Auffret Stephanie (1974- ). A hint of Orient in an Americana collection: investigatinos into Chinese export furniture at Winterthur Museum
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Bal Mieke (1946- ). Semiotics and art history
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Baxandall Michael (1933-2008). Patterns of intention
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Berg Rita. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Berger Cordula (1955- ). Searching for blood in Chinese lacquerware: zhu xie hui
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Bogdanowska Monika (1962- )
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Bryson Norman (1949- ). Semiotics and art history
(1)
Budziaszek Barbara. Rozwarstwienie i przeniesienie polichromii z rzeźby drewnianej z zastosowaniem metod opracowanych dla malowideł sztalugowych na drewnie
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Budziaszek Barbara. The separation and transferral of polychromy from a wooden sculpture with the implementation of the layer separation treatment used in painting
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Błaszczyk Marcin (konserwacja zabytków). Malowidła ścienne w prezbiterium dawnego kościoła parafialnego pod wezwaniem Matki Boskiej Gromnicznej w Siemiechowie
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Błaszczyk Marcin (konserwacja zabytków). Wall paintings from the presbytery of the former parish church of Our Lady of the Thunder Candle in Siemiechów
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Cehovsky Petr (1979- ). Different reasons for the use of gothic and renaissance style in Central European architectural sculpture between the years 1490-1550
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Cerny Pavol. Un manuscrit enlumine du XIIIe siecle a Olomouc
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Chang Julie. Reconstructing lacquer technology through Chinese classical texts
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Chang Julie. Some observations on the composition of Chinese lacquer
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Chang Julie. The reproduction of realistic samples of Chinese export lacquer for research
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Chao Raina. Compensation for small loses to lacquer and inlaid decoration using paper fills painted and glazed in situ
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Chao Raina. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Chen Chiyu (1956- ). Construction and painting in New China
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Clark John (1946- ). Okakura Tenshin and aesthetic nationalism
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Conant Ellen P. Japanese painting from Edo to Meiji: rhetoric and reality
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Coombes Annie E. (1956- ). Inventing the postcolonial
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Czechońska Magdalena. Chinese art scene in 1979-2000 from the perspective of performance art
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Damisch Hubert (1928-2017). Semiotics and iconography
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Davis Whitney (1958- ). Winckelmann divided
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Deluga Waldemar (1961- )
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Deluga Waldemar (1961- ). Introduction. Medieval art in Central Europe in outlines
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Deluga Waldemar (1961- ). The art of national minorities in the former Polish-Lithuanian Commonwealth
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Derrida Jacques (1930-2004). Restitutions of the truth in pointing (pointure)
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Dias Cristina Maria Barrocas (1964- ). Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
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Dias Luis. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
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Duin Paul van. Bending Asian lacquer in eighteenth-century Paris: new discoveries
(1)
Duncan Carol (1936- ). Art museum as ritual
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Ebert Bettina (1983- ). A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings
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Fang Xiaofeng. Aesthetic attitude of Chinese of classical gardens
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Feston Briana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Foucault Michel (1926-1984). What is an author?
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Furmanik-Kowalska Magdalena. Threads between past and future: Lin Tianmiao's installations
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Garcia Canclini Nestor (1939- ). Remaking passports
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Geron Małgorzata. Krakow Formist Group (1917-1923)
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Gombrich Ernst Hans (1909-2001). Style
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Grabski Józef (1950- ). Polish renaissance art and the art of the renaissance in Poland
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Grieser Martina (1968- ). Searching for blood in Chinese lacquerware: zhu xie hui
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Grieser Martina (1968- ). The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
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Grollova Jana (1977- ). Czech reformed homiletics and its visual reflection in 15th and 16th century European church and chapel interiors
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Gryglewicz Tomasz (1949-2022). Chinese inspiration in Jerzy Panek's prints
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Głowacz Tomasz. Problematyka konserwacji markieterii w stylu Boulle'a
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Głowacz Tomasz. Restoration-conservation of Boullework
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Hagelskamp Christina. Bending Asian lacquer in eighteenth-century Paris: new discoveries
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Hatchfield Pamela B. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Hegel Georg Wilhelm Friedrich (1770-1831). Philosophy of fine art
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Heginbotham Arlen. Bending Asian lacquer in eighteenth-century Paris: new discoveries
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Heginbotham Arlen. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
(1)
Heginbotham Arlen. Some observations on the composition of Chinese lacquer
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Heidegger Martin (1889-1976). Origin of the work of art
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Hirayama Mikiko. Japanese art criticism: the first fifty years
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Hrdlickova Kuckova Stepanka. Searching for blood in Chinese lacquerware: zhu xie hui
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Hsu Hsin-hui. Fusing and refreshing the memory: conserving a Chinese lacquered Buddha sculpture in London
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Hu Guanghua. Investigation of art exchanges between China and Poland in the 1950s
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Hussakowska-Szyszko Maria (1947- ). Nicely painted perfectly done well sold
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Huyssen Andreas (1942- ). Mapping the postmodern
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Iversen Margaret (1949- ). Retrieving Warburg's tradition
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Jakubowska-Szarska Agnieszka. The transfer of the fragment of a gothic painting from the House of Długosz in Wiślica
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Jakubowska-Szarska Agnieszka. Transfer fragmentu gotyckiego malowidła z Domu Długosza w Wiślicy
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Jankowska Małgorzata (1971- ). Alike but different: common themes in Chinese and Polish art in the New Millenium
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Johnson Galante Diana. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Jones Amelia (1961- ). Postfeminism feminist pleasures and embodied theories of art
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Jordan Christiane. The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
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Juszkiewicz Piotr (1959- ). Utopias and expressions
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Kajdański Edward (1925-2020). Between science and art: drawings of Michael Boym to his works on China
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Kant Immanuel (1724-1804). Critique of judgement
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Kant Immanuel (1724-1804). What is enlightenment?
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Kaszowska Zofia. A study of the technology and technique of the berliner lackvasen from the collection of the Jagiellonian University Museum : developing methods of conservation
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Kaszowska Zofia. Badania technologii i techniki lakierowanych waz berlińskich ze zbiorów Muzeum UJ oraz opracowanie metody ich konserwacji
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Kelly Mary (1941- ). No essential femininity
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Keulen Henk van. Beyond the basics: a systematic approach for comprehensive analysis of organic materials in Asian lacquers
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Khanjian Herant. Some observations on the composition of Chinese lacquer
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Kisiel Maria (1989- ). Easel painting separation treatment - The St. Apollonia and St. Rosalie panels from the Łącko triptych
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Kisiel Maria (1989- ). Rozwarstwienie i osadzenie na nowym podłożu dwóch malowideł sztalugowych z awersów małych skrzydeł tryptyku z Łącka - Św. Apolonia i Św. Rozalia
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Kitagawa Erin. Reduced reused recycled: the treatment and redisplay of a repurposed seventeenth-century coromandel lacquer screen in the Acton Collection Villa La Pietra Florence
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Kociuba Ewa. Konserwacja obrazu z przedstawieniem Matki Boskiej z Dzieciątkiem w typie hodegetrii małopolskiej z Muzeum Archidiecezjalnego w Przemyślu z uwzględnieniem doświadczeń konserwatorskich przy obrazach tego typu
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Kociuba Ewa. The conservation-restoration of the małopolska hodegetria from the Archdiocese Museum in Przemyśl based on experience garnered in the restoration of similar artefacts
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Kopania Izabela (1979- ). Far from Canton: the Chinese vogue in eighteen-century Poland and its long journey there
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Korber Ulrike. Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
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Kozak Nazar. Architectural background as a mesaage: a case from the Akathistos Cycle in the Lavriv Monastery
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Kozik Regina. Identyfikacja zniszczeń typu biochemicznego oraz opracowanie metody regeneracji warstwy malarskiej na przykładzie konserwacji malowidła olejnego na tekturze Portret kobiety 1906 pędzla Zygmunta Ajdukiewicza
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Kozik Regina. The identification of biochemical deterioration and establishing a method of regeneration for the painting layer - the case of the oil painting on cardboard by Zygmunt Ajdukiewicz - Portrait of a woman 1906
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Krauss Rosalind E. (1941- ). Sculpture in the expanded field
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Krawczyk Ewelina. Gipsowe modele anatomiczne w programie nauczania rysunku i malarstwa w Akademii Sztuk Pięknych oraz ich problematyka konserwatorska
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Krawczyk Ewelina. Gypsum anatomical models in the process of teaching drawing and painting at the Academy of Fine Arts : issues connected to preservation of the models
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Kucharzewska Joanna (1973- ). Capsule of apartment?
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Kulpińska Katarzyna (1973- ). International language of woodcut art - Chinese and Polish avant-garde in the 1920s and 1930s
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Kunkel Robert (1949- ). An outline of the medieval architecture in Poland
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Kurzeja Bartłomiej. Easel painting separation treatment - The St. Apollonia and St. Rosalie panels from the Łącko triptych
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