wadum Jorgen. History and use of panels or other rigid supports for easel paintings
(2)
Walsh Valentine. Optical microscopy
(2)
Whitten Jill. Varnishing as part of the conservation treatment of easel paintings
(2)
Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings
(2)
Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining
(2)
Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents
(2)
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11 wyników Filtruj
Książka
W koszyku
Autor
Ewers-Schultz Ines. Holzhey Magdalena. Lindberg Steven. Saunders Bronwen. Wynne Christopher. Berger Friederike. "The art of clothing oneself must be popularized": the artistic reform dress as an ideal, an aesthetic, and consumer culture Brandstätter Christian (1943- ). The Wiener Werkstätte and the fashion reform Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated Ewers-Schultz Ines. "Antineutral clothing for men": the artistic reform of men's wear Ewers-Schultz Ines. The dress as a work of art, beauty as a weapon, and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900 Ewers-Schultz Ines. "The essential thing is the individual adaptation to the wearer": Anna Muthesius's Das Eigenkleid der Frau Ewers-Schultz Ines. "The highest intelligence in the freest body!": modern dance as a symbiosis of body and costume Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900 Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and "new style" in women's clothing around 1900 Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network Hahn Juliane. Skirt and rib: bodies in the gaze Heiser Christiane (1970- ). "A miracle how preciously the people here understand their work in silk": Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk Holzhey Magdalena. "Since not all women, even if they have taste, are able to invent suitable ornaments": women and their clothes between decoration and emancipation Holzhey Magdalena. "The artistic elevation of women's dress": Krefeld 1900 and its consequences Neumann Antje (1974- ). "The fairies have strewn flowers along the way": the textile designer and Gesamtkünstler Henry van de Velde and his Weimar circle Ober Patricia. The body under the clothes: nude photography of women in the context of clothing reform Scheer Thorsten (1961- ). "Deeds not words": on the political iconography of women's dress Thönnissen Karin (1951- ). The Omega Workshops: painting in space
Indeks R0: BMNK
Publ. tow. wystawie: "Tailored for freedom : the artistic dress around 1900 in fashion, art and society", Kunstmuseen Krefeld, Kaiser Wilhelm Museum, October 12, 2018-February 24, 2019.
Bibliogr. w przypisach.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 24027 (1 egz.)
Książka
W koszyku
(Readings in Conservation ; 4)
Autor
Brooks Mary M. Eastop Dinah. Allen Robert. Naphthalene (1992) Ballard Mary W. Climate and conservation (1994) Ballard Mary W. Hanging out: strength, elongation, and relative humidity: some physical properties of textile fibres (1996) Bellinger Louisa. Basic habits of textile fibres (1963) Bengtsson Sven (1932- ). Preservation of the "Wasa" sails (1975) Boersma Foekje (1969- ). Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Bringel Anne-Rose. A conservation/restoration technique (2000) Brooks Mary M. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Brooks Mary M. To clean or not to clean: the value of soils and creases (1996) Brown Elizabeth. Practical aspects of consultation with communities (2005) Bruselius Scharff Annemette. Synthetic dyestuffs for textiles and their fastness to washing (1999) Brutillot André. Reflections on slit stitching in tapestries (2002) Buenger Nancy. Wet with blood: the investigation of Mary Todd Lincoln's Cloak (2000) Burnham Eva. Preventative conservation with the help of volunteers: a successful race against time (1992) Clavir Miriam (1948- ). Preserving conceptual integrity: ethics and theory in preventive conservation (1994) Clayton Sarah. Clear as mud: how cultural significance determines preservation choices (2003) Conti Susanna. Loss in textiles: technological and color problems (2004) Cruickshank Pippa. Lining a banana fibre belt: a cool vacuum table technique (1993) Cooke Bill (historia sztuki). Creasing an ancient textiles (1988) Dal-Prà Patricia. In situ maintenance and storage: the unique case of textiles (2000) Daly Hartin Debra. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Daniels Vincent. Surfactant investigations into alternatives for synperonic N® (2001) Dodd Wendy. Clear as mud: how cultural significance determines preservation choices (2003) Eastop Dinah. Decision making in conservation: determining the role of artefacts (1998) Eastop Dinah. To clean or not to clean: the value of soils and creases (1996) Eastop Dinah. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Estham Inger (1928-2016). Eighty years of Pietas (1988) Fields John. Surfactant investigations into alternatives for synperonic N® (2001) Fikioris Margaret A. Charting the future: conservation principles of Henry Francis du Pont (1986) Finch Karen (1921-2018). Note on the damaging effect of flameproofing on a tapestry hanging (1969) Finch Karen (1921-2018). Textiles as documents of history and those who care for them (2000) Flury-Lemberg Mechthild (1929- ). Conservation with needle and thread (1988) Flury-Lemberg Mechthild (1929- ). Examples of textile conservation in the historical Museum, Bern (1957/58) Flury-Lemberg Mechthild (1929- ). Introduction to "Textile conservation and research" (1988) Fogelmarck Stig (1916-2006). John Böttiger: keeper of textiles (1988) French Ann. Textile or art? The conservation, display and storage of modern textile art (2004) Geijer Agnes (1898-1989). Brief reply from Dr. Geijer, Stockholm, 12 June 1961 (1961) Geijer Agnes (1898-1989). Dangerous methods for the conservation of textiles (1961) Geijer Agnes (1898-1989). Preservation of textile objects (1963) Gill Kathryn. Solvent reactivation of hydroxypropyl cellulose (Klucel G®) in textile conservation: recent developments (1997) Gill Kathryn. Two contrasting minimally interventive upholstery treatments: different roles, different treatments (1997) Gill Victoria. Clear as mud: how cultural significance determines preservation choices (2003) Haldane Elizabeth-Anne. Avendale for reformation: conservation of a 17th century covenanting banner (2003) Hartog Frances. Surfactant investigations into alternatives for synperonic N® (2001) Hayward Maria. Naphthalene (1992) Heald Susan. Practical aspects of consultation with communities (2005) Hefford Wendy. The restoration of the tapestries (1971) Herrmann Hannelore. Looking back at thirty years of textile conservation and restoration in the Federal Republic of Germany (1989) Hillyer Lynda. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Hinkel Ada. A sleeveless doublet circa 1585 from the Germanisches Nationalmuseum, Nuremberg (2002) Hofenk de Graaff Judith H. Some recent developments in the cleaning of ancient textiles (1982) Jędrzejewska Hanna (1906-2002). Problems in the conservation of textiles: needle versus adhesive (1981) Jędrzejewska Hanna (1906-2002). Problems of ethics in the conservation of textiles (1980) Johansen Katia (1948- ). Perfumed garments, their preservation and presentation: "...the good smell of old clothes" (1999) Johnson Jessica S. Practical aspects of consultation with communities (2005) Kajitani Nobuko. A contact/pressure mounting system (1986) Kajitani Nobuko. Care of fabrics in the Museum (1977) Kaminitz Marian A. Practical aspects of consultation with communities (2005) Kirkpatrick Bridie. Clear as mud: how cultural significance determines preservation choices (2003) Kite Marion. Conservator safety: Mercury in felt hats (2003) Kite Marion. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Kovács Tibor (1940-2013). A thousand-year-old relic in a new setting Krippendorf Agnes. "Information is defense": conservation in Auschwitz (2002) Landi Sheila. Three examples of textile conservation in the Victoria and Albert Museum (1966) Leene Jentina E. Restoration and preservation of ancient textiles, and natural science (1963) Leene Jentina E. The "Delft" methods for the conservation of textiles: response to Dr. Agnès Geijer, Stockholm (1961) Leene Jentina E. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Lennard Frances. The conservation of the United Tin Plate Workers' Society Banner of 1821 (1989) Lister Alison. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles (1997) Lodewijks Johan. The history of conservation and restoration of flags and banners in the Netherlands (1980) Lugtigheid Renée. A tale of two tapestries: considerations of restoration, de-restoration, and re-restoration (1995) Maheux Anne F. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Marko Ksynia. Two case histories: a seventeenth-century Antwerp tapestry and an eighteenth-century English Soho tapestry (1989) Martin Graham (1952- ). Conservator safety: Mercury in felt hats (2003) Martin Graham (1952- ). State of the art: non-invasive interrogation of textiles in museum collections (2008) Masschelein-Kleiner Liliane. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) McClean Lynn. Avendale for reformation: conservation of a 17th century covenanting banner (2003) McHugh Kelly. Practical aspects of consultation with communities (2005) Meert Geert. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Morgan Helen. Lining a banana fibre belt: a cool vacuum table technique (1993) Niekamp Bettina. Alterations, historical restorations, restoration and conservation interventions (2008) O'Connor Sonia A. New insights into textiles: the potential of x-radiography as an investigative technique (2005) Odegaard Nancy (1955- ). Addressing the problem: the team approach (2005) Orlofsky Patsy. The role of connoisseurship in determining the textile conservator's treatment options (1993) Peacock Elizabeth E. Drying archaeological textiles (1992) Phipps Elena. A contact/pressure mounting system (1986) Pool Marilen. Addressing the problem: the team approach (2005) Raster Barbara. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Rice James W. Principles of textile conservation science, no. I: general chemical and physical structural features of the natural textile fibres (1962) Rice James W. Principles of textile conservation science, no. V: the characterisctics of soils and stains encountered on historic textiles (1964) Rice James W. Principles of textile conservation science, no. VI: the wonders of water in wetcleaning (1966) Rice James W. Principles of textile conservation science, no. VIII: Drycleaning of fine and fragile textiles (1967) Richardson Emma. State of the art: non-invasive interrogation of textiles in museum collections (2008) Ringgaard Maj. An investigation of the effects of borohydride treatments of oxidized cellulose textiles (2002) Rinuy Anne. Removal of previous "restorations" from Islamic textiles in the Bouvier Collection: analysis and treatment (1994) Robinson John M. Uppark restored: the conservation of the contents (1996) Rowell Christopher. Uppark restored: the conservation of the contents (1996) Ruggles Anne. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Sadongei Alyce (1959- ). Addressing the problem: the team approach (2005) Semečkin P. A. "Workshop for the repair of antique needlework": on the history of the decorative arts section of the Central State Restoration Workshops, 1919-1934 (2000/2001) Seth-Smith Alexandra. Animal glue removal from sixteenth-century Flemish tapestry fragments: a comparative study of three cleaning methods (1996) Sieders R. The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Singer Poppy. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Stauffer Annemarie. A study of the conservation problems of archaeological textiles treated with synthetic consolidants (2005) Sykas Philip A. Caring or wearing? (1987) Temmink-van Dijkhuizen Marike. Textiles in all conditions: opinions about restoration and conservation from changing perspectives (1990) Timar-Balazsy Agnes (1948-2001). Drying behaviour of fibres (1999) Tinker Zenzie. Evaluating the use of adhesives in textile conservation: part I, An overview and surveys of current use (1997) Trupin Deborah Lee. Flag conservation then and now (2003) Trupin Deborah Lee. The role of connoisseurship in determining the textile conservator's treatment options (1993) Tse Season. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Uytenbogaart J. W. H. (1897-1964). The restoration and preservation of old fabrics: a new method of mounting on a rigid backing (1956) Vandermeersch-Coppens d'Eeckenbrugge Bernadette. Conservation of historic textiles (2): the Noorderwijk pennant (1980/81) Vuori Jan. Local stain removal from "Océanie, la mer" by Henri Matisse: the development of a reducing bleach technique using a suction disk, ultrasonic mister, and airbrush (2009) Webber Pauline. The conservation of an English embroidered picture using an oriental paper method: a joint approach (1995) Windsor Deirdre. Preserving the historic document: minimal conservation intervation for 18th- and 19th-century needlework and pictorial embroidery (1999) Wingham Andrew. Surfactant investigations into alternatives for synperonic N® (2001) Wyeth Paul. State of the art: non-invasive interrogation of textiles in museum collections (2008) Zhang Xiaomei. State of the art: non-invasive interrogation of textiles in museum collections (2008)
Indeks R0: BMNK
Bibliogr. przy niektórych rozdz. Indeks.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Wszystkie egzemplarze są obecnie wypożyczone: III 26994 (1 egz.)
Długość kolejki oczekujących: 1.
Książka
W koszyku
Autor
Fisković Cvito (1908-1996). Ratković-Bukovčan Lada. Bašić Sonja. Bursač Hellen. Daut-Kaiser Gordan. Knežević Borislav. Stanko Szabo. Vranić Goran. Yuill William E. Firm Iva. The collection of Flemish, French and Spanish painting Firm Iva. The collection of Italian, Dutch, German and English painting Firm Iva. Zbirka flamanskog, francuskog i španjolskog slikarstva Firm Iva. Zbirka talijanskog, nizozemskog, njemačkog i engleskog slikarstva Japundžić Milica. European ceramics and porcelain collection Japundžić Milica. The collection of Ancient Civilizations Japundžić Milica. The collection of Chinese art and other Asian art Japundžić Milica. The collection of metals and other materials Japundžić Milica. Zbirka europske keramike i porculana Japundžić Milica. Zbirka kineske umjetnosti i drugih azijskih umjetnosti Japundžić Milica. Zbirka starih civilizacija Japundžić Milica. Zbirka umjetnina od metala i drugih materijala Juraga Krešimir. Ivory collection Juraga Krešimir. The collection of textile and carpets Juraga Krešimir. Zbirka bjelokosti Juraga Krešimir. Zbirka tekstila i sagova Kusić Zvonko (1946-). Kusin Vesna. Lukšić Tugomir. Mikić Mato. Perović Slaven (1958- ). The collection of drawings, prints and miniatures of the Mimara Museum Perović Slaven (1958- ). The collection of icons Perović Slaven (1958- ). Zbirka crteža, grafika i sitnoslika Muzeja Mimara Perović Slaven (1958- ). Zbirka ikona Pezo Vladimir. Ratković-Bukovčan Lada. Ante Topić Mimara - donation as destiny Ratković-Bukovčan Lada. Ante Topić Mimara - donatorstvo kao sudbina. Ratković-Bukovčan Lada. The furniture collection Ratković-Bukovčan Lada. The glass collection Ratković-Bukovčan Lada. Zbirka namještaja Ratković-Bukovčan Lada. Zbirka stakla Runjić Anđelko. Šeper Bruno. The collection of European Sculpture Šeper Bruno. Zbirka europskog kiparstva Sorić Ante. Zlamalik Vinko (1923-1991).
Indeks R0: BMNK
Bibliogr. s. 33-35.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Magazyn
Są egzemplarze dostępne do wypożyczenia: III 23978 (1 egz.)
Książka
W koszyku
(The Artistic Traditions of Non-European Cultures, ISSN 2450-5692 ; vol. 4)
Autor
Biedrońska-Słotowa Beata. Görlich Aleksandra (1981- ). Biedrońska-Słotowa Beata. The cross-cultural role of textiles exemplified by textiles with Arabic inscriptions and some other motifs Bielak Anna (japonistyka). The kimono as a fashion phenomenon in modern Japan and beyond Bodzek Joanna. To [mend]* : a reflection on the Lee Edelkoort anti-fashion manifesto, the kimono reconstruction project : my personal vision on how mended clothes can mean "style" in the future and how this is connected with the Boro textiles of Japan Cybulska Maria (włókiennictwo). Traditional japanese Shibori and contemporary textile design Dróżdż Tomasz. Traditional japanese Shibori and contemporary textile design Goto Kosuke (1983- ). The Celestial Lotus: on the sources of ornamental patterns woven in silk samite Janik Paweł (archeologia). The faces from Noin Ula's Embroidery - Xiongnu or Kushans? Karadag Racep. Characterisation of dyes, metal threads and silk yarns from 16-18th-century Ottoman silk brocades Klein Astrid. The language of Kučean clothing: a comparative study of wall paintings and textiles Martini Małgorzata (1953- ). Kumihimo: an ancient art or a present-day one? Orlińska-Mianowska Ewa (1963- ). Reception of the Orient in the eighteen-century European silk industry Rosati Maria Ludovica. Textiles patterns on the move: looking at the iconographical exchanges along the Silk Route in the pre-modern period as cultural processes Šabalina Natal'â Mihajlovna. Colour is a sign of national traditional ornamental art Szewczyk Barbara (1983- ). "How the kimono released women from corsets" - Japonism in fashion at the turn of the 19th and 20th centuries Tuna Cemile (1950- ). Silk trade from Bursa to Krakow on the Silk Road Żuchowska Marta (1975- ). Transferring patterns along the Silk Road: vine and grape motifs on Chinese silks in the 1st Millenium AD
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Materiały z konf., Kraków, Muzeum Sztuki i Techniki Japońskiej "Manggha", 11-13 września 2015.
Bibliog., netogr. przy ref.
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Anderson Christina. Fuchs Claudia. Rossberg Anne-Katrin (1963- ). Schmuttermeier Elisabeth. Slater Maria. Thun-Hohenstein Christoph (1960- ). Brandow-Faller Megan. Feminine vessels: expressionist ceramics of the Wiener Werkstätte Brandow-Faller Megan. Mehr als nur Kinderspiel: Spielzeug und die Mehrfachkünstlerinnen der Wiener Werkstätte Brandow-Faller Megan. Not just child's play: toys and the Mehrfachkünstlerinnen of the Wiener Werkstätte Brandow-Faller Megan. Wiebliche Gefäße: expressive keramik der Wiener Werkstätte Kreuzhuber Elisabeth. Kleine Chance, optimal Genütz: Künstlerinnen der Wiener Werkstätte an der Kunstgewerbeschule Kreuzhuber Elisabeth. Limited opportunity, seized with both hands: women artists of the Wiener Werkstätte at the schoool of arts and crafts Rossberg Anne-Katrin (1963- ). Ans Licht gebracht: Kunst und Leben der Wiener-Werkstätte-Frauen Rossberg Anne-Katrin (1963- ). Brought to light: art and life of the Wiener Werkstätte women Rossberg Anne-Katrin (1963- ). Die Künstlerinnenwerkstätte Rossberg Anne-Katrin (1963- ). The women artists' workshop Schmuttermeier Elisabeth. Auftakt zur Wiener Werkstätte: die Vereinigung "Wiener Kunst im Hause" Schmuttermeier Elisabeth. Kleinkunstwerk Postkarte 1907-1919 Schmuttermeier Elisabeth. Postcards as small works of art, 1907-1919 Schmuttermeier Elisabeth. Prelude to the Wiener Werkstätte: the Association "Wiener Kunst im Hause" Steinhäußer Lara. By woem for women: on the role of female fashion artists at the Wiener Werkstätte Steinhäußer Lara. Frauenbilder von Frauenhand? Zur Rolle der Modekünstlerinnen der Wiener Werkstätte Thun-Hohenstein Christoph (1960- ). How "female" was the Wiener Werkstätte? Thun-Hohenstein Christoph (1960- ). Wie "wieblich" war die Wiener Werkstätte? Völker Angela (1944- ). Bauhaus and Wiener Werkstätte: commonalities and contrasts in the textile departments Völker Angela (1944- ). Bauhaus und Wiener Werkstätte: Gemeinsamkeiten und Unterschiede am Beispiel der Textilabteilungen Völker Angela (1944- ). "... Doubtlessly all exceptionally gifted girls ..." Textiles by the women artists of the Wiener Werkstätte Völker Angela (1944- ). "... Zweifellos alles besonders begabte Mädchen ..." Die Textilien der Wiener-Werkstätte-Künstlerinnen
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Bibliogr. s. 283-284. Indeks.
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(Sztuka Europy Wschodniej ; ISSN 2353-5709 ; t. 7)
Autor
Malinowski Jerzy (1950- ). Pospiszil Agnieszka. Sułek Ewa (1983- ). Âkimova Darina. Ja vs. drugoj : fenomen pokoleniâ "semidesâtnikov" v kontekste ukrainskogo iskusstva vtoroj poloviny XX veka Âkovlenko Katerina. The establishment and sevelopment of the Paris commune squat in Kyiv Âkovlenko Katerina. Why there are great women artists in Ukrainian art? Baršinova Oksana Germanìvna. Specifika "kartinnogo" myšleniâ hydožnikov ukrainskoj Novoj volny v kontekste iskysstva 1980-x godov Bernar-Koval'čuk Nadìâ. The strategies of visual representation of “Homo Sovieticus” (on the material of the Kharkiv School of Photography) Bìrûľov Ûrìj (1952- ). Poiski novogo ukrainskogo nacional'nogo stilâ v arhitekture L'vova načala XX veka (1900-1914) Čegusova Zoâ Anatoliïvna. Imaginative and plastic transformations in professional decorative art of Ukraine in the age of globalization Hanko Vìtalìj. Dom Ziemstwa w Połtawie – fundamentalne dzieło ukraińskiej architektury secesyjnej XX wieku Denisûk Ol'ga Ûrìïvna. Kobieta w twórczości Hryhorija Kruka : wspaniałe w tym, co banalne Fedoruk Oleksandr Kasʹânovič (1938- ). Ukraińska Państwowa Akademia Sztuki: podstawy kształtowania (1917–1920) Gleba Galina. Telo "Vremeni" : har'kovskaâ fotografičeskač gruppa "Vremâ" (1971-1980-e) Golubec' Orest Mihajlovič (1954- ). Hudožesvennaâ sreda L'vova vtoroj poloviny XX veka Kara-Vasil'ěva Tetâna Valeriïvna (1941- ). Perespiska K. Šimanovskogo i N. Davydovoj v kontekste sotrudničestva hudožnikov avangarda i narodnyh masterov ukrainskoj vyšivki Kochubinska Tatiana. Through the roar of space cataclysms on Fedir Tetianych’s artistic practice Kryworuczko Jurij (1955- ). Sakral'naâ arhitektura Ukrainy konca XX veka Lagutenko Oľga Andriïvna (1961- ). The art of constructivism in Ukraine in the 1920–1930s Markovskij Andrej. Historical reminiscences in the oeuvre of Dmitro Dyachenko 1910–1930s Molin' Valentina Dmitrìvna. Jewhen Sahajdaczny w historii sztuki Huculszczyzny: szkic do portretu Mudrak Miroslava Marìâ (1950- ). The sobering face of the Ukrainian Avant-Garde in the late 1920s Osadča Oleksandra. The strategies of visual representation of “Homo Sovieticus” (on the material of the Kharkiv School of Photography) Pavel'čuk Ìvanna (1968- ). Postimpresjonistyczne poszukiwania w twórczości Aleksandra Muraszki w latach 1911–1918 Petrova Ol'ga Nikolaevna (1942- ). Tri modeli hudožestvennogo myšleniâ : tvorčestvo Olega Životkova i ego synovej - Sergeâ i Aleksandra Pučkov Andrej Aleksandrovič. Sovremennost' Aleksandra Verbickogo : ukrainskij arhitetor v pervoj treti XX veka Rogotčenko Oleksìj Oleksìjovič. Ukrainian textile art of the 1940s through the 1960s: Genre’s characteristic subject matter of as a proof of triumph of socialist realism Sokolûk Lûdmila (1937- ). Mihajlo Bojčuk i Mihajlo Žuk kak vypyskniki krakovskoj Akademii izâŝnyh iskusstv i ih vklad v razvitie ukrainskoj hudožestvennoj kul'tury XX veka Stel'maŝuk Galina Grigor'evna (1943- ). Creative activity of Mariya Harasovska-Dachyshyn: Polish and American periods Sułek Ewa (1983- ). Nacprom. W poszukiwaniu piękna narodowych stereotypów Susak Vìta Volodimirìvna (1966- ). Ukrainskoe zveno v seti evropejskih avangardov Ursu Natalìâ Oleksïïvna. Podol'skaâ Madonna v živopisi Aleksandra Grena Višeslavs'kij Glìb Anatolìjovič (1962- ). Geografiâ i osobennosti ukrainskogo nonkonformizma Żmurko Tetiana. A few words about painting Żmurko Tetiana. Ja vs. drugoj : fenomen pokoleniâ "semidesâtnikov" v kontekste ukrainskogo iskusstva vtoroj poloviny XX veka Żmurko Tetiana. Through the roar of space cataclysms on Fedir Tetianych’s artistic practice Žvanko Lûbov Mikolaïvna (1972- ). Artysta Jewgienij Agafonow (1879–1955): wybitny przedstawiciel ukraińskiego malarstwa na emigracji
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Bibliogr. przy art.
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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.
(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents
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Bibliogr. s. 792-890. Indeks.
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(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)
Autor
Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports
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Bibliogr. s. 765-866. Indeks.
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Bogdanowska Monika (1962- ). Nowalińska Małgorzata. Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bártová Kateřina (1987- ). Restoration of book torsos Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Bernard Gabriel. International Klein Blue, a reconstruction Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bizoń Katarzyna. Riddles of the Greek Catholic church Botz Alexandra. Restoration of the Salviati Chandelier Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Esquivel Álvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Fekete Dóra. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Fiam Judit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology, wood identification and state of preservation Gonzáles Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Grabowska Joanna. Moisture in historical architectural structures Grachyova Ekaterina. Conservation of the icon "Baptism" Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Korza Eugine. Conservation of the icon "Baptism" Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kowalik Anna (sztuka). Taxidermy in contemporary art Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze "Christ Enters Jerusalem" vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Marecka Agnieszka. Pastel - an object with specific needs Masalska Aleksandra. Danger of using acrylic resins in oil painting Međeral Mirna. In Kraljević's shoes: research and conservation treatments conducted on the painting "The Satyr and the Peasant" by Miroslav Kraljević Michalik Izabela. Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow Mikó Edit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Owczarek Piotr. Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice, Mazowieckie voivodeship Płotek Michał (1988- ). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Potrawiak Maja. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Rădoi Elena. To fill or not to fill Robert Hortense. Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890, Paris Musée d'Orsay) Sitnik Joanna. Straightening of curled negative film strips Skarżyńska Magdalena. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Skarżyńska Magdalena. New exposition and conservation of the wall painting "Bishop Marianos under he protection the Mother of God and a Child" from the Faras cathedrall Skóra Magdalena. Research of lightfastness and qality of digital prints Skrzelowska Justyna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Slouková Lenka. Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings Stryczak Mateusz. Regeneration of varnish and binders used in painting Tauchmanova Renata. Adhesives in conservation of stone finishes Tiszai Rebeka. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Walczak Małgorzata (chemia). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Żarnowiecka Jagoda. Riddles of the Greek Catholic church Żygadło Andrzej. Riddles of the Greek Catholic church
Indeks R0: BMNK
Dod. s. tyt.: 3rd International Student Conference of Conservation and Restoration of Woorks of Art, Cracow, 17th - 19th March 2016
Tyt. z okł.
Bibliogr. przy ref.
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Clough Joan (1939- ). Günther Diana. Stein Renata. Steinherz Geoffrey. Thormann Olaf (1962- ). Anger Jenny. Die Ausstellungen von Klee und Kandinsky Anger Jenny. The exhibitions of Klee and Kandinsky Bernhard Peter. Die Leipziger Schule in Dessau Bernhard Peter. The Leipzig School in Dessau Biedermann Heike. Acquisitions by the city of Dresden and the patronage society for the Staatliche Gemäldegalerie Dresden Biedermann Heike. Erwerbungen der Stadt Dresden und des Patronatsvereins der Staatlichen Gemälde­ galerie Dresden Biedermann Heike. Im Netzwerk der Avantgarde - Ida Bienert in Dresden Biedermann Heike. In the Avant-garde network - Ida Bienert in Dresden Blume Julia. Commercial art in Chemnitz Blume Julia. Commercial art in Dresden Blume Julia. Commercial art in Leipzig Blume Julia. Commercial art in Oberlungwitz Blume Julia. Die Leipziger Kulturwille und das Bauhaus Blume Julia. Leipzig's Kulturwille and the Bauhaus Blume Julia. Pädagogischer Austausch. Zur Verbindung 360 von Studierenden und Lehrenden des Bau­ hauses mit der Akademie für graphische Künste und Buchgewerbe Leipzig und der Kunstgewerbeschule der Stadt Blume Julia. Pedagogical exchange: on the connection of students and teachers of the Bauhaus with the Staatliche Akademie für graphische Künste und Buchgewerbe in Leipzig and the Städtische Kunstgewerbeschule Blume Julia. Vivos Voco: magazine for new Germanness Blume Julia. Vivos Voco - Zeitschrift für neues Deutschtum Blume Julia. Werbegrafik in Chemnitz Blume Julia. Werbegrafik in Dresden Blume Julia. Werbegrafik in Leipzig Blume Julia. Werbegrafik in Oberlungwitz Borries Friedrich von (1974- ). Franz Ehrlich - a Bauhaus member in the antifascist resistance and a concentration camp Borries Friedrich von (1974- ). Franz Ehrlich - ein Bauhäusler im antifaschistischen Widerstand und im Konzentrationslager Dalbajewa Birgit. Acquisitions by the city of Dresden and the patronage society for the Staatliche Gemäldegalerie Dresden Dalbajewa Birgit. Erwerbungen der Stadt Dresden und des Patronatsvereins der Staatlichen Gemälde­ galerie Dresden Dalbajewa Birgit. Hinnerk Scheper and Galerie Neue Kunst Fides, Dresden Dalbajewa Birgit. Hinnerk Scheper und Galerie Neue Kunst Fides Dresden Dalbajewa Birgit. The value of the new Dalbajewa Birgit. Die Wert des Neuen Dolgner Angela. Das Bauhaus auf den Grassimessen Dolgner Angela. Das gläserne Flughafenrestaurant von Hans Wittwer in Schkeuditz Dolgner Angela. The Bauhaus at the Grassi Fairs Dolgner Angela. The Glass Airport Restaurant by Hans Wittwer in Schkeuditz Drechsel Kerstin (1960- ). Textil und Grafik in den Kunstsammlungen Chemnitz Drechsel Kerstin (1960- ). Textile and graphics in the Chemnitz Art Collections Egging Björn (1970- ). Das Dresdner Kupferstich-Kabinet Egging Björn (1970- ). The Kupferstich-Kabinett Dresden Fischer Eugen Kurt (1892-1964). Bauhaus Ende? - ein symptomatischer Fall Fischer Eugen Kurt (1892-1964). The end of the Bauhaus? - a symptomatic case Fischer Jens-Uwe (1977- ). Franz Ehrlich - a Bauhaus member in the antifascist resistance and a concentration camp Fischer Jens-Uwe (1977- ). Franz Ehrlich - ein Bauhäusler im antifaschistischen Widerstand und im Konzentrationslager Hain Simone (1956- ). New Bauhaus thwarted - Mart Stam in Dresden, 1948-1950 Hain Simone (1956- ). Verhindertes neues Bauhaus - Mart Stam in Dresden, 1948-1950 Hemken Kai-Uwe (1962- ). Richard Graul, Walter Gropius and the curatorial merging of the Werkbund and Bauhaus Hemken Kai-Uwe (1962- ). Richard Graul, Walter Gropius und die kuratorische Verschmelzung von Werkbund und Bauhaus Herzogenrath Wulf (1944- ). Oskar Schlemmer - Haus Dr. Rabe in Zwenkau bei Leipzig Herzogenrath Wulf (1944- ). Oskar Schlemmer - Haus Dr. Rabe in Zwenkau near Leipzig Hövelmann Katharina. Die Bühnenbilder von Friedl Dicker und Franz Singer für das Staatstheater Dresden Hövelmann Katharina. The stage sets by Friedl Dicker and Franz Singer for the Dresden State Theatre Jacobs Stephanie (1963- ). Bauhaus am Deutschen Platz. Das Deutsche Buch- und Schriftmuseum der Deutschen Nationalbibliothek Jacobs Stephanie (1963- ). Bauhaus at Deutscher Platz: The Deutsche Buch- und Schriftmuseum of the German National Library Kassner Jens (1961- ). Chemnitz als Exempel Kassner Jens (1961- ). Chemnitz as an example Kirsch Antje (1964- ). Im Reigen - Wandbilder von Hans Kinder 172 in Dresden Kirsch Antje (1964- ). In a round dance - murals by Hans Kinder 174 in Dresden Klenke Dietmar (1954- ). Kreuzzug der Maschine: choral work by Lobo Frank, music by Arthur Wolff, stage set by Erich Mende - speech movement choir of the Workers' Education Institute, director Otto Zimmermann. 10.11.1929, 5 p.m., Städtisches Kaufhaus Leipzig Klenke Dietmar (1954- ). Kreuzzug der Maschine. Chorwerk von Lobo Frank, Musik Arthur Wolff, Bühnenbild Erich Mende. Sprechbewegungschor des Arbeiter­ bildungsinstituts, Leitung Otto Zimmermann. 10.11.1929,17.OO Uhr, Städtisches Kaufhaus Leipzig Kuhlmann-Hodick Petra (1958- ). Das Dresdner Kupferstich-Kabinet Kuhlmann-Hodick Petra (1958- ). The Kupferstich-Kabinet Dresden Lewey Petra (1963- ). Kunstsammlungen Zwickau, Max-Pechstein-Museum Lewey Petra (1963- ). Zwickau art collections, Max Pechstein Museum Lilje Peter (1963- ). Kreuzzug der Maschine: choral work by Lobo Frank, music by Arthur Wolff, stage set by Erich Mende - speech movement choir of the Workers' Education Institute, director Otto Zimmermann. 10.11.1929, 5 p.m., Städtisches Kaufhaus Leipzig Lilje Peter (1963- ). Kreuzzug der Maschine. Chorwerk von Lobo Frank, Musik Arthur Wolff, Bühnenbild Erich Mende. Sprechbewegungschor des Arbeiter­ bildungsinstituts, Leitung Otto Zimmermann. 10.11.1929,17.OO Uhr, Städtisches Kaufhaus Leipzig Lippert Hans-Georg (1957- ). National tradition, or: The yearning for the essential Lippert Hans-Georg (1957- ). Nationale Tradition, oder: Die Sehnsucht nach dem Essenziellen Lorz Korinna (1975- ). Albert Hennig - construction worker at the Bauhaus Lorz Korinna (1975- ). Albert Hennig - ein Bauarbeiter am Bauhaus Lorz Korinna (1975- ). "Bauhaus photographers become workers' photographers!" - Fritz Heinze Lorz Korinna (1975- ). »fotobauhäusler, werdet arbeiterfotografen!« - Fritz Heinze Lösel Regina (1969- ). Otti Berger at Haus Schminke Lösel Regina (1969- ). Otti Berger im Haus Schminke Marusch-Krohn Caren. »Nur Modelle der besten Künstler unserer Zeit« - Gerhard Marcks und Meissen Marusch-Krohn Caren. "Only models by the best artists of our time" - Gerhard Marcks and Meissen Metz Katharina (1953- ). Textil und Grafik in den Kunstsammlungen Chemnitz Metz Katharina (1953- ). Textile and graphics in the Chemnitz Art Collections Möller Werner (sztuka). Kein schmuckes Heim: Die Volkswohnung des Bauhauses im Grassimuseum Möller Werner (sztuka). Not a pretty home: the 'Volkswohnung' of the Bauhaus at the Grassimuseum Němečková Klára. Bauhaus objects missing at the Dresden Kunstgewerbemuseum Němečková Klára. Vermisste Bauhausobjekte im Dresdner Kunstgewerbemuseum Prigge Walter (1946- ). Biographies Prigge Walter (1946- ). Kurzbiografien Raum Judith (1977- ). Die Kooperation des Bauhauses mit der Polytex Textilgesellschaft Raum Judith (1977- ). The collaboration of the Bauhaus and the Polytex Textile Company Raum Judith (1977- ). Vorhangstoffe gewebt, Gittertülle Raum Judith (1977- ). Woven curtain fabrics, lattice tulles Rebehn Lars (1968- ). Die Puppentheatersammlung Dresden Rebehn Lars (1968- ). The Dresden Puppet Theatre Collection Rehm Robin. Lamps for Körting & Mathiesen A.G. (Kandern): Paul Heyck, Ernst Neufert and the Light Distribution Diagram Rehm Robin. Leuchten für die Körting & Mathiesen A.G. Kandern). Paul Heyck, Ernst Neufert und das Lichtverteilungsdiagramm Rössler Patrick (1964- ). "die neue linie" and the Beyer Verlag Rössler Patrick (1964- ). "die neue linie" und der Beyer Verlag Rössler Patrick (1964- ). Neue Linien: Grafik und Kommunikation Rössler Patrick (1964- ). New lines: graphics and communication Sander Dietulf (1948- ). Bauhaus artists in the Leipzig Art Association Sander Dietulf (1948- ). Bauhauskünstler im Leipziger Kunstverein Scharnholz Lars (1969- ). Kaufhaus Schocken - Bernhard Sturtzköpf Scharnholz Lars (1969- ). Schocken Department Stores - Bernhard Sturtzkopf Scheffler Tanja. The canning industry fair stand: 2nd International Hygiene Fair, Dresden, 1930 Scheffler Tanja. Der Messestand der Konservenindustrie auf der II. Internationalen Hygiene-Ausstellung Dresden 1930 Scheffler Tanja. Design for a Dance Theatre - Stefan Sebők Scheffler Tanja. Entwurf für ein Tanz-Theater - Stefan Sebők Scheffler Tanja. Das Hauptgebäude der ehemaligen Hochschule für Verkehrswesen in Dresden Scheffler Tanja. Heinrich Wichmann's Tea House and Rose Garden at the Dresden Jubilee Horticultural exhibition Scheffler Tanja. Heinrich Wichmanns Teehaus mit Rosengarten auf der Jubiläums-Gartenbau-Ausstellung Dresden Scheffler Tanja. Hoyerswerda - Experimentierfeld des industriellen Bauens Scheffler Tanja. Hoyerswerda - testing ground for industrial construction Scheffler Tanja. Messestände auf der Leipziger Messe Scheffler Tanja. Stands at the Leipzig Trade Fair Scheffler Tanja. The main building at the former Faculty of Transportation and Traffic in Dresden Scheffler Tanja. Walter Gropius' unrealised projects in Dresden: designs for the Dresden Teachers' Association and the Vorwärts Consumer Cooperative Scheffler Tanja. Walter Gropius' unrealisierte Projekte in Dresden: Entwürfe für den Dresdner Lehrerverein und die Konsumgenossenschaft "Vorwärts" Scheiffele Walter (1946- ). Deutsche Werkstätten Hellerau - The Bauhaus legacy Scheiffele Walter (1946- ). Die Deutschen Werkstätten Hellerau - das Bauhauserbe Scheiffele Walter (1946- ). Industrie, Technik und die Künste Scheiffele Walter (1946- ). Industry, technology and the arts Scheiffele Walter (1946- ). Wilhelm Ostwald - Weltlabor und Bauhaus Scheiffele Walter (1946- ). Wilhelm Ostwald - World Laboratory and Bauhaus Schweynoch Evelyne. Die Buntweberei Peter Rentsch in Seifhennersdorf Schweynoch Evelyne. Die Deutschen Werkstätten-Textilgesellschaft mbH in Hellerau Schweynoch Evelyne. Die Firma C. E. Baumgärtei & Sohn GmbH in Lengenfeld im Vogtland Schweynoch Evelyne. Die Firma Fischer, Hoffmann & Co. GmbH aus Zwickau Schweynoch Evelyne. Die mechanische Weberei Wilhelm Vogel aus Chemnitz und Lunzenau Schweynoch Evelyne. Die Rosshaarweberei Gebrüder Schriever & Co. in Dresden/Coswig Schweynoch Evelyne. Gebrüder Schriever & Co.: Horsehair Weavers in Dresden/Coswig Schweynoch Evelyne. Die Company C. E. Baumgärtei & Sohn GmbH in Lengenfeld/Vogtland Schweynoch Evelyne. The Company Fischer, Hoffmann & Co. GmbH from Zwickau Schweynoch Evelyne. The German Textile Workshops, Hellerau Schweynoch Evelyne. The mechanical weaving mill: Wilhelm Vogel of Chemnitz and Lunzenau Schweynoch Evelyne. The weaving mill Peter Rentsch in Seifhennersdorf Špehar Josipa. Reinhold Rossig - Resistance to national socialism Špehar Josipa. Reinhold Rossig-Widerstand gegen den Nationalsozialismus Scharnholz Lars (1969- ). Kaufhaus Schocken - Bernhard Sturtzkopf Scharnholz Lars (1969- ). Schocken Department Store - Bernhard Sturtzkopf Senti-Schmidlin Verena. Gret Palucca, Piet Mondrian and the Bauhaus: ways to abstraction in dance and painting Senti-Schmidlin Verena. Gret Palucca, Piet Mondrian und das Bauhaus: Wege der Abstraktion in Tanz und Malerei Siebenbrodt Michael (1951- ). Spielzeug im Pestalozzi-Fröbel-Verlag: Alma Siedhoff-Buschers Schiffbauspiel Siebenbrodt Michael (1951- ). Toys of the Pestalozzi Fröbel Verlag: the shipbuilding set by Alma Siedhoff-Buscher Steinmetz-Oppelland Angelika. Jena Glassworks Schott & Gen. at the Sample Fair Steinmetz-Oppelland Angelika. Das Jenaer Glaswerk Schott & Gen. auf der Mustermesse Stucka Lutz (1953- ). "Volkshaus" Weisswasser Stucka Lutz (1953- ). Volkshaus Weisswasser Thöner Wolfgang (1957- ). Bauhaus literature from Dresden 1957-1980 Thöner Wolfgang (1957- ). Bauhaus literature from Leipzig 1954-1980 Thöner Wolfgang (1957- ). Bauhausliteratur aus Dresden, 1957-1980 Thöner Wolfgang (1957- ). Bauhausliteratur aus Leipzig, 1954-1980 Thormann Olaf (1962- ). Biographies Thormann Olaf (1962- ). Die Josef-Albers-Fenster des Grassimuseums Thormann Olaf (1962- ). GRASSI Museum für Angewandte Kunst - Bauhaus appearances Thormann Olaf (1962- ). Grassi Museum für Angewandte Kunst - Bauhaus-Aspekte Thormann Olaf (1962- ). Kurzbiografien Thormann Olaf (1962- ). The Josef Albers windows at the Grassimuseum Topfstedt Thomas (1947- ). Leipzig Opera House: the interior designs of Hans Kinder Topfstedt Thomas (1947- ). Oper Leipzig: Hans Kinder im Innenraum Walter Franz (1956- ). Kreuzzug der Maschine: choral work by Lobo Frank, music by Arthur Wolff, stage set by Erich Mende - speech movement choir of the Workers' Education Institute, director Otto Zimmermann. 10.11.1929, 5 p.m., Städtisches Kaufhaus Leipzig Walter Franz (1956- ). Kreuzzug der Maschine. Chorwerk von Lobo Frank, Musik Arthur Wolff, Bühnenbild Erich Mende. Sprechbewegungschor des Arbeiter­ bildungsinstituts, Leitung Otto Zimmermann. 10.11.1929,17.OO Uhr, Städtisches Kaufhaus Leipzig Weckherlin Gernot. Glass Warehouse, Furnace Building and Haus Kindt by Ernst Neufert in Weisswasser Weckherlin Gernot. Glaslager, Wannengebäude und Haus Kindt von Ernst Neufert in Weisswasser Wenzel Kai (1978- ). Wilhelm Wagenfeld - an industrial artist: a special exhibition at the Städtische Kunstsammlungen Görlitz, 1940 Wenzel Kai (1978- ). Wilhelm Wagenfeld - Ein Künstler in der Industrie - eine Sonderausstellung der Städtischen Kunstsammlungen Görlitz 1940 Werner Frank R. (1944- ). Basic geometric forms versus tradition and organics - Hans Przyrembel Werner Frank R. (1944- ). Erich Consemüller at the Architect's Office of Walther Born in Leipzig Werner Frank R. (1944- ). Erich Consemüller im Architekturbüro von Walther Born in Leipzig Werner Frank R. (1944- ). Geometrische Grundformen versus Tradition und Organik - Hans Przyrembel Werner Frank R. (1944- ). "...objectively proficient and by no means overly modern..." - Alfred Schäfter Werner Frank R. (1944- ). »... sachlich tüchtig und auch keines Falls übermodern ...« - Alfred Schäfter Wetzel Harald (1963- ). Das Stahlhaus der Carl Kästner AG in der Siedlung Dessau-Törten Wetzel Harald (1963- ). The Steel House by Carl Kästner AG at the Törten Housing Estate Wowarra Christoph. Aktion "Entartete Kunst" in Chemnitz Wowarra Christoph. Aktion "Entartete Kunst" in Dresden Wowarra Christoph. Aktion »Entartete Kunst« in Leipzig Wowarra Christoph. Cabinet on Ferdinandplatz of Neue Kunst Fides GmbH and Architekturbedarf GmbH Dresden Wowarra Christoph. "Degenerate art" campaign, Chemnitz Wowarra Christoph. "Degenerate art" campaign, Dresden Wowarra Christoph. "Degenerate art" campaign, Leippzig Wowarra Christoph. Die Staatliche Porzellan-Manufaktur Berlin auf den Grassimessen Wowarra Christoph. Kabinett am Ferdinandplatz der Neue Kunst Fides GmbH und Architekturbedart GmbH Dresden Wowarra Christoph. The Staatliche Porzellan-Manufaktur Berlin at he Grassi Fairs Wowarra Christoph. Wilhelm Wagenfeld and Vereinigte Lausitzer Glaswerke AG Wowarra Christoph. Wilhelm Wagenfeld und die Vereinigte Lausitzer Glaswerke AG Ziegner Sylvia (1972- ). Franz Ehrlich's unrealised projects in Dresden Ziegner Sylvia (1972- ). Unrealisierte Projekte von Franz Ehrlich in Dresden
Indeks R0: BMNK
Katalog wystawy: GRASSI Muzeum für Angewandte Kunst Leipzig, 18 kwietnia - 29 września 2019 r.
Bibliogr. przy niektórych notach. Indeks.
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Są egzemplarze dostępne do wypożyczenia: III 24355 (1 egz.)
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