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Biały Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
(1)
Dyakonova Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
(1)
Farida Nike. Et in Arcadia ego. Where Henryk Siemiradzki Lawrence Alma-Tadema and Frederic Leighton met
(1)
First Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's archaeological workshop
(1)
Głowacki Wojciech M. (1993- ). Polyglot of a paintbrush? Critical reception of Nero's Torches in France
(1)
Pokaż więcej ...
Janke Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
(1)
Karpova Tatʹana Lʹvovna (1960- ). Siemiradzki as a portrait painter
(1)
Klisińska-Kopacz Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Kluczewska-Wójcik Agnieszka (1960- )
(1)
Kluczewska-Wójcik Agnieszka. Reassessing Academism: Bouguereau Cabanel Gerome and Siemiradzki
(1)
Kuczyńska Agnieszka (historia sztuki). Christ and the sinner by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
(1)
Kwiatkowska Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
(1)
Laskowska Magdalena. Henryk Siemiradzki - works memorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Malinowski Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
(1)
Nesterova Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Nitka Maria. Henryk Siemiradzki's figuralism
(1)
Paś Monika. Henryk Siemiradzki - works mamorabilia documents : the history of the collection os the artist's legacy in the National Museum in Krakow
(1)
Pliś Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Sarkowicz Dominika
(1)
Sarkowicz Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sarkowicz Dominika. Unknown collection of photographs from the Siemiradzki family albums
(1)
Sieklucka Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
(1)
Sieklucka Marzena. Unknown collection of photographs from the Siemiradzki family albums
(1)
Sirro Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
(1)
Susak Vita Volodimirivna (1966- ). Jesus and the Samaritan woman (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
(1)
Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
(1)
Twardowska Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
(1)
Wąsik Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
(1)
Zdzieszyńska-Demolin Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
(1)
Świętosławska Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki
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Year
2010 - 2019
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Country
Poland
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Language
English
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Subject
Malarstwo polskie
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Siemiradzki, Henryk
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Genre/Form
Materiały konferencyjne
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Tytuł: The Henryk Siemiradzki that we do not know / edited by Agnieszka Kluczewska-Wójcik & Dominika Sarkowicz.
Adres wydawniczy: Warsaw : Polish Institute od World Art Studies ; Toruń : Tako Publishing House, 2018.
Opis fizyczny: 178 s. : il. (gł. kolor.) ; 30 cm.
Seria: World Art Studies conferences and studies of the Polish Institute of World Art Studies
Uwaga: Bibliogr. w przypisach.
Uwaga: Materiały z konferencji: Muzeum Narodowe w Krakowie, 11-13 kwietnia 2018 r.
Temat: Siemiradzki Henryk 1843-1902 - materiały konferencyjne
Temat: Malarstwo polskie - 19 w. - materiały konferencyjne
Gatunek, rodzaj, forma: Materiały konferencyjne
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka (1960- ).
Hasło dodatkowe: Sarkowicz, Dominika.
Hasło dodatkowe: Malinowski, Jerzy (1950- ). Henryk Siemiradzki that we do not know - introduction
Hasło dodatkowe: Kluczewska-Wójcik, Agnieszka. Reassessing Academism: Bouguereau, Cabanel, Gérôme and Siemiradzki
Hasło dodatkowe: Świętosławska, Agnieszka (1984- ). First attempts: the early work of Henryk Siemiradzki
Hasło dodatkowe: Traânovna-Bogdan, Veronika-Irina (1959- ). Henryk Siemiradzki and the Imperial Academy of Arts
Hasło dodatkowe: Karpova, Tatʹâna Lʹvovna (1960- ). Siemiradzki as a portrait painter
Hasło dodatkowe: Susak, Vìta Volodimirìvna (1966- ). "Jesus and the Samaritan woman" (1890) by Henryk Siemiradzki in the context of European art : variations on a theme
Hasło dodatkowe: Kuczyńska, Agnieszka (historia sztuki). "Christ and the sinner" by Henryk Siemiradzki - selected problems of the iconography of Christ in 19th century Russian painting
Hasło dodatkowe: First, Grzegorz. Res orientalis: works of art from the ancient Near East and Henryk Siemiradzki's "archaeological workshop"
Hasło dodatkowe: Nitka, Maria. Henryk Siemiradzki's figuralism
Hasło dodatkowe: Biały, Aneta (1956- ). Henryk Siemiradzki and the circle of Spanish painters in Rome. How and why Siemiradzki - an ardent opponent of the fortunists in Rome - became a follower of Mariano Fortuny in the eyes of French critics in Paris
Hasło dodatkowe: Farida, Nike. "Et in Arcadia ego". Where Henryk Siemiradzki, Lawrence Alma-Tadema and Frederic Leighton met
Hasło dodatkowe: Głowacki, Wojciech M. (1993- ). "Polyglot of a paintbrush"? Critical reception of "Nero's Torches" in France
Hasło dodatkowe: Twardowska, Kamilla (1975- ). Henryk Siemiradzki and his interest in the paranormal phenomena
Hasło dodatkowe: Laskowska, Magdalena. Henryk Siemiradzki - works, memorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow
Hasło dodatkowe: Paś, Monika. Henryk Siemiradzki - works, mamorabilia, documents : the history of the collection os the artist's legacy in the National Museum in Krakow
Hasło dodatkowe: Sieklucka, Marzena. Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Sarkowicz, Dominika. Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Janke, Rafał (1973- ). Unknown collection of photographs from the Siemiradzki family albums
Hasło dodatkowe: Nesterova, Elena Vladimirovna (1956- ). Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
Hasło dodatkowe: Sirro, Sergej. Academic traditions in the art of H. Siemiradzki (on the base of technological researchmade in the State Russian Museum
Hasło dodatkowe: Dyakonova, Yulia. Henryk Siemiradzki's artistic process. Reconstruction of its initial stage - with the use of X-ray research (based on the collection from The Tretyakov Gallery)
Hasło dodatkowe: Zdzieszyńska-Demolin, Ksenia. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
Hasło dodatkowe: Pliś, Dorota. Multi-staged and passionate process of building and modifying compozitions in Henryk Siemiradzki's paintings in the light of analytical photography
Hasło dodatkowe: Sarkowicz, Dominika. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Sieklucka, Marzena. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Klisińska-Kopacz, Anna. Palette and characteristic features of Henryk Siemiradzki's use of pigments in the context of the examination of two paintings of uncertain attribution
Hasło dodatkowe: Kwiatkowska, Justyna. Characterization of binding media in Henryk Siemiradzki's works by using non-invasive reflection infrared technique
Hasło dodatkowe: Wąsik, Radosław. Application of microscopic dendrological analysis in the identification of wooden supports of selected works by Henryk Siemiradzki
Hasło dodatkowe: Polski Instytut Studiów nad Sztuką Świata
Hasło dodatkowe: Wydawnictwo Tako
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Zapytaj bibliotekarza: sygn. sygn. III 24282
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