Atanassov Dimitar. The Orient reenacted: the conflict between Bayezid and Tamerlane as interpreted in Western European literature and opera during the 16th and 17th centuries
(1)
Babuna Aydin. Between Austrian modernity and Ottoman sovereignty: the Bosnian Muslim dilemmas
(1)
Badach Artur (1969- ). Fenomen obecności malarstwa manierystycznego w kilku wczesnorenesansowych kościołach we Florencji
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Badach Artur (1969- ). The phenomenon of the presence of Mannerist painting in a few Early Renaissance church in Florence
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Berger Friederike. The art of clothing oneself must be popularized: the artistic reform dress as an ideal an aesthetic and consumer culture
(1)
Boluk Oleg Mikolajovic. Christian ideograms in churches of Western Ukraine: the repertoire and plasticity of items of wooden carvings
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Boluk Oleg Mikolajovic. Chrześcijańskie ideogramy w cerkwiach Zachodniej Ukrainy: różnorodność oraz plastyka dzieł snycerstwa
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Brandstatter Christian (1943- ). The Wiener Werkstatte and the fashion reform
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Błotnicka-Mazur Elżbieta (1973- )
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Błotnicka-Mazur Elżbieta (1973- ). Between optic and haptic seeing. The dynamics of Adam Marczyński's works in space and time
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Błotnicka-Mazur Elżbieta (1973- ). Na granicy optyczności i haptyczności widzenia. Dynamika w czasie i przestrzeni dzieł Adama Marczyńskiego
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Carbonell Pallares Jorge Angel. The construction of the image of a nearby Orient. Morocco in Spanish painting of the 19th century
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Ceylan Okan. Constructing Turkish national identity: the role of folklore and folk music
(1)
Cichoń Krzysztof. Hazy borderlands of art. Art as a liminal form of thinking
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Cichoń Krzysztof. Pogranicze zamglone i bezludne. Sztuka jako graniczna forma myślenia
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Demirci Sevtap. Constructing Turkish national identity: the role of folklore and folk music
(1)
Dmytrenko Alla. Lviv collection of theatre sketches by Andrzej Pronaszko: the problem of attribution
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Dmytrenko Alla. Lwowska kolekcja szkiców teatralnych Andrzeja Pronaszki - problem artybucji
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Dogramaci Burcu (1971- ). Posing for a new world: artistic dresses and how they were communicated
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Dziewulski Michał (1978- ). From war-booty to a national symbol. Perception of the 17th and 18th century Ottoman luxury goods in Polish-Lithuanian Commonwealth and its role in shaping Polish self-consciousness
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Ewers-Schultz Ines. Antineutral clothing for men: the artistic reform of men's wear
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Ewers-Schultz Ines. The dress as a work of art beauty as a weapon and the concept of the Gesamtkunstwerk: on a new understanding of art around 1900
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Ewers-Schultz Ines. The essential thing is the individual adaptation to the wearer: Anna Muthesius's Das Eigenkleid der Frau
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Ewers-Schultz Ines. The highest intelligence in the freest body!: modern dance as a symbiosis of body and costume
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Eysymontt Rafał (1959- ). Flanders Wallonia and Silesia. Cities and people
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Eysymontt Rafał (1959- ). Flandria Walonia i Śląsk. Miasta i ludzie
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Felbinger Udo. French art in Vienna at the time of the Congress
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Feliks Anna. The plaques with portraits of famous people by Kazimierz Chodziński (1861-1921) on the background of the collection from the Coins Cabinet of the National Museum in Warsaw
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Fiuk Piotr. Architektura wielokulturowego miasta
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Fiuk Piotr. The architecture of the multicultural city
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Fleischmann-Heck Isa. Kimono & Co.: the influence of Japan as well as historical and regional garments on fashion around 1900
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Fleischmann-Heck Isa. Making an appearance: the fashion frenzy and new style in women's clothing around 1900
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Franz Rainald (1964- ). Porcelain ceramic and glass at the time of the Congress of Vienna
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Fuchs Ingrid. ....dedicated in deepest reverence - Ludwig van Beethoven's dedications to nobles and regents at the time of the Congress of Vienna
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Ganzer Inga (1976- ). Closely tied: the Krefeld Museum director Friedrich Deneken and his European network
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Goch Marcin. Forgotten painted Polonica in the collections of Ukrainian museums
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Goch Marcin. Zapomniane malarskie polonika w zbiorach muzeów Ukrainy
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Godsey William D. (1964- ). The Habsburg Empire during the Napoleonic Wars and Congress of Vienna
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Grabner Sabine. Johann Nepomuk Hochle - image of history and repoartage on the times
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Grabner Sabine. The Congress of Vienna and the Viennese population
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Grabner Sabine. The Congress of Vienna: an event at the interface of politics and culture
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Grabner Sabine. The people as bearers of mood and Francis I's entry into Vienna in June 1814
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Gronek Agnieszka. A new perspective on the icons of the C. Z. monogrammist. A contribution to the research on Orthodox painting on the Russian-Ukrainian borderlands
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Gronek Agnieszka. Jeszcze o ikonach monogramisty C. Z. Przyczynek do studiów nad malarstwem cerkiewnym polsko-słowackiego pogranicza
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Gutman Laura. On exhibition in Paris
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Gyalókay Zoltan. Gothic Painting on the borderland of the Kingdom of Poland and Hungary around the middle of the 15th century. State of research and new perspectives
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Gyalókay Zoltan. Malarstwo tablicowe około połowy XV wieku na pograniczu Królestwa Polskiegi i Węgierskiego. Stan i perspektywy badań
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Górecka Katarzyna (1978- ). Mierzyć znaczy badać
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Górecka Katarzyna (1978- ). To measure is to study
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Hahn Juliane. Skirt and rib: bodies in the gaze
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Hanzl-Wachter Lieselotte (1961- ). Furniture at the time of the Congress of Vienna
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Hausler Wolfgang (1946- ). Vienna! 0 citizen decorated with a crown and host to our rulers!
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Heiser Christiane (1970- ). A miracle how preciously the people here understand their work in silk: Johan Thorn Prikker as a textile artist: from Batik to Krefeld artists' silk
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Hilscher Elisabeth Theresia (1967- ). Festivities and music at the time of the Congress of Vienna
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Holzhey Magdalena. Since not all women even if they have taste are able to invent suitable ornaments: women and their clothes between decoration and emancipation
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Holzhey Magdalena. The artistic elevation of women's dress: Krefeld 1900 and its consequences
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Hovinheimo Petja. History paintings
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Hovinheimo Petja. Inauguration of the Academy in Turku
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Howorus-Czajka Magdalena (1973- ). Jan Berdyszak - transgresja przestrzeni a graniczność ściany
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Howorus-Czajka Magdalena (1973- ). Jan Berdyszak - transgression of space and the limits of the wall
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Husslein-Arco Agnes (1954- )
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Husslein-Arco Agnes (1954- ). Europe in Vienna
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Huusko Timo. Edelfelt's two fatherlands
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Huusko Timo. Religious and mythological subject
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Jankowski Aleksander (historia sztuki). Malarskie dekoracje ścienne dwudziestolecia międzywojennego w wielkopolskich kościołach drewnianych - między tradycją a nowoczesnością
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Jankowski Aleksander (historia sztuki). Wall painting decorations of wooden churches in Greater Poland (Wielkopolska) in the interwar period - between tradition and modernity
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Johannsen Rolf H. (1964- ). The decade of Napoleon
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Kacprzak Dariusz (1971- )
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Kacprzak Dariusz (1971- ). De lykkelige menneskers kunst - bornholmske indtryk
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Kacprzak Dariusz (1971- ). Malarstwo szczęśliwych ludzi - impresja bornholmska
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Karner Regina. Fashion at the time of the Congress of Vienna
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Kaurinkoski Mitro. Edelfelt and Russia
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Kałamajska-Saeed Maria (1941- ). Grodzieńska rzeźba Jezusa Nazareńskiego
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Kałamajska-Saeed Maria (1941- ). The sculpture of Jesus the Nazarene in Grodno
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Kilpinen Tuulikki. Study years
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Kininger Kathrin (1978- ). ... after unprecedented working conferring and editing
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Knapas Rainer. Edelfelt as a cultural ambassador
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Kobylińska-Bunsch Weronika. Symboliczny potencjał pogranicza - polska powojenna fotografia miejsca a włoski neorealizm
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Kobylińska-Bunsch Weronika. The symbolic potential of the borderland - Polish post-war photography of the place and Italian neorealism
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Konstantinova Jura Toteva (1970- ). Bulgarian participation in the public life of Ottoman Salonica
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Korneluk Paulina (1992- ). Concepts of the repolonisation of Zamość in the interwar period
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Korneluk Paulina (1992- ). Koncepcje repolonizacji Zamościa w dwudziestoleciu międzywojennym
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Korulf Moller Lars (1950- ). Bornholms Kunstmuseums historie
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Korulf Moller Lars (1950- ). Dzieła
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Korulf Moller Lars (1950- ). Historia muzeum sztuki na Bornholmie
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Korulf Moller Lars (1950- ). Verker
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Kozieł Andrzej (1966- ). Can state borders stop artists?
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Kozieł Andrzej (1966- ). Czy granice państwowe mogą zatrzymać artystów?
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Krupska Aleksandra. Technika i technologia XVIII-wiecznego portretu staropolskiego na przykładzie imaginacyjnego portretu Leona Tyszkiewicza kasztelana lubelskiego z kolekcji rodowej ze zbiorów Muzeum Narodowego w Warszawie
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Krupska Aleksandra. Techniques and technologies of 18th-century Old Polish portraits illustrated with the example of imaginery portrait of Leo Tyszkiewicz the Castellan of Lublin from the Lohoysk family collection kept in the National Museum of Warsaw
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Krypczyk-De Barra Aleksandra. Tam twa ojczyzna synu gdzie się z komina kopci. Sztuka górnośląskiego pogranicza w latach 1929-1940
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