Bandura Agnieszka. Politics of replacing in New Romanticism
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Belova Jana (1977- ). Fragments of the railings from Saint Ivan's tomb
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Bernatowicz Piotr (1973- ). Removal of Communist monuments: obliteration of the past or healing the memory?
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Bogaerts Ilse. Value of donations: one hundred years of the acquisition policy of the Royal Army Museum Brussels
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Bojarska Katarzyna (1981- ). Spectrality and the possibility of seeing (loss). Photography against the referentiality of history
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Buchanan Iain (1948-2018). Conquest of Tunis
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Buchanan Iain (1948-2018). Story of Joshua
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Cassar Robert. Story of a cannon: diplomacy friendship and gratitude
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Cleland Elizabeth A. H
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Cleland Elizabeth A. H. Epilogue: virtue triumphs over death
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Cleland Elizabeth A. H. Recognizing Pieter Coecke van Aelst
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Cleland Elizabeth A. H. Seven deadly sins
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Cleland Elizabeth A. H. Story of Abraham
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Cleland Elizabeth A. H. Story of Vertumnus and Pomona
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Delmarcel Guy. Life of Saint Paul
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Dybel Paweł (1951- ). Malarstwo jako po-tworzenie. Krzysztofa Gliszczyńskiego malarska metafizyka odpadu i resztki
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Dybel Paweł (1951- ). Painting as post-creation: Krzysztof Gliszczyński's painting as a metaphysics of waste and residue
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Dziewulski Michał (1978- )
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Dziewulski Michał (1978- ). Ambassadors of dialogue - introduction
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Forti Grazzini Nello (1954- ). Verdures with animals
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Franz Rainald (1964- ). Viennese porcelain as a diplomatic gift
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Gliszczyński Krzysztof (1962- )
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Gliszczyński Krzysztof (1962- ). Fullness: point and line to plane
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Gliszczyński Krzysztof (1962- ). Historia malarza z Borowego Młyna
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Gliszczyński Krzysztof (1962- ). Introduction
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Gliszczyński Krzysztof (1962- ). Komentarz autorski
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Gliszczyński Krzysztof (1962- ). Note from the Author
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Gliszczyński Krzysztof (1962- ). Perpetuum pictura
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Gliszczyński Krzysztof (1962- ). Pełnia. Punkt i linia a płaszczyzna
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Gliszczyński Krzysztof (1962- ). Story of a painter from Borowy Młyn
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Gliszczyński Krzysztof (1962- ). Wstęp
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Godlewski Jarosław. Diplomatic gifts from the era of the Polish-Lithuanian Commonwealth in the collection of the Polish Army Museum in Warsaw
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Gronhammar Ann (1951- ). Diplomatic gifts for Swedish sovereigns from Safavid Persia and two European vassal states of the Ottoman Empire in the 17th century
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Hatschek Christoph (1974- ). Blessing and curse of (military) diplomatic gifts
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Herrero Carretero Concha
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Jenkens A. Lawrence (1959- )
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Johnston Peter. Gifts from the frontiers of Empire
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Karafel Lorraine (1956- ). Story of Julius Caesar
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Karl Barbara. Diplomatic gifts and collecting
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Krechowicz Dominika (1964- )
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Krutisch Petra (1957- ). Between pride and suspicion
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Lidchi Henrietta. Re-capturing the British imperial past
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Mallory Sarah W. Designing and defining tapestries: the three stages of tapestry production
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Meoni Lucia. Story of the creation
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Orenstein Nadine (1961- ). Customs and fashions of the Turks
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Pall Martina. Etched iron cabinet from the Schell Collection
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Paredes Cecilia. Poesia
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Porodina Elena. Weapons as ambassadorial gifts in the collection of the Central Armed Forces Museum of the Russian Federation
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Prokopczuk-Runowska Izabela. Gifts of friendship in the collection of the Polish Army Museum in Warsaw
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Radway Robyn D. Misunderstanding Ottoman Europe: the material culture of the borderlands in Renaissance depictions of the Ottoman world
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schmitz-von Ledebur Katja (1967- )
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smith Kay Douglas. Iron keys of Riga: cannon diplomacy and Tudor policy in the Baltic
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Smith-Christmas Kenneth L. United States Marine Corps' Mameluke sword
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Smolińska Marta (1975- ). A fractured image? Remarks on Krzysztof Gliszczyński's The last seven words of Christ on the cross
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Smolińska Marta (1975- ). Bathing in red and breathing white
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Smolińska Marta (1975- ). Inkrustowane w cielesności. Sploty widzenia i ruchu w najnowszych pracach Krzysztofa Gliszczyńskiego
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Smolińska Marta (1975- ). Inlaid in the body: the fusion of vision and motion in Krzysztof Gliszczyński's most recent works
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Smolińska Marta (1975- ). Obraz rozbity? Uwagi o Siedmiu ostatnich słowach Chrystusa na krzyżu Krzysztofa Gliszczyńskiego
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Smolińska Marta (1975- ). Synergic circulation of matter: Krzysztof Gliszczyński's work as a sensual happening
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Smolińska Marta (1975- ). Synergiczna cyrkulacja materii. Twórczość Krzysztofa Gliszczyńskiego jako zmysłowe wydarzanie się
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Smolińska Marta (1975- ). Zanurzanie się w czerwieni i oddychanie bielą
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Sutton Philip (tłumacz)
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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