SOWA OPAC : Katalog Biblioteki Muzeum Narodowego w Krakowie

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Biblioteka Muzeum Narodowego

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dostępne

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wypożyczone

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Autor

Ackroyd Paul. The structural conservation of paintings on wooden panel supports

(2)

Birkenbeul Ina. Consolidation of flaking paint and ground

(2)

Bisacca George. History and use of panels or other rigid supports for easel paintings

(2)

Blewett Morwenna R. Consolidation of flaking paint and ground

(2)

Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings

(2)

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Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA

(2)

Bomford David. Foreword

(2)

Bomford David. Picture cleaning: positivism and metaphysics

(2)

Boon Jaap J. Research and instrumental analysis in the materials of easel paintings

(2)

Buck Susan L. Cross-section microscopy analysis and fluorescent staining

(2)

Buckley Barbara A. Stretchers tensioning and attachments

(2)

Bucklow Spike. The classification of craquelure patterns

(2)

Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints

(2)

Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII

(2)

Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions

(2)

Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII

(2)

Cross Maureen. History and use of panels or other rigid supports for easel paintings

(2)

Dixon Thomas. Framing glazing backing and hanging of paintings on canvas

(2)

Dixon Thomas. Storage of easel paintings

(2)

Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground

(2)

Druzik James. The lighting of easel paintings

(2)

Eastaugh Nicholas. Optical microscopy

(2)

Eastaugh Nicholas. Pigments in Western easel painting

(2)

Fuster-López Laura. Filling

(2)

Golden Mark (1948- ). Varnishing of acrylic paintings by artists

(2)

Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations

(2)

Goltz Michael von der (1956- ). Consolidation of flaking paint and ground

(2)

Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings

(2)

Gottsegen Mark D. Recommending materials to artists

(2)

Gottsegen Mark D. Twentieth-century grounds

(2)

Hackney Stephen. Lining easel paintings

(2)

Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings before or instead of lining

(2)

Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII

(2)

Hermens Erma (1958- ). Binding media

(2)

Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings

(2)

Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings

(2)

Horovitz Isabel. Consolidation of flaking paint and ground

(2)

Katlan Alexander. History of fabric supports

(2)

Klein Peter. History and use of panels or other rigid supports for easel paintings

(2)

Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects

(2)

Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints

(2)

Learner Thomas J. S. Modern paints

(2)

Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings before or instead of lining

(2)

Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints

(2)

Lowengard Sarah. Pigments in Western easel painting

(2)

MacBeth Rhona. The technical examination and documentation of easel paintings

(2)

Marvelde Mireille te. Lining easel paintings

(2)

Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII

(2)

Mayer Debora D. Identification of textile fibres found in common painting supports

(2)

Mayer Lance. Varnishing as part of the conservation treatment of easel paintings

(2)

McClure Ian. Framing and microclimate enclosures for panel paintings

(2)

McGinn Mary. Health and safety concerns in the paintings conservation studio

(2)

Michalski Stefan (konserwatorstwo). The lighting of easel paintings

(2)

Myers Gay. Varnishing as part of the conservation treatment of easel paintings

(2)

Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century

(2)

Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century with appendices I-VII

(2)

Nadolny Jilleen. History of visual compensation for paintings

(2)

Nadolny Jilleen. Pigments in Western easel painting

(2)

Noble Petria. Ageing and deterioration of traditional oil and tempera paints

(2)

Oddy William Andrew (1942- )

(2)

Olley Peggy A. Cross-section microscopy analysis and fluorescent staining

(2)

Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints

(2)

Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings

(2)

Ormsby Bronwyn. Twentieth-century grounds

(2)

Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects

(2)

Phenix Alan. A brief survey of historical varnishes

(2)

Phenix Alan. Removal of varnish: organic solvents as cleaning agents

(2)

Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings

(2)

Ramsay Barbara A. Travelling exhibitions and transporting paintings

(2)

Reifsnyder Joan. Lining easel paintings

(2)

Rossol Monona. Health and safety concerns in the paintings conservation studio

(2)

Rushfield Rebecca (1954- )

(2)

Rushfield Rebecca (1954- ). Conservation organizations and professional standards

(2)

Saunders David. Image documentation for paintings conservation

(2)

Scharff Mikkel. Lining easel paintings

(2)

Scharff Mikkel. Tear mending and other structural treatments of canvas paintings before or instead of lining

(2)

Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction

(2)

Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art

(2)

Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings

(2)

Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings

(2)

Stavroudis Chris. Aqueous methods for the cleaning of paintings

(2)

Stols-Witlox Maartje (1972- ). Grounds 1400-1900

(2)

Stoner Joyce Hill (1946- )

(2)

Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations

(2)

Stoner Joyce Hill (1946- ). International public outreach projects

(2)

Stoner Joyce Hill (1946- ). Introduction

(2)

Streeton Noelle Lynn Wenger. History and use of panels or other rigid supports for easel paintings

(2)

Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting 1960-66

(2)

Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings

(2)

Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings before or instead of lining

(2)

Townsend Joyce H. A brief survey of historical varnishes

(2)

Townsend Joyce H. Binding media

(2)

Townsend Joyce H. Health and safety concerns in the paintings conservation studio

(2)

Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings

(2)

Wadum Jorgen. History and use of panels or other rigid supports for easel paintings

(2)

Walsh Valentine. Optical microscopy

(2)

Whitten Jill. Varnishing as part of the conservation treatment of easel paintings

(2)

Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings

(2)

Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining

(2)

Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents

(2)

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Rok wydania

2020 - 2024

(1)

2010 - 2019

(4)

Kraj wydania

Polska

(3)

Wielka Brytania

(2)

Stany Zjednoczone

(2)

Język

angielski

(4)

polski

(2)

Temat

Konserwatorstwo

(2)

Malarstwo (szt.plast.)

(2)

Centralne Muzeum Włókiennictwa (Łódź)

(1)

Jedwabnictwo

(1)

Jedwabny szlak

(1)

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Kultura

(1)

Ochrona zabytków

(1)

Tkaniny artystyczne

(1)

Tkaniny jedwabne

(1)

Ubiór

(1)

Włókiennictwo

(1)

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Temat: czas

2001-0

(1)

Gatunek

Materiały konferencyjne

(2)

Katalogi wystaw

(1)

5 wyników Filtruj

Książka

W koszyku

16. Międzynarodowe Triennale Tkaniny Łódź 2019 : Przekraczanie granic = 16th International Triennial of Tapestry Łódź 2019 : Breaching borders / redakcja Marta Kowalewska ; [opracowanie not biograficznych i opisów prac: Norbert Piwowarczyk ; tłumaczenia: Monika Tacikowska, Aleksandra Sobczak-Kövesi]. - Łódź : Centralne Muzeum Włókiennictwa w Łodzi, 2019. - 225 s. : il. kolor. ; 27 cm.

Autor

Kowalewska Marta (historia sztuki). Piwowarczyk Norbert (1975- ). Sobczak-Kövesi Aleksandra. Tacikowska Monika. Coxon Ann. Sztuka tkaniny - Sztuka współczesna Coxon Ann. Textile art - Contemporary art Dalbiak Aneta. Foreword Dalbiak Aneta. Słoweo wstępne Jefferies Janis. Curatorial text Jefferies Janis. Tekst kuratorski Kowalewska Marta (historia sztuki). Breaching borders Kowalewska Marta (historia sztuki). Przekraczanie granic Śliwa Anna (1980- ). Curatorial text Śliwa Anna (1980- ). Tekst kuratorski

Temat

Centralne Muzeum Włókiennictwa (Łódź) Tkaniny artystyczne

Gatunek

Katalogi wystaw.

Indeks R0: BMNK

Katalog wystawy prezentowanej w Centralnym Muzeum Włókiennictwa w Łodzi, 5.10.2019-15.03.2020, oraz dwóch wystaw towarzyszących: Ogólnopolskiej Wystawie Tkaniny Unikatowej i Ogólnopolskiej Wystawie Miniatury Tkackiej.

Bibliogr. w przypisach. Indeks.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: III 25189 (1 egz.)

Książka

W koszyku

Textiles of the Silk Road : design and decorative techniques: from Far East to Europe / edited by Beata Biedrońska-Słota and Aleksandra Görlich. - Warsaw : Polish Institute of World Art Studies ; Torun : Tako Publishing House, 2016. - 179 s. : il. (gł. kolor.) ; 24 cm.

(The Artistic Traditions of Non-European Cultures, ISSN 2450-5692 ; vol. 4)

Autor

Biedrońska-Słotowa Beata. Görlich Aleksandra (1981- ). Biedrońska-Słotowa Beata. The cross-cultural role of textiles exemplified by textiles with Arabic inscriptions and some other motifs Bielak Anna (japonistyka). The kimono as a fashion phenomenon in modern Japan and beyond Bodzek Joanna. To [mend]* : a reflection on the Lee Edelkoort anti-fashion manifesto, the kimono reconstruction project : my personal vision on how mended clothes can mean "style" in the future and how this is connected with the Boro textiles of Japan Cybulska Maria (włókiennictwo). Traditional japanese Shibori and contemporary textile design Dróżdż Tomasz. Traditional japanese Shibori and contemporary textile design Goto Kosuke (1983- ). The Celestial Lotus: on the sources of ornamental patterns woven in silk samite Janik Paweł (archeologia). The faces from Noin Ula's Embroidery - Xiongnu or Kushans? Karadag Racep. Characterisation of dyes, metal threads and silk yarns from 16-18th-century Ottoman silk brocades Klein Astrid. The language of Kučean clothing: a comparative study of wall paintings and textiles Martini Małgorzata (1953- ). Kumihimo: an ancient art or a present-day one? Orlińska-Mianowska Ewa (1963- ). Reception of the Orient in the eighteen-century European silk industry Rosati Maria Ludovica. Textiles patterns on the move: looking at the iconographical exchanges along the Silk Route in the pre-modern period as cultural processes Šabalina Natal'â Mihajlovna. Colour is a sign of national traditional ornamental art Szewczyk Barbara (1983- ). "How the kimono released women from corsets" - Japonism in fashion at the turn of the 19th and 20th centuries Tuna Cemile (1950- ). Silk trade from Bursa to Krakow on the Silk Road Żuchowska Marta (1975- ). Transferring patterns along the Silk Road: vine and grape motifs on Chinese silks in the 1st Millenium AD

Temat

Jedwabnictwo Jedwabny szlak Tkaniny jedwabne Ubiór Włókiennictwo

Gatunek

Materiały konferencyjne.

Indeks R0: BMNK

Na grzb. wyłącznie tyt. serii. Na okł. błędnie przypisany ISBN.

Materiały z konf., Kraków, Muzeum Sztuki i Techniki Japońskiej "Manggha", 11-13 września 2015.

Bibliog., netogr. przy ref.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: II 25959/4 (1 egz.)

Książka

W koszyku

Studia i Materiały Konferencji Naukowej Studentów Konserwacji i Restauracji Dzieł Sztuki : Kraków, 17-19 marca 2016 : III / [edited by Małgorzata Nowalińska ; redakcja - język angielski, tłumaczenia Monika Bogdanowska]. - Kraków : Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, cop. 2016. - 293, [1] s. : il. kolor. ; 24 cm.

Autor

Bogdanowska Monika (1962- ). Nowalińska Małgorzata. Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bártová Kateřina (1987- ). Restoration of book torsos Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Bernard Gabriel. International Klein Blue, a reconstruction Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Bizoń Katarzyna. Riddles of the Greek Catholic church Botz Alexandra. Restoration of the Salviati Chandelier Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology Magrysiewicz-Dobrzańska Katarzyna. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Esquivel Álvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Fekete Dóra. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Fiam Judit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology, wood identification and state of preservation Gonzáles Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment Grabowska Joanna. Moisture in historical architectural structures Grachyova Ekaterina. Conservation of the icon "Baptism" Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Korza Eugine. Conservation of the icon "Baptism" Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Kowalik Anna (sztuka). Taxidermy in contemporary art Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze "Christ Enters Jerusalem" vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase Ludwiczak Hanna. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Marecka Agnieszka. Pastel - an object with specific needs Masalska Aleksandra. Danger of using acrylic resins in oil painting Međeral Mirna. In Kraljević's shoes: research and conservation treatments conducted on the painting "The Satyr and the Peasant" by Miroslav Kraljević Michalik Izabela. Role of a conservator-restorer and the reconstruction treatment in the restoration of works of art at the base of the conservation-restoration of the murals in St. Francis de Sales church in Cracow Mikó Edit. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Owczarek Piotr. Conservation of the baroque stone sculpture of the Virgin Mary from the Sanctuary of Świetorodzinna Mother of God in Miedniewice, Mazowieckie voivodeship Płotek Michał (1988- ). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Potrawiak Maja. Reconstruction of a historical beeswax painting technique with a water-soluble emulsion of beeswax and linseed oil potassium soap Rădoi Elena. To fill or not to fill Robert Hortense. Fading of the geranium lake in Vincent Van Gogh's portrait Dr. Paul Gachet (1890, Paris Musée d'Orsay) Sitnik Joanna. Straightening of curled negative film strips Skarżyńska Magdalena. Conservation of a 16th century fresco painting in the Suceviţa Monastery church in Romania Skarżyńska Magdalena. New exposition and conservation of the wall painting "Bishop Marianos under he protection the Mother of God and a Child" from the Faras cathedrall Skóra Magdalena. Research of lightfastness and qality of digital prints Skrzelowska Justyna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer Slouková Lenka. Consolidation effects of lime nanosols and silicic acid ester mixtures for wall paintings Stryczak Mateusz. Regeneration of varnish and binders used in painting Tauchmanova Renata. Adhesives in conservation of stone finishes Tiszai Rebeka. "Trinity with Saints" formerly attributed to Jacopo Palma the Younger Walczak Małgorzata (chemia). Medieval stained glass technology exemplified by the stained glass panel: "Throne of Grace" from the Dominican Monastery in Cracow Żarnowiecka Jagoda. Riddles of the Greek Catholic church Żygadło Andrzej. Riddles of the Greek Catholic church

Temat

Konserwatorstwo Kultura

Gatunek

Materiały konferencyjne.

Indeks R0: BMNK

Dod. s. tyt.: 3rd International Student Conference of Conservation and Restoration of Woorks of Art, Cracow, 17th - 19th March 2016

Tyt. z okł.

Bibliogr. przy ref.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Magazyn

Są egzemplarze dostępne do wypożyczenia: II 31402 (1 egz.)

Książka

W koszyku

The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - London ; New York : Routledge Taylor & Francis Group, 2012. - XXXVI, [2], 889 s. : il. (gł. kolor.) ; 26 cm.

(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)

Autor

Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Castelli Ciro. Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Digney-Peer Shawn. Imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. Imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hutchings Jeremy. Sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Levenson Rustin S. (1947- ). Sustainable conservation management of exhibitions Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. Imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. Imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. Imitative retouching of easel paintings Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports

Temat

Malarstwo (szt.plast.)

Indeks R0: BMNK

Bibliogr. s. 765-866. Indeks.

aktualnie wypożyczona

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

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Wszystkie egzemplarze są obecnie wypożyczone: III 23047 (1 egz.)

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The conservation of easel paintings / edited by Joyce Hill Stoner and Rebecca Rushfield. - 2nd ed. - London ; New York : Routledge Taylor & Francis Group, 2022. - XXXIV, 914 s. : il. (gł. kolor.) ; 25 cm.

(Routledge Series in Conservation and Museology / series ed. Andrew Oddy)

Autor

Stoner Joyce Hill (1946- ). Rushfield Rebecca (1954- ). Oddy William Andrew (1942- ). Ackroyd Paul. The structural conservation of paintings on wooden panel supports Bartoletti Angelica. Removal of varnish: organic solvents as cleaning agents Baade Brian. Recommending materials to artists Berg Klaas Jan van den (1964- ). Modern oil paints Birkenbeul Ina. Consolidation of flaking paint and ground Bisacca George. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Consolidation of flaking paint and ground Blewett Morwenna R. History and use of panels or other rigid supports for easel paintings Blewett Morwenna R. Notes on the history of conservation documentation: examples from the UK and USA Bomford David. Foreword Bomford David. Picture cleaning: positivism and metaphysics Boon Jaap J. Research and instrumental analysis in the materials of easel paintings Breare Caitlin. The technical examination and documentation of easel paintings Buck Susan L. Cross-section microscopy analysis and fluorescent staining Buckley Barbara A. Stretchers, tensioning, and attachments Bucklow Spike. The classification of craquelure patterns Burnstock Aviva. Ageing and deterioration of traditional oil and tempera paints Carlyle Leslie. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Carlyle Leslie. Exploring the grammar of oil paint through the use of historically accurate reconstructions Clarke Mark (1962- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Cross Maureen. History and use of panels or other rigid supports for easel paintings Cushman Matthew. Aqueous methods for the cleaning of paintings DeGhetaldi Kristin. Recommending materials to artists Digney-Peer Shawn. The imitative retouching of easel paintings Dixon Thomas. Framing, glazing, backing, and hanging of paintings on canvas Dixon Thomas. Storage of easel paintings Dolgikh Irina V. (1974- ). Consolidation of flaking paint and ground Druzik James. The lighting of easel paintings Eastaugh Nicholas. Optical microscopy Eastaugh Nicholas. Pigments in Western easel painting Finn Clare. Written documentation for paintings conservation Fuster-López Laura. Filling Golden Mark (1948- ). Varnishing of acrylic paintings by artists Goltz Michael von der (1956- ). Considerations on removing or retaining overpainted additions and alterations Goltz Michael von der (1956- ). Consolidation of flaking paint and ground Goltz Michael von der (1956- ). Varnishing as part of the conservation treatment of easel paintings Gottsegen Mark D. Recommending materials to artists Gottsegen Mark D. Twentieth-century grounds Gritt Stephen. The imitative retouching of easel paintings Hackney Stephen. Lining easel paintings Heiber Winfried (1938-2009). Tear mending and other structural treatments of canvas paintings, before or instead of lining Hermens Erma (1958- ). Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Hermens Erma (1958- ). Binding media Hoenigswald Ann. Varnishing as part of the conservation treatment of easel paintings Holubec Inken Maria. History and use of panels or other rigid supports for easel paintings Horovitz Isabel. Consolidation of flaking paint and ground Hummelen IJsbrand. Collecting and archiving information from living artists for the conservation of contemporary art Hutchings Jeremy. The sustainable conservation management of exhibitions Katlan Alexander. History of fabric supports Keune Katrien. Research into and analysis of the materials of easel paintings Klein Peter. History and use of panels or other rigid supports for easel paintings Klocke Jens. Understanding the deterioration of paintings by microorganisms and insects Learner Thomas J. S. Cleaning concerns for acrylic emulsion paints Learner Thomas J. S. Modern paints Lee Judith. Modern oil paints Lee Judith. Removal of varnish: organic solvents as cleaning agents Levenson Rustin S. (1947- ). Emergency preparedness and recovery Levenson Rustin S. (1947- ). Tear mending and other structural treatments of canvas paintings, before or instead of lining Loon Annelies van (1970- ). Ageing and deterioration of traditional oil and tempera paints Lowengard Sarah. Pigments in Western easel painting Ludvigsen Loa. Image documentation for paintings conservation MacBeth Rhona. The technical examination and documentation of easel paintings Marvelde Mireille te. Lining easel paintings Massing Ann. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Mayer Debora D. Identification of textile fibres found in common painting supports Mayer Lance. Varnishing as part of the conservation treatment of easel paintings Myers Gay. Varnishing as part of the conservation treatment of easel paintings McClure Ian. Framing and microclimate enclosures for panel paintings McGinn Mary. Health and safety concerns in the paintings conservation studio Michalski Stefan (konserwatorstwo). The lighting of easel paintings Nadolny Jilleen. A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century Nadolny Jilleen. Art technological source research: documentary sources on European painting to the twentieth century, with appendices I-VII Nadolny Jilleen. History of visual compensation for paintings Nadolny Jilleen. Pigments in Western easel painting Noble Petria. Ageing and deterioration of traditional oil and tempera paints Olley Peggy A. Cross-section microscopy analysis and fluorescent staining Ormsby Bronwyn. Cleaning concerns for acrylic emulsion paints Ormsby Bronwyn. History and use of panels or other rigid supports for easel paintings Ormsby Bronwyn. Modern oil paints Ormsby Bronwyn. Removal of varnish: organic solvents as cleaning agents Ormsby Bronwyn. Twentieth-century grounds Perry Roy A. The imitative retouching of easel paintings Petersen Karin. Understanding the deterioration of paintings by microorganisms and insects Phenix Alan. A brief survey of historical varnishes Phenix Alan. Removal of varnish: organic solvents as cleaning agents Proctor Robert G. Varnishing as part of the conservation treatment of easel paintings Ramsay Barbara A. Travelling exhibitions and transporting paintings Reifsnyder Joan. Lining easel paintings Rossol Monona. Health and safety concerns in the paintings conservation studio Rushfield Rebecca (1954- ). Conservation organizations and professional standards Saunders David. Image documentation for paintings conservation Scharff Mikkel. Lining easel paintings Scharff Mikkel. Tear mending and other structural treatments of canvas paintings, before or instead of lining Schmitt Sibylle. Research on the pettenkofer method and the historical understanding of paint film swelling and interaction Scholte Tatja (1953- ). Collecting and archiving information from living artists for the conservation of contemporary art Spaabaek Lin Rosa. History and use of panels or other rigid supports for easel paintings Stassinopoulos Stergios. History and use of panels or other rigid supports for easel paintings Stavroudis Chris. Aqueous methods for the cleaning of paintings Stols-Witlox Maartje (1972- ). Grounds, 1400-1900 Stoner Joyce Hill (1946- ). Considerations on removing or retaining overpainted additions and alterations Stoner Joyce Hill (1946- ). International public outreach projects Stoner Joyce Hill (1946- ). Introduction Streeton Noëlle Lynn Wenger. History and use of panels or other rigid supports for easel paintings Stringari Carol. Case study in the use of lasers to remove overpaint from ad Reinhardt's black painting, 1960-66 Swicklik Michael. Varnishing as part of the conservation treatment of easel paintings Thomas Karen. The imitative retouching of easel paintings Tomkiewicz Carolyn J. Tear mending and other structural treatments of canvas paintings, before or instead of lining Townsend Joyce H. A brief survey of historical varnishes Townsend Joyce H. Binding media Townsend Joyce H. Health and safety concerns in the paintings conservation studio Townsend Joyce H. The imitative retouching of easel paintings Townsend Joyce H. Removal of varnish: organic solvents as cleanings agents Townsend Joyce H. Research and instrumental analysis in the materials of easel paintings Wadum Jørgen. History and use of panels or other rigid supports for easel paintings Walsh Valentine. Optical microscopy Whitten Jill. Varnishing as part of the conservation treatment of easel paintings Wolbers Richard (1949- ). Aqueous methods for the cleaning of paintings Wolbers Richard (1949- ). Cross-section microscopy analysis and fluorescent staining Wolbers Richard (1949- ). Removal of varnish: organic solvents as cleaning agents Young Christina. History of fabric supports Zumbühl Stefan. Removal of varnish: organic solvents as cleaning agents

Temat

Konserwatorstwo Malarstwo (szt.plast.) Ochrona zabytków

Indeks R0: BMNK

Bibliogr. s. 792-890. Indeks.

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Wszystkie egzemplarze są obecnie wypożyczone: II 35746 (1 egz.)