Dovydaityte Linara (1975- ). Constructing the local 'isms:' paradoxes of Lithuanian expressionism
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Eysymontt Rafał (1959- ). The town as a palimpsest. Erasing and recovering the medieval town
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Filipczyk-Topolnicka Joanna (1969- ). Fine arts in the context of the degermanization in the region of Opolian Silesia after 1945
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Forgacs Eva (1947- ). Whose narrative is it?
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Genova Irina Ivanova (1959- ). Balkan modernism / Balkan modernity: the difficulties of historicizing
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Gradinaru Camelia. Visual tyranny as autopoiesis
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Gryglewicz Tomasz (1949-2022). Ideology or culture: on the art of a non-existing Central Europe at the time of the avant-garde and the Yalta conference
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Gut Anna (1984- ). The condemnation of memory in the modern epitaphs of Central Pomerania
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Howard Jeremy. Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Ilnicka Zuzanna. Gerhard Richter’s failing memory. The October 18 1977 and the need to allow doubt
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Ilnicki Rafał (1984- ). Digital Lethe of transhumanism: weak mind uploading as erasure of individual and collective memory
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Jankeviciute Giedre (1960- ). Traditionalism as modernism: neo-traditionalism in Lithuanian art
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Jarosz Andrzej (1971-2019). The absent ones – placing the post-war Wrocław painting in the context of Polish art
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Jedlińska Eleonora (1954- ). A nook at Wolborska Street or expunged remains of Jewish culture in Łódź
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Klimczak-Dobrzaniecka Alicja. Erasure. Memory Exercises
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Kolesnik Ljiljana. Dangerous liaisons: the relationship between art and the socialist state. The Croatian experience in the 1950s
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Krzyżanowska Małgorzata Ksenia. Nothing is getting as old as modernity – i.e. why the trend for Nine Graphic Artists Group has passed
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Kubala Agata. Damnatio memoriae and Roman imperial art
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Kļaviņs Eduards (1937- ). The ambivalence of ethnography in the context of Latvian modernism
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Kłos Agnieszka. The disappearing memory of Birkenau. A story of the power of nature
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Lahoda Vojtech (1955-2019)
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Lahoda Vojtech (1955-2019). Global form and local spirit: Czech and Central European modern art
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Levinger Esther. Hungarian constructivism and totality
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Lodder Christina (1948- ). International constructivism and the legacy of unovis in the 1920s: El Lissitzky Katarzyna Kobro and Władisław Strzemiński
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Markowska Anna (1962- )
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Markowska Anna (1962- ). Conspicuously absent Jews alien environments: Polish artists Mirosław Bałka and Rafał Jakubowicz on the Holocaust
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Mazzone Marian. Location process identity: actions and happenings in the 1960s
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Morawiecka Maria Magdalena (1986- ). Terra incognita. On cartographic silence on old maps (Middle Ages and the beginning of the Early Modern Period)
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Mudrak Miroslava Maria (1950- ). Polish modernism and Ukrainian artists: parallel strategies
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Murawska-Muthesius Katarzyna (1955- ). Unworlding slaka or does Eastern (Central) European art exist?
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Narusyte Agne (1970- ). Memory of erased time in The Soldier’s Diary by Lithuanian artist Gintaras Zinkevicius
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Niemira Konrad (1989- ). Isolation / Erasure / Oblivion. An artwork in Marcel Proust’s A la recherche de temps perdu
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Nieszczerzewska Małgorzata. Erasure of time. Photographs of abandoned places
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Pachmanova Martina (1970- ). Les femmes artistes d’aujourd’hui: Czech women artists in the context of international modernism
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Palęcka Alicja. Visualizing the other: ethnographic film as thick description
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Popa Lucia. Removing Romania: the Western art world colonized by the East
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Prelovsek Damjan (1945- ). The architect Joze Plecnik: the originator of critical regionalism
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Reberski Ivanka. The universal and the regional: modernism in Croatian painting in the 1920s and 1950s
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Sawicki Nicholas (1974- ). Modernist paradigms after the war: the case of Max Dvorak
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Scheflan-Katzav Hadara (1963- ). Re-representation – critical art and the return of the repressed
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Schultz Deborah. Methodological issues: researching socialist realist Romania
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Sikora Patrycja (1978- ). Erasure. Memory Exercises
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Sikora-Sabat Anna. Romantic creation and socialist erasure: representation of Vincent van Gogh in the printed media of the People’s Republic of Poland
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Simicić Darko (1957- ). The case of Dada: searching through the archipelago of the avant-gardes in Central Europe
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Sinicka Agnieszka. Wilhem Sasnal’s photophobia
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Smolińska Marta (1975- )
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Smolińska Marta (1975- ). Jan Berdyszak. Between paradigms of modernity or nowhere? Subjective remarks across the post-war history of art in Poland
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Soczyńska Agata. Marek Oberlander – a painter undesired by the time
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Speare Jed. Washing up memories: some strategies of Milan Kohout’s performance activism
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Stec Anna (1987- ). Anish Kapoor Memory
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Szczepaniak Barbara. Strategy of erasing manipulation and destruction in photography – interpretation Aneta Grzeszykowska’s Album
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Szczerski Andrzej (1971- ). Ships in the night along the coasts of Bohemia? Modern design aesthetics and the turn of the liner
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Tsiftsi Xanthi. Void the art of erasure. Representing absence in the Jewish Museum Berlin
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Versari Maria Elena. The Central European avant-garde of the 1920s: the battleground for futurist identity?
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Waenerberg Annika. National features in modern art: Edwin Lyden (1879-1956) and Wassily Kandinsky (1866-1944)
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Wierzbicka Anna (historia sztuki). Artists from Central and Eastern Europe in the Ecole de Paris Milieu (1918-1939): the problem of assimilation and identity
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Witkovsky Matthew S. (1967- ). The cage of the center
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Worłowska Magdalena. Let self-effacement be my way of blazing – erasure in the vegetal works of Philippe Jaccottet and Bob Verschueren
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Wunsche Isabel (1965- ). Biocentric modernism: the other side of the avant-garde
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Zarzycki Jakub (1988- ). Polish history painting in the second half of the nineteenth century as a quasi-metanarrative. Visible tyranny of Idea?
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Zawada Michał (1985- ). Imaging iconoclasm
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Zięba Magdalena (1985- ). Authenticity (aura) recycled. Erasing originality in appropriation art
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Ziębińska-Witek Anna (1971- ). Historical museums: between representation and illusion
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Zwickl Andras (1964- ). Between conservatism and modernism: classicisms and realisms of the 1920s in Central Europe
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