Bevivino Michael Ann. Embracing historical replicas through a digital medium: the Irish context
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Brabant Dominik (1982- ). Auguste Rodin and impressionism. Convergence and expressions of distance in sculpture and painting
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Chapuis Julien. Dreidimensionales Gedachtnis. Gipsabgusse in der Restaurierungs- und Prasentationspraxis der Skulpturensammlung der Staatlichen Museen zu Berlin
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Chasjanowa Lejła S. (1963- ). Do we need a Russian Academy in Rome? Henryk Siemiradzki and art education
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Chu Petra ten-Doesschate (1942- ). Siemiradzki's Rome
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Dapper Moritz. Insel der Gipse. Die Rolle der Gipsabguss-Sammlung im Muzeumsinselwettbewerb von 1883/84
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Demandt Philipp (1971- ). Rembrandt Bugatti - the journalists call me the Segantini of sculpture
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Deseyve Yvette. Paolo Troubetzkoy - the most astonishing sculptor of modern times
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Dlugaiczyk Martina (1968- ). Serien-Star Nofretete. Neue Quellen zur 3D-Rezeption der Buste vor der Amarna-Ausstellung von 1924
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Dobrowolski Witold (1939-2019). Programme related content in the The judgment of Paris by Henryk Siemiradzki
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Eiling Alexander B. (1974- )
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Eiling Alexander B. (1974- ). Now more than ever I feel the need to convey my impressions of form through sculpture. Edgar Degas's sculptures and their role in his working process
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Eiling Alexander B. (1974- ). en passant. Impressionism in sculpture. An approximation
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Falser Michael S. (1973- ). Die Berliner Gipsabgusse von Angkor Wat. Ihre kulturpolitischen Zusammenhange um 1900 und ihre aktuelle Bedeutung als transkulturelles Erbe
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First Grzegorz. Inspiration - selection - function. An ancient object in Henryk Siemiradzki
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Gerc Lidia. Thinks like Dante handles paints like Boccaccio. About Henryk Siemiradzki in Vienna
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Getaldić Magdalena. New tasks and challanges. The plaster cast collections of the Glyptotheque of the Croatian Academy of Sciences and Arts in Zagreb and their Digitisation
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Graepler Daniel (1959- ). Die Berliner Gipsformerei und die universitaren Abguss-Sammlungen: Historischer Ruckblick und Perspektiven zukunftiger Zusammenarbeit
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Haak Christina (1966- )
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Haake Michał. Realism and figuralism. On Christ and the Harlot by Henryk Siemiradzki
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Kanowski Claudia. Digi.an.ALOG. Der Dialog von digitalen und analogen Techniken in der aktuellen Porzellangestaltung
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Karpova Tatʹana Lʹvovna (1960- ). Henryk Siemiradzki. In monastic silence
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Klimov Pavel U. (1965- ). Russian artists in Rome: the era of Henryk Siemiradzki (based on the anniversary exhibition at the State Russian Museum in St. Petersburg)
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Kluczewska-Wójcik Agnieszka (1960- )
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Kluczewska-Wójcik Agnieszka. Marketing academism? Henryk Siemiradzki's strategies of display
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Królikowska-Dziubecka Marzena. Henryk Siemiradzki's decorative paintings in the context of early-modern art in Rome and Venice
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Kuczyńska Agnieszka (historia sztuki). The limits of painting: theatrical curtains by Henryk Siemiradzki
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Lange Britta (1973- ). Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Malinowski Jerzy (1950- ). Introduction
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Markova Nina Kirillovna. Some ideas about A French artist of the time of Louis XV paints the portrait of a Marquise by Henryk Siemiradzki
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Masłowska Anna. Henryk Siemiradzki's painting on the European market of photographic reproductions of works of art
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Mendonca Ricardo. Plaster cast workshops. Their importance for the emergence of an international network for the exchange of reproductions of art
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Mongi-Vollmer Eva. He is masterfully founding impressionist sculpture" - Medardo Rosso
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Mongi-Vollmer Eva. en passant. Impressionism in sculpture. An approximation
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Nitka Maria. Naked truth and beauty of the nude in Henryk Siemiradzki's Phryne
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Okoń Waldemar (1953- ). Siemiradzki and the three bards
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Ormond Leonee (1940- ). Frederic Leighton and the poets
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Osano Shigetoshi (1951- )
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Payne Emma M. Comparative 3D-scanning of historical casts: the Parthenon casts at the British Museum
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Poprzęcka Maria (1942- ). An academician in a Roman slaughterhouse
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Reuter Astrid (1970- ). Cross-media. Graphic reproductions and sculpture in dialogue
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Rosales Rodriguez Agnieszka (1974- ). Visuality on display. Henryk Siemiradzki's fetishization of sight
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Roth Lynette. Old World art on the soil of the new: plaster casts and the Germanic Museum at Harvard University
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Rubel Dietmar. Dissolution of the solid and the permanent. On the interplay between impressionist sculpture and photography
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Ruppen Fabienne. Flight of fancy or sculpture of the future? On the historical term impressionist sculpture
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Schallenberg Nina (1975- ). Air and light. On the presentation of impressionist sculptures
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Schelper Thomas. Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Schreiter Charlotte. Europa und der Gips. Formereien Museen and Abgusse
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Schroder Nele (1981- ). Berlin und Bonn. Strategien von Aufbau und Aufstellung der Abguss-Sammlungen
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Shaw Robert. Embracing historical replicas through a digital medium: the Irish context
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Stoll Kerstin. Verlorene Form. Eine kunstlerisch-wissenschaftliche Auseinandersetzung mit sensiblen Sammlungsbestanden
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Stoye Martina. Der Berliner Abguss des Sanchi-Tores: Entstehung Bedeutung Zukunftsperspektive
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Tocha Veronika. Der Eigensinn der Gipse. Von der Emanzipation des Abgusses in der zeitgenossischen Skulptur
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Traanovna-Bogdan Veronika-Irina (1959- ). Henryk Siemiradzki on the World and international exhibitions
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Trusted Marjorie. The making and meaning of plastre casts in the nineteenth century: their future in the twenty-first century
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Twardowska Kamilla (1975- ). Henryk Siemiradzki and his correspondence with Polish painters in St. Petersburg and Munich in the collection of the National Museum in Krakow
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Weinhold Joachim. Treffpunkte. Die Kooperation des 3D-Labors am Institut fur Mathematik det TU Berlin mit der Gipsformerei der Staatlichen Museen zu Berlin
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Wezel Elsa van (1958- ). Unterrichtend und dadurch nutzlich. Zur Bildungsfunktion der Berliner Gissammlung im 19. Jahrhundert
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Winkler-Horacek Lorenz (1963- ). Akademische Abguss-Sammlungen zwischen Tradition und Zukunft. Die Abguss-Sammlung Antiker Plastik der Freien Universitat Berlin
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