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Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devetsil
(1)
Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art
(1)
Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
(1)
Forgacs Eva (1947- ). Whose narrative is it?
(1)
Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
(1)
Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
(1)
Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
(1)
Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
(1)
Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
(1)
Kopciewicz Inga
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Kopciewicz Inga. Polish art is international
(1)
Kopciewicz Inga. Polska sztuka jest światowa
(1)
Kowalska Bożena (1930- ). Reflections on the collection of Wojciech Fibak
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Kowalska Bożena (1930- ). Z rozważań nad kolekcją Fibaka
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Kļaviņs Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism
(1)
Lahoda Vojtech (1955-2019)
(1)
Lahoda Vojtech (1955-2019). Global form and local spirit: Czech and Central European modern art
(1)
Levinger Esther. Hungarian constructivism and totality
(1)
Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky Katarzyna Kobro and Władisław Strzemiński
(1)
Mazzone Marian. Location process identity: actions and happenings in the 1960s
(1)
Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
(1)
Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
(1)
Pachmanova Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism
(1)
Prelovsek Damjan (1945- ). The architect Joze Plecnik: the originator of critical regionalism
(1)
Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
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Rosset Tomasz Feliks de (1958- )
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Rosset Tomasz Feliks de (1958- ). Esej o zbieraniu sztuki i kolekcji Wojciecha Fibaka
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Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvorak
(1)
Schultz Deborah. Methodological issues: researching socialist realist Romania
(1)
Simicić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe
(1)
Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
(1)
Tate Lucyna
(1)
Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity?
(1)
Waenerberg Annika. National features in modern art: Edwin Lyden (1879-1956) and Wassily Kandinsky (1866-1944)
(1)
Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the Ecole de Paris Milieu (1918-1939): the problem of assimilation and identity
(1)
Witkovsky Matthew S. (1967- ). The cage of the center
(1)
Wunsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde
(1)
Zwickl Andras (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
(1)
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2010 - 2019
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2000 - 2009
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Polska
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angielski
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polski
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Fibak, Wojciech (1952- )
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Malarstwo polskie
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Muzeum Okręgowe im. Leona Wyczółkowskiego (Bydgoszcz)
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Sztuka europejska
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1901-
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2001-0
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Gatunek
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Materiały konferencyjne
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2 wyniki Filtruj
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W koszyku
Autor
Lahoda Vojtěch (1955-2019). Benson Timothy O. (1950- ). Mapping culture in Central Europe: Dada and Devětsil Brzyski Anna (1969- ). Centres and peripheries: language barriers and the cultural geography of European modern art Dovydaitytė Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism Forgács Éva (1947- ). Whose narrative is it? Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Jankevičiutė Giedrė (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art Kļaviņš Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism Kolešnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s Lahoda Vojtěch (1955-2019). Global form and local spirit: Czech and Central European modern art Levinger Esther. Hungarian constructivism and totality Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky, Katarzyna Kobro and Władisław Strzemiński Mazzone Marian. Location, process, identity: actions and happenings in the 1960s Mudrak Miroslava Marìâ (1950- ). Polish modernism and Ukrainian artists: parallel strategies Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka, or does Eastern (Central) European art exist? Pachmanová Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism Prelovšek Damjan (1945- ). The architect Jože Plečnik: the originator of critical regionalism Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvořák Schultz Deborah. Methodological issues: researching socialist realist Romania Šimičić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity? Waenerberg Annika. National features in modern art: Edwin Lydén (1879-1956) and Wassily Kandinsky (1866-1944) Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the École de Paris Milieu (1918-1939): the problem of assimilation and identity Witkovsky Matthew S. (1967- ). The cage of the center Wünsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde Zwickl András (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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