Andrikopoulos Konstantinos S. Analysis of organic and inorganic materials and their application on icons by Angelos
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Aspra-Bardabake Maire. Observations on a thirteenth-century Sinaitic Diptych representing St. Procopius the Virgin Kykkotissa and Saints along the border
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Bagniuk Jacek. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Bainos Nikos. The use of holographic methods in the study of the conservation of Byzantine icons
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Bartova Katerina (1987- ). Restoration of book torsos
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Basilake Maria. The icon of the Virgin Glykophilousa in the Benaki Museum (inv. no 2972): Issues of Research
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Beczyczko Agnieszka. Conservation of a 16th century fresco painting in the Sucevita Monastery church in Romania
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Bernady Edyta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Bernard Gabriel. International Klein Blue a reconstruction
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Białek-Kostecka Dorota. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Bilale Marietta. Capabilities and prospects of radiography for the study of icons
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Bizoń Katarzyna. Riddles of the Greek Catholic church
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Bogdanowska Monika (1962- )
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Botz Alexandra. Restoration of the Salviati Chandelier
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Bourbopoulou Hrusa. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Bourbopoulou Hrusa. The contribution of digital image-processing to the identification of pigments
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Brandys Iwona. In the workshop of Wincenty Drabik - scenography painter and pedagogue. Introduction to the research
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Brandys Iwona. W pracowni Wincentego Drabika – malarza scenicznego i pedagoga. Przyczynek do badań
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Branopoulou Lena. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Brzezina-Scheuerer Katarzyna (1970- ). Some remarks concering the art of painter Gebhard Flatz
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Brzezina-Scheuerer Katarzyna (1970- ). Uwagi na temat warsztatu artystycznego malarza Gebharda Flatza
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Buckton David (1935- ). Enamelled metals icons of the twelfth and thirteenth centuries
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Chmielewska Małgorzata (konserwator). Characteristics if icon painting from the Cretan School using the example of the post-byzantine triptych from the Princes Czartoryski Collection in Kraków
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Chmielewska Małgorzata (konserwator). Charakterystyka malarstwa ikonowego szkoły kreteńskiej na przykładzie pobizantyńskiego tryptyku ze zbiorów Muzeum Książąt Czartoryskich w Krakowie
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Chodyński Antoni Romuald (1945- ). Tools techniques and signatures of Persian Shamshir makers. Hidden meanings of inscriptions and of the magic square. Issues of artibution
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Chodyński Antoni Romuald (1945- ). Warsztaty i sygnatury twórców perskich szamszirów. Ukryte znaczenia napisów i magicznego kwadratu. Problemy atrybucji
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Ciesielska Tanita. Conservation and preparation for a new edition of the 18th c. Viennese copper printing plates from a private collection in Cracow
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Cormack Robin (1938- ). Crusader art and artistic technique: another look at a painting of St. George
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Cutler Anthony (1934- ). An Ancient Mariner's Tale: on the authenticity of the Crucifixion ivory at the Dionysiou Monastery on Mt Athos
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Decrion-Lanta Gabrielle. Conservation of wallpaper: from handicraft o digital technology
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Doleżyńska-Sewerniak Ewa (1977- )
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Doleżyńska-Sewerniak Ewa (1977- ). Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research
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Doleżyńska-Sewerniak Ewa (1977- ). The painting workshop of Szymon Czechowicz (1689-1775) - selected issues
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Doleżyńska-Sewerniak Ewa (1977- ). Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
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Doleżyńska-Sewerniak Ewa (1977- ). Warsztat Szymona Czechowicza (1689–1775) – wybrane zagadnienia
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Doulgerides Mihales. Capabilities and prospects of radiography for the study of icons
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Doulgerides Mihales. Identification of the binding media of a Postbyzantine icon using gas-chromatography
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Esquivel Alvarez Astrid. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Etinhof Olga. The Virgin of Vladimir and the Veneration of the Virgin of Blachernai in Russia
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Fantidou Demetra. The use of holographic methods in the study of the conservation of Byzantine icons
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Fekete Dóra. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Fiam Judit. Trinity with Saints formerly attributed to Jacopo Palma the Younger
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Fitta-Spelina Agnieszka. Architect's workshop. A new object and a historic building - similarities and differences in project work
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Fitta-Spelina Agnieszka. Warsztat architekta. Obiekt nowy a obiekt zabytkowy – podobieństwa i różnice w pracy projektowej
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Forczek-Sajdak Anna. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Fotakes Konstantinos. The use of holographic methods in the study of the conservation of Byzantine icons
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Giełdoń-Paszek Aleksandra (1961- ). Around the didactic aspects of the artist's workshop carving in wood
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Giełdoń-Paszek Aleksandra (1961- ). Wokół zagadnień dydaktyki warsztatu artysty rzeźbiącego w drewnie
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Gmińska-Nowak Barbara. Wood in the architecture of the Upper Mustang KunSan Chholing Gompa - dendrochronology wood identification and state of preservation
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Gonzales Hurtado Amaranta. NANOforART project and the use of nanomaterials in the restoration of pre-Columbian wall paintings in a museum enviroment
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Gordon Dillian. The icon of the Virgin Glykophilousa in the Benaki Museum Athens (inv. no 2972): The Verres Eglomises
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Grabowska Joanna. Moisture in historical architectural structures
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Grachyova Ekaterina. Conservation of the icon Baptism
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Grochowska-Angelus Anna. Obrazy i ich ramy. Rola artysty w wyborze opraw
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Grochowska-Angelus Anna. Paintings and their frames. The role of artists in choosing them
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Haritos Apostolos. Capabilities and prospects of radiography for the study of icons
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Hrusoulakes Giannes. An extensive non-destructive and micro-spectroscopic study of an icon with the Birth of St. John the Baptist (second half of the fifteenth century)
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Ioakeimoglou Elene. Identification of the binding media of a Postbyzantine icon using gas-chromatography
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Jarek Ewelina. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Jasiński Mateusz. Canvases used by Caravaggisti and preparation of the ground layer - research based on the paintings in Polish collections
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Jasiński Mateusz. Caravaggistic revolution in the way of building the picture
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Jasiński Mateusz. Rewolucja caravaggionistyczna w sposobie budowania obrazu
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Jędrusik Agnieszka. Art of gilding - a case study on the textile gilding technique
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Jędrusik Aldona. Art of gilding - a case study on the textile gilding technique
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Kaczmarska Małgorzata. Impact of new technologies on the practice of an artist based on David Hockney's work and the author's own experience as a painter
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Kaczmarska Małgorzata. Wpływ nowych technologii na praktykę artysty malarza na podstawie twórczości Davida Hockneya i działalności artystycznej autorki
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Kalavrezou Ioli. Interpreting carving techniques and styles in Steatite icons
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Kalliga Alexandra-Elene
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Kalliga Alexandra-Elene. Angelos Painting Technique. A description of panel construction materials and painting method based on a study of seven signed icons
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Kaminari Agathi Anthoula. Study and documentation of an icon of Saint George by Angelos using infrared reflectography
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Kamińska Marta. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Karapanagiotis Ioannis. Analysis of organic and inorganic materials and their application on icons by Angelos
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Karska Renata. Development of research methodology of historical firearms with an example of the maintenance process: Turkish Rifle (17th/18th) from the collection of the Military Museum in Budapest
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Kaszowska Zofia. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kaszowska Zofia. Medieval stained glass technology exemplified by the stained glass panel: Throne of Grace from the Dominican Monastery in Cracow
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Kata Eurydyka. Material typography or tools in the work of a typographer and designer
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Kata Eurydyka. Typografia materialna czyli narzędzia w pracy typografa i projektanta
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Klisińska-Kopacz Anna. Portrait works of Rafał Hadziewicz (1803-1886) in the light of interdyscyplinary research
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Klisińska-Kopacz Anna. Twórczość portretowa Rafała Hadziewicza (1803–1886) w świetle badań interdyscyplinarnych
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Korpała Małgorzata. Nietypowe rozwiązania barokowego malarstwa ściennego na wybranych przykładach z terenu Mazowsza
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Korpała Małgorzata. Unusual solutions in baroque wall paintings on selected examples from Mazovia
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Korza Eugine. Conservation of the icon Baptism
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Kot Marcin. Influence of synthetic adhesives used in consolidation of wall paintings on the properties of the casein paint layer
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Kouzele Kelle. The icon of the Virgin Glykophilousa (inv. no 2972) in the Benaki Museum: Contribution to the study of the Icon with Optical microscopy scanning elector microscopy and X-Ray microanalysis
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Kowalewska Marta (historia sztuki). Budowniczowie sukcesu
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Kowalewska Marta (historia sztuki). The makers of success
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Kowalik Anna (sztuka). Taxidermy in contemporary art
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Krupa Paulina. Introducing polychromy and patination of the plaster portrait sculptures and the frieze Christ Enters Jerusalem vy Alojzy Bunsch from the Franciscan Basilica in Cracow as a stage of a pending restoration project
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Krysiak Dagna. Comparison of various compositions of Araldite 2020 filling putty for losses in a black hyalith vase
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Kuś-Joachimiak Hanna (1982- ). Get in the engraver's house. The peculiarity of Eugeniusz Get Stankiewicz's technique on the example of collection from Museum of the Lubomirski Princes
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Kuś-Joachimiak Hanna (1982- ). Get w Domku Miedziorytnika. Specyfika warsztatu Eugeniusza Stankiewicza na przykładzie zbiorów Muzeum Książąt Lubomirskich
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